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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5BBB it is the complementary color #A4A444. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5BBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5BBB shade: #605BB6, #716DC9, #827FDC, #9391EF and #A4A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5BBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5BBB shade: #5B5BBB, #4A49A8, #393795, #282582 and #17136F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5BBB shade: #5D5DBB, #765DBB, #8F5DBB, #A95DBB and #BB5DB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5BBB shade: #5D5DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5BBB shade matches the following richer shades: #5D5DBB, #4A4ACD, #3838E0 and #2525F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5BBB shade: #5D5DBB, #6F6FA8, #828296, #949483 and #A7A771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5BBB shade: #5D8FBB, #5D76BB, #5D5DBB, #765DBB and #8F5DBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5BBB shade: #3A3A8B, #4646A8, #5D5DBB, #7A7AC7 and #9797D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5BBB shade: #5B5BBB, #BB5DA8 and #82BB5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5BBB shade: #5B5BBB, #BB5D5D and #5DBB5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5BBB shade: #5B5BBB, #BB5DA8, #BBBB5D and #5DBB70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5BBB shade: #5B5BBB, #BB5D8C, #BBBB5D and #5DBB8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 51 / 0 / 27

HEX #5B5BBB

RGB 91 91 187

HSL 240, 0.41%, 0.55%

LAB 43.2, 26.67, -50.86

 

Complementary color

CMYK 0 / 0 / 59 / 36

HEX #A4A444

RGB 164 164 68

HSL 60, 0.41%, 0.45%

LAB 65.64, -12.88, 48.65

 

CMYK 47 / 50 / 0 / 29

HEX #605BB6

RGB 96 91 182

HSL 243.3, 0.38%, 0.54%

LAB 43.28, 26.24, -47.79

 

CMYK 44 / 46 / 0 / 21

HEX #716DC9

RGB 113 109 201

HSL 242.61, 0.46%, 0.61%

LAB 50.29, 25.02, -47.51

 

CMYK 41 / 42 / 0 / 14

HEX #827FDC

RGB 130 127 220

HSL 241.94, 0.57%, 0.68%

LAB 57.16, 23.98, -47.28

 

CMYK 38 / 39 / 0 / 6

HEX #9391EF

RGB 147 145 239

HSL 241.28, 0.75%, 0.75%

LAB 63.91, 23.07, -47.09

 

CMYK 36 / 36 / 0 / 0

HEX #A4A3FF

RGB 164 163 255

HSL 240.65, 1%, 0.82%

LAB 70.39, 21.49, -45.54

 

CMYK 51 / 51 / 0 / 27

HEX #5B5BBB

RGB 91 91 187

HSL 240, 0.41%, 0.55%

LAB 43.2, 26.67, -50.86

 

CMYK 56 / 57 / 0 / 34

HEX #4A49A8

RGB 74 73 168

HSL 240.63, 0.39%, 0.47%

LAB 36.08, 28.26, -51.2

 

CMYK 62 / 63 / 0 / 42

HEX #393795

RGB 57 55 149

HSL 241.28, 0.46%, 0.4%

LAB 28.83, 30.17, -51.54

 

CMYK 69 / 72 / 0 / 49

HEX #282582

RGB 40 37 130

HSL 241.94, 0.56%, 0.33%

LAB 21.53, 32.41, -51.72

 

CMYK 79 / 83 / 0 / 56

HEX #17136F

RGB 23 19 111

HSL 242.61, 0.71%, 0.25%

LAB 14.38, 34.71, -51.39

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 37 / 50 / 0 / 27

HEX #765DBB

RGB 118 93 187

HSL 255.96, 0.41%, 0.55%

LAB 46, 31.91, -46.25

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 10 / 50 / 0 / 27

HEX #A95DBB

RGB 169 93 187

HSL 288.51, 0.41%, 0.55%

LAB 51.67, 45.88, -36.91

 

CMYK 0 / 50 / 4 / 27

HEX #BB5DB3

RGB 187 93 179

HSL 305.11, 0.41%, 0.55%

LAB 53.65, 49.57, -29.01

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 64 / 64 / 0 / 20

HEX #4A4ACD

RGB 74 74 205

HSL 240, 0.57%, 0.55%

LAB 39.18, 39.92, -67.9

 

CMYK 75 / 75 / 0 / 12

HEX #3838E0

RGB 56 56 224

HSL 240, 0.73%, 0.55%

LAB 36.08, 54.43, -83.96

 

CMYK 85 / 85 / 0 / 5

HEX #2525F2

RGB 37 37 242

HSL 240, 0.89%, 0.55%

LAB 34.25, 67.61, -97.27

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 34 / 34 / 0 / 34

HEX #6F6FA8

RGB 111 111 168

HSL 240, 0.25%, 0.55%

LAB 48.98, 13.85, -30.52

 

CMYK 13 / 13 / 0 / 41

HEX #828296

RGB 130 130 150

HSL 240, 0.09%, 0.55%

LAB 54.98, 4.23, -10.7

 

CMYK 0 / 0 / 11 / 42

HEX #949483

RGB 148 148 131

HSL 60, 0.07%, 0.55%

LAB 60.88, -3.11, 9

 

CMYK 0 / 0 / 32 / 35

HEX #A7A771

RGB 167 167 113

HSL 60, 0.23%, 0.55%

LAB 67.31, -8.62, 28

 

CMYK 50 / 24 / 0 / 27

HEX #5D8FBB

RGB 93 143 187

HSL 208.09, 0.41%, 0.55%

LAB 57.62, -4.36, -28.11

 

CMYK 50 / 37 / 0 / 27

HEX #5D76BB

RGB 93 118 187

HSL 224.04, 0.41%, 0.55%

LAB 50.54, 10.41, -39.17

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 37 / 50 / 0 / 27

HEX #765DBB

RGB 118 93 187

HSL 255.96, 0.41%, 0.55%

LAB 46, 31.91, -46.25

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 58 / 58 / 0 / 45

HEX #3A3A8B

RGB 58 58 139

HSL 240, 0.41%, 0.39%

LAB 28.88, 24.94, -45.3

 

CMYK 58 / 58 / 0 / 34

HEX #4646A8

RGB 70 70 168

HSL 240, 0.41%, 0.47%

LAB 35.02, 29.39, -52.92

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 39 / 39 / 0 / 22

HEX #7A7AC7

RGB 122 122 199

HSL 240, 0.41%, 0.63%

LAB 54.22, 18.95, -40.11

 

CMYK 28 / 28 / 0 / 17

HEX #9797D3

RGB 151 151 211

HSL 240, 0.41%, 0.71%

LAB 64.5, 13.41, -30.65

 

CMYK 51 / 51 / 0 / 27

HEX #5B5BBB

RGB 91 91 187

HSL 240, 0.41%, 0.55%

LAB 43.2, 26.67, -50.86

 

CMYK 0 / 50 / 10 / 27

HEX #BB5DA8

RGB 187 93 168

HSL 312.13, 0.41%, 0.55%

LAB 53.19, 47.69, -23.33

 

CMYK 30 / 0 / 50 / 27

HEX #82BB5D

RGB 130 187 93

HSL 96.38, 0.41%, 0.55%

LAB 70.23, -35.26, 41.49

 

CMYK 51 / 51 / 0 / 27

HEX #5B5BBB

RGB 91 91 187

HSL 240, 0.41%, 0.55%

LAB 43.2, 26.67, -50.86

 

CMYK 0 / 50 / 50 / 27

HEX #BB5D5D

RGB 187 93 93

HSL 0, 0.41%, 0.55%

LAB 50.9, 37.79, 17.71

 

CMYK 50 / 0 / 50 / 27

HEX #5DBB5D

RGB 93 187 93

HSL 120, 0.41%, 0.55%

LAB 68.5, -47.07, 38.98

 

CMYK 51 / 51 / 0 / 27

HEX #5B5BBB

RGB 91 91 187

HSL 240, 0.41%, 0.55%

LAB 43.2, 26.67, -50.86

 

CMYK 0 / 50 / 10 / 27

HEX #BB5DA8

RGB 187 93 168

HSL 312.13, 0.41%, 0.55%

LAB 53.19, 47.69, -23.33

 

CMYK 0 / 0 / 50 / 27

HEX #BBBB5D

RGB 187 187 93

HSL 60, 0.41%, 0.55%

LAB 74.12, -13.02, 47.09

 

CMYK 50 / 0 / 40 / 27

HEX #5DBB70

RGB 93 187 112

HSL 132.13, 0.41%, 0.55%

LAB 68.78, -44.17, 29.64

 

CMYK 51 / 51 / 0 / 27

HEX #5B5BBB

RGB 91 91 187

HSL 240, 0.41%, 0.55%

LAB 43.2, 26.67, -50.86

 

CMYK 0 / 50 / 25 / 27

HEX #BB5D8C

RGB 187 93 140

HSL 330, 0.41%, 0.55%

LAB 52.16, 43.36, -8.43

 

CMYK 0 / 0 / 50 / 27

HEX #BBBB5D

RGB 187 187 93

HSL 60, 0.41%, 0.55%

LAB 74.12, -13.02, 47.09

 

CMYK 50 / 0 / 25 / 27

HEX #5DBB8C

RGB 93 187 140

HSL 150, 0.41%, 0.55%

LAB 69.3, -38.91, 15.41

 

Description

Color code: HEX #5B5BBB | qconv.com Color code: HEX #5B5BBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 91 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 91 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 51 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 51% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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