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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BDB8F it is the complementary color #A42470. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BDB8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BDB8F shade: #60DB8A, #71ED9D, #82FFB0, #93FFC3 and #A4FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BDB8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BDB8F shade: #5BDB8F, #4AC97C, #39B769, #28A556 and #179343

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BDB8F shade: #5BDB8F, #5BDB6D, #6CDB5B, #8FDB5B and #B1DB5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BDB8F shade: #5BDB8F, #5BDBB1, #5BDBD4, #5BBFDB and #5B9DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BDB8F shade matches the following richer shades: #5BDB8F, #4BEB8C and #3BFB89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BDB8F shade: #5BDB8F, #6BCB92, #7CBB95, #8CAA98 and #9C9A9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BDB8F shade: #6CDB5B, #5BDB6C, #5BDB8E, #5BDBB0 and #5BDBD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BDB8F shade: #29BB64, #3AD378, #5BDB8F, #7DE2A6 and #9FEABD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BDB8F shade: #5BDB8F, #5B8EDB and #DB5B5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BDB8F shade: #5BDB8F, #8E5BDB and #DB8E5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BDB8F shade: #5BDB8F, #5B8EDB, #DB5BA8 and #DBA85B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BDB8F shade: #5BDB8F, #5B68DB, #DB5BA8 and #DBCE5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

Complementary color

CMYK 0 / 78 / 32 / 36

HEX #A42470

RGB 164 36 112

HSL 324.38, 0.64%, 0.39%

LAB 38.42, 57.1, -12.43

 

CMYK 56 / 0 / 37 / 14

HEX #60DB8A

RGB 96 219 138

HSL 140.49, 0.63%, 0.62%

LAB 79.03, -52.12, 29.74

 

CMYK 52 / 0 / 34 / 7

HEX #71ED9D

RGB 113 237 157

HSL 141.29, 0.78%, 0.69%

LAB 85.26, -52.08, 28.46

 

CMYK 49 / 0 / 31 / 0

HEX #82FFB0

RGB 130 255 176

HSL 142.08, 1%, 0.75%

LAB 91.42, -51.96, 27.26

 

CMYK 42 / 0 / 24 / 0

HEX #93FFC3

RGB 147 255 195

HSL 146.67, 1%, 0.79%

LAB 92.43, -44.13, 19.1

 

CMYK 36 / 0 / 16 / 0

HEX #A4FFD6

RGB 164 255 214

HSL 152.97, 1%, 0.82%

LAB 93.57, -35.84, 11.07

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 63 / 0 / 38 / 21

HEX #4AC97C

RGB 74 201 124

HSL 143.62, 0.54%, 0.54%

LAB 72.68, -52.16, 28.42

 

CMYK 69 / 0 / 43 / 28

HEX #39B769

RGB 57 183 105

HSL 142.86, 0.53%, 0.47%

LAB 66.33, -51.8, 29.9

 

CMYK 76 / 0 / 48 / 35

HEX #28A556

RGB 40 165 86

HSL 142.08, 0.61%, 0.4%

LAB 59.92, -51.1, 31.48

 

CMYK 84 / 0 / 54 / 42

HEX #179343

RGB 23 147 67

HSL 141.29, 0.73%, 0.33%

LAB 53.44, -49.89, 33.16

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 58 / 0 / 50 / 14

HEX #5BDB6D

RGB 91 219 109

HSL 128.44, 0.64%, 0.61%

LAB 78.46, -57.84, 43.43

 

CMYK 51 / 0 / 58 / 14

HEX #6CDB5B

RGB 108 219 91

HSL 112.03, 0.64%, 0.61%

LAB 78.81, -55.83, 52.35

 

CMYK 35 / 0 / 58 / 14

HEX #8FDB5B

RGB 143 219 91

HSL 95.63, 0.64%, 0.61%

LAB 80.32, -45.09, 54.48

 

CMYK 19 / 0 / 58 / 14

HEX #B1DB5B

RGB 177 219 91

HSL 79.69, 0.64%, 0.61%

LAB 82.25, -32.79, 57.18

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 58 / 0 / 19 / 14

HEX #5BDBB1

RGB 91 219 177

HSL 160.31, 0.64%, 0.61%

LAB 79.65, -45.29, 10.17

 

CMYK 58 / 0 / 3 / 14

HEX #5BDBD4

RGB 91 219 212

HSL 176.72, 0.64%, 0.61%

LAB 80.54, -36.7, -7.17

 

CMYK 58 / 13 / 0 / 14

HEX #5BBFDB

RGB 91 191 219

HSL 193.13, 0.64%, 0.61%

LAB 72.63, -21.16, -22.83

 

CMYK 58 / 28 / 0 / 14

HEX #5B9DDB

RGB 91 157 219

HSL 209.06, 0.64%, 0.61%

LAB 62.89, -2.82, -37.87

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 68 / 0 / 40 / 8

HEX #4BEB8C

RGB 75 235 140

HSL 144.38, 0.8%, 0.61%

LAB 83.34, -61.98, 34.32

 

CMYK 76 / 0 / 45 / 2

HEX #3BFB89

RGB 59 251 137

HSL 144.38, 0.96%, 0.61%

LAB 87.84, -70.35, 41.56

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 47 / 0 / 28 / 20

HEX #6BCB92

RGB 107 203 146

HSL 144.38, 0.48%, 0.61%

LAB 74.77, -41.23, 19.86

 

CMYK 34 / 0 / 20 / 27

HEX #7CBB95

RGB 124 187 149

HSL 143.81, 0.32%, 0.61%

LAB 70.87, -28.39, 12.93

 

CMYK 18 / 0 / 11 / 33

HEX #8CAA98

RGB 140 170 152

HSL 144, 0.15%, 0.61%

LAB 66.97, -13.98, 5.86

 

CMYK 0 / 1 / 1 / 39

HEX #9C9A9B

RGB 156 154 155

HSL 330, 0.01%, 0.61%

LAB 63.79, 0.92, -0.27

 

CMYK 51 / 0 / 58 / 14

HEX #6CDB5B

RGB 108 219 91

HSL 112.03, 0.64%, 0.61%

LAB 78.81, -55.83, 52.35

 

CMYK 58 / 0 / 51 / 14

HEX #5BDB6C

RGB 91 219 108

HSL 127.97, 0.64%, 0.61%

LAB 78.44, -57.98, 43.9

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8E

RGB 91 219 142

HSL 143.91, 0.64%, 0.61%

LAB 78.95, -52.5, 27.55

 

CMYK 58 / 0 / 20 / 14

HEX #5BDBB0

RGB 91 219 176

HSL 159.84, 0.64%, 0.61%

LAB 79.63, -45.52, 10.66

 

CMYK 58 / 0 / 4 / 14

HEX #5BDBD2

RGB 91 219 210

HSL 175.78, 0.64%, 0.61%

LAB 80.48, -37.23, -6.19

 

CMYK 78 / 0 / 47 / 27

HEX #29BB64

RGB 41 187 100

HSL 144.25, 0.64%, 0.45%

LAB 67.23, -56.53, 33.57

 

CMYK 73 / 0 / 43 / 17

HEX #3AD378

RGB 58 211 120

HSL 144.31, 0.63%, 0.53%

LAB 75.35, -59.38, 33.91

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 45 / 0 / 27 / 11

HEX #7DE2A6

RGB 125 226 166

HSL 144.36, 0.64%, 0.69%

LAB 82.65, -42.76, 20.34

 

CMYK 32 / 0 / 19 / 8

HEX #9FEABD

RGB 159 234 189

HSL 144, 0.64%, 0.77%

LAB 86.94, -32.42, 14.58

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 58 / 35 / 0 / 14

HEX #5B8EDB

RGB 91 142 219

HSL 216.09, 0.64%, 0.61%

LAB 58.68, 5.86, -44.47

 

CMYK 0 / 58 / 58 / 14

HEX #DB5B5B

RGB 219 91 91

HSL 0, 0.64%, 0.61%

LAB 55.38, 50.18, 25.71

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 35 / 58 / 0 / 14

HEX #8E5BDB

RGB 142 91 219

HSL 263.91, 0.64%, 0.61%

LAB 49.91, 47.32, -58.22

 

CMYK 0 / 35 / 58 / 14

HEX #DB8E5B

RGB 219 142 91

HSL 23.91, 0.64%, 0.61%

LAB 65.87, 24.19, 38.95

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 58 / 35 / 0 / 14

HEX #5B8EDB

RGB 91 142 219

HSL 216.09, 0.64%, 0.61%

LAB 58.68, 5.86, -44.47

 

CMYK 0 / 58 / 23 / 14

HEX #DB5BA8

RGB 219 91 168

HSL 323.91, 0.64%, 0.61%

LAB 57.43, 58.24, -16.43

 

CMYK 0 / 23 / 58 / 14

HEX #DBA85B

RGB 219 168 91

HSL 36.09, 0.64%, 0.61%

LAB 72.11, 10.22, 46.42

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8F

RGB 91 219 143

HSL 144.38, 0.64%, 0.61%

LAB 78.97, -52.31, 27.05

 

CMYK 58 / 53 / 0 / 14

HEX #5B68DB

RGB 91 104 219

HSL 233.91, 0.64%, 0.61%

LAB 48.56, 28.96, -60.63

 

CMYK 0 / 58 / 23 / 14

HEX #DB5BA8

RGB 219 91 168

HSL 323.91, 0.64%, 0.61%

LAB 57.43, 58.24, -16.43

 

CMYK 0 / 6 / 58 / 14

HEX #DBCE5B

RGB 219 206 91

HSL 53.91, 0.64%, 0.61%

LAB 81.82, -9.63, 57.54

 

Description

Color code: HEX #5BDB8F | qconv.com Color code: HEX #5BDB8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 219 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 219 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 35 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 35% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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