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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B82BF it is the complementary color #A47D40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B82BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B82BF shade: #6082BA, #7194CD, #82A6E0, #93B8F3 and #A4CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B82BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B82BF shade: #5B82BF, #4A70AC, #395E99, #284C86 and #173A73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B82BF shade: #5981BE, #5965BE, #6859BE, #8459BE and #9F59BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B82BF shade: #5981BE, #5965BE and #5959BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B82BF shade matches the following richer shades: #5981BE, #477DD1, #3478E3 and #2274F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B82BF shade: #5981BE, #6C85AC, #7E8999, #918D87 and #A49174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B82BF shade: #59B8BE, #599DBE, #5982BE, #5967BE and #6759BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B82BF shade: #37598E, #426CAC, #5981BE, #7797CA and #95AED5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B82BF shade: #5B82BF, #AA59BE and #AABE59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B82BF shade: #5B82BF, #BE5982 and #82BE59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B82BF shade: #5B82BF, #AA59BE, #BE9659 and #6DBE59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B82BF shade: #5B82BF, #BE59B4, #BE9659 and #59BE63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 32 / 0 / 25

HEX #5B82BF

RGB 91 130 191

HSL 216.6, 0.44%, 0.55%

LAB 53.97, 3.98, -36.07

 

Complementary color

CMYK 0 / 24 / 61 / 36

HEX #A47D40

RGB 164 125 64

HSL 36.6, 0.44%, 0.45%

LAB 55, 8.09, 38.53

 

CMYK 48 / 30 / 0 / 27

HEX #6082BA

RGB 96 130 186

HSL 217.33, 0.39%, 0.55%

LAB 54.02, 3.62, -33.11

 

CMYK 45 / 28 / 0 / 20

HEX #7194CD

RGB 113 148 205

HSL 217.17, 0.48%, 0.62%

LAB 60.87, 3.02, -33.13

 

CMYK 42 / 26 / 0 / 12

HEX #82A6E0

RGB 130 166 224

HSL 217.02, 0.6%, 0.69%

LAB 67.58, 2.51, -33.18

 

CMYK 40 / 24 / 0 / 5

HEX #93B8F3

RGB 147 184 243

HSL 216.88, 0.8%, 0.76%

LAB 74.16, 2.08, -33.26

 

CMYK 36 / 21 / 0 / 0

HEX #A4CAFF

RGB 164 202 255

HSL 214.95, 1%, 0.82%

LAB 80.38, -0.08, -30.04

 

CMYK 52 / 32 / 0 / 25

HEX #5B82BF

RGB 91 130 191

HSL 216.6, 0.44%, 0.55%

LAB 53.97, 3.98, -36.07

 

CMYK 57 / 35 / 0 / 33

HEX #4A70AC

RGB 74 112 172

HSL 216.73, 0.4%, 0.48%

LAB 47, 4.88, -36.12

 

CMYK 63 / 39 / 0 / 40

HEX #395E99

RGB 57 94 153

HSL 216.88, 0.46%, 0.41%

LAB 39.87, 6.03, -36.21

 

CMYK 70 / 43 / 0 / 47

HEX #284C86

RGB 40 76 134

HSL 217.02, 0.54%, 0.34%

LAB 32.57, 7.57, -36.33

 

CMYK 80 / 50 / 0 / 55

HEX #173A73

RGB 23 58 115

HSL 217.17, 0.67%, 0.27%

LAB 25.09, 9.73, -36.45

 

CMYK 53 / 32 / 0 / 25

HEX #5981BE

RGB 89 129 190

HSL 216.24, 0.44%, 0.55%

LAB 53.54, 3.8, -36.19

 

CMYK 53 / 47 / 0 / 25

HEX #5965BE

RGB 89 101 190

HSL 232.87, 0.44%, 0.55%

LAB 45.84, 20.95, -48.39

 

CMYK 45 / 53 / 0 / 25

HEX #6859BE

RGB 104 89 190

HSL 248.91, 0.44%, 0.55%

LAB 43.95, 31.74, -51.34

 

CMYK 31 / 53 / 0 / 25

HEX #8459BE

RGB 132 89 190

HSL 265.54, 0.44%, 0.55%

LAB 46.67, 38.64, -46.84

 

CMYK 16 / 53 / 0 / 25

HEX #9F59BE

RGB 159 89 190

HSL 281.58, 0.44%, 0.55%

LAB 49.78, 45.83, -41.71

 

CMYK 53 / 32 / 0 / 25

HEX #5981BE

RGB 89 129 190

HSL 216.24, 0.44%, 0.55%

LAB 53.54, 3.8, -36.19

 

CMYK 53 / 47 / 0 / 25

HEX #5965BE

RGB 89 101 190

HSL 232.87, 0.44%, 0.55%

LAB 45.84, 20.95, -48.39

 

CMYK 53 / 53 / 0 / 25

HEX #5959BE

RGB 89 89 190

HSL 240, 0.44%, 0.55%

LAB 42.74, 28.44, -53.36

 

CMYK 53 / 32 / 0 / 25

HEX #5981BE

RGB 89 129 190

HSL 216.24, 0.44%, 0.55%

LAB 53.54, 3.8, -36.19

 

CMYK 66 / 40 / 0 / 18

HEX #477DD1

RGB 71 125 209

HSL 216.52, 0.6%, 0.55%

LAB 52.52, 9.03, -48.67

 

CMYK 77 / 47 / 0 / 11

HEX #3478E3

RGB 52 120 227

HSL 216.69, 0.76%, 0.55%

LAB 51.51, 16.01, -60.49

 

CMYK 86 / 53 / 0 / 4

HEX #2274F6

RGB 34 116 246

HSL 216.79, 0.92%, 0.55%

LAB 51.25, 24.13, -71.55

 

CMYK 53 / 32 / 0 / 25

HEX #5981BE

RGB 89 129 190

HSL 216.24, 0.44%, 0.55%

LAB 53.54, 3.8, -36.19

 

CMYK 37 / 23 / 0 / 33

HEX #6C85AC

RGB 108 133 172

HSL 216.56, 0.28%, 0.55%

LAB 55.01, 0.99, -23.5

 

CMYK 18 / 10 / 0 / 40

HEX #7E8999

RGB 126 137 153

HSL 215.56, 0.12%, 0.55%

LAB 56.71, -0.48, -9.87

 

CMYK 0 / 3 / 7 / 43

HEX #918D87

RGB 145 141 135

HSL 36, 0.04%, 0.55%

LAB 58.81, 0.36, 3.71

 

CMYK 0 / 12 / 29 / 36

HEX #A49174

RGB 164 145 116

HSL 36.25, 0.21%, 0.55%

LAB 61.14, 2.52, 18.01

 

CMYK 53 / 3 / 0 / 25

HEX #59B8BE

RGB 89 184 190

HSL 183.56, 0.44%, 0.55%

LAB 69.56, -26.26, -11.62

 

CMYK 53 / 17 / 0 / 25

HEX #599DBE

RGB 89 157 190

HSL 199.6, 0.44%, 0.55%

LAB 61.62, -12.19, -23.66

 

CMYK 53 / 32 / 0 / 25

HEX #5982BE

RGB 89 130 190

HSL 215.64, 0.44%, 0.55%

LAB 53.82, 3.21, -35.74

 

CMYK 53 / 46 / 0 / 25

HEX #5967BE

RGB 89 103 190

HSL 231.68, 0.44%, 0.55%

LAB 46.37, 19.7, -47.54

 

CMYK 46 / 53 / 0 / 25

HEX #6759BE

RGB 103 89 190

HSL 248.32, 0.44%, 0.55%

LAB 43.87, 31.51, -51.49

 

CMYK 61 / 37 / 0 / 44

HEX #37598E

RGB 55 89 142

HSL 216.55, 0.44%, 0.39%

LAB 37.68, 4.9, -33.06

 

CMYK 62 / 37 / 0 / 33

HEX #426CAC

RGB 66 108 172

HSL 216.23, 0.45%, 0.47%

LAB 45.44, 5.69, -38.61

 

CMYK 53 / 32 / 0 / 25

HEX #5981BE

RGB 89 129 190

HSL 216.24, 0.44%, 0.55%

LAB 53.54, 3.8, -36.19

 

CMYK 41 / 25 / 0 / 21

HEX #7797CA

RGB 119 151 202

HSL 216.87, 0.44%, 0.63%

LAB 61.93, 2, -29.78

 

CMYK 30 / 18 / 0 / 16

HEX #95AED5

RGB 149 174 213

HSL 216.56, 0.43%, 0.71%

LAB 70.5, 0.41, -22.54

 

CMYK 52 / 32 / 0 / 25

HEX #5B82BF

RGB 91 130 191

HSL 216.6, 0.44%, 0.55%

LAB 53.97, 3.98, -36.07

 

CMYK 11 / 53 / 0 / 25

HEX #AA59BE

RGB 170 89 190

HSL 288.12, 0.44%, 0.55%

LAB 51.16, 48.83, -39.43

 

CMYK 11 / 0 / 53 / 25

HEX #AABE59

RGB 170 190 89

HSL 71.88, 0.44%, 0.55%

LAB 73.61, -21.83, 48.06

 

CMYK 52 / 32 / 0 / 25

HEX #5B82BF

RGB 91 130 191

HSL 216.6, 0.44%, 0.55%

LAB 53.97, 3.98, -36.07

 

CMYK 0 / 53 / 32 / 25

HEX #BE5982

RGB 190 89 130

HSL 335.64, 0.44%, 0.55%

LAB 51.5, 45.02, -3.42

 

CMYK 32 / 0 / 53 / 25

HEX #82BE59

RGB 130 190 89

HSL 95.64, 0.44%, 0.55%

LAB 71.07, -37.08, 44.45

 

CMYK 52 / 32 / 0 / 25

HEX #5B82BF

RGB 91 130 191

HSL 216.6, 0.44%, 0.55%

LAB 53.97, 3.98, -36.07

 

CMYK 11 / 53 / 0 / 25

HEX #AA59BE

RGB 170 89 190

HSL 288.12, 0.44%, 0.55%

LAB 51.16, 48.83, -39.43

 

CMYK 0 / 21 / 53 / 25

HEX #BE9659

RGB 190 150 89

HSL 36.24, 0.44%, 0.55%

LAB 64.55, 7.55, 37.63

 

CMYK 43 / 0 / 53 / 25

HEX #6DBE59

RGB 109 190 89

HSL 108.12, 0.44%, 0.55%

LAB 70.04, -44.1, 42.95

 

CMYK 52 / 32 / 0 / 25

HEX #5B82BF

RGB 91 130 191

HSL 216.6, 0.44%, 0.55%

LAB 53.97, 3.98, -36.07

 

CMYK 0 / 53 / 5 / 25

HEX #BE59B4

RGB 190 89 180

HSL 305.94, 0.44%, 0.55%

LAB 53.37, 52.57, -29.99

 

CMYK 0 / 21 / 53 / 25

HEX #BE9659

RGB 190 150 89

HSL 36.24, 0.44%, 0.55%

LAB 64.55, 7.55, 37.63

 

CMYK 53 / 0 / 48 / 25

HEX #59BE63

RGB 89 190 99

HSL 125.94, 0.44%, 0.55%

LAB 69.36, -48.51, 37.03

 

Description

Color code: HEX #5B82BF | qconv.com Color code: HEX #5B82BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 130 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 130 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 32 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 32% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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