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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B8328 it is the complementary color #A47CD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B8328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B8328 shade: #608323, #719536, #82A749, #93B95C and #A4CB6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B8328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B8328 shade: #5B8328, #4A7115, #395F02, #284D00 and #173B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B8328 shade: #5C8428, #758428, #847B28, #846228 and #844928

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B8328 shade: #5C8428, #438428, #2A8428, #28843F and #288458

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B8328 shade matches the following richer shades: #5C8428, #5D921A and #5FA00C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B8328 shade: #5C8428, #5A7636, #586844, #575A52 and #554C60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B8328 shade: #847B28, #758428, #5C8428, #448428 and #2B8428

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B8328 shade: #304515, #46651F, #5C8428, #72A432 and #88C33C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B8328 shade: #5B8328, #288462 and #842881

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B8328 shade: #5B8328, #285C84 and #84285C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B8328 shade: #5B8328, #288462, #502884 and #84284A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B8328 shade: #5B8328, #28847E, #502884 and #84282E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 69 / 49

HEX #5B8328

RGB 91 131 40

HSL 86.37, 0.53%, 0.34%

LAB 50.23, -29.09, 42.93

 

Complementary color

CMYK 24 / 42 / 0 / 16

HEX #A47CD7

RGB 164 124 215

HSL 266.37, 0.53%, 0.66%

LAB 59.17, 33.62, -41.1

 

CMYK 27 / 0 / 73 / 49

HEX #608323

RGB 96 131 35

HSL 81.88, 0.58%, 0.33%

LAB 50.5, -27.43, 45.36

 

CMYK 24 / 0 / 64 / 42

HEX #719536

RGB 113 149 54

HSL 82.74, 0.47%, 0.4%

LAB 57.34, -27.8, 44.8

 

CMYK 22 / 0 / 56 / 35

HEX #82A749

RGB 130 167 73

HSL 83.62, 0.39%, 0.47%

LAB 64.05, -28.02, 43.84

 

CMYK 21 / 0 / 50 / 27

HEX #93B95C

RGB 147 185 92

HSL 84.52, 0.4%, 0.54%

LAB 70.65, -28.14, 42.72

 

CMYK 19 / 0 / 45 / 20

HEX #A4CB6F

RGB 164 203 111

HSL 85.43, 0.47%, 0.62%

LAB 77.13, -28.2, 41.56

 

CMYK 31 / 0 / 69 / 49

HEX #5B8328

RGB 91 131 40

HSL 86.37, 0.53%, 0.34%

LAB 50.23, -29.09, 42.93

 

CMYK 35 / 0 / 81 / 56

HEX #4A7115

RGB 74 113 21

HSL 85.43, 0.69%, 0.26%

LAB 43.24, -28.61, 43.01

 

CMYK 40 / 0 / 98 / 63

HEX #395F02

RGB 57 95 2

HSL 84.52, 0.96%, 0.19%

LAB 36.1, -27.81, 41.87

 

CMYK 48 / 0 / 100 / 70

HEX #284D00

RGB 40 77 0

HSL 88.83, 1%, 0.15%

LAB 28.8, -26.28, 36.41

 

CMYK 61 / 0 / 100 / 77

HEX #173B00

RGB 23 59 0

HSL 96.61, 1%, 0.12%

LAB 21.25, -24.43, 28.94

 

CMYK 30 / 0 / 70 / 48

HEX #5C8428

RGB 92 132 40

HSL 86.09, 0.53%, 0.34%

LAB 50.61, -29.17, 43.34

 

CMYK 11 / 0 / 70 / 48

HEX #758428

RGB 117 132 40

HSL 69.78, 0.53%, 0.34%

LAB 52.33, -18.61, 45.66

 

CMYK 0 / 7 / 70 / 48

HEX #847B28

RGB 132 123 40

HSL 54.13, 0.53%, 0.34%

LAB 50.95, -6.96, 44.66

 

CMYK 0 / 26 / 70 / 48

HEX #846228

RGB 132 98 40

HSL 37.83, 0.53%, 0.34%

LAB 43.94, 7.38, 37.31

 

CMYK 0 / 45 / 70 / 48

HEX #844928

RGB 132 73 40

HSL 21.52, 0.53%, 0.34%

LAB 37.52, 22.07, 30.2

 

CMYK 30 / 0 / 70 / 48

HEX #5C8428

RGB 92 132 40

HSL 86.09, 0.53%, 0.34%

LAB 50.61, -29.17, 43.34

 

CMYK 49 / 0 / 70 / 48

HEX #438428

RGB 67 132 40

HSL 102.39, 0.53%, 0.34%

LAB 49.31, -38.23, 41.59

 

CMYK 68 / 0 / 70 / 48

HEX #2A8428

RGB 42 132 40

HSL 118.7, 0.53%, 0.34%

LAB 48.45, -45.02, 40.4

 

CMYK 70 / 0 / 52 / 48

HEX #28843F

RGB 40 132 63

HSL 135, 0.53%, 0.34%

LAB 48.65, -42.44, 29.43

 

CMYK 70 / 0 / 33 / 48

HEX #288458

RGB 40 132 88

HSL 151.3, 0.53%, 0.34%

LAB 49.08, -37.68, 16.14

 

CMYK 30 / 0 / 70 / 48

HEX #5C8428

RGB 92 132 40

HSL 86.09, 0.53%, 0.34%

LAB 50.61, -29.17, 43.34

 

CMYK 36 / 0 / 82 / 43

HEX #5D921A

RGB 93 146 26

HSL 86.5, 0.7%, 0.34%

LAB 55.03, -36.09, 52.71

 

CMYK 41 / 0 / 93 / 37

HEX #5FA00C

RGB 95 160 12

HSL 86.35, 0.86%, 0.34%

LAB 59.53, -41.88, 59.76

 

CMYK 30 / 0 / 70 / 48

HEX #5C8428

RGB 92 132 40

HSL 86.09, 0.53%, 0.34%

LAB 50.61, -29.17, 43.34

 

CMYK 24 / 0 / 54 / 54

HEX #5A7636

RGB 90 118 54

HSL 86.25, 0.37%, 0.34%

LAB 46.17, -21.69, 31.67

 

CMYK 15 / 0 / 35 / 59

HEX #586844

RGB 88 104 68

HSL 86.67, 0.21%, 0.34%

LAB 41.83, -13.1, 18.34

 

CMYK 3 / 0 / 9 / 65

HEX #575A52

RGB 87 90 82

HSL 82.5, 0.05%, 0.34%

LAB 37.75, -2.86, 4.21

 

CMYK 11 / 21 / 0 / 62

HEX #554C60

RGB 85 76 96

HSL 267, 0.12%, 0.34%

LAB 33.87, 8.14, -10.32

 

CMYK 0 / 7 / 70 / 48

HEX #847B28

RGB 132 123 40

HSL 54.13, 0.53%, 0.34%

LAB 50.95, -6.96, 44.66

 

CMYK 11 / 0 / 70 / 48

HEX #758428

RGB 117 132 40

HSL 69.78, 0.53%, 0.34%

LAB 52.33, -18.61, 45.66

 

CMYK 30 / 0 / 70 / 48

HEX #5C8428

RGB 92 132 40

HSL 86.09, 0.53%, 0.34%

LAB 50.61, -29.17, 43.34

 

CMYK 48 / 0 / 70 / 48

HEX #448428

RGB 68 132 40

HSL 101.74, 0.53%, 0.34%

LAB 49.36, -37.91, 41.65

 

CMYK 67 / 0 / 70 / 48

HEX #2B8428

RGB 43 132 40

HSL 118.04, 0.53%, 0.34%

LAB 48.47, -44.8, 40.44

 

CMYK 30 / 0 / 70 / 73

HEX #304515

RGB 48 69 21

HSL 86.25, 0.53%, 0.18%

LAB 26.56, -17.38, 25.66

 

CMYK 31 / 0 / 69 / 60

HEX #46651F

RGB 70 101 31

HSL 86.57, 0.53%, 0.26%

LAB 39.08, -23.68, 34.76

 

CMYK 30 / 0 / 70 / 48

HEX #5C8428

RGB 92 132 40

HSL 86.09, 0.53%, 0.34%

LAB 50.61, -29.17, 43.34

 

CMYK 30 / 0 / 70 / 36

HEX #72A432

RGB 114 164 50

HSL 86.32, 0.53%, 0.42%

LAB 61.96, -34.78, 51.42

 

CMYK 30 / 0 / 69 / 24

HEX #88C33C

RGB 136 195 60

HSL 86.22, 0.53%, 0.5%

LAB 72.62, -39.74, 58.88

 

CMYK 31 / 0 / 69 / 49

HEX #5B8328

RGB 91 131 40

HSL 86.37, 0.53%, 0.34%

LAB 50.23, -29.09, 42.93

 

CMYK 70 / 0 / 26 / 48

HEX #288462

RGB 40 132 98

HSL 157.83, 0.53%, 0.34%

LAB 49.3, -35.37, 10.68

 

CMYK 0 / 70 / 2 / 48

HEX #842881

RGB 132 40 129

HSL 301.96, 0.53%, 0.34%

LAB 34, 50.02, -30.37

 

CMYK 31 / 0 / 69 / 49

HEX #5B8328

RGB 91 131 40

HSL 86.37, 0.53%, 0.34%

LAB 50.23, -29.09, 42.93

 

CMYK 70 / 30 / 0 / 48

HEX #285C84

RGB 40 92 132

HSL 206.09, 0.53%, 0.34%

LAB 37.43, -3.53, -27.42

 

CMYK 0 / 70 / 30 / 48

HEX #84285C

RGB 132 40 92

HSL 326.09, 0.53%, 0.34%

LAB 32.25, 44.29, -9.59

 

CMYK 31 / 0 / 69 / 49

HEX #5B8328

RGB 91 131 40

HSL 86.37, 0.53%, 0.34%

LAB 50.23, -29.09, 42.93

 

CMYK 70 / 0 / 26 / 48

HEX #288462

RGB 40 132 98

HSL 157.83, 0.53%, 0.34%

LAB 49.3, -35.37, 10.68

 

CMYK 39 / 70 / 0 / 48

HEX #502884

RGB 80 40 132

HSL 266.09, 0.53%, 0.34%

LAB 26.42, 38.39, -44.83

 

CMYK 0 / 70 / 44 / 48

HEX #84284A

RGB 132 40 74

HSL 337.83, 0.53%, 0.34%

LAB 31.62, 42.12, 1.2

 

CMYK 31 / 0 / 69 / 49

HEX #5B8328

RGB 91 131 40

HSL 86.37, 0.53%, 0.34%

LAB 50.23, -29.09, 42.93

 

CMYK 70 / 0 / 5 / 48

HEX #28847E

RGB 40 132 126

HSL 176.09, 0.53%, 0.34%

LAB 50.05, -27.79, -4.58

 

CMYK 39 / 70 / 0 / 48

HEX #502884

RGB 80 40 132

HSL 266.09, 0.53%, 0.34%

LAB 26.42, 38.39, -44.83

 

CMYK 0 / 70 / 65 / 48

HEX #84282E

RGB 132 40 46

HSL 356.09, 0.53%, 0.34%

LAB 30.93, 39.66, 18.58

 

Description

Color code: HEX #5B8328 | qconv.com Color code: HEX #5B8328 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 131 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 131 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 69 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 69% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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