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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BA5CC it is the complementary color #A45A33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BA5CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BA5CC shade: #60A5C7, #71B7DA, #82C9ED, #93DBFF and #A4EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BA5CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BA5CC shade: #5BA5CC, #4A93B9, #3981A6, #286F93 and #175D80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BA5CC shade: #5BA5CC, #5B86CC, #5B68CC, #6C5BCC and #8B5BCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BA5CC shade: #5BA5CC, #5B86CC, #5B68CC and #5B5BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BA5CC shade matches the following richer shades: #5BA5CC, #49AADD and #38B0EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BA5CC shade: #5BA5CC, #6CA0BB, #7D9AAA, #8F9598 and #A09087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BA5CC shade: #5BCCB5, #5BC5CC, #5BA6CC, #5B88CC and #5B6ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BA5CC shade: #327CA3, #3B94C2, #5BA5CC, #7AB6D6 and #9AC7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BA5CC shade: #5BA5CC, #975BCC and #CCC55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BA5CC shade: #5BA5CC, #CC5BA6 and #A6CC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BA5CC shade: #5BA5CC, #975BCC, #CC805B and #90CC5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BA5CC shade: #5BA5CC, #B95BCC, #CC805B and #6ECC5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

Complementary color

CMYK 0 / 45 / 69 / 36

HEX #A45A33

RGB 164 90 51

HSL 20.71, 0.53%, 0.42%

LAB 46.24, 26.96, 35.3

 

CMYK 52 / 17 / 0 / 22

HEX #60A5C7

RGB 96 165 199

HSL 199.81, 0.48%, 0.58%

LAB 64.58, -12.32, -24.12

 

CMYK 48 / 16 / 0 / 15

HEX #71B7DA

RGB 113 183 218

HSL 200, 0.59%, 0.65%

LAB 71.17, -12.65, -24.43

 

CMYK 45 / 15 / 0 / 7

HEX #82C9ED

RGB 130 201 237

HSL 200.19, 0.75%, 0.72%

LAB 77.66, -12.91, -24.74

 

CMYK 42 / 14 / 0 / 0

HEX #93DBFF

RGB 147 219 255

HSL 200, 1%, 0.79%

LAB 84.01, -13.38, -24.57

 

CMYK 36 / 7 / 0 / 0

HEX #A4EDFF

RGB 164 237 255

HSL 191.87, 1%, 0.82%

LAB 89.71, -18.22, -15.87

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 60 / 21 / 0 / 27

HEX #4A93B9

RGB 74 147 185

HSL 200.54, 0.44%, 0.51%

LAB 57.87, -11.35, -26.65

 

CMYK 66 / 22 / 0 / 35

HEX #3981A6

RGB 57 129 166

HSL 200.37, 0.49%, 0.44%

LAB 51.06, -10.59, -26.34

 

CMYK 73 / 24 / 0 / 42

HEX #286F93

RGB 40 111 147

HSL 200.19, 0.57%, 0.37%

LAB 44.13, -9.56, -25.99

 

CMYK 82 / 27 / 0 / 50

HEX #175D80

RGB 23 93 128

HSL 200, 0.7%, 0.3%

LAB 37.06, -8.09, -25.59

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 55 / 34 / 0 / 20

HEX #5B86CC

RGB 91 134 204

HSL 217.17, 0.53%, 0.58%

LAB 55.72, 5.74, -40.71

 

CMYK 55 / 49 / 0 / 20

HEX #5B68CC

RGB 91 104 204

HSL 233.1, 0.53%, 0.58%

LAB 47.6, 24.05, -53.62

 

CMYK 47 / 55 / 0 / 20

HEX #6C5BCC

RGB 108 91 204

HSL 249.03, 0.53%, 0.58%

LAB 45.68, 35.59, -56.65

 

CMYK 32 / 55 / 0 / 20

HEX #8B5BCC

RGB 139 91 204

HSL 265.49, 0.53%, 0.58%

LAB 48.67, 42.82, -51.67

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 55 / 34 / 0 / 20

HEX #5B86CC

RGB 91 134 204

HSL 217.17, 0.53%, 0.58%

LAB 55.72, 5.74, -40.71

 

CMYK 55 / 49 / 0 / 20

HEX #5B68CC

RGB 91 104 204

HSL 233.1, 0.53%, 0.58%

LAB 47.6, 24.05, -53.62

 

CMYK 55 / 55 / 0 / 20

HEX #5B5BCC

RGB 91 91 204

HSL 240, 0.53%, 0.58%

LAB 44.33, 32.09, -58.89

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 67 / 23 / 0 / 13

HEX #49AADD

RGB 73 170 221

HSL 200.68, 0.69%, 0.58%

LAB 66.05, -12.57, -34.1

 

CMYK 77 / 26 / 0 / 6

HEX #38B0EF

RGB 56 176 239

HSL 200.66, 0.85%, 0.58%

LAB 68.11, -12.07, -40.78

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 42 / 14 / 0 / 27

HEX #6CA0BB

RGB 108 160 187

HSL 200.51, 0.37%, 0.58%

LAB 63.27, -10.1, -19.36

 

CMYK 26 / 9 / 0 / 33

HEX #7D9AAA

RGB 125 154 170

HSL 201.33, 0.21%, 0.58%

LAB 61.98, -6.33, -11.67

 

CMYK 6 / 2 / 0 / 40

HEX #8F9598

RGB 143 149 152

HSL 200, 0.04%, 0.58%

LAB 61.31, -1.56, -2.34

 

CMYK 0 / 10 / 16 / 37

HEX #A09087

RGB 160 144 135

HSL 21.6, 0.12%, 0.58%

LAB 60.93, 4.4, 6.94

 

CMYK 55 / 0 / 11 / 20

HEX #5BCCB5

RGB 91 204 181

HSL 167.79, 0.53%, 0.58%

LAB 75.29, -37.71, 1.76

 

CMYK 55 / 3 / 0 / 20

HEX #5BC5CC

RGB 91 197 204

HSL 183.72, 0.53%, 0.58%

LAB 73.88, -28.42, -12.79

 

CMYK 55 / 19 / 0 / 20

HEX #5BA6CC

RGB 91 166 204

HSL 200.18, 0.53%, 0.58%

LAB 64.85, -12.46, -26.5

 

CMYK 55 / 33 / 0 / 20

HEX #5B88CC

RGB 91 136 204

HSL 216.11, 0.53%, 0.58%

LAB 56.28, 4.56, -39.83

 

CMYK 55 / 48 / 0 / 20

HEX #5B6ACC

RGB 91 106 204

HSL 232.04, 0.53%, 0.58%

LAB 48.12, 22.81, -52.78

 

CMYK 69 / 24 / 0 / 36

HEX #327CA3

RGB 50 124 163

HSL 200.71, 0.53%, 0.42%

LAB 49.18, -9.93, -27.54

 

CMYK 70 / 24 / 0 / 24

HEX #3B94C2

RGB 59 148 194

HSL 200.44, 0.53%, 0.5%

LAB 58.04, -11.54, -31.52

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 43 / 15 / 0 / 16

HEX #7AB6D6

RGB 122 182 214

HSL 200.87, 0.53%, 0.66%

LAB 71.18, -11.05, -22.2

 

CMYK 31 / 11 / 0 / 12

HEX #9AC7E0

RGB 154 199 224

HSL 201.43, 0.53%, 0.74%

LAB 77.93, -8.92, -17.22

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 26 / 55 / 0 / 20

HEX #975BCC

RGB 151 91 204

HSL 271.86, 0.53%, 0.58%

LAB 50, 45.81, -49.47

 

CMYK 0 / 3 / 55 / 20

HEX #CCC55B

RGB 204 197 91

HSL 56.28, 0.53%, 0.58%

LAB 78.18, -11.26, 53.1

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 0 / 55 / 19 / 20

HEX #CC5BA6

RGB 204 91 166

HSL 320.18, 0.53%, 0.58%

LAB 55.15, 53.5, -18.95

 

CMYK 19 / 0 / 55 / 20

HEX #A6CC5B

RGB 166 204 91

HSL 80.18, 0.53%, 0.58%

LAB 77.31, -29.99, 51.36

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 26 / 55 / 0 / 20

HEX #975BCC

RGB 151 91 204

HSL 271.86, 0.53%, 0.58%

LAB 50, 45.81, -49.47

 

CMYK 0 / 37 / 55 / 20

HEX #CC805B

RGB 204 128 91

HSL 19.65, 0.53%, 0.58%

LAB 60.81, 25.63, 32.25

 

CMYK 29 / 0 / 55 / 20

HEX #90CC5B

RGB 144 204 91

HSL 91.86, 0.53%, 0.58%

LAB 75.99, -38.18, 49.49

 

CMYK 55 / 19 / 0 / 20

HEX #5BA5CC

RGB 91 165 204

HSL 200.71, 0.53%, 0.58%

LAB 64.56, -11.92, -26.95

 

CMYK 9 / 55 / 0 / 20

HEX #B95BCC

RGB 185 91 204

HSL 289.91, 0.53%, 0.58%

LAB 54.19, 54.62, -42.56

 

CMYK 0 / 37 / 55 / 20

HEX #CC805B

RGB 204 128 91

HSL 19.65, 0.53%, 0.58%

LAB 60.81, 25.63, 32.25

 

CMYK 46 / 0 / 55 / 20

HEX #6ECC5B

RGB 110 204 91

HSL 109.91, 0.53%, 0.58%

LAB 74.35, -49.36, 47.16

 

Description

Color code: HEX #5BA5CC | qconv.com Color code: HEX #5BA5CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 165 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 165 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 19 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 19% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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