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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B3B44 it is the complementary color #A4C4BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B3B44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B3B44 shade: #603B3F, #714D52, #825F65, #937178 and #A4838B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B3B44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B3B44 shade: #5B3B44, #4A2931, #39171E, #28050B and #170000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B3B44 shade: #593A43, #593A3A and #593A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B3B44 shade: #593A43, #593A4B, #593A53, #563A59 and #4E3A59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B3B44 shade matches the following richer shades: #593A43, #652E3D, #712238, #7D1633 and #890A2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B3B44 shade: #593A43, #4D4648, #41524D, #355E52 and #296A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B3B44 shade: #593A53, #593A4B, #593A43, #593A3A and #59423A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B3B44 shade: #27191D, #402A30, #593A43, #724A55 and #8B5B68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B3B44 shade: #5B3B44, #59563A and #3A4F59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B3B44 shade: #5B3B44, #43593A and #3A4359

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B3B44 shade: #5B3B44, #59563A, #3A5950 and #3A3D59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B3B44 shade: #5B3B44, #52593A, #3A5950 and #413A59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 25 / 64

HEX #5B3B44

RGB 91 59 68

HSL 343.13, 0.21%, 0.29%

LAB 28.82, 15.6, 0.26

 

Complementary color

CMYK 16 / 0 / 5 / 23

HEX #A4C4BB

RGB 164 196 187

HSL 163.13, 0.21%, 0.71%

LAB 76.65, -12.53, 0.92

 

CMYK 0 / 39 / 34 / 62

HEX #603B3F

RGB 96 59 63

HSL 353.51, 0.24%, 0.3%

LAB 29.35, 16.93, 4.38

 

CMYK 0 / 32 / 27 / 56

HEX #714D52

RGB 113 77 82

HSL 351.67, 0.19%, 0.37%

LAB 36.79, 16, 3.19

 

CMYK 0 / 27 / 22 / 49

HEX #825F65

RGB 130 95 101

HSL 349.71, 0.16%, 0.44%

LAB 44.05, 15.21, 2.19

 

CMYK 0 / 23 / 18 / 42

HEX #937178

RGB 147 113 120

HSL 347.65, 0.14%, 0.51%

LAB 51.12, 14.54, 1.31

 

CMYK 0 / 20 / 15 / 36

HEX #A4838B

RGB 164 131 139

HSL 345.45, 0.15%, 0.58%

LAB 58.03, 13.95, 0.51

 

CMYK 0 / 35 / 25 / 64

HEX #5B3B44

RGB 91 59 68

HSL 343.13, 0.21%, 0.29%

LAB 28.82, 15.6, 0.26

 

CMYK 0 / 45 / 34 / 71

HEX #4A2931

RGB 74 41 49

HSL 345.45, 0.29%, 0.23%

LAB 21.07, 16.58, 1.46

 

CMYK 0 / 60 / 47 / 78

HEX #39171E

RGB 57 23 30

HSL 347.65, 0.43%, 0.16%

LAB 13.09, 17.73, 3.12

 

CMYK 0 / 88 / 73 / 84

HEX #28050B

RGB 40 5 11

HSL 349.71, 0.78%, 0.09%

LAB 5.27, 17.49, 3.7

 

CMYK 0 / 100 / 100 / 91

HEX #170000

RGB 23 0 0

HSL 0, 1%, 0.05%

LAB 1.65, 7.38, 2.6

 

CMYK 0 / 35 / 25 / 65

HEX #593A43

RGB 89 58 67

HSL 342.58, 0.21%, 0.29%

LAB 28.26, 15.21, 0.07

 

CMYK 0 / 35 / 35 / 65

HEX #593A3A

RGB 89 58 58

HSL 0, 0.21%, 0.29%

LAB 27.99, 13.75, 5.6

 

CMYK 0 / 35 / 35 / 65

HEX #593A3A

RGB 89 58 58

HSL 0, 0.21%, 0.29%

LAB 27.99, 13.75, 5.6

 

CMYK 0 / 35 / 25 / 65

HEX #593A43

RGB 89 58 67

HSL 342.58, 0.21%, 0.29%

LAB 28.26, 15.21, 0.07

 

CMYK 0 / 35 / 16 / 65

HEX #593A4B

RGB 89 58 75

HSL 327.1, 0.21%, 0.29%

LAB 28.53, 16.66, -4.78

 

CMYK 0 / 35 / 7 / 65

HEX #593A53

RGB 89 58 83

HSL 311.61, 0.21%, 0.29%

LAB 28.84, 18.24, -9.56

 

CMYK 3 / 35 / 0 / 65

HEX #563A59

RGB 86 58 89

HSL 294.19, 0.21%, 0.29%

LAB 28.71, 18.39, -13.69

 

CMYK 12 / 35 / 0 / 65

HEX #4E3A59

RGB 78 58 89

HSL 278.71, 0.21%, 0.29%

LAB 27.76, 15.43, -15.23

 

CMYK 0 / 35 / 25 / 65

HEX #593A43

RGB 89 58 67

HSL 342.58, 0.21%, 0.29%

LAB 28.26, 15.21, 0.07

 

CMYK 0 / 54 / 40 / 60

HEX #652E3D

RGB 101 46 61

HSL 343.64, 0.37%, 0.29%

LAB 26.9, 26.52, 2.28

 

CMYK 0 / 70 / 50 / 56

HEX #712238

RGB 113 34 56

HSL 343.29, 0.54%, 0.29%

LAB 26.56, 36.53, 5.45

 

CMYK 0 / 82 / 59 / 51

HEX #7D1633

RGB 125 22 51

HSL 343.11, 0.7%, 0.29%

LAB 27.22, 44.45, 10.1

 

CMYK 0 / 93 / 66 / 46

HEX #890A2E

RGB 137 10 46

HSL 342.99, 0.86%, 0.29%

LAB 28.73, 50.26, 15.94

 

CMYK 0 / 35 / 25 / 65

HEX #593A43

RGB 89 58 67

HSL 342.58, 0.21%, 0.29%

LAB 28.26, 15.21, 0.07

 

CMYK 0 / 9 / 6 / 70

HEX #4D4648

RGB 77 70 72

HSL 342.86, 0.05%, 0.29%

LAB 30.46, 3.36, -0.14

 

CMYK 21 / 0 / 6 / 68

HEX #41524D

RGB 65 82 77

HSL 162.35, 0.12%, 0.29%

LAB 33.34, -7.81, 0.74

 

CMYK 44 / 0 / 13 / 63

HEX #355E52

RGB 53 94 82

HSL 162.44, 0.28%, 0.29%

LAB 36.69, -17.59, 2.38

 

CMYK 61 / 0 / 17 / 58

HEX #296A58

RGB 41 106 88

HSL 163.38, 0.44%, 0.29%

LAB 40.38, -25.48, 3.96

 

CMYK 0 / 35 / 7 / 65

HEX #593A53

RGB 89 58 83

HSL 311.61, 0.21%, 0.29%

LAB 28.84, 18.24, -9.56

 

CMYK 0 / 35 / 16 / 65

HEX #593A4B

RGB 89 58 75

HSL 327.1, 0.21%, 0.29%

LAB 28.53, 16.66, -4.78

 

CMYK 0 / 35 / 25 / 65

HEX #593A43

RGB 89 58 67

HSL 342.58, 0.21%, 0.29%

LAB 28.26, 15.21, 0.07

 

CMYK 0 / 35 / 35 / 65

HEX #593A3A

RGB 89 58 58

HSL 0, 0.21%, 0.29%

LAB 27.99, 13.75, 5.6

 

CMYK 0 / 26 / 35 / 65

HEX #59423A

RGB 89 66 58

HSL 15.48, 0.21%, 0.29%

LAB 30.22, 8.67, 8.73

 

CMYK 0 / 36 / 26 / 85

HEX #27191D

RGB 39 25 29

HSL 342.86, 0.22%, 0.13%

LAB 10.67, 7.79, 0

 

CMYK 0 / 34 / 25 / 75

HEX #402A30

RGB 64 42 48

HSL 343.64, 0.21%, 0.21%

LAB 19.88, 11.31, 0.24

 

CMYK 0 / 35 / 25 / 65

HEX #593A43

RGB 89 58 67

HSL 342.58, 0.21%, 0.29%

LAB 28.26, 15.21, 0.07

 

CMYK 0 / 35 / 25 / 55

HEX #724A55

RGB 114 74 85

HSL 343.5, 0.21%, 0.37%

LAB 36.24, 18.72, 0.51

 

CMYK 0 / 35 / 25 / 45

HEX #8B5B68

RGB 139 91 104

HSL 343.75, 0.21%, 0.45%

LAB 44.19, 21.65, 0.71

 

CMYK 0 / 35 / 25 / 64

HEX #5B3B44

RGB 91 59 68

HSL 343.13, 0.21%, 0.29%

LAB 28.82, 15.6, 0.26

 

CMYK 0 / 3 / 35 / 65

HEX #59563A

RGB 89 86 58

HSL 54.19, 0.21%, 0.29%

LAB 36.15, -3.74, 16.78

 

CMYK 35 / 11 / 0 / 65

HEX #3A4F59

RGB 58 79 89

HSL 199.35, 0.21%, 0.29%

LAB 32.29, -5.31, -8.49

 

CMYK 0 / 35 / 25 / 64

HEX #5B3B44

RGB 91 59 68

HSL 343.13, 0.21%, 0.29%

LAB 28.82, 15.6, 0.26

 

CMYK 25 / 0 / 35 / 65

HEX #43593A

RGB 67 89 58

HSL 102.58, 0.21%, 0.29%

LAB 35.29, -15.03, 15.31

 

CMYK 35 / 25 / 0 / 65

HEX #3A4359

RGB 58 67 89

HSL 222.58, 0.21%, 0.29%

LAB 28.47, 2.35, -14.29

 

CMYK 0 / 35 / 25 / 64

HEX #5B3B44

RGB 91 59 68

HSL 343.13, 0.21%, 0.29%

LAB 28.82, 15.6, 0.26

 

CMYK 0 / 3 / 35 / 65

HEX #59563A

RGB 89 86 58

HSL 54.19, 0.21%, 0.29%

LAB 36.15, -3.74, 16.78

 

CMYK 35 / 0 / 10 / 65

HEX #3A5950

RGB 58 89 80

HSL 162.58, 0.21%, 0.29%

LAB 35.25, -13.69, 1.57

 

CMYK 35 / 31 / 0 / 65

HEX #3A3D59

RGB 58 61 89

HSL 234.19, 0.21%, 0.29%

LAB 26.62, 6.33, -17.16

 

CMYK 0 / 35 / 25 / 64

HEX #5B3B44

RGB 91 59 68

HSL 343.13, 0.21%, 0.29%

LAB 28.82, 15.6, 0.26

 

CMYK 8 / 0 / 35 / 65

HEX #52593A

RGB 82 89 58

HSL 73.55, 0.21%, 0.29%

LAB 36.45, -8.65, 17.06

 

CMYK 35 / 0 / 10 / 65

HEX #3A5950

RGB 58 89 80

HSL 162.58, 0.21%, 0.29%

LAB 35.25, -13.69, 1.57

 

CMYK 27 / 35 / 0 / 65

HEX #413A59

RGB 65 58 89

HSL 253.55, 0.21%, 0.29%

LAB 26.36, 10.74, -17.5

 

Description

Color code: HEX #5B3B44 | qconv.com Color code: HEX #5B3B44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 59 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 59 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 25 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 25% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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