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Color name
HEX #5B69AE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B69AE it is the complementary color #A49651. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B69AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B69AE shade: #6069A9, #717BBC, #828DCF, #939FE2 and #A4B1F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B69AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B69AE shade: #5B69AE, #4A579B, #394588, #283375 and #172162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B69AE shade: #5A69AE, #635AAE, #795AAE, #905AAE and #A65AAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B69AE shade: #5A69AE and #5A5AAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B69AE shade matches the following richer shades: #5A69AE, #475BC2, #334ED5, #1F41E9 and #0B34FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B69AE shade: #5A69AE, #6E769A, #828386, #969072 and #AA9D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B69AE shade: #5A96AE, #5A80AE, #5A6AAE, #615AAE and #785AAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B69AE shade: #3C467A, #495696, #5A69AE, #7682BB and #929BC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B69AE shade: #5B69AE, #AE5AAC and #8BAE5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B69AE shade: #5B69AE, #AE5A6A and #6AAE5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B69AE shade: #5B69AE, #AE5AAC, #AE9E5A and #5AAE5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B69AE shade: #5B69AE, #AE5A93, #AE9E5A and #5AAE75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 40 / 0 / 32

HEX #5B69AE

RGB 91 105 174

HSL 229.88, 0.34%, 0.52%

LAB 46.15, 13.84, -38.56

 

Complementary color

CMYK 0 / 9 / 51 / 36

HEX #A49651

RGB 164 150 81

HSL 49.88, 0.34%, 0.48%

LAB 61.91, -4.32, 37.98

 

CMYK 43 / 38 / 0 / 34

HEX #6069A9

RGB 96 105 169

HSL 232.6, 0.3%, 0.52%

LAB 46.25, 13.6, -35.46

 

CMYK 40 / 35 / 0 / 26

HEX #717BBC

RGB 113 123 188

HSL 232, 0.36%, 0.59%

LAB 53.28, 12.8, -35.34

 

CMYK 37 / 32 / 0 / 19

HEX #828DCF

RGB 130 141 207

HSL 231.43, 0.45%, 0.66%

LAB 60.16, 12.13, -35.27

 

CMYK 35 / 30 / 0 / 11

HEX #939FE2

RGB 147 159 226

HSL 230.89, 0.58%, 0.73%

LAB 66.89, 11.56, -35.25

 

CMYK 33 / 28 / 0 / 4

HEX #A4B1F5

RGB 164 177 245

HSL 230.37, 0.8%, 0.8%

LAB 73.5, 11.05, -35.28

 

CMYK 48 / 40 / 0 / 32

HEX #5B69AE

RGB 91 105 174

HSL 229.88, 0.34%, 0.52%

LAB 46.15, 13.84, -38.56

 

CMYK 52 / 44 / 0 / 39

HEX #4A579B

RGB 74 87 155

HSL 230.37, 0.35%, 0.45%

LAB 38.97, 14.94, -38.79

 

CMYK 58 / 49 / 0 / 47

HEX #394588

RGB 57 69 136

HSL 230.89, 0.41%, 0.38%

LAB 31.59, 16.35, -39.08

 

CMYK 66 / 56 / 0 / 54

HEX #283375

RGB 40 51 117

HSL 231.43, 0.49%, 0.31%

LAB 24.01, 18.2, -39.43

 

CMYK 77 / 66 / 0 / 62

HEX #172162

RGB 23 33 98

HSL 232, 0.62%, 0.24%

LAB 16.26, 20.71, -39.75

 

CMYK 48 / 40 / 0 / 32

HEX #5A69AE

RGB 90 105 174

HSL 229.29, 0.34%, 0.52%

LAB 46.09, 13.59, -38.67

 

CMYK 43 / 48 / 0 / 32

HEX #635AAE

RGB 99 90 174

HSL 246.43, 0.34%, 0.52%

LAB 42.79, 25.17, -43.86

 

CMYK 30 / 48 / 0 / 32

HEX #795AAE

RGB 121 90 174

HSL 262.14, 0.34%, 0.52%

LAB 44.85, 31, -40.47

 

CMYK 17 / 48 / 0 / 32

HEX #905AAE

RGB 144 90 174

HSL 278.57, 0.34%, 0.52%

LAB 47.36, 37.55, -36.33

 

CMYK 5 / 48 / 0 / 32

HEX #A65AAE

RGB 166 90 174

HSL 294.29, 0.34%, 0.52%

LAB 50.07, 44, -31.89

 

CMYK 48 / 40 / 0 / 32

HEX #5A69AE

RGB 90 105 174

HSL 229.29, 0.34%, 0.52%

LAB 46.09, 13.59, -38.67

 

CMYK 48 / 48 / 0 / 32

HEX #5A5AAE

RGB 90 90 174

HSL 240, 0.34%, 0.52%

LAB 42.06, 22.97, -45.07

 

CMYK 48 / 40 / 0 / 32

HEX #5A69AE

RGB 90 105 174

HSL 229.29, 0.34%, 0.52%

LAB 46.09, 13.59, -38.67

 

CMYK 63 / 53 / 0 / 24

HEX #475BC2

RGB 71 91 194

HSL 230.24, 0.5%, 0.52%

LAB 42.33, 25.08, -56.4

 

CMYK 76 / 63 / 0 / 16

HEX #334ED5

RGB 51 78 213

HSL 230, 0.66%, 0.52%

LAB 39.51, 37.39, -72.02

 

CMYK 87 / 72 / 0 / 9

HEX #1F41E9

RGB 31 65 233

HSL 229.9, 0.82%, 0.52%

LAB 37.76, 50.88, -86.34

 

CMYK 96 / 79 / 0 / 1

HEX #0B34FD

RGB 11 52 253

HSL 229.83, 0.98%, 0.52%

LAB 37.15, 63.75, -98.65

 

CMYK 48 / 40 / 0 / 32

HEX #5A69AE

RGB 90 105 174

HSL 229.29, 0.34%, 0.52%

LAB 46.09, 13.59, -38.67

 

CMYK 29 / 23 / 0 / 40

HEX #6E769A

RGB 110 118 154

HSL 229.09, 0.18%, 0.52%

LAB 50.22, 5.58, -20.4

 

CMYK 3 / 2 / 0 / 47

HEX #828386

RGB 130 131 134

HSL 225, 0.02%, 0.52%

LAB 54.76, 0.24, -1.75

 

CMYK 0 / 4 / 24 / 41

HEX #969072

RGB 150 144 114

HSL 50, 0.15%, 0.52%

LAB 59.57, -2.87, 16.78

 

CMYK 0 / 8 / 45 / 33

HEX #AA9D5E

RGB 170 157 94

HSL 49.74, 0.31%, 0.52%

LAB 64.54, -4.26, 34.58

 

CMYK 48 / 14 / 0 / 32

HEX #5A96AE

RGB 90 150 174

HSL 197.14, 0.34%, 0.52%

LAB 59.01, -12.83, -18.6

 

CMYK 48 / 26 / 0 / 32

HEX #5A80AE

RGB 90 128 174

HSL 212.86, 0.34%, 0.52%

LAB 52.58, -0.35, -28.49

 

CMYK 48 / 39 / 0 / 32

HEX #5A6AAE

RGB 90 106 174

HSL 228.57, 0.34%, 0.52%

LAB 46.36, 12.97, -38.24

 

CMYK 44 / 48 / 0 / 32

HEX #615AAE

RGB 97 90 174

HSL 245, 0.34%, 0.52%

LAB 42.63, 24.67, -44.14

 

CMYK 31 / 48 / 0 / 32

HEX #785AAE

RGB 120 90 174

HSL 261.43, 0.34%, 0.52%

LAB 44.75, 30.73, -40.64

 

CMYK 51 / 43 / 0 / 52

HEX #3C467A

RGB 60 70 122

HSL 230.32, 0.34%, 0.36%

LAB 31.22, 11.55, -30.96

 

CMYK 51 / 43 / 0 / 41

HEX #495696

RGB 73 86 150

HSL 229.87, 0.35%, 0.44%

LAB 38.33, 13.69, -36.8

 

CMYK 48 / 40 / 0 / 32

HEX #5A69AE

RGB 90 105 174

HSL 229.29, 0.34%, 0.52%

LAB 46.09, 13.59, -38.67

 

CMYK 37 / 30 / 0 / 27

HEX #7682BB

RGB 118 130 187

HSL 229.57, 0.34%, 0.6%

LAB 55.49, 9.74, -31.3

 

CMYK 27 / 23 / 0 / 21

HEX #929BC9

RGB 146 155 201

HSL 230.18, 0.34%, 0.68%

LAB 64.78, 7.16, -24.67

 

CMYK 48 / 40 / 0 / 32

HEX #5B69AE

RGB 91 105 174

HSL 229.88, 0.34%, 0.52%

LAB 46.15, 13.84, -38.56

 

CMYK 0 / 48 / 1 / 32

HEX #AE5AAC

RGB 174 90 172

HSL 301.43, 0.34%, 0.52%

LAB 51.02, 45.99, -29.15

 

CMYK 20 / 0 / 48 / 32

HEX #8BAE5A

RGB 139 174 90

HSL 85, 0.34%, 0.52%

LAB 66.9, -26.11, 39.04

 

CMYK 48 / 40 / 0 / 32

HEX #5B69AE

RGB 91 105 174

HSL 229.88, 0.34%, 0.52%

LAB 46.15, 13.84, -38.56

 

CMYK 0 / 48 / 39 / 32

HEX #AE5A6A

RGB 174 90 106

HSL 348.57, 0.34%, 0.52%

LAB 48.7, 35.89, 6.6

 

CMYK 39 / 0 / 48 / 32

HEX #6AAE5A

RGB 106 174 90

HSL 108.57, 0.34%, 0.52%

LAB 65.02, -37.99, 36.3

 

CMYK 48 / 40 / 0 / 32

HEX #5B69AE

RGB 91 105 174

HSL 229.88, 0.34%, 0.52%

LAB 46.15, 13.84, -38.56

 

CMYK 0 / 48 / 1 / 32

HEX #AE5AAC

RGB 174 90 172

HSL 301.43, 0.34%, 0.52%

LAB 51.02, 45.99, -29.15

 

CMYK 0 / 9 / 48 / 32

HEX #AE9E5A

RGB 174 158 90

HSL 48.57, 0.34%, 0.52%

LAB 65.11, -3.51, 37.46

 

CMYK 48 / 0 / 47 / 32

HEX #5AAE5C

RGB 90 174 92

HSL 121.43, 0.34%, 0.52%

LAB 64.34, -42.65, 34.27

 

CMYK 48 / 40 / 0 / 32

HEX #5B69AE

RGB 91 105 174

HSL 229.88, 0.34%, 0.52%

LAB 46.15, 13.84, -38.56

 

CMYK 0 / 48 / 16 / 32

HEX #AE5A93

RGB 174 90 147

HSL 319.29, 0.34%, 0.52%

LAB 50, 41.66, -16.02

 

CMYK 0 / 9 / 48 / 32

HEX #AE9E5A

RGB 174 158 90

HSL 48.57, 0.34%, 0.52%

LAB 65.11, -3.51, 37.46

 

CMYK 48 / 0 / 33 / 32

HEX #5AAE75

RGB 90 174 117

HSL 139.29, 0.34%, 0.52%

LAB 64.75, -38.46, 21.59

 

Description

Color code: HEX #5B69AE | qconv.com Color code: HEX #5B69AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 105 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 105 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 40 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 40% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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