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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B2D52 it is the complementary color #A4D2AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B2D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B2D52 shade: #602D4D, #713F60, #825173, #936386 and #A47599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B2D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B2D52 shade: #5B2D52, #4A1B3F, #39092C, #280019 and #170006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B2D52 shade: #5C2D53, #5C2D46, #5C2D39 and #5C2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B2D52 shade: #5C2D53, #582D5C, #4C2D5C, #3F2D5C and #322D5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B2D52 shade matches the following richer shades: #5C2D53, #672259, #721760, #7D0C67 and #88006E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B2D52 shade: #5C2D53, #51384C, #454345, #3A4E3E and #2F5A37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B2D52 shade: #4B2D5C, #582D5C, #5C2D53, #5C2D47 and #5C2D3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B2D52 shade: #241221, #401F3A, #5C2D53, #773B6B and #934884

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B2D52 shade: #5B2D52, #5C3F2D and #2D5C52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B2D52 shade: #5B2D52, #535C2D and #2D535C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B2D52 shade: #5B2D52, #5C3F2D, #2D5C36 and #2D4A5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B2D52 shade: #5B2D52, #5C4D2D, #2D5C36 and #2D3C5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 10 / 64

HEX #5B2D52

RGB 91 45 82

HSL 311.74, 0.34%, 0.27%

LAB 25.89, 26.75, -13.36

 

Complementary color

CMYK 22 / 0 / 18 / 18

HEX #A4D2AD

RGB 164 210 173

HSL 131.74, 0.34%, 0.73%

LAB 80.18, -22.3, 13.49

 

CMYK 0 / 53 / 20 / 62

HEX #602D4D

RGB 96 45 77

HSL 322.35, 0.36%, 0.28%

LAB 26.45, 27.64, -9.14

 

CMYK 0 / 44 / 15 / 56

HEX #713F60

RGB 113 63 96

HSL 320.4, 0.28%, 0.35%

LAB 33.8, 26.78, -10.11

 

CMYK 0 / 38 / 12 / 49

HEX #825173

RGB 130 81 115

HSL 318.37, 0.23%, 0.41%

LAB 41.01, 25.93, -10.88

 

CMYK 0 / 33 / 9 / 42

HEX #936386

RGB 147 99 134

HSL 316.25, 0.2%, 0.48%

LAB 48.07, 25.14, -11.53

 

CMYK 0 / 29 / 7 / 36

HEX #A47599

RGB 164 117 153

HSL 314.04, 0.21%, 0.55%

LAB 54.98, 24.41, -12.11

 

CMYK 0 / 51 / 10 / 64

HEX #5B2D52

RGB 91 45 82

HSL 311.74, 0.34%, 0.27%

LAB 25.89, 26.75, -13.36

 

CMYK 0 / 64 / 15 / 71

HEX #4A1B3F

RGB 74 27 63

HSL 314.04, 0.47%, 0.2%

LAB 18.36, 27.44, -12.32

 

CMYK 0 / 84 / 23 / 78

HEX #39092C

RGB 57 9 44

HSL 316.25, 0.73%, 0.13%

LAB 10.9, 27.4, -10.51

 

CMYK 0 / 100 / 38 / 84

HEX #280019

RGB 40 0 25

HSL 322.5, 1%, 0.08%

LAB 4.71, 22.11, -5.68

 

CMYK 0 / 100 / 74 / 91

HEX #170006

RGB 23 0 6

HSL 344.35, 1%, 0.05%

LAB 1.76, 8.22, 0.33

 

CMYK 0 / 51 / 10 / 64

HEX #5C2D53

RGB 92 45 83

HSL 311.49, 0.34%, 0.27%

LAB 26.09, 27.3, -13.71

 

CMYK 0 / 51 / 24 / 64

HEX #5C2D46

RGB 92 45 70

HSL 328.09, 0.34%, 0.27%

LAB 25.55, 24.94, -5.89

 

CMYK 0 / 51 / 38 / 64

HEX #5C2D39

RGB 92 45 57

HSL 344.68, 0.34%, 0.27%

LAB 25.1, 22.93, 2.18

 

CMYK 0 / 51 / 51 / 64

HEX #5C2D2D

RGB 92 45 45

HSL 0, 0.34%, 0.27%

LAB 24.77, 21.41, 9.8

 

CMYK 0 / 51 / 10 / 64

HEX #5C2D53

RGB 92 45 83

HSL 311.49, 0.34%, 0.27%

LAB 26.09, 27.3, -13.71

 

CMYK 4 / 51 / 0 / 64

HEX #582D5C

RGB 88 45 92

HSL 294.89, 0.34%, 0.27%

LAB 25.93, 27.78, -19.92

 

CMYK 17 / 51 / 0 / 64

HEX #4C2D5C

RGB 76 45 92

HSL 279.57, 0.34%, 0.27%

LAB 24.28, 23.81, -22.63

 

CMYK 32 / 51 / 0 / 64

HEX #3F2D5C

RGB 63 45 92

HSL 262.98, 0.34%, 0.27%

LAB 22.68, 19.64, -25.27

 

CMYK 46 / 51 / 0 / 64

HEX #322D5C

RGB 50 45 92

HSL 246.38, 0.34%, 0.27%

LAB 21.31, 15.74, -27.52

 

CMYK 0 / 51 / 10 / 64

HEX #5C2D53

RGB 92 45 83

HSL 311.49, 0.34%, 0.27%

LAB 26.09, 27.3, -13.71

 

CMYK 0 / 67 / 14 / 60

HEX #672259

RGB 103 34 89

HSL 312.17, 0.5%, 0.27%

LAB 26.01, 37.77, -17.65

 

CMYK 0 / 80 / 16 / 55

HEX #721760

RGB 114 23 96

HSL 311.87, 0.66%, 0.27%

LAB 26.83, 46.25, -20.81

 

CMYK 0 / 90 / 18 / 51

HEX #7D0C67

RGB 125 12 103

HSL 311.68, 0.82%, 0.27%

LAB 28.39, 52.62, -22.79

 

CMYK 0 / 100 / 19 / 47

HEX #88006E

RGB 136 0 110

HSL 311.47, 1%, 0.27%

LAB 30.3, 57.82, -24.14

 

CMYK 0 / 51 / 10 / 64

HEX #5C2D53

RGB 92 45 83

HSL 311.49, 0.34%, 0.27%

LAB 26.09, 27.3, -13.71

 

CMYK 0 / 31 / 6 / 68

HEX #51384C

RGB 81 56 76

HSL 312, 0.18%, 0.27%

LAB 27.02, 14.9, -7.82

 

CMYK 0 / 3 / 0 / 73

HEX #454345

RGB 69 67 69

HSL 300, 0.01%, 0.27%

LAB 28.67, 1.28, -0.91

 

CMYK 26 / 0 / 21 / 69

HEX #3A4E3E

RGB 58 78 62

HSL 132, 0.15%, 0.27%

LAB 31.1, -11.55, 6.98

 

CMYK 48 / 0 / 39 / 65

HEX #2F5A37

RGB 47 90 55

HSL 131.16, 0.31%, 0.27%

LAB 34.38, -23.55, 15.7

 

CMYK 18 / 51 / 0 / 64

HEX #4B2D5C

RGB 75 45 92

HSL 278.3, 0.34%, 0.27%

LAB 24.15, 23.49, -22.85

 

CMYK 4 / 51 / 0 / 64

HEX #582D5C

RGB 88 45 92

HSL 294.89, 0.34%, 0.27%

LAB 25.93, 27.78, -19.92

 

CMYK 0 / 51 / 10 / 64

HEX #5C2D53

RGB 92 45 83

HSL 311.49, 0.34%, 0.27%

LAB 26.09, 27.3, -13.71

 

CMYK 0 / 51 / 23 / 64

HEX #5C2D47

RGB 92 45 71

HSL 326.81, 0.34%, 0.27%

LAB 25.58, 25.11, -6.5

 

CMYK 0 / 51 / 37 / 64

HEX #5C2D3A

RGB 92 45 58

HSL 343.4, 0.34%, 0.27%

LAB 25.13, 23.07, 1.56

 

CMYK 0 / 50 / 8 / 86

HEX #241221

RGB 36 18 33

HSL 310, 0.33%, 0.11%

LAB 8.28, 12.34, -6.62

 

CMYK 0 / 52 / 9 / 75

HEX #401F3A

RGB 64 31 58

HSL 310.91, 0.35%, 0.19%

LAB 17.35, 20.5, -10.53

 

CMYK 0 / 51 / 10 / 64

HEX #5C2D53

RGB 92 45 83

HSL 311.49, 0.34%, 0.27%

LAB 26.09, 27.3, -13.71

 

CMYK 0 / 50 / 10 / 53

HEX #773B6B

RGB 119 59 107

HSL 312, 0.34%, 0.35%

LAB 34.21, 33.17, -16.38

 

CMYK 0 / 51 / 10 / 42

HEX #934884

RGB 147 72 132

HSL 312, 0.34%, 0.43%

LAB 42.01, 39.82, -19.56

 

CMYK 0 / 51 / 10 / 64

HEX #5B2D52

RGB 91 45 82

HSL 311.74, 0.34%, 0.27%

LAB 25.89, 26.75, -13.36

 

CMYK 0 / 32 / 51 / 64

HEX #5C3F2D

RGB 92 63 45

HSL 22.98, 0.34%, 0.27%

LAB 29.46, 10.22, 16.07

 

CMYK 51 / 0 / 11 / 64

HEX #2D5C52

RGB 45 92 82

HSL 167.23, 0.34%, 0.27%

LAB 35.64, -18.82, 0.81

 

CMYK 0 / 51 / 10 / 64

HEX #5B2D52

RGB 91 45 82

HSL 311.74, 0.34%, 0.27%

LAB 25.89, 26.75, -13.36

 

CMYK 10 / 0 / 51 / 64

HEX #535C2D

RGB 83 92 45

HSL 71.49, 0.34%, 0.27%

LAB 37.27, -11.69, 25.71

 

CMYK 51 / 10 / 0 / 64

HEX #2D535C

RGB 45 83 92

HSL 191.49, 0.34%, 0.27%

LAB 32.96, -10.75, -9.45

 

CMYK 0 / 51 / 10 / 64

HEX #5B2D52

RGB 91 45 82

HSL 311.74, 0.34%, 0.27%

LAB 25.89, 26.75, -13.36

 

CMYK 0 / 32 / 51 / 64

HEX #5C3F2D

RGB 92 63 45

HSL 22.98, 0.34%, 0.27%

LAB 29.46, 10.22, 16.07

 

CMYK 51 / 0 / 41 / 64

HEX #2D5C36

RGB 45 92 54

HSL 131.49, 0.34%, 0.27%

LAB 34.96, -25.38, 17.05

 

CMYK 51 / 20 / 0 / 64

HEX #2D4A5C

RGB 45 74 92

HSL 202.98, 0.34%, 0.27%

LAB 29.98, -5.24, -13.98

 

CMYK 0 / 51 / 10 / 64

HEX #5B2D52

RGB 91 45 82

HSL 311.74, 0.34%, 0.27%

LAB 25.89, 26.75, -13.36

 

CMYK 0 / 16 / 51 / 64

HEX #5C4D2D

RGB 92 77 45

HSL 40.85, 0.34%, 0.27%

LAB 33.5, 1.47, 21.25

 

CMYK 51 / 0 / 41 / 64

HEX #2D5C36

RGB 45 92 54

HSL 131.49, 0.34%, 0.27%

LAB 34.96, -25.38, 17.05

 

CMYK 51 / 35 / 0 / 64

HEX #2D3C5C

RGB 45 60 92

HSL 220.85, 0.34%, 0.27%

LAB 25.45, 3.94, -21.01

 

Description

Color code: HEX #5B2D52 | qconv.com Color code: HEX #5B2D52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 45 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 45 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 10 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 10% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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