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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5A95 it is the complementary color #A4A56A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5A95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5A95 shade: #605A90, #716CA3, #827EB6, #9390C9 and #A4A2DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5A95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5A95 shade: #5B5A95, #4A4882, #39366F, #28245C and #171249

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5A95 shade: #5A5995, #6B5995, #7B5995, #8B5995 and #955990

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5A95 shade: #5A5995 and #595995

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5A95 shade matches the following richer shades: #5A5995, #4846A9, #3533BC, #221FCF and #0F0CE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5A95 shade: #5A5995, #6D6D82, #80806F, #93945B and #A5A748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5A95 shade: #597895, #596895, #5A5995, #6A5995 and #7A5995

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5A95 shade: #3B3A62, #4B4A7C, #5A5995, #706FA9 and #8A89B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5A95 shade: #5B5A95, #955988 and #709559

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5A95 shade: #5B5A95, #955A59 and #59955A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5A95 shade: #5B5A95, #955988, #949559 and #599566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5A95 shade: #5B5A95, #955976, #949559 and #599578

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 40 / 0 / 42

HEX #5B5A95

RGB 91 90 149

HSL 241.02, 0.25%, 0.47%

LAB 40.75, 15.61, -32.29

 

Complementary color

CMYK 1 / 0 / 36 / 35

HEX #A4A56A

RGB 164 165 106

HSL 61.02, 0.25%, 0.53%

LAB 66.4, -9.65, 30.5

 

CMYK 33 / 38 / 0 / 44

HEX #605A90

RGB 96 90 144

HSL 246.67, 0.23%, 0.46%

LAB 40.92, 15.64, -28.98

 

CMYK 31 / 34 / 0 / 36

HEX #716CA3

RGB 113 108 163

HSL 245.45, 0.23%, 0.53%

LAB 48.11, 14.91, -28.93

 

CMYK 29 / 31 / 0 / 29

HEX #827EB6

RGB 130 126 182

HSL 244.29, 0.28%, 0.6%

LAB 55.12, 14.28, -28.94

 

CMYK 27 / 28 / 0 / 21

HEX #9390C9

RGB 147 144 201

HSL 243.16, 0.35%, 0.68%

LAB 61.97, 13.74, -28.99

 

CMYK 25 / 26 / 0 / 14

HEX #A4A2DC

RGB 164 162 220

HSL 242.07, 0.45%, 0.75%

LAB 68.68, 13.25, -29.09

 

CMYK 39 / 40 / 0 / 42

HEX #5B5A95

RGB 91 90 149

HSL 241.02, 0.25%, 0.47%

LAB 40.75, 15.61, -32.29

 

CMYK 43 / 45 / 0 / 49

HEX #4A4882

RGB 74 72 130

HSL 242.07, 0.29%, 0.4%

LAB 33.35, 16.59, -32.48

 

CMYK 49 / 51 / 0 / 56

HEX #39366F

RGB 57 54 111

HSL 243.16, 0.35%, 0.32%

LAB 25.73, 17.83, -32.77

 

CMYK 57 / 61 / 0 / 64

HEX #28245C

RGB 40 36 92

HSL 244.29, 0.44%, 0.25%

LAB 17.85, 19.43, -33.12

 

CMYK 68 / 75 / 0 / 71

HEX #171249

RGB 23 18 73

HSL 245.45, 0.6%, 0.18%

LAB 9.77, 21.53, -33.43

 

CMYK 40 / 40 / 0 / 42

HEX #5A5995

RGB 90 89 149

HSL 241, 0.25%, 0.47%

LAB 40.39, 15.95, -32.85

 

CMYK 28 / 40 / 0 / 42

HEX #6B5995

RGB 107 89 149

HSL 258, 0.25%, 0.47%

LAB 41.91, 20.96, -30.36

 

CMYK 17 / 40 / 0 / 42

HEX #7B5995

RGB 123 89 149

HSL 274, 0.25%, 0.47%

LAB 43.54, 25.97, -27.68

 

CMYK 7 / 40 / 0 / 42

HEX #8B5995

RGB 139 89 149

HSL 290, 0.25%, 0.47%

LAB 45.36, 31.12, -24.71

 

CMYK 0 / 40 / 3 / 42

HEX #955990

RGB 149 89 144

HSL 305, 0.25%, 0.47%

LAB 46.38, 33.41, -20.06

 

CMYK 40 / 40 / 0 / 42

HEX #5A5995

RGB 90 89 149

HSL 241, 0.25%, 0.47%

LAB 40.39, 15.95, -32.85

 

CMYK 40 / 40 / 0 / 42

HEX #595995

RGB 89 89 149

HSL 240, 0.25%, 0.47%

LAB 40.31, 15.67, -32.98

 

CMYK 40 / 40 / 0 / 42

HEX #5A5995

RGB 90 89 149

HSL 241, 0.25%, 0.47%

LAB 40.39, 15.95, -32.85

 

CMYK 57 / 59 / 0 / 34

HEX #4846A9

RGB 72 70 169

HSL 241.21, 0.41%, 0.47%

LAB 35.25, 30.11, -53.15

 

CMYK 72 / 73 / 0 / 26

HEX #3533BC

RGB 53 51 188

HSL 240.88, 0.57%, 0.47%

LAB 31.24, 45.3, -71.04

 

CMYK 84 / 85 / 0 / 19

HEX #221FCF

RGB 34 31 207

HSL 241.02, 0.74%, 0.47%

LAB 28.97, 59.85, -85.98

 

CMYK 93 / 95 / 0 / 11

HEX #0F0CE3

RGB 15 12 227

HSL 240.84, 0.9%, 0.47%

LAB 29.19, 70.5, -97.19

 

CMYK 40 / 40 / 0 / 42

HEX #5A5995

RGB 90 89 149

HSL 241, 0.25%, 0.47%

LAB 40.39, 15.95, -32.85

 

CMYK 16 / 16 / 0 / 49

HEX #6D6D82

RGB 109 109 130

HSL 240, 0.09%, 0.47%

LAB 46.71, 4.64, -11.57

 

CMYK 0 / 0 / 13 / 50

HEX #80806F

RGB 128 128 111

HSL 60, 0.07%, 0.47%

LAB 53.14, -3.17, 9.24

 

CMYK 1 / 0 / 39 / 42

HEX #93945B

RGB 147 148 91

HSL 61.05, 0.24%, 0.47%

LAB 60.01, -9.39, 30.02

 

CMYK 1 / 0 / 57 / 35

HEX #A5A748

RGB 165 167 72

HSL 61.26, 0.4%, 0.47%

LAB 66.6, -13.7, 47.9

 

CMYK 40 / 19 / 0 / 42

HEX #597895

RGB 89 120 149

HSL 209, 0.25%, 0.47%

LAB 49.16, -3.3, -19.22

 

CMYK 40 / 30 / 0 / 42

HEX #596895

RGB 89 104 149

HSL 225, 0.25%, 0.47%

LAB 44.51, 6.31, -26.4

 

CMYK 40 / 40 / 0 / 42

HEX #5A5995

RGB 90 89 149

HSL 241, 0.25%, 0.47%

LAB 40.39, 15.95, -32.85

 

CMYK 29 / 40 / 0 / 42

HEX #6A5995

RGB 106 89 149

HSL 257, 0.25%, 0.47%

LAB 41.81, 20.66, -30.52

 

CMYK 18 / 40 / 0 / 42

HEX #7A5995

RGB 122 89 149

HSL 273, 0.25%, 0.47%

LAB 43.44, 25.65, -27.86

 

CMYK 40 / 41 / 0 / 62

HEX #3B3A62

RGB 59 58 98

HSL 241.5, 0.26%, 0.31%

LAB 26.27, 11.46, -23.54

 

CMYK 40 / 40 / 0 / 51

HEX #4B4A7C

RGB 75 74 124

HSL 241.2, 0.25%, 0.39%

LAB 33.67, 13.72, -28.27

 

CMYK 40 / 40 / 0 / 42

HEX #5A5995

RGB 90 89 149

HSL 241, 0.25%, 0.47%

LAB 40.39, 15.95, -32.85

 

CMYK 34 / 34 / 0 / 34

HEX #706FA9

RGB 112 111 169

HSL 241.03, 0.25%, 0.55%

LAB 49.1, 14.42, -30.9

 

CMYK 25 / 26 / 0 / 28

HEX #8A89B8

RGB 138 137 184

HSL 241.28, 0.25%, 0.63%

LAB 58.75, 10.82, -24.42

 

CMYK 39 / 40 / 0 / 42

HEX #5B5A95

RGB 91 90 149

HSL 241.02, 0.25%, 0.47%

LAB 40.75, 15.61, -32.29

 

CMYK 0 / 40 / 9 / 42

HEX #955988

RGB 149 89 136

HSL 313, 0.25%, 0.47%

LAB 46.06, 31.92, -15.75

 

CMYK 25 / 0 / 40 / 42

HEX #709559

RGB 112 149 89

HSL 97, 0.25%, 0.47%

LAB 57.71, -24.19, 27.63

 

CMYK 39 / 40 / 0 / 42

HEX #5B5A95

RGB 91 90 149

HSL 241.02, 0.25%, 0.47%

LAB 40.75, 15.61, -32.29

 

CMYK 0 / 40 / 40 / 42

HEX #955A59

RGB 149 90 89

HSL 1, 0.25%, 0.47%

LAB 44.83, 24.14, 10.91

 

CMYK 40 / 0 / 40 / 42

HEX #59955A

RGB 89 149 90

HSL 121, 0.25%, 0.47%

LAB 56.44, -32.14, 25.19

 

CMYK 39 / 40 / 0 / 42

HEX #5B5A95

RGB 91 90 149

HSL 241.02, 0.25%, 0.47%

LAB 40.75, 15.61, -32.29

 

CMYK 0 / 40 / 9 / 42

HEX #955988

RGB 149 89 136

HSL 313, 0.25%, 0.47%

LAB 46.06, 31.92, -15.75

 

CMYK 1 / 0 / 40 / 42

HEX #949559

RGB 148 149 89

HSL 61, 0.25%, 0.47%

LAB 60.35, -9.74, 31.54

 

CMYK 40 / 0 / 32 / 42

HEX #599566

RGB 89 149 102

HSL 133, 0.25%, 0.47%

LAB 56.66, -30.03, 18.86

 

CMYK 39 / 40 / 0 / 42

HEX #5B5A95

RGB 91 90 149

HSL 241.02, 0.25%, 0.47%

LAB 40.75, 15.61, -32.29

 

CMYK 0 / 40 / 21 / 42

HEX #955976

RGB 149 89 118

HSL 331, 0.25%, 0.47%

LAB 45.42, 28.83, -5.85

 

CMYK 1 / 0 / 40 / 42

HEX #949559

RGB 148 149 89

HSL 61, 0.25%, 0.47%

LAB 60.35, -9.74, 31.54

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

Description

Color code: HEX #5B5A95 | qconv.com Color code: HEX #5B5A95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 90 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 90 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 40 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 40% 0% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Help - INVOLVE
Link: http://www.invo.org.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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