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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B4DD2 it is the complementary color #A4B22D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B4DD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B4DD2 shade: #604DCD, #715FE0, #8271F3, #9383FF and #A495FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B4DD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B4DD2 shade: #5B4DD2, #4A3BBF, #3929AC, #281799 and #170586

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B4DD2 shade: #594BD2, #7D4BD2, #A24BD2, #C64BD2 and #D24BB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B4DD2 shade: #594BD2 and #4B4BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B4DD2 shade matches the following richer shades: #594BD2, #4B39E4 and #3D27F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B4DD2 shade: #594BD2, #675DBF, #766FAD, #84819B and #929489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B4DD2 shade: #4B85D2, #4B61D2, #584BD2, #7C4BD2 and #A04BD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B4DD2 shade: #3528A2, #4030C3, #594BD2, #786CDA and #968DE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B4DD2 shade: #5B4DD2, #D24BA9 and #73D24B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B4DD2 shade: #5B4DD2, #D2584B and #4BD258

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B4DD2 shade: #5B4DD2, #D24BA9, #C4D24B and #4BD273

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B4DD2 shade: #5B4DD2, #D24B81, #C4D24B and #4BD29C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 63 / 0 / 18

HEX #5B4DD2

RGB 91 77 210

HSL 246.32, 0.6%, 0.56%

LAB 41.51, 42.41, -66.92

 

Complementary color

CMYK 8 / 0 / 75 / 30

HEX #A4B22D

RGB 164 178 45

HSL 66.32, 0.6%, 0.44%

LAB 69.41, -21.41, 61.73

 

CMYK 53 / 62 / 0 / 20

HEX #604DCD

RGB 96 77 205

HSL 248.91, 0.56%, 0.55%

LAB 41.54, 41.75, -63.98

 

CMYK 50 / 58 / 0 / 12

HEX #715FE0

RGB 113 95 224

HSL 248.37, 0.68%, 0.63%

LAB 48.36, 40.19, -63.71

 

CMYK 47 / 53 / 0 / 5

HEX #8271F3

RGB 130 113 243

HSL 247.85, 0.84%, 0.7%

LAB 55.1, 38.77, -63.42

 

CMYK 42 / 49 / 0 / 0

HEX #9383FF

RGB 147 131 255

HSL 247.74, 1%, 0.76%

LAB 61.36, 35.55, -59.94

 

CMYK 36 / 42 / 0 / 0

HEX #A495FF

RGB 164 149 255

HSL 248.49, 1%, 0.79%

LAB 66.98, 29.43, -50.91

 

CMYK 57 / 63 / 0 / 18

HEX #5B4DD2

RGB 91 77 210

HSL 246.32, 0.6%, 0.56%

LAB 41.51, 42.41, -66.92

 

CMYK 61 / 69 / 0 / 25

HEX #4A3BBF

RGB 74 59 191

HSL 246.82, 0.53%, 0.49%

LAB 34.69, 44.24, -67.08

 

CMYK 67 / 76 / 0 / 33

HEX #3929AC

RGB 57 41 172

HSL 247.33, 0.62%, 0.42%

LAB 27.94, 46.08, -66.95

 

CMYK 74 / 85 / 0 / 40

HEX #281799

RGB 40 23 153

HSL 247.85, 0.74%, 0.35%

LAB 21.45, 47.49, -66.19

 

CMYK 83 / 96 / 0 / 47

HEX #170586

RGB 23 5 134

HSL 248.37, 0.93%, 0.27%

LAB 15.55, 47.67, -64.19

 

CMYK 58 / 64 / 0 / 18

HEX #594BD2

RGB 89 75 210

HSL 246.22, 0.6%, 0.56%

LAB 40.91, 43.25, -67.91

 

CMYK 40 / 64 / 0 / 18

HEX #7D4BD2

RGB 125 75 210

HSL 262.22, 0.6%, 0.56%

LAB 44.3, 49.89, -62.25

 

CMYK 23 / 64 / 0 / 18

HEX #A24BD2

RGB 162 75 210

HSL 278.67, 0.6%, 0.56%

LAB 48.72, 57.84, -54.89

 

CMYK 6 / 64 / 0 / 18

HEX #C64BD2

RGB 198 75 210

HSL 294.67, 0.6%, 0.56%

LAB 53.7, 66.1, -46.65

 

CMYK 0 / 64 / 12 / 18

HEX #D24BB9

RGB 210 75 185

HSL 311.11, 0.6%, 0.56%

LAB 54.28, 64.94, -31.25

 

CMYK 58 / 64 / 0 / 18

HEX #594BD2

RGB 89 75 210

HSL 246.22, 0.6%, 0.56%

LAB 40.91, 43.25, -67.91

 

CMYK 64 / 64 / 0 / 18

HEX #4B4BD2

RGB 75 75 210

HSL 240, 0.6%, 0.56%

LAB 39.88, 41.11, -69.63

 

CMYK 58 / 64 / 0 / 18

HEX #594BD2

RGB 89 75 210

HSL 246.22, 0.6%, 0.56%

LAB 40.91, 43.25, -67.91

 

CMYK 67 / 75 / 0 / 11

HEX #4B39E4

RGB 75 57 228

HSL 246.32, 0.76%, 0.56%

LAB 37.88, 56.82, -83.23

 

CMYK 75 / 84 / 0 / 4

HEX #3D27F6

RGB 61 39 246

HSL 246.38, 0.92%, 0.56%

LAB 36.17, 68.93, -96.3

 

CMYK 58 / 64 / 0 / 18

HEX #594BD2

RGB 89 75 210

HSL 246.22, 0.6%, 0.56%

LAB 40.91, 43.25, -67.91

 

CMYK 46 / 51 / 0 / 25

HEX #675DBF

RGB 103 93 191

HSL 246.12, 0.43%, 0.56%

LAB 44.9, 29.38, -50.4

 

CMYK 32 / 36 / 0 / 32

HEX #766FAD

RGB 118 111 173

HSL 246.77, 0.27%, 0.56%

LAB 49.78, 17.27, -32.13

 

CMYK 15 / 17 / 0 / 39

HEX #84819B

RGB 132 129 155

HSL 246.92, 0.12%, 0.56%

LAB 55.04, 6.62, -13.49

 

CMYK 1 / 0 / 7 / 42

HEX #929489

RGB 146 148 137

HSL 70.91, 0.05%, 0.56%

LAB 60.87, -2.8, 5.56

 

CMYK 64 / 37 / 0 / 18

HEX #4B85D2

RGB 75 133 210

HSL 214.22, 0.6%, 0.56%

LAB 54.99, 5.22, -45.3

 

CMYK 64 / 54 / 0 / 18

HEX #4B61D2

RGB 75 97 210

HSL 230.22, 0.6%, 0.56%

LAB 45.22, 27.5, -60.95

 

CMYK 58 / 64 / 0 / 18

HEX #584BD2

RGB 88 75 210

HSL 245.78, 0.6%, 0.56%

LAB 40.83, 43.09, -68.04

 

CMYK 41 / 64 / 0 / 18

HEX #7C4BD2

RGB 124 75 210

HSL 261.78, 0.6%, 0.56%

LAB 44.19, 49.68, -62.43

 

CMYK 24 / 64 / 0 / 18

HEX #A04BD2

RGB 160 75 210

HSL 277.78, 0.6%, 0.56%

LAB 48.46, 57.39, -55.32

 

CMYK 67 / 75 / 0 / 36

HEX #3528A2

RGB 53 40 162

HSL 246.39, 0.6%, 0.4%

LAB 26.4, 43, -63.46

 

CMYK 67 / 75 / 0 / 24

HEX #4030C3

RGB 64 48 195

HSL 246.53, 0.6%, 0.48%

LAB 32.13, 50.29, -73.67

 

CMYK 58 / 64 / 0 / 18

HEX #594BD2

RGB 89 75 210

HSL 246.22, 0.6%, 0.56%

LAB 40.91, 43.25, -67.91

 

CMYK 45 / 50 / 0 / 15

HEX #786CDA

RGB 120 108 218

HSL 246.55, 0.6%, 0.64%

LAB 51.59, 32.26, -55.08

 

CMYK 34 / 38 / 0 / 11

HEX #968DE2

RGB 150 141 226

HSL 246.35, 0.59%, 0.72%

LAB 62.53, 22.71, -42.06

 

CMYK 57 / 63 / 0 / 18

HEX #5B4DD2

RGB 91 77 210

HSL 246.32, 0.6%, 0.56%

LAB 41.51, 42.41, -66.92

 

CMYK 0 / 64 / 20 / 18

HEX #D24BA9

RGB 210 75 169

HSL 318.22, 0.6%, 0.56%

LAB 53.6, 62.63, -23

 

CMYK 45 / 0 / 64 / 18

HEX #73D24B

RGB 115 210 75

HSL 102.22, 0.6%, 0.56%

LAB 76.22, -51.9, 56.4

 

CMYK 57 / 63 / 0 / 18

HEX #5B4DD2

RGB 91 77 210

HSL 246.32, 0.6%, 0.56%

LAB 41.51, 42.41, -66.92

 

CMYK 0 / 58 / 64 / 18

HEX #D2584B

RGB 210 88 75

HSL 5.78, 0.6%, 0.56%

LAB 53.16, 47.33, 31.81

 

CMYK 64 / 0 / 58 / 18

HEX #4BD258

RGB 75 210 88

HSL 125.78, 0.6%, 0.56%

LAB 75.01, -60.74, 49.02

 

CMYK 57 / 63 / 0 / 18

HEX #5B4DD2

RGB 91 77 210

HSL 246.32, 0.6%, 0.56%

LAB 41.51, 42.41, -66.92

 

CMYK 0 / 64 / 20 / 18

HEX #D24BA9

RGB 210 75 169

HSL 318.22, 0.6%, 0.56%

LAB 53.6, 62.63, -23

 

CMYK 7 / 0 / 64 / 18

HEX #C4D24B

RGB 196 210 75

HSL 66.22, 0.6%, 0.56%

LAB 80.93, -22.17, 62.83

 

CMYK 64 / 0 / 45 / 18

HEX #4BD273

RGB 75 210 115

HSL 137.78, 0.6%, 0.56%

LAB 75.34, -56.95, 36.49

 

CMYK 57 / 63 / 0 / 18

HEX #5B4DD2

RGB 91 77 210

HSL 246.32, 0.6%, 0.56%

LAB 41.51, 42.41, -66.92

 

CMYK 0 / 64 / 39 / 18

HEX #D24B81

RGB 210 75 129

HSL 336, 0.6%, 0.56%

LAB 52.2, 57.68, -1.44

 

CMYK 7 / 0 / 64 / 18

HEX #C4D24B

RGB 196 210 75

HSL 66.22, 0.6%, 0.56%

LAB 80.93, -22.17, 62.83

 

CMYK 64 / 0 / 26 / 18

HEX #4BD29C

RGB 75 210 156

HSL 156, 0.6%, 0.56%

LAB 76.06, -49.17, 16.19

 

Description

Color code: HEX #5B4DD2 | qconv.com Color code: HEX #5B4DD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 77 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 77 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 63 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 63% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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