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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BA7CD it is the complementary color #A45832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BA7CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BA7CD shade: #60A7C8, #71B9DB, #82CBEE, #93DDFF and #A4EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BA7CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BA7CD shade: #5BA7CD, #4A95BA, #3983A7, #287194 and #175F81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BA7CD shade: #5BA6CC, #5B88CC, #5B69CC, #6B5BCC and #895BCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BA7CD shade: #5BA6CC, #5B88CC, #5B69CC and #5B5BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BA7CD shade matches the following richer shades: #5BA6CC, #49ACDD and #38B2EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BA7CD shade: #5BA6CC, #6CA1BB, #7D9BAA, #8F9598 and #A08F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BA7CD shade: #5BCCB5, #5BC5CC, #5BA6CC, #5B88CC and #5B6ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BA7CD shade: #327DA3, #3B95C2, #5BA6CC, #7AB7D6 and #9AC8E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BA7CD shade: #5BA7CD, #975BCC and #CCC55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BA7CD shade: #5BA7CD, #CC5BA6 and #A6CC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BA7CD shade: #5BA7CD, #975BCC, #CC805B and #90CC5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BA7CD shade: #5BA7CD, #B95BCC, #CC805B and #6ECC5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 19 / 0 / 20

HEX #5BA7CD

RGB 91 167 205

HSL 200, 0.53%, 0.58%

LAB 65.18, -12.7, -26.55

 

Complementary color

CMYK 0 / 46 / 70 / 36

HEX #A45832

RGB 164 88 50

HSL 20, 0.53%, 0.42%

LAB 45.77, 28, 35.31

 

CMYK 52 / 17 / 0 / 22

HEX #60A7C8

RGB 96 167 200

HSL 199.04, 0.49%, 0.58%

LAB 65.2, -13.11, -23.73

 

CMYK 48 / 16 / 0 / 14

HEX #71B9DB

RGB 113 185 219

HSL 199.25, 0.6%, 0.65%

LAB 71.77, -13.43, -24.06

 

CMYK 45 / 15 / 0 / 7

HEX #82CBEE

RGB 130 203 238

HSL 199.44, 0.76%, 0.72%

LAB 78.25, -13.68, -24.38

 

CMYK 42 / 13 / 0 / 0

HEX #93DDFF

RGB 147 221 255

HSL 198.89, 1%, 0.79%

LAB 84.55, -14.41, -23.74

 

CMYK 36 / 6 / 0 / 0

HEX #A4EFFF

RGB 164 239 255

HSL 190.55, 1%, 0.82%

LAB 90.25, -19.21, -15.06

 

CMYK 56 / 19 / 0 / 20

HEX #5BA7CD

RGB 91 167 205

HSL 200, 0.53%, 0.58%

LAB 65.18, -12.7, -26.55

 

CMYK 60 / 20 / 0 / 27

HEX #4A95BA

RGB 74 149 186

HSL 199.82, 0.45%, 0.51%

LAB 58.5, -12.14, -26.24

 

CMYK 66 / 22 / 0 / 35

HEX #3983A7

RGB 57 131 167

HSL 199.64, 0.49%, 0.44%

LAB 51.72, -11.39, -25.91

 

CMYK 73 / 24 / 0 / 42

HEX #287194

RGB 40 113 148

HSL 199.44, 0.57%, 0.37%

LAB 44.8, -10.37, -25.54

 

CMYK 82 / 26 / 0 / 49

HEX #175F81

RGB 23 95 129

HSL 199.25, 0.7%, 0.3%

LAB 37.76, -8.92, -25.11

 

CMYK 55 / 19 / 0 / 20

HEX #5BA6CC

RGB 91 166 204

HSL 200.18, 0.53%, 0.58%

LAB 64.85, -12.46, -26.5

 

CMYK 55 / 33 / 0 / 20

HEX #5B88CC

RGB 91 136 204

HSL 216.11, 0.53%, 0.58%

LAB 56.28, 4.56, -39.83

 

CMYK 55 / 49 / 0 / 20

HEX #5B69CC

RGB 91 105 204

HSL 232.57, 0.53%, 0.58%

LAB 47.86, 23.43, -53.2

 

CMYK 48 / 55 / 0 / 20

HEX #6B5BCC

RGB 107 91 204

HSL 248.5, 0.53%, 0.58%

LAB 45.59, 35.37, -56.79

 

CMYK 33 / 55 / 0 / 20

HEX #895BCC

RGB 137 91 204

HSL 264.42, 0.53%, 0.58%

LAB 48.46, 42.32, -52.03

 

CMYK 55 / 19 / 0 / 20

HEX #5BA6CC

RGB 91 166 204

HSL 200.18, 0.53%, 0.58%

LAB 64.85, -12.46, -26.5

 

CMYK 55 / 33 / 0 / 20

HEX #5B88CC

RGB 91 136 204

HSL 216.11, 0.53%, 0.58%

LAB 56.28, 4.56, -39.83

 

CMYK 55 / 49 / 0 / 20

HEX #5B69CC

RGB 91 105 204

HSL 232.57, 0.53%, 0.58%

LAB 47.86, 23.43, -53.2

 

CMYK 55 / 55 / 0 / 20

HEX #5B5BCC

RGB 91 91 204

HSL 240, 0.53%, 0.58%

LAB 44.33, 32.09, -58.89

 

CMYK 55 / 19 / 0 / 20

HEX #5BA6CC

RGB 91 166 204

HSL 200.18, 0.53%, 0.58%

LAB 64.85, -12.46, -26.5

 

CMYK 67 / 22 / 0 / 13

HEX #49ACDD

RGB 73 172 221

HSL 199.86, 0.69%, 0.58%

LAB 66.63, -13.65, -33.2

 

CMYK 77 / 26 / 0 / 6

HEX #38B2EF

RGB 56 178 239

HSL 200, 0.85%, 0.58%

LAB 68.69, -13.15, -39.88

 

CMYK 55 / 19 / 0 / 20

HEX #5BA6CC

RGB 91 166 204

HSL 200.18, 0.53%, 0.58%

LAB 64.85, -12.46, -26.5

 

CMYK 42 / 14 / 0 / 27

HEX #6CA1BB

RGB 108 161 187

HSL 199.75, 0.37%, 0.58%

LAB 63.56, -10.65, -18.93

 

CMYK 26 / 9 / 0 / 33

HEX #7D9BAA

RGB 125 155 170

HSL 200, 0.21%, 0.58%

LAB 62.26, -6.88, -11.25

 

CMYK 6 / 2 / 0 / 40

HEX #8F9598

RGB 143 149 152

HSL 200, 0.04%, 0.58%

LAB 61.31, -1.56, -2.34

 

CMYK 0 / 11 / 16 / 37

HEX #A08F87

RGB 160 143 135

HSL 19.2, 0.12%, 0.58%

LAB 60.66, 4.96, 6.56

 

CMYK 55 / 0 / 11 / 20

HEX #5BCCB5

RGB 91 204 181

HSL 167.79, 0.53%, 0.58%

LAB 75.29, -37.71, 1.76

 

CMYK 55 / 3 / 0 / 20

HEX #5BC5CC

RGB 91 197 204

HSL 183.72, 0.53%, 0.58%

LAB 73.88, -28.42, -12.79

 

CMYK 55 / 19 / 0 / 20

HEX #5BA6CC

RGB 91 166 204

HSL 200.18, 0.53%, 0.58%

LAB 64.85, -12.46, -26.5

 

CMYK 55 / 33 / 0 / 20

HEX #5B88CC

RGB 91 136 204

HSL 216.11, 0.53%, 0.58%

LAB 56.28, 4.56, -39.83

 

CMYK 55 / 48 / 0 / 20

HEX #5B6ACC

RGB 91 106 204

HSL 232.04, 0.53%, 0.58%

LAB 48.12, 22.81, -52.78

 

CMYK 69 / 23 / 0 / 36

HEX #327DA3

RGB 50 125 163

HSL 200.18, 0.53%, 0.42%

LAB 49.48, -10.5, -27.06

 

CMYK 70 / 23 / 0 / 24

HEX #3B95C2

RGB 59 149 194

HSL 200, 0.53%, 0.5%

LAB 58.34, -12.1, -31.06

 

CMYK 55 / 19 / 0 / 20

HEX #5BA6CC

RGB 91 166 204

HSL 200.18, 0.53%, 0.58%

LAB 64.85, -12.46, -26.5

 

CMYK 43 / 14 / 0 / 16

HEX #7AB7D6

RGB 122 183 214

HSL 200.22, 0.53%, 0.66%

LAB 71.46, -11.58, -21.77

 

CMYK 31 / 11 / 0 / 12

HEX #9AC8E0

RGB 154 200 224

HSL 200.57, 0.53%, 0.74%

LAB 78.2, -9.45, -16.81

 

CMYK 56 / 19 / 0 / 20

HEX #5BA7CD

RGB 91 167 205

HSL 200, 0.53%, 0.58%

LAB 65.18, -12.7, -26.55

 

CMYK 26 / 55 / 0 / 20

HEX #975BCC

RGB 151 91 204

HSL 271.86, 0.53%, 0.58%

LAB 50, 45.81, -49.47

 

CMYK 0 / 3 / 55 / 20

HEX #CCC55B

RGB 204 197 91

HSL 56.28, 0.53%, 0.58%

LAB 78.18, -11.26, 53.1

 

CMYK 56 / 19 / 0 / 20

HEX #5BA7CD

RGB 91 167 205

HSL 200, 0.53%, 0.58%

LAB 65.18, -12.7, -26.55

 

CMYK 0 / 55 / 19 / 20

HEX #CC5BA6

RGB 204 91 166

HSL 320.18, 0.53%, 0.58%

LAB 55.15, 53.5, -18.95

 

CMYK 19 / 0 / 55 / 20

HEX #A6CC5B

RGB 166 204 91

HSL 80.18, 0.53%, 0.58%

LAB 77.31, -29.99, 51.36

 

CMYK 56 / 19 / 0 / 20

HEX #5BA7CD

RGB 91 167 205

HSL 200, 0.53%, 0.58%

LAB 65.18, -12.7, -26.55

 

CMYK 26 / 55 / 0 / 20

HEX #975BCC

RGB 151 91 204

HSL 271.86, 0.53%, 0.58%

LAB 50, 45.81, -49.47

 

CMYK 0 / 37 / 55 / 20

HEX #CC805B

RGB 204 128 91

HSL 19.65, 0.53%, 0.58%

LAB 60.81, 25.63, 32.25

 

CMYK 29 / 0 / 55 / 20

HEX #90CC5B

RGB 144 204 91

HSL 91.86, 0.53%, 0.58%

LAB 75.99, -38.18, 49.49

 

CMYK 56 / 19 / 0 / 20

HEX #5BA7CD

RGB 91 167 205

HSL 200, 0.53%, 0.58%

LAB 65.18, -12.7, -26.55

 

CMYK 9 / 55 / 0 / 20

HEX #B95BCC

RGB 185 91 204

HSL 289.91, 0.53%, 0.58%

LAB 54.19, 54.62, -42.56

 

CMYK 0 / 37 / 55 / 20

HEX #CC805B

RGB 204 128 91

HSL 19.65, 0.53%, 0.58%

LAB 60.81, 25.63, 32.25

 

CMYK 46 / 0 / 55 / 20

HEX #6ECC5B

RGB 110 204 91

HSL 109.91, 0.53%, 0.58%

LAB 74.35, -49.36, 47.16

 

Description

Color code: HEX #5BA7CD | qconv.com Color code: HEX #5BA7CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 167 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 167 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 19 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 19% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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