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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BCA16 it is the complementary color #A435E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BCA16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BCA16 shade: #60CA11, #71DC24, #82EE37, #93FF4A and #A4FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BCA16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BCA16 shade: #5BCA16, #4AB803, #39A600, #289400 and #178200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BCA16 shade: #5BC916, #8BC916, #BCC916, #C9A716 and #C97716

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BCA16 shade: #5BC916, #2AC916, #16C932, #16C962 and #16C993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BCA16 shade matches the following richer shades: #5BC916 and #57DC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BCA16 shade: #5BC916, #5FB728, #63A53A, #67934C and #6C815F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BCA16 shade: #BBC916, #8BC916, #5BC916, #2BC916 and #16C931

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BCA16 shade: #397F0E, #4AA412, #5BC916, #6EE623 and #86EA48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BCA16 shade: #5BCA16, #16C9A9 and #C916A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BCA16 shade: #5BCA16, #165BC9 and #C9165B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BCA16 shade: #5BCA16, #16C9A9, #8516C9 and #C91637

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BCA16 shade: #5BCA16, #16B5C9, #8516C9 and #C92B16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 89 / 21

HEX #5BCA16

RGB 91 202 22

HSL 97, 0.8%, 0.44%

LAB 72.58, -58.98, 68.94

 

Complementary color

CMYK 30 / 77 / 0 / 9

HEX #A435E9

RGB 164 53 233

HSL 277, 0.8%, 0.56%

LAB 47.39, 72, -70.11

 

CMYK 52 / 0 / 92 / 21

HEX #60CA11

RGB 96 202 17

HSL 94.38, 0.84%, 0.43%

LAB 72.74, -57.73, 69.94

 

CMYK 49 / 0 / 84 / 14

HEX #71DC24

RGB 113 220 36

HSL 94.89, 0.72%, 0.5%

LAB 78.94, -58.79, 71.9

 

CMYK 45 / 0 / 77 / 7

HEX #82EE37

RGB 130 238 55

HSL 95.41, 0.84%, 0.57%

LAB 85.08, -59.55, 72.73

 

CMYK 42 / 0 / 71 / 0

HEX #93FF4A

RGB 147 255 74

HSL 95.8, 1%, 0.65%

LAB 90.88, -59.69, 72.53

 

CMYK 36 / 0 / 64 / 0

HEX #A4FF5D

RGB 164 255 93

HSL 93.7, 1%, 0.68%

LAB 91.78, -52.89, 66.64

 

CMYK 55 / 0 / 89 / 21

HEX #5BCA16

RGB 91 202 22

HSL 97, 0.8%, 0.44%

LAB 72.58, -58.98, 68.94

 

CMYK 60 / 0 / 98 / 28

HEX #4AB803

RGB 74 184 3

HSL 96.46, 0.97%, 0.37%

LAB 66.32, -57.54, 66.12

 

CMYK 66 / 0 / 100 / 35

HEX #39A600

RGB 57 166 0

HSL 99.4, 1%, 0.33%

LAB 60.02, -55.53, 61.28

 

CMYK 73 / 0 / 100 / 42

HEX #289400

RGB 40 148 0

HSL 103.78, 1%, 0.29%

LAB 53.63, -53.09, 56.04

 

CMYK 82 / 0 / 100 / 49

HEX #178200

RGB 23 130 0

HSL 109.38, 1%, 0.25%

LAB 47.17, -50.12, 50.75

 

CMYK 55 / 0 / 89 / 21

HEX #5BC916

RGB 91 201 22

HSL 96.87, 0.8%, 0.44%

LAB 72.27, -58.62, 68.67

 

CMYK 31 / 0 / 89 / 21

HEX #8BC916

RGB 139 201 22

HSL 80.78, 0.8%, 0.44%

LAB 74.39, -42.96, 71.31

 

CMYK 6 / 0 / 89 / 21

HEX #BCC916

RGB 188 201 22

HSL 64.36, 0.8%, 0.44%

LAB 77.59, -23.27, 75.24

 

CMYK 0 / 17 / 89 / 21

HEX #C9A716

RGB 201 167 22

HSL 48.6, 0.8%, 0.44%

LAB 69.55, -0.24, 69.35

 

CMYK 0 / 41 / 89 / 21

HEX #C97716

RGB 201 119 22

HSL 32.51, 0.8%, 0.44%

LAB 57.72, 25.77, 60.13

 

CMYK 55 / 0 / 89 / 21

HEX #5BC916

RGB 91 201 22

HSL 96.87, 0.8%, 0.44%

LAB 72.27, -58.62, 68.67

 

CMYK 79 / 0 / 89 / 21

HEX #2AC916

RGB 42 201 22

HSL 113.3, 0.8%, 0.44%

LAB 71.09, -68.47, 67.21

 

CMYK 89 / 0 / 75 / 21

HEX #16C932

RGB 22 201 50

HSL 129.39, 0.8%, 0.44%

LAB 70.99, -68.93, 59.72

 

CMYK 89 / 0 / 51 / 21

HEX #16C962

RGB 22 201 98

HSL 145.47, 0.8%, 0.44%

LAB 71.44, -63.41, 39.81

 

CMYK 89 / 0 / 27 / 21

HEX #16C993

RGB 22 201 147

HSL 161.9, 0.8%, 0.44%

LAB 72.26, -53.86, 15.55

 

CMYK 55 / 0 / 89 / 21

HEX #5BC916

RGB 91 201 22

HSL 96.87, 0.8%, 0.44%

LAB 72.27, -58.62, 68.67

 

CMYK 60 / 0 / 98 / 14

HEX #57DC04

RGB 87 220 4

HSL 96.94, 0.96%, 0.44%

LAB 78.01, -66.49, 75.51

 

CMYK 55 / 0 / 89 / 21

HEX #5BC916

RGB 91 201 22

HSL 96.87, 0.8%, 0.44%

LAB 72.27, -58.62, 68.67

 

CMYK 48 / 0 / 78 / 28

HEX #5FB728

RGB 95 183 40

HSL 96.92, 0.64%, 0.44%

LAB 66.86, -50.01, 59.52

 

CMYK 40 / 0 / 65 / 35

HEX #63A53A

RGB 99 165 58

HSL 97.01, 0.48%, 0.44%

LAB 61.54, -40.02, 47.39

 

CMYK 30 / 0 / 48 / 42

HEX #67934C

RGB 103 147 76

HSL 97.18, 0.32%, 0.44%

LAB 56.36, -28.36, 32.73

 

CMYK 16 / 0 / 26 / 49

HEX #6C815F

RGB 108 129 95

HSL 97.06, 0.15%, 0.44%

LAB 51.51, -14.35, 15.98

 

CMYK 7 / 0 / 89 / 21

HEX #BBC916

RGB 187 201 22

HSL 64.69, 0.8%, 0.44%

LAB 77.52, -23.69, 75.15

 

CMYK 31 / 0 / 89 / 21

HEX #8BC916

RGB 139 201 22

HSL 80.78, 0.8%, 0.44%

LAB 74.39, -42.96, 71.31

 

CMYK 55 / 0 / 89 / 21

HEX #5BC916

RGB 91 201 22

HSL 96.87, 0.8%, 0.44%

LAB 72.27, -58.62, 68.67

 

CMYK 79 / 0 / 89 / 21

HEX #2BC916

RGB 43 201 22

HSL 112.96, 0.8%, 0.44%

LAB 71.11, -68.34, 67.22

 

CMYK 89 / 0 / 76 / 21

HEX #16C931

RGB 22 201 49

HSL 129.05, 0.8%, 0.44%

LAB 70.98, -69, 60.05

 

CMYK 55 / 0 / 89 / 50

HEX #397F0E

RGB 57 127 14

HSL 97.17, 0.8%, 0.28%

LAB 47.08, -41.03, 48.18

 

CMYK 55 / 0 / 89 / 36

HEX #4AA412

RGB 74 164 18

HSL 96.99, 0.8%, 0.36%

LAB 59.93, -50.03, 58.68

 

CMYK 55 / 0 / 89 / 21

HEX #5BC916

RGB 91 201 22

HSL 96.87, 0.8%, 0.44%

LAB 72.27, -58.62, 68.67

 

CMYK 52 / 0 / 85 / 10

HEX #6EE623

RGB 110 230 35

HSL 96.92, 0.8%, 0.52%

LAB 81.85, -63.3, 74.64

 

CMYK 43 / 0 / 69 / 8

HEX #86EA48

RGB 134 234 72

HSL 97.04, 0.79%, 0.6%

LAB 84.16, -55.73, 66.23

 

CMYK 55 / 0 / 89 / 21

HEX #5BCA16

RGB 91 202 22

HSL 97, 0.8%, 0.44%

LAB 72.58, -58.98, 68.94

 

CMYK 89 / 0 / 16 / 21

HEX #16C9A9

RGB 22 201 169

HSL 169.27, 0.8%, 0.44%

LAB 72.77, -48.42, 4.41

 

CMYK 0 / 89 / 19 / 21

HEX #C916A3

RGB 201 22 163

HSL 312.74, 0.8%, 0.44%

LAB 46.49, 74.75, -30.6

 

CMYK 55 / 0 / 89 / 21

HEX #5BCA16

RGB 91 202 22

HSL 97, 0.8%, 0.44%

LAB 72.58, -58.98, 68.94

 

CMYK 89 / 55 / 0 / 21

HEX #165BC9

RGB 22 91 201

HSL 216.87, 0.8%, 0.44%

LAB 41.01, 22.14, -62.69

 

CMYK 0 / 89 / 55 / 21

HEX #C9165B

RGB 201 22 91

HSL 336.87, 0.8%, 0.44%

LAB 43.87, 67.62, 9.6

 

CMYK 55 / 0 / 89 / 21

HEX #5BCA16

RGB 91 202 22

HSL 97, 0.8%, 0.44%

LAB 72.58, -58.98, 68.94

 

CMYK 89 / 0 / 16 / 21

HEX #16C9A9

RGB 22 201 169

HSL 169.27, 0.8%, 0.44%

LAB 72.77, -48.42, 4.41

 

CMYK 34 / 89 / 0 / 21

HEX #8516C9

RGB 133 22 201

HSL 277.21, 0.8%, 0.44%

LAB 37.44, 69.52, -68.16

 

CMYK 0 / 89 / 73 / 21

HEX #C91637

RGB 201 22 55

HSL 348.94, 0.8%, 0.44%

LAB 43.16, 65.62, 31.09

 

CMYK 55 / 0 / 89 / 21

HEX #5BCA16

RGB 91 202 22

HSL 97, 0.8%, 0.44%

LAB 72.58, -58.98, 68.94

 

CMYK 89 / 10 / 0 / 21

HEX #16B5C9

RGB 22 181 201

HSL 186.7, 0.8%, 0.44%

LAB 67.6, -30.07, -20.77

 

CMYK 34 / 89 / 0 / 21

HEX #8516C9

RGB 133 22 201

HSL 277.21, 0.8%, 0.44%

LAB 37.44, 69.52, -68.16

 

CMYK 0 / 79 / 89 / 21

HEX #C92B16

RGB 201 43 22

HSL 7.04, 0.8%, 0.44%

LAB 44.52, 59.89, 50.06

 

Description

Color code: HEX #5BCA16 | qconv.com Color code: HEX #5BCA16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 202 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 202 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 89 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 89% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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