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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BBD2E it is the complementary color #A442D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BBD2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BBD2E shade: #60BD29, #71CF3C, #82E14F, #93F362 and #A4FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BBD2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BBD2E shade: #5BBD2E, #4AAB1B, #399908, #288700 and #177500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BBD2E shade: #5ABC2D, #81BC2D, #A7BC2D, #BCAB2D and #BC842D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BBD2E shade: #5ABC2D, #34BC2D, #2DBC4D, #2DBC74 and #2DBC9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BBD2E shade matches the following richer shades: #5ABC2D, #53CF1A and #4CE207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BBD2E shade: #5ABC2D, #61A940, #689653, #6F8366 and #767079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BBD2E shade: #A7BC2D, #81BC2D, #5BBC2D, #34BC2D and #2DBC4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BBD2E shade: #3A7A1D, #4A9B25, #5ABC2D, #6FD142 and #88D963

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BBD2E shade: #5BBD2E, #2DBCAC and #BC2D94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BBD2E shade: #5BBD2E, #2D5BBC and #BC2D5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BBD2E shade: #5BBD2E, #2DBCAC, #8F2DBC and #BC2D3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BBD2E shade: #5BBD2E, #2DA2BC, #8F2DBC and #BC472D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 76 / 26

HEX #5BBD2E

RGB 91 189 46

HSL 101.12, 0.61%, 0.46%

LAB 68.62, -53.13, 59.21

 

Complementary color

CMYK 22 / 68 / 0 / 18

HEX #A442D1

RGB 164 66 209

HSL 281.12, 0.61%, 0.54%

LAB 47.49, 62.06, -56.29

 

CMYK 49 / 0 / 78 / 26

HEX #60BD29

RGB 96 189 41

HSL 97.7, 0.64%, 0.45%

LAB 68.78, -51.97, 61.04

 

CMYK 45 / 0 / 71 / 19

HEX #71CF3C

RGB 113 207 60

HSL 98.37, 0.6%, 0.52%

LAB 75.12, -52.54, 61.07

 

CMYK 42 / 0 / 65 / 12

HEX #82E14F

RGB 130 225 79

HSL 99.04, 0.71%, 0.6%

LAB 81.38, -52.88, 60.55

 

CMYK 40 / 0 / 60 / 5

HEX #93F362

RGB 147 243 98

HSL 99.72, 0.86%, 0.67%

LAB 87.58, -53.06, 59.72

 

CMYK 36 / 0 / 54 / 0

HEX #A4FF75

RGB 164 255 117

HSL 99.57, 1%, 0.73%

LAB 92, -50.67, 56.72

 

CMYK 52 / 0 / 76 / 26

HEX #5BBD2E

RGB 91 189 46

HSL 101.12, 0.61%, 0.46%

LAB 68.62, -53.13, 59.21

 

CMYK 57 / 0 / 84 / 33

HEX #4AAB1B

RGB 74 171 27

HSL 100.42, 0.73%, 0.39%

LAB 62.22, -52.25, 58.64

 

CMYK 63 / 0 / 95 / 40

HEX #399908

RGB 57 153 8

HSL 99.72, 0.9%, 0.32%

LAB 55.76, -50.87, 56.64

 

CMYK 70 / 0 / 100 / 47

HEX #288700

RGB 40 135 0

HSL 102.22, 1%, 0.26%

LAB 49.23, -48.79, 52.53

 

CMYK 80 / 0 / 100 / 54

HEX #177500

RGB 23 117 0

HSL 108.21, 1%, 0.23%

LAB 42.62, -45.97, 47.12

 

CMYK 52 / 0 / 76 / 26

HEX #5ABC2D

RGB 90 188 45

HSL 101.12, 0.61%, 0.46%

LAB 68.26, -53.11, 59.18

 

CMYK 31 / 0 / 76 / 26

HEX #81BC2D

RGB 129 188 45

HSL 84.76, 0.61%, 0.46%

LAB 70.05, -40.17, 61.53

 

CMYK 11 / 0 / 76 / 26

HEX #A7BC2D

RGB 167 188 45

HSL 68.81, 0.61%, 0.46%

LAB 72.48, -25.06, 64.67

 

CMYK 0 / 9 / 76 / 26

HEX #BCAB2D

RGB 188 171 45

HSL 52.87, 0.61%, 0.46%

LAB 69.47, -7.41, 62.5

 

CMYK 0 / 30 / 76 / 26

HEX #BC842D

RGB 188 132 45

HSL 36.5, 0.61%, 0.46%

LAB 59.33, 13.71, 52.87

 

CMYK 52 / 0 / 76 / 26

HEX #5ABC2D

RGB 90 188 45

HSL 101.12, 0.61%, 0.46%

LAB 68.26, -53.11, 59.18

 

CMYK 72 / 0 / 76 / 26

HEX #34BC2D

RGB 52 188 45

HSL 117.06, 0.61%, 0.46%

LAB 67.19, -61.82, 57.77

 

CMYK 76 / 0 / 59 / 26

HEX #2DBC4D

RGB 45 188 77

HSL 133.43, 0.61%, 0.46%

LAB 67.32, -59.76, 44.93

 

CMYK 76 / 0 / 38 / 26

HEX #2DBC74

RGB 45 188 116

HSL 149.79, 0.61%, 0.46%

LAB 67.86, -53.47, 26.09

 

CMYK 76 / 0 / 18 / 26

HEX #2DBC9B

RGB 45 188 155

HSL 166.15, 0.61%, 0.46%

LAB 68.67, -44.68, 6.17

 

CMYK 52 / 0 / 76 / 26

HEX #5ABC2D

RGB 90 188 45

HSL 101.12, 0.61%, 0.46%

LAB 68.26, -53.11, 59.18

 

CMYK 60 / 0 / 87 / 19

HEX #53CF1A

RGB 83 207 26

HSL 101.1, 0.78%, 0.46%

LAB 73.89, -62.62, 69.22

 

CMYK 66 / 0 / 97 / 11

HEX #4CE207

RGB 76 226 7

HSL 101.1, 0.94%, 0.46%

LAB 79.58, -70.75, 76.38

 

CMYK 52 / 0 / 76 / 26

HEX #5ABC2D

RGB 90 188 45

HSL 101.12, 0.61%, 0.46%

LAB 68.26, -53.11, 59.18

 

CMYK 43 / 0 / 62 / 34

HEX #61A940

RGB 97 169 64

HSL 101.14, 0.45%, 0.46%

LAB 62.75, -41.83, 46.04

 

CMYK 31 / 0 / 45 / 41

HEX #689653

RGB 104 150 83

HSL 101.19, 0.29%, 0.46%

LAB 57.44, -28.5, 30.41

 

CMYK 15 / 0 / 22 / 49

HEX #6F8366

RGB 111 131 102

HSL 101.38, 0.12%, 0.46%

LAB 52.48, -13.06, 13.32

 

CMYK 2 / 7 / 0 / 53

HEX #767079

RGB 118 112 121

HSL 280, 0.04%, 0.46%

LAB 48.03, 4.13, -4.14

 

CMYK 11 / 0 / 76 / 26

HEX #A7BC2D

RGB 167 188 45

HSL 68.81, 0.61%, 0.46%

LAB 72.48, -25.06, 64.67

 

CMYK 31 / 0 / 76 / 26

HEX #81BC2D

RGB 129 188 45

HSL 84.76, 0.61%, 0.46%

LAB 70.05, -40.17, 61.53

 

CMYK 52 / 0 / 76 / 26

HEX #5BBC2D

RGB 91 188 45

HSL 100.7, 0.61%, 0.46%

LAB 68.3, -52.82, 59.23

 

CMYK 72 / 0 / 76 / 26

HEX #34BC2D

RGB 52 188 45

HSL 117.06, 0.61%, 0.46%

LAB 67.19, -61.82, 57.77

 

CMYK 76 / 0 / 60 / 26

HEX #2DBC4C

RGB 45 188 76

HSL 133.01, 0.61%, 0.46%

LAB 67.31, -59.88, 45.37

 

CMYK 52 / 0 / 76 / 52

HEX #3A7A1D

RGB 58 122 29

HSL 101.29, 0.62%, 0.3%

LAB 45.51, -37.84, 42.04

 

CMYK 52 / 0 / 76 / 39

HEX #4A9B25

RGB 74 155 37

HSL 101.19, 0.61%, 0.38%

LAB 57.11, -45.64, 50.8

 

CMYK 52 / 0 / 76 / 26

HEX #5ABC2D

RGB 90 188 45

HSL 101.12, 0.61%, 0.46%

LAB 68.26, -53.11, 59.18

 

CMYK 47 / 0 / 68 / 18

HEX #6FD142

RGB 111 209 66

HSL 101.12, 0.61%, 0.54%

LAB 75.68, -53.48, 59.38

 

CMYK 37 / 0 / 54 / 15

HEX #88D963

RGB 136 217 99

HSL 101.19, 0.61%, 0.62%

LAB 79.48, -45.74, 49.79

 

CMYK 52 / 0 / 76 / 26

HEX #5BBD2E

RGB 91 189 46

HSL 101.12, 0.61%, 0.46%

LAB 68.62, -53.13, 59.21

 

CMYK 76 / 0 / 9 / 26

HEX #2DBCAC

RGB 45 188 172

HSL 173.29, 0.61%, 0.46%

LAB 69.11, -40.18, -2.51

 

CMYK 0 / 76 / 21 / 26

HEX #BC2D94

RGB 188 45 148

HSL 316.78, 0.61%, 0.46%

LAB 45.23, 64.86, -23.75

 

CMYK 52 / 0 / 76 / 26

HEX #5BBD2E

RGB 91 189 46

HSL 101.12, 0.61%, 0.46%

LAB 68.62, -53.13, 59.21

 

CMYK 76 / 52 / 0 / 26

HEX #2D5BBC

RGB 45 91 188

HSL 220.7, 0.61%, 0.46%

LAB 40.69, 19.08, -55.63

 

CMYK 0 / 76 / 52 / 26

HEX #BC2D5B

RGB 188 45 91

HSL 340.7, 0.61%, 0.46%

LAB 43.25, 58.74, 8.36

 

CMYK 52 / 0 / 76 / 26

HEX #5BBD2E

RGB 91 189 46

HSL 101.12, 0.61%, 0.46%

LAB 68.62, -53.13, 59.21

 

CMYK 76 / 0 / 9 / 26

HEX #2DBCAC

RGB 45 188 172

HSL 173.29, 0.61%, 0.46%

LAB 69.11, -40.18, -2.51

 

CMYK 24 / 76 / 0 / 26

HEX #8F2DBC

RGB 143 45 188

HSL 281.12, 0.61%, 0.46%

LAB 40.16, 61.84, -56.06

 

CMYK 0 / 76 / 67 / 26

HEX #BC2D3E

RGB 188 45 62

HSL 352.87, 0.61%, 0.46%

LAB 42.64, 56.78, 25.58

 

CMYK 52 / 0 / 76 / 26

HEX #5BBD2E

RGB 91 189 46

HSL 101.12, 0.61%, 0.46%

LAB 68.62, -53.13, 59.21

 

CMYK 76 / 14 / 0 / 26

HEX #2DA2BC

RGB 45 162 188

HSL 190.91, 0.61%, 0.46%

LAB 61.68, -22.89, -22.56

 

CMYK 24 / 76 / 0 / 26

HEX #8F2DBC

RGB 143 45 188

HSL 281.12, 0.61%, 0.46%

LAB 40.16, 61.84, -56.06

 

CMYK 0 / 62 / 76 / 26

HEX #BC472D

RGB 188 71 45

HSL 10.91, 0.61%, 0.46%

LAB 46.16, 45.74, 39.51

 

Description

Color code: HEX #5BBD2E | qconv.com Color code: HEX #5BBD2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 189 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 189 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 76 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 76% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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