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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5975 it is the complementary color #A4A68A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5975 shade: #605970, #716B83, #827D96, #938FA9 and #A4A1BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5975 shade: #5B5975, #4A4762, #39354F, #28233C and #171129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5975 shade: #595774, #615774, #695774, #705774 and #74576F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5975 shade: #595774 and #575774

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5975 shade matches the following richer shades: #595774, #4B4784, #3D3695, #2F26A5 and #2115B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5975 shade: #595774, #676863, #767853, #848942 and #929932

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5975 shade: #576574, #575D74, #595774, #615774 and #685774

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5975 shade: #353445, #47455C, #595774, #6B698B and #817F9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5975 shade: #5B5975, #74576C and #617457

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5975 shade: #5B5975, #745957 and #577459

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5975 shade: #5B5975, #74576C, #727457 and #57745F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5975 shade: #5B5975, #745764, #727457 and #577467

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 24 / 0 / 54

HEX #5B5975

RGB 91 89 117

HSL 244.29, 0.14%, 0.4%

LAB 38.99, 7.35, -15.56

 

Complementary color

CMYK 1 / 0 / 17 / 35

HEX #A4A68A

RGB 164 166 138

HSL 64.29, 0.14%, 0.6%

LAB 67.28, -5.65, 14.28

 

CMYK 14 / 21 / 0 / 56

HEX #605970

RGB 96 89 112

HSL 258.26, 0.11%, 0.39%

LAB 39.24, 7.89, -12.06

 

CMYK 14 / 18 / 0 / 49

HEX #716B83

RGB 113 107 131

HSL 255, 0.1%, 0.47%

LAB 46.53, 7.49, -12.4

 

CMYK 13 / 17 / 0 / 41

HEX #827D96

RGB 130 125 150

HSL 252, 0.11%, 0.54%

LAB 53.62, 7.13, -12.76

 

CMYK 13 / 15 / 0 / 34

HEX #938FA9

RGB 147 143 169

HSL 249.23, 0.13%, 0.61%

LAB 60.53, 6.81, -13.12

 

CMYK 13 / 14 / 0 / 26

HEX #A4A1BC

RGB 164 161 188

HSL 246.67, 0.17%, 0.68%

LAB 67.29, 6.52, -13.49

 

CMYK 22 / 24 / 0 / 54

HEX #5B5975

RGB 91 89 117

HSL 244.29, 0.14%, 0.4%

LAB 38.99, 7.35, -15.56

 

CMYK 24 / 28 / 0 / 62

HEX #4A4762

RGB 74 71 98

HSL 246.67, 0.16%, 0.33%

LAB 31.45, 7.84, -15.37

 

CMYK 28 / 33 / 0 / 69

HEX #39354F

RGB 57 53 79

HSL 249.23, 0.2%, 0.26%

LAB 23.61, 8.43, -15.25

 

CMYK 33 / 42 / 0 / 76

HEX #28233C

RGB 40 35 60

HSL 252, 0.26%, 0.19%

LAB 15.38, 9.19, -15.23

 

CMYK 44 / 59 / 0 / 84

HEX #171129

RGB 23 17 41

HSL 255, 0.41%, 0.11%

LAB 6.71, 9.96, -15.24

 

CMYK 23 / 25 / 0 / 55

HEX #595774

RGB 89 87 116

HSL 244.14, 0.14%, 0.4%

LAB 38.2, 7.65, -16.17

 

CMYK 16 / 25 / 0 / 55

HEX #615774

RGB 97 87 116

HSL 260.69, 0.14%, 0.4%

LAB 38.93, 10.46, -14.99

 

CMYK 9 / 25 / 0 / 55

HEX #695774

RGB 105 87 116

HSL 277.24, 0.14%, 0.4%

LAB 39.72, 13.34, -13.72

 

CMYK 3 / 25 / 0 / 55

HEX #705774

RGB 112 87 116

HSL 291.72, 0.14%, 0.4%

LAB 40.45, 15.91, -12.54

 

CMYK 0 / 25 / 4 / 55

HEX #74576F

RGB 116 87 111

HSL 310.34, 0.14%, 0.4%

LAB 40.7, 16.36, -9.05

 

CMYK 23 / 25 / 0 / 55

HEX #595774

RGB 89 87 116

HSL 244.14, 0.14%, 0.4%

LAB 38.2, 7.65, -16.17

 

CMYK 25 / 25 / 0 / 55

HEX #575774

RGB 87 87 116

HSL 240, 0.14%, 0.4%

LAB 38.03, 6.97, -16.45

 

CMYK 23 / 25 / 0 / 55

HEX #595774

RGB 89 87 116

HSL 244.14, 0.14%, 0.4%

LAB 38.2, 7.65, -16.17

 

CMYK 43 / 46 / 0 / 48

HEX #4B4784

RGB 75 71 132

HSL 243.93, 0.3%, 0.4%

LAB 33.28, 18.14, -33.83

 

CMYK 59 / 64 / 0 / 42

HEX #3D3695

RGB 61 54 149

HSL 244.42, 0.47%, 0.4%

LAB 28.9, 31.52, -51.4

 

CMYK 72 / 77 / 0 / 35

HEX #2F26A5

RGB 47 38 165

HSL 244.25, 0.63%, 0.4%

LAB 25.88, 44.43, -66.15

 

CMYK 82 / 88 / 0 / 29

HEX #2115B6

RGB 33 21 182

HSL 244.47, 0.79%, 0.4%

LAB 24.44, 56.41, -78.79

 

CMYK 23 / 25 / 0 / 55

HEX #595774

RGB 89 87 116

HSL 244.14, 0.14%, 0.4%

LAB 38.2, 7.65, -16.17

 

CMYK 1 / 0 / 5 / 59

HEX #676863

RGB 103 104 99

HSL 72, 0.02%, 0.4%

LAB 43.78, -1.4, 2.67

 

CMYK 2 / 0 / 31 / 53

HEX #767853

RGB 118 120 83

HSL 63.24, 0.18%, 0.4%

LAB 49.39, -7.21, 20.12

 

CMYK 4 / 0 / 52 / 46

HEX #848942

RGB 132 137 66

HSL 64.23, 0.35%, 0.4%

LAB 55.27, -12.57, 37.05

 

CMYK 5 / 0 / 67 / 40

HEX #929932

RGB 146 153 50

HSL 64.08, 0.51%, 0.4%

LAB 60.89, -16.18, 51.01

 

CMYK 25 / 13 / 0 / 55

HEX #576574

RGB 87 101 116

HSL 211.03, 0.14%, 0.4%

LAB 42.15, -1.65, -10.19

 

CMYK 25 / 20 / 0 / 55

HEX #575D74

RGB 87 93 116

HSL 227.59, 0.14%, 0.4%

LAB 39.77, 3.23, -13.78

 

CMYK 23 / 25 / 0 / 55

HEX #595774

RGB 89 87 116

HSL 244.14, 0.14%, 0.4%

LAB 38.2, 7.65, -16.17

 

CMYK 16 / 25 / 0 / 55

HEX #615774

RGB 97 87 116

HSL 260.69, 0.14%, 0.4%

LAB 38.93, 10.46, -14.99

 

CMYK 10 / 25 / 0 / 55

HEX #685774

RGB 104 87 116

HSL 275.17, 0.14%, 0.4%

LAB 39.61, 12.98, -13.89

 

CMYK 23 / 25 / 0 / 73

HEX #353445

RGB 53 52 69

HSL 243.53, 0.14%, 0.24%

LAB 22.45, 4.78, -10.37

 

CMYK 23 / 25 / 0 / 64

HEX #47455C

RGB 71 69 92

HSL 245.22, 0.14%, 0.32%

LAB 30.32, 6.45, -13.29

 

CMYK 23 / 25 / 0 / 55

HEX #595774

RGB 89 87 116

HSL 244.14, 0.14%, 0.4%

LAB 38.2, 7.65, -16.17

 

CMYK 23 / 24 / 0 / 45

HEX #6B698B

RGB 107 105 139

HSL 243.53, 0.14%, 0.48%

LAB 45.76, 8.57, -18.4

 

CMYK 18 / 20 / 0 / 38

HEX #817F9E

RGB 129 127 158

HSL 243.87, 0.14%, 0.56%

LAB 54.36, 7.46, -16.28

 

CMYK 22 / 24 / 0 / 54

HEX #5B5975

RGB 91 89 117

HSL 244.29, 0.14%, 0.4%

LAB 38.99, 7.35, -15.56

 

CMYK 0 / 25 / 7 / 55

HEX #74576C

RGB 116 87 108

HSL 316.55, 0.14%, 0.4%

LAB 40.59, 15.76, -7.36

 

CMYK 16 / 0 / 25 / 55

HEX #617457

RGB 97 116 87

HSL 99.31, 0.14%, 0.4%

LAB 46.61, -12.93, 13.76

 

CMYK 22 / 24 / 0 / 54

HEX #5B5975

RGB 91 89 117

HSL 244.29, 0.14%, 0.4%

LAB 38.99, 7.35, -15.56

 

CMYK 0 / 23 / 25 / 55

HEX #745957

RGB 116 89 87

HSL 4.14, 0.14%, 0.4%

LAB 40.49, 10.77, 5.42

 

CMYK 25 / 0 / 23 / 55

HEX #577459

RGB 87 116 89

HSL 124.14, 0.14%, 0.4%

LAB 45.96, -16.38, 11.58

 

CMYK 22 / 24 / 0 / 54

HEX #5B5975

RGB 91 89 117

HSL 244.29, 0.14%, 0.4%

LAB 38.99, 7.35, -15.56

 

CMYK 0 / 25 / 7 / 55

HEX #74576C

RGB 116 87 108

HSL 316.55, 0.14%, 0.4%

LAB 40.59, 15.76, -7.36

 

CMYK 2 / 0 / 25 / 55

HEX #727457

RGB 114 116 87

HSL 64.14, 0.14%, 0.4%

LAB 47.95, -6.02, 15.82

 

CMYK 25 / 0 / 18 / 55

HEX #57745F

RGB 87 116 95

HSL 136.55, 0.14%, 0.4%

LAB 46.1, -15.17, 8.23

 

CMYK 22 / 24 / 0 / 54

HEX #5B5975

RGB 91 89 117

HSL 244.29, 0.14%, 0.4%

LAB 38.99, 7.35, -15.56

 

CMYK 0 / 25 / 14 / 55

HEX #745764

RGB 116 87 100

HSL 333.1, 0.14%, 0.4%

LAB 40.33, 14.23, -2.82

 

CMYK 2 / 0 / 25 / 55

HEX #727457

RGB 114 116 87

HSL 64.14, 0.14%, 0.4%

LAB 47.95, -6.02, 15.82

 

CMYK 25 / 0 / 11 / 55

HEX #577467

RGB 87 116 103

HSL 153.1, 0.14%, 0.4%

LAB 46.31, -13.46, 3.77

 

Description

Color code: HEX #5B5975 | qconv.com Color code: HEX #5B5975 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 89 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 89 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 24 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 24% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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