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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BAAE0 it is the complementary color #A4551F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BAAE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BAAE0 shade: #60AADB, #71BCEE, #82CEFF, #93E0FF and #A4F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BAAE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BAAE0 shade: #5BAAE0, #4A98CD, #3986BA, #2874A7 and #176294

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BAAE0 shade: #5CAADF, #5C86DF, #5C63DF, #785CDF and #9C5CDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BAAE0 shade: #5CAADF, #5C86DF, #5C63DF and #5C5CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BAAE0 shade matches the following richer shades: #5CAADF and #4CADEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BAAE0 shade: #5CAADF, #6BA7D0, #7BA4C0, #8BA1B0 and #9A9EA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BAAE0 shade: #5CDFCE, #5CCEDF, #5CABDF, #5C88DF and #5C64DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BAAE0 shade: #2583C4, #3998D9, #5CAADF, #7EBCE6 and #A1CEED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BAAE0 shade: #5BAAE0, #AB5CDF and #DFDF5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BAAE0 shade: #5BAAE0, #DF5CAB and #ABDF5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BAAE0 shade: #5BAAE0, #AB5CDF, #DF905C and #90DF5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BAAE0 shade: #5BAAE0, #D25CDF, #DF905C and #69DF5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 24 / 0 / 12

HEX #5BAAE0

RGB 91 170 224

HSL 204.36, 0.68%, 0.62%

LAB 66.79, -8.5, -34.55

 

Complementary color

CMYK 0 / 48 / 81 / 36

HEX #A4551F

RGB 164 85 31

HSL 24.36, 0.68%, 0.38%

LAB 44.93, 28.74, 43.96

 

CMYK 56 / 22 / 0 / 14

HEX #60AADB

RGB 96 170 219

HSL 203.9, 0.63%, 0.62%

LAB 66.79, -9.06, -31.79

 

CMYK 53 / 21 / 0 / 7

HEX #71BCEE

RGB 113 188 238

HSL 204, 0.79%, 0.69%

LAB 73.32, -9.59, -32

 

CMYK 49 / 19 / 0 / 0

HEX #82CEFF

RGB 130 206 255

HSL 203.52, 1%, 0.75%

LAB 79.68, -10.59, -31.27

 

CMYK 42 / 12 / 0 / 0

HEX #93E0FF

RGB 147 224 255

HSL 197.22, 1%, 0.79%

LAB 85.37, -15.94, -22.5

 

CMYK 36 / 5 / 0 / 0

HEX #A4F2FF

RGB 164 242 255

HSL 188.57, 1%, 0.82%

LAB 91.06, -20.7, -13.85

 

CMYK 59 / 24 / 0 / 12

HEX #5BAAE0

RGB 91 170 224

HSL 204.36, 0.68%, 0.62%

LAB 66.79, -8.5, -34.55

 

CMYK 64 / 26 / 0 / 20

HEX #4A98CD

RGB 74 152 205

HSL 204.27, 0.57%, 0.55%

LAB 60.18, -7.68, -34.34

 

CMYK 69 / 28 / 0 / 27

HEX #3986BA

RGB 57 134 186

HSL 204.19, 0.53%, 0.48%

LAB 53.45, -6.64, -34.13

 

CMYK 76 / 31 / 0 / 35

HEX #2874A7

RGB 40 116 167

HSL 204.09, 0.61%, 0.41%

LAB 46.62, -5.26, -33.89

 

CMYK 84 / 34 / 0 / 42

HEX #176294

RGB 23 98 148

HSL 204, 0.73%, 0.34%

LAB 39.67, -3.41, -33.6

 

CMYK 59 / 24 / 0 / 13

HEX #5CAADF

RGB 92 170 223

HSL 204.27, 0.67%, 0.62%

LAB 66.79, -8.62, -34

 

CMYK 59 / 40 / 0 / 13

HEX #5C86DF

RGB 92 134 223

HSL 220.76, 0.67%, 0.62%

LAB 56.74, 12.13, -49.79

 

CMYK 59 / 56 / 0 / 13

HEX #5C63DF

RGB 92 99 223

HSL 236.79, 0.67%, 0.62%

LAB 47.66, 33.51, -64.35

 

CMYK 46 / 59 / 0 / 13

HEX #785CDF

RGB 120 92 223

HSL 252.82, 0.67%, 0.62%

LAB 48.23, 43.05, -63.32

 

CMYK 30 / 59 / 0 / 13

HEX #9C5CDF

RGB 156 92 223

HSL 269.31, 0.67%, 0.62%

LAB 51.89, 51, -57.23

 

CMYK 59 / 24 / 0 / 13

HEX #5CAADF

RGB 92 170 223

HSL 204.27, 0.67%, 0.62%

LAB 66.79, -8.62, -34

 

CMYK 59 / 40 / 0 / 13

HEX #5C86DF

RGB 92 134 223

HSL 220.76, 0.67%, 0.62%

LAB 56.74, 12.13, -49.79

 

CMYK 59 / 56 / 0 / 13

HEX #5C63DF

RGB 92 99 223

HSL 236.79, 0.67%, 0.62%

LAB 47.66, 33.51, -64.35

 

CMYK 59 / 59 / 0 / 13

HEX #5C5CDF

RGB 92 92 223

HSL 240, 0.67%, 0.62%

LAB 45.98, 37.76, -67.07

 

CMYK 59 / 24 / 0 / 13

HEX #5CAADF

RGB 92 170 223

HSL 204.27, 0.67%, 0.62%

LAB 66.79, -8.62, -34

 

CMYK 68 / 28 / 0 / 6

HEX #4CADEF

RGB 76 173 239

HSL 204.29, 0.84%, 0.62%

LAB 67.77, -7.86, -41.28

 

CMYK 59 / 24 / 0 / 13

HEX #5CAADF

RGB 92 170 223

HSL 204.27, 0.67%, 0.62%

LAB 66.79, -8.62, -34

 

CMYK 49 / 20 / 0 / 18

HEX #6BA7D0

RGB 107 167 208

HSL 204.36, 0.52%, 0.62%

LAB 65.99, -8.27, -26.9

 

CMYK 36 / 15 / 0 / 25

HEX #7BA4C0

RGB 123 164 192

HSL 204.35, 0.35%, 0.62%

LAB 65.41, -6.89, -18.83

 

CMYK 21 / 9 / 0 / 31

HEX #8BA1B0

RGB 139 161 176

HSL 204.32, 0.19%, 0.62%

LAB 65.05, -4.35, -10.34

 

CMYK 4 / 2 / 0 / 37

HEX #9A9EA1

RGB 154 158 161

HSL 205.71, 0.04%, 0.62%

LAB 64.88, -0.84, -2.07

 

CMYK 59 / 0 / 8 / 13

HEX #5CDFCE

RGB 92 223 206

HSL 172.21, 0.67%, 0.62%

LAB 81.57, -39.9, -2.45

 

CMYK 59 / 8 / 0 / 13

HEX #5CCEDF

RGB 92 206 223

HSL 187.79, 0.67%, 0.62%

LAB 77.13, -27.33, -18.16

 

CMYK 59 / 23 / 0 / 13

HEX #5CABDF

RGB 92 171 223

HSL 203.82, 0.67%, 0.62%

LAB 67.07, -9.17, -33.56

 

CMYK 59 / 39 / 0 / 13

HEX #5C88DF

RGB 92 136 223

HSL 219.85, 0.67%, 0.62%

LAB 57.28, 10.93, -48.92

 

CMYK 59 / 55 / 0 / 13

HEX #5C64DF

RGB 92 100 223

HSL 236.34, 0.67%, 0.62%

LAB 47.9, 32.9, -63.96

 

CMYK 81 / 33 / 0 / 23

HEX #2583C4

RGB 37 131 196

HSL 204.53, 0.68%, 0.46%

LAB 52.52, -3.81, -41.34

 

CMYK 74 / 30 / 0 / 15

HEX #3998D9

RGB 57 152 217

HSL 204.38, 0.68%, 0.54%

LAB 60.19, -6.18, -41.06

 

CMYK 59 / 24 / 0 / 13

HEX #5CAADF

RGB 92 170 223

HSL 204.27, 0.67%, 0.62%

LAB 66.79, -8.62, -34

 

CMYK 45 / 18 / 0 / 10

HEX #7EBCE6

RGB 126 188 230

HSL 204.23, 0.68%, 0.7%

LAB 73.62, -8.9, -27.16

 

CMYK 32 / 13 / 0 / 7

HEX #A1CEED

RGB 161 206 237

HSL 204.47, 0.68%, 0.78%

LAB 80.65, -7.5, -20.04

 

CMYK 59 / 24 / 0 / 12

HEX #5BAAE0

RGB 91 170 224

HSL 204.36, 0.68%, 0.62%

LAB 66.79, -8.5, -34.55

 

CMYK 23 / 59 / 0 / 13

HEX #AB5CDF

RGB 171 92 223

HSL 276.18, 0.67%, 0.62%

LAB 53.64, 54.55, -54.33

 

CMYK 0 / 0 / 59 / 13

HEX #DFDF5C

RGB 223 223 92

HSL 60, 0.67%, 0.62%

LAB 86.62, -16.41, 62.5

 

CMYK 59 / 24 / 0 / 12

HEX #5BAAE0

RGB 91 170 224

HSL 204.36, 0.68%, 0.62%

LAB 66.79, -8.5, -34.55

 

CMYK 0 / 59 / 23 / 13

HEX #DF5CAB

RGB 223 92 171

HSL 323.82, 0.67%, 0.62%

LAB 58.3, 59.38, -16.79

 

CMYK 23 / 0 / 59 / 13

HEX #ABDF5C

RGB 171 223 92

HSL 83.82, 0.67%, 0.62%

LAB 83.02, -36.8, 57.51

 

CMYK 59 / 24 / 0 / 12

HEX #5BAAE0

RGB 91 170 224

HSL 204.36, 0.68%, 0.62%

LAB 66.79, -8.5, -34.55

 

CMYK 23 / 59 / 0 / 13

HEX #AB5CDF

RGB 171 92 223

HSL 276.18, 0.67%, 0.62%

LAB 53.64, 54.55, -54.33

 

CMYK 0 / 35 / 59 / 13

HEX #DF905C

RGB 223 144 92

HSL 23.82, 0.67%, 0.62%

LAB 66.83, 24.83, 39.7

 

CMYK 35 / 0 / 59 / 13

HEX #90DF5C

RGB 144 223 92

HSL 96.18, 0.67%, 0.62%

LAB 81.55, -46.35, 55.45

 

CMYK 59 / 24 / 0 / 12

HEX #5BAAE0

RGB 91 170 224

HSL 204.36, 0.68%, 0.62%

LAB 66.79, -8.5, -34.55

 

CMYK 6 / 59 / 0 / 13

HEX #D25CDF

RGB 210 92 223

HSL 294.05, 0.67%, 0.62%

LAB 58.68, 64.08, -46.01

 

CMYK 0 / 35 / 59 / 13

HEX #DF905C

RGB 223 144 92

HSL 23.82, 0.67%, 0.62%

LAB 66.83, 24.83, 39.7

 

CMYK 53 / 0 / 59 / 13

HEX #69DF5C

RGB 105 223 92

HSL 114.05, 0.67%, 0.62%

LAB 79.93, -58.04, 53.16

 

Description

Color code: HEX #5BAAE0 | qconv.com Color code: HEX #5BAAE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 170 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 170 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 24 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 24% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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