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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B99CC it is the complementary color #A46633. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B99CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B99CC shade: #6099C7, #71ABDA, #82BDED, #93CFFF and #A4E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B99CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B99CC shade: #5B99CC, #4A87B9, #3975A6, #286393 and #175180

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B99CC shade: #5B99CC, #5B7ACC, #5B5CCC, #785BCC and #975BCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B99CC shade: #5B99CC, #5B7ACC, #5B5CCC and #5B5BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B99CC shade matches the following richer shades: #5B99CC, #499BDD and #389CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B99CC shade: #5B99CC, #6C97BB, #7D96AA, #8F9498 and #A09287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B99CC shade: #5BCCC3, #5BB7CC, #5B99CC, #5B7BCC and #5B5DCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B99CC shade: #3270A3, #3B85C2, #5B99CC, #7AACD6 and #9AC0E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B99CC shade: #5B99CC, #A45BCC and #C6CC5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B99CC shade: #5B99CC, #CC5B99 and #99CC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B99CC shade: #5B99CC, #A45BCC, #CC8E5B and #82CC5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B99CC shade: #5B99CC, #C65BCC, #CC8E5B and #60CC5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

Complementary color

CMYK 0 / 38 / 69 / 36

HEX #A46633

RGB 164 102 51

HSL 27.08, 0.53%, 0.42%

LAB 49.05, 20.24, 38.46

 

CMYK 52 / 23 / 0 / 22

HEX #6099C7

RGB 96 153 199

HSL 206.8, 0.48%, 0.58%

LAB 61.13, -5.7, -29.44

 

CMYK 48 / 22 / 0 / 15

HEX #71ABDA

RGB 113 171 218

HSL 206.86, 0.59%, 0.65%

LAB 67.8, -6.16, -29.61

 

CMYK 45 / 20 / 0 / 7

HEX #82BDED

RGB 130 189 237

HSL 206.92, 0.75%, 0.72%

LAB 74.35, -6.54, -29.8

 

CMYK 42 / 19 / 0 / 0

HEX #93CFFF

RGB 147 207 255

HSL 206.67, 1%, 0.79%

LAB 80.77, -7.12, -29.53

 

CMYK 36 / 12 / 0 / 0

HEX #A4E1FF

RGB 164 225 255

HSL 199.78, 1%, 0.82%

LAB 86.49, -12.15, -20.73

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 60 / 27 / 0 / 27

HEX #4A87B9

RGB 74 135 185

HSL 207.03, 0.44%, 0.51%

LAB 54.33, -4.54, -32.15

 

CMYK 66 / 30 / 0 / 35

HEX #3975A6

RGB 57 117 166

HSL 206.97, 0.49%, 0.44%

LAB 47.42, -3.59, -32.01

 

CMYK 73 / 33 / 0 / 42

HEX #286393

RGB 40 99 147

HSL 206.92, 0.57%, 0.37%

LAB 40.38, -2.32, -31.86

 

CMYK 82 / 37 / 0 / 50

HEX #175180

RGB 23 81 128

HSL 206.86, 0.7%, 0.3%

LAB 33.19, -0.55, -31.68

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 55 / 40 / 0 / 20

HEX #5B7ACC

RGB 91 122 204

HSL 223.54, 0.53%, 0.58%

LAB 52.4, 12.97, -45.96

 

CMYK 55 / 55 / 0 / 20

HEX #5B5CCC

RGB 91 92 204

HSL 239.47, 0.53%, 0.58%

LAB 44.57, 31.47, -58.5

 

CMYK 41 / 55 / 0 / 20

HEX #785BCC

RGB 120 91 204

HSL 255.4, 0.53%, 0.58%

LAB 46.76, 38.27, -54.85

 

CMYK 26 / 55 / 0 / 20

HEX #975BCC

RGB 151 91 204

HSL 271.86, 0.53%, 0.58%

LAB 50, 45.81, -49.47

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 55 / 40 / 0 / 20

HEX #5B7ACC

RGB 91 122 204

HSL 223.54, 0.53%, 0.58%

LAB 52.4, 12.97, -45.96

 

CMYK 55 / 55 / 0 / 20

HEX #5B5CCC

RGB 91 92 204

HSL 239.47, 0.53%, 0.58%

LAB 44.57, 31.47, -58.5

 

CMYK 55 / 55 / 0 / 20

HEX #5B5BCC

RGB 91 91 204

HSL 240, 0.53%, 0.58%

LAB 44.33, 32.09, -58.89

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 67 / 30 / 0 / 13

HEX #499BDD

RGB 73 155 221

HSL 206.76, 0.69%, 0.58%

LAB 61.72, -4.23, -40.85

 

CMYK 77 / 35 / 0 / 6

HEX #389CEF

RGB 56 156 239

HSL 207.21, 0.85%, 0.58%

LAB 62.38, -0.86, -49.79

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 42 / 19 / 0 / 27

HEX #6C97BB

RGB 108 151 187

HSL 207.34, 0.37%, 0.58%

LAB 60.7, -5.12, -23.29

 

CMYK 26 / 12 / 0 / 33

HEX #7D96AA

RGB 125 150 170

HSL 206.67, 0.21%, 0.58%

LAB 60.85, -4.11, -13.37

 

CMYK 6 / 3 / 0 / 40

HEX #8F9498

RGB 143 148 152

HSL 206.67, 0.04%, 0.58%

LAB 61.03, -1, -2.74

 

CMYK 0 / 9 / 16 / 37

HEX #A09287

RGB 160 146 135

HSL 26.4, 0.12%, 0.58%

LAB 61.46, 3.28, 7.7

HEX #A09287

CMYK 55 / 0 / 4 / 20

HEX #5BCCC3

RGB 91 204 195

HSL 175.22, 0.53%, 0.58%

LAB 75.67, -34.17, -5.25

 

CMYK 55 / 10 / 0 / 20

HEX #5BB7CC

RGB 91 183 204

HSL 191.15, 0.53%, 0.58%

LAB 69.79, -21.41, -18.96

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 55 / 40 / 0 / 20

HEX #5B7BCC

RGB 91 123 204

HSL 223.01, 0.53%, 0.58%

LAB 52.67, 12.36, -45.52

 

CMYK 55 / 54 / 0 / 20

HEX #5B5DCC

RGB 91 93 204

HSL 238.94, 0.53%, 0.58%

LAB 44.82, 30.86, -58.1

 

CMYK 69 / 31 / 0 / 36

HEX #3270A3

RGB 50 112 163

HSL 207.08, 0.53%, 0.42%

LAB 45.51, -2.85, -33.27

 

CMYK 70 / 31 / 0 / 24

HEX #3B85C2

RGB 59 133 194

HSL 207.11, 0.53%, 0.5%

LAB 53.6, -2.96, -38.46

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 43 / 20 / 0 / 16

HEX #7AACD6

RGB 122 172 214

HSL 207.39, 0.53%, 0.66%

LAB 68.39, -5.64, -26.47

 

CMYK 31 / 14 / 0 / 12

HEX #9AC0E0

RGB 154 192 224

HSL 207.43, 0.53%, 0.74%

LAB 76.04, -5.21, -20.08

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 20 / 55 / 0 / 20

HEX #A45BCC

RGB 164 91 204

HSL 278.76, 0.53%, 0.58%

LAB 51.54, 49.14, -46.94

 

CMYK 3 / 0 / 55 / 20

HEX #C6CC5B

RGB 198 204 91

HSL 63.19, 0.53%, 0.58%

LAB 79.58, -17.26, 54.57

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 0 / 55 / 25 / 20

HEX #CC5B99

RGB 204 91 153

HSL 327.08, 0.53%, 0.58%

LAB 54.68, 51.65, -12.06

 

CMYK 25 / 0 / 55 / 20

HEX #99CC5B

RGB 153 204 91

HSL 87.08, 0.53%, 0.58%

LAB 76.51, -34.91, 50.22

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 20 / 55 / 0 / 20

HEX #A45BCC

RGB 164 91 204

HSL 278.76, 0.53%, 0.58%

LAB 51.54, 49.14, -46.94

 

CMYK 0 / 30 / 55 / 20

HEX #CC8E5B

RGB 204 142 91

HSL 27.08, 0.53%, 0.58%

LAB 64.11, 18, 36.38

 

CMYK 36 / 0 / 55 / 20

HEX #82CC5B

RGB 130 204 91

HSL 99.29, 0.53%, 0.58%

LAB 75.26, -43.04, 48.45

 

CMYK 55 / 25 / 0 / 20

HEX #5B99CC

RGB 91 153 204

HSL 207.08, 0.53%, 0.58%

LAB 61.1, -5.27, -32.29

 

CMYK 3 / 55 / 0 / 20

HEX #C65BCC

RGB 198 91 204

HSL 296.81, 0.53%, 0.58%

LAB 55.93, 58.05, -39.7

 

CMYK 0 / 30 / 55 / 20

HEX #CC8E5B

RGB 204 142 91

HSL 27.08, 0.53%, 0.58%

LAB 64.11, 18, 36.38

 

CMYK 53 / 0 / 55 / 20

HEX #60CC5B

RGB 96 204 91

HSL 117.35, 0.53%, 0.58%

LAB 73.82, -53.27, 46.4

 

Description

Color code: HEX #5B99CC | qconv.com Color code: HEX #5B99CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 153 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 153 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 25 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 25% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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