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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B328F it is the complementary color #A4CD70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B328F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B328F shade: #60328A, #71449D, #8256B0, #9368C3 and #A47AD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B328F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B328F shade: #5B328F, #4A207C, #390E69, #280056 and #170043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B328F shade: #5B328F, #74328F, #8D328F, #8F3278 and #8F325F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B328F shade: #5B328F, #42328F and #32328F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B328F shade matches the following richer shades: #5B328F, #59229F, #5713AE and #5503BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B328F shade: #5B328F, #5D427F, #5F5170, #606160 and #627150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B328F shade: #323B8F, #41328F, #5A328F, #73328F and #8C328F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B328F shade: #341C52, #472770, #5B328F, #6E3DAD and #8352C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B328F shade: #5B328F, #8F3254 and #328F35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B328F shade: #5B328F, #8F5A32 and #328F5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B328F shade: #5B328F, #8F3254, #678F32 and #328F6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B328F shade: #5B328F, #8F3238, #678F32 and #328F89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

Complementary color

CMYK 20 / 0 / 45 / 20

HEX #A4CD70

RGB 164 205 112

HSL 86.45, 0.48%, 0.62%

LAB 77.71, -29.03, 41.78

 

CMYK 30 / 64 / 0 / 46

HEX #60328A

RGB 96 50 138

HSL 271.36, 0.47%, 0.37%

LAB 30.89, 38.22, -41.24

 

CMYK 28 / 57 / 0 / 38

HEX #71449D

RGB 113 68 157

HSL 270.34, 0.4%, 0.44%

LAB 37.98, 37.29, -41.34

 

CMYK 26 / 51 / 0 / 31

HEX #8256B0

RGB 130 86 176

HSL 269.33, 0.36%, 0.51%

LAB 44.99, 36.32, -41.36

 

CMYK 25 / 47 / 0 / 24

HEX #9368C3

RGB 147 104 195

HSL 268.35, 0.43%, 0.59%

LAB 51.89, 35.39, -41.35

 

CMYK 23 / 43 / 0 / 16

HEX #A47AD6

RGB 164 122 214

HSL 267.39, 0.53%, 0.66%

LAB 58.66, 34.52, -41.34

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 40 / 74 / 0 / 51

HEX #4A207C

RGB 74 32 124

HSL 267.39, 0.59%, 0.31%

LAB 23.49, 39.17, -44.58

 

CMYK 46 / 87 / 0 / 59

HEX #390E69

RGB 57 14 105

HSL 268.35, 0.76%, 0.23%

LAB 16.52, 39.27, -43.8

 

CMYK 53 / 100 / 0 / 66

HEX #280056

RGB 40 0 86

HSL 267.91, 1%, 0.17%

LAB 9.98, 37.81, -41.97

 

CMYK 66 / 100 / 0 / 74

HEX #170043

RGB 23 0 67

HSL 260.6, 1%, 0.13%

LAB 5.31, 29.74, -36.53

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 19 / 65 / 0 / 44

HEX #74328F

RGB 116 50 143

HSL 282.58, 0.48%, 0.38%

LAB 33.94, 44.35, -39.28

 

CMYK 1 / 65 / 0 / 44

HEX #8D328F

RGB 141 50 143

HSL 298.71, 0.48%, 0.38%

LAB 37.71, 50.66, -33.05

 

CMYK 0 / 65 / 16 / 44

HEX #8F3278

RGB 143 50 120

HSL 314.84, 0.48%, 0.38%

LAB 36.89, 47.3, -20.11

 

CMYK 0 / 65 / 34 / 44

HEX #8F325F

RGB 143 50 95

HSL 330.97, 0.48%, 0.38%

LAB 35.88, 43.74, -5.87

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 54 / 65 / 0 / 44

HEX #42328F

RGB 66 50 143

HSL 250.32, 0.48%, 0.38%

LAB 27.91, 32.98, -49.32

 

CMYK 65 / 65 / 0 / 44

HEX #32328F

RGB 50 50 143

HSL 240, 0.48%, 0.38%

LAB 26.57, 30.14, -51.55

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 44 / 79 / 0 / 38

HEX #59229F

RGB 89 34 159

HSL 266.4, 0.65%, 0.38%

LAB 28.83, 50.07, -57.51

 

CMYK 50 / 89 / 0 / 32

HEX #5713AE

RGB 87 19 174

HSL 266.32, 0.8%, 0.38%

LAB 28.24, 58.76, -67.55

 

CMYK 55 / 98 / 0 / 25

HEX #5503BE

RGB 85 3 190

HSL 266.31, 0.97%, 0.38%

LAB 28.68, 65.51, -76.37

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 27 / 48 / 0 / 50

HEX #5D427F

RGB 93 66 127

HSL 266.56, 0.32%, 0.38%

LAB 33.47, 25.1, -30.32

 

CMYK 15 / 28 / 0 / 56

HEX #5F5170

RGB 95 81 112

HSL 267.1, 0.16%, 0.38%

LAB 36.91, 12.52, -15.63

 

CMYK 1 / 0 / 1 / 62

HEX #606160

RGB 96 97 96

HSL 120, 0.01%, 0.38%

LAB 41.03, -0.6, 0.43

 

CMYK 13 / 0 / 29 / 56

HEX #627150

RGB 98 113 80

HSL 87.27, 0.17%, 0.38%

LAB 45.62, -12.06, 16.52

 

CMYK 65 / 59 / 0 / 44

HEX #323B8F

RGB 50 59 143

HSL 234.19, 0.48%, 0.38%

LAB 28.87, 24.2, -47.8

 

CMYK 55 / 65 / 0 / 44

HEX #41328F

RGB 65 50 143

HSL 249.68, 0.48%, 0.38%

LAB 27.81, 32.79, -49.47

 

CMYK 37 / 65 / 0 / 44

HEX #5A328F

RGB 90 50 143

HSL 265.81, 0.48%, 0.38%

LAB 30.49, 38.1, -45

 

CMYK 20 / 65 / 0 / 44

HEX #73328F

RGB 115 50 143

HSL 281.94, 0.48%, 0.38%

LAB 33.79, 44.1, -39.52

 

CMYK 2 / 65 / 0 / 44

HEX #8C328F

RGB 140 50 143

HSL 298.06, 0.48%, 0.38%

LAB 37.55, 50.4, -33.31

 

CMYK 37 / 66 / 0 / 68

HEX #341C52

RGB 52 28 82

HSL 266.67, 0.49%, 0.22%

LAB 16.35, 24.55, -28.76

 

CMYK 37 / 65 / 0 / 56

HEX #472770

RGB 71 39 112

HSL 266.3, 0.48%, 0.3%

LAB 23.54, 31.37, -36.85

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 36 / 65 / 0 / 32

HEX #6E3DAD

RGB 110 61 173

HSL 266.25, 0.48%, 0.46%

LAB 37.24, 44.51, -52.13

 

CMYK 32 / 58 / 0 / 24

HEX #8352C2

RGB 131 82 194

HSL 266.25, 0.48%, 0.54%

LAB 45.3, 43.32, -51.37

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 0 / 65 / 41 / 44

HEX #8F3254

RGB 143 50 84

HSL 338.06, 0.48%, 0.38%

LAB 35.52, 42.42, 0.63

 

CMYK 65 / 0 / 63 / 44

HEX #328F35

RGB 50 143 53

HSL 121.94, 0.48%, 0.38%

LAB 52.49, -45.91, 39.04

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 0 / 37 / 65 / 44

HEX #8F5A32

RGB 143 90 50

HSL 25.81, 0.48%, 0.38%

LAB 43.33, 17.77, 31.74

 

CMYK 65 / 0 / 37 / 44

HEX #328F5A

RGB 50 143 90

HSL 145.81, 0.48%, 0.38%

LAB 53.02, -39.98, 20.38

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 0 / 65 / 41 / 44

HEX #8F3254

RGB 143 50 84

HSL 338.06, 0.48%, 0.38%

LAB 35.52, 42.42, 0.63

 

CMYK 28 / 0 / 65 / 44

HEX #678F32

RGB 103 143 50

HSL 85.81, 0.48%, 0.38%

LAB 54.82, -29.24, 43.67

 

CMYK 65 / 0 / 24 / 44

HEX #328F6D

RGB 50 143 109

HSL 158.06, 0.48%, 0.38%

LAB 53.41, -35.78, 10.18

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 0 / 65 / 61 / 44

HEX #8F3238

RGB 143 50 56

HSL 356.13, 0.48%, 0.38%

LAB 34.82, 39.78, 17.61

 

CMYK 28 / 0 / 65 / 44

HEX #678F32

RGB 103 143 50

HSL 85.81, 0.48%, 0.38%

LAB 54.82, -29.24, 43.67

 

CMYK 65 / 0 / 4 / 44

HEX #328F89

RGB 50 143 137

HSL 176.13, 0.48%, 0.38%

LAB 54.16, -28.36, -4.85

 

Description

Color code: HEX #5B328F | qconv.com Color code: HEX #5B328F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 50 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 50 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 65 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 65% 0% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - REACH Safety - Impro...
Link: http://www.reachsafety.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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