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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B952A it is the complementary color #A46AD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B952A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B952A shade: #609525, #71A738, #82B94B, #93CB5E and #A4DD71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B952A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B952A shade: #5B952A, #4A8317, #397104, #285F00 and #174D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B952A shade: #599329, #769329, #929329, #937629 and #935A29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B952A shade: #599329, #3D9329, #299332, #29934E and #29936B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B952A shade matches the following richer shades: #599329, #58A21A and #57B10A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B952A shade: #599329, #5B8338, #5C7448, #5D6557 and #5F5666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B952A shade: #939329, #779329, #5A9329, #3E9329 and #299330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B952A shade: #325217, #467320, #599329, #6DB332 and #81CA44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B952A shade: #5B952A, #299377 and #932985

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B952A shade: #5B952A, #295A93 and #93295A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B952A shade: #5B952A, #299377, #612993 and #932945

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B952A shade: #5B952A, #298F93, #612993 and #932D29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 72 / 42

HEX #5B952A

RGB 91 149 42

HSL 92.52, 0.56%, 0.37%

LAB 55.97, -37.18, 48.05

 

Complementary color

CMYK 23 / 50 / 0 / 16

HEX #A46AD5

RGB 164 106 213

HSL 272.52, 0.56%, 0.63%

LAB 55.08, 43.18, -46.44

 

CMYK 36 / 0 / 75 / 42

HEX #609525

RGB 96 149 37

HSL 88.39, 0.6%, 0.36%

LAB 56.2, -35.69, 50.26

 

CMYK 32 / 0 / 66 / 35

HEX #71A738

RGB 113 167 56

HSL 89.19, 0.5%, 0.44%

LAB 62.87, -36.06, 49.9

 

CMYK 30 / 0 / 59 / 27

HEX #82B94B

RGB 130 185 75

HSL 90, 0.44%, 0.51%

LAB 69.44, -36.26, 49.07

 

CMYK 28 / 0 / 54 / 20

HEX #93CB5E

RGB 147 203 94

HSL 90.83, 0.51%, 0.58%

LAB 75.9, -36.34, 48.03

 

CMYK 26 / 0 / 49 / 13

HEX #A4DD71

RGB 164 221 113

HSL 91.67, 0.61%, 0.65%

LAB 82.27, -36.36, 46.91

 

CMYK 39 / 0 / 72 / 42

HEX #5B952A

RGB 91 149 42

HSL 92.52, 0.56%, 0.37%

LAB 55.97, -37.18, 48.05

 

CMYK 44 / 0 / 82 / 49

HEX #4A8317

RGB 74 131 23

HSL 91.67, 0.7%, 0.3%

LAB 49.19, -36.64, 47.9

 

CMYK 50 / 0 / 96 / 56

HEX #397104

RGB 57 113 4

HSL 90.83, 0.93%, 0.23%

LAB 42.29, -35.71, 46.34

 

CMYK 58 / 0 / 100 / 63

HEX #285F00

RGB 40 95 0

HSL 94.74, 1%, 0.19%

LAB 35.27, -34.07, 41.49

 

CMYK 70 / 0 / 100 / 70

HEX #174D00

RGB 23 77 0

HSL 102.08, 1%, 0.15%

LAB 28.09, -31.89, 35.54

 

CMYK 39 / 0 / 72 / 42

HEX #599329

RGB 89 147 41

HSL 92.83, 0.56%, 0.37%

LAB 55.23, -37.09, 47.65

 

CMYK 20 / 0 / 72 / 42

HEX #769329

RGB 118 147 41

HSL 76.42, 0.56%, 0.37%

LAB 56.96, -25.73, 49.96

 

CMYK 1 / 0 / 72 / 42

HEX #929329

RGB 146 147 41

HSL 60.57, 0.56%, 0.37%

LAB 59.1, -13.55, 52.79

 

CMYK 0 / 20 / 72 / 42

HEX #937629

RGB 147 118 41

HSL 43.58, 0.56%, 0.37%

LAB 51.06, 2.85, 44.82

 

CMYK 0 / 39 / 72 / 42

HEX #935A29

RGB 147 90 41

HSL 27.74, 0.56%, 0.37%

LAB 43.76, 18.99, 37.17

 

CMYK 39 / 0 / 72 / 42

HEX #599329

RGB 89 147 41

HSL 92.83, 0.56%, 0.37%

LAB 55.23, -37.09, 47.65

 

CMYK 59 / 0 / 72 / 42

HEX #3D9329

RGB 61 147 41

HSL 108.68, 0.56%, 0.37%

LAB 54.05, -45.92, 46.06

 

CMYK 72 / 0 / 66 / 42

HEX #299332

RGB 41 147 50

HSL 125.09, 0.56%, 0.37%

LAB 53.57, -49.56, 41.57

 

CMYK 72 / 0 / 47 / 42

HEX #29934E

RGB 41 147 78

HSL 140.94, 0.56%, 0.37%

LAB 53.91, -45.56, 28.06

 

CMYK 72 / 0 / 27 / 42

HEX #29936B

RGB 41 147 107

HSL 157.36, 0.56%, 0.37%

LAB 54.45, -39.59, 12.73

 

CMYK 39 / 0 / 72 / 42

HEX #599329

RGB 89 147 41

HSL 92.83, 0.56%, 0.37%

LAB 55.23, -37.09, 47.65

 

CMYK 46 / 0 / 84 / 36

HEX #58A21A

RGB 88 162 26

HSL 92.65, 0.72%, 0.37%

LAB 59.88, -44.63, 57

 

CMYK 51 / 0 / 94 / 31

HEX #57B10A

RGB 87 177 10

HSL 92.34, 0.89%, 0.37%

LAB 64.56, -51.29, 64.02

 

CMYK 39 / 0 / 72 / 42

HEX #599329

RGB 89 147 41

HSL 92.83, 0.56%, 0.37%

LAB 55.23, -37.09, 47.65

 

CMYK 31 / 0 / 57 / 49

HEX #5B8338

RGB 91 131 56

HSL 92, 0.4%, 0.37%

LAB 50.38, -27.57, 35.63

 

CMYK 21 / 0 / 38 / 55

HEX #5C7448

RGB 92 116 72

HSL 92.73, 0.23%, 0.37%

LAB 45.95, -17.41, 21.51

 

CMYK 8 / 0 / 14 / 60

HEX #5D6557

RGB 93 101 87

HSL 94.29, 0.07%, 0.37%

LAB 41.72, -5.98, 6.88

 

CMYK 7 / 16 / 0 / 60

HEX #5F5666

RGB 95 86 102

HSL 273.75, 0.09%, 0.37%

LAB 37.93, 7.05, -7.87

 

CMYK 0 / 0 / 72 / 42

HEX #939329

RGB 147 147 41

HSL 60, 0.56%, 0.37%

LAB 59.19, -13.11, 52.9

 

CMYK 19 / 0 / 72 / 42

HEX #779329

RGB 119 147 41

HSL 75.85, 0.56%, 0.37%

LAB 57.03, -25.31, 50.05

 

CMYK 39 / 0 / 72 / 42

HEX #5A9329

RGB 90 147 41

HSL 92.26, 0.56%, 0.37%

LAB 55.28, -36.73, 47.72

 

CMYK 58 / 0 / 72 / 42

HEX #3E9329

RGB 62 147 41

HSL 108.11, 0.56%, 0.37%

LAB 54.08, -45.65, 46.11

 

CMYK 72 / 0 / 67 / 42

HEX #299330

RGB 41 147 48

HSL 123.96, 0.56%, 0.37%

LAB 53.55, -49.77, 42.43

 

CMYK 39 / 0 / 72 / 68

HEX #325217

RGB 50 82 23

HSL 92.54, 0.56%, 0.21%

LAB 31.29, -23.12, 29.82

 

CMYK 39 / 0 / 72 / 55

HEX #467320

RGB 70 115 32

HSL 92.53, 0.56%, 0.29%

LAB 43.75, -30.36, 39.22

 

CMYK 39 / 0 / 72 / 42

HEX #599329

RGB 89 147 41

HSL 92.83, 0.56%, 0.37%

LAB 55.23, -37.09, 47.65

 

CMYK 39 / 0 / 72 / 30

HEX #6DB332

RGB 109 179 50

HSL 92.56, 0.56%, 0.45%

LAB 66.31, -43.18, 55.77

 

CMYK 36 / 0 / 66 / 21

HEX #81CA44

RGB 129 202 68

HSL 92.69, 0.56%, 0.53%

LAB 74.4, -44.67, 57.48

 

CMYK 39 / 0 / 72 / 42

HEX #5B952A

RGB 91 149 42

HSL 92.52, 0.56%, 0.37%

LAB 55.97, -37.18, 48.05

 

CMYK 72 / 0 / 19 / 42

HEX #299377

RGB 41 147 119

HSL 164.15, 0.56%, 0.37%

LAB 54.73, -36.62, 6.3

 

CMYK 0 / 72 / 10 / 42

HEX #932985

RGB 147 41 133

HSL 307.92, 0.56%, 0.37%

LAB 36.9, 54.04, -28.12

 

CMYK 39 / 0 / 72 / 42

HEX #5B952A

RGB 91 149 42

HSL 92.52, 0.56%, 0.37%

LAB 55.97, -37.18, 48.05

 

CMYK 72 / 39 / 0 / 42

HEX #295A93

RGB 41 90 147

HSL 212.26, 0.56%, 0.37%

LAB 37.64, 3.53, -36.18

 

CMYK 0 / 72 / 39 / 42

HEX #93295A

RGB 147 41 90

HSL 332.26, 0.56%, 0.37%

LAB 35.06, 48.14, -3.82

 

CMYK 39 / 0 / 72 / 42

HEX #5B952A

RGB 91 149 42

HSL 92.52, 0.56%, 0.37%

LAB 55.97, -37.18, 48.05

 

CMYK 72 / 0 / 19 / 42

HEX #299377

RGB 41 147 119

HSL 164.15, 0.56%, 0.37%

LAB 54.73, -36.62, 6.3

 

CMYK 34 / 72 / 0 / 42

HEX #612993

RGB 97 41 147

HSL 271.7, 0.56%, 0.37%

LAB 29.99, 45.33, -48.23

 

CMYK 0 / 72 / 53 / 42

HEX #932945

RGB 147 41 69

HSL 344.15, 0.56%, 0.37%

LAB 34.43, 46.04, 8.85

 

CMYK 39 / 0 / 72 / 42

HEX #5B952A

RGB 91 149 42

HSL 92.52, 0.56%, 0.37%

LAB 55.97, -37.18, 48.05

 

CMYK 72 / 3 / 0 / 42

HEX #298F93

RGB 41 143 147

HSL 182.26, 0.56%, 0.37%

LAB 54.26, -26.76, -10.5

 

CMYK 34 / 72 / 0 / 42

HEX #612993

RGB 97 41 147

HSL 271.7, 0.56%, 0.37%

LAB 29.99, 45.33, -48.23

 

CMYK 0 / 69 / 72 / 42

HEX #932D29

RGB 147 45 41

HSL 2.26, 0.56%, 0.37%

LAB 34.48, 42.47, 26.73

 

Description

Color code: HEX #5B952A | qconv.com Color code: HEX #5B952A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 149 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 149 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 72 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 72% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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