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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B22BD it is the complementary color #A4DD42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B22BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B22BD shade: #6022B8, #7134CB, #8246DE, #9358F1 and #A46AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B22BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B22BD shade: #5B22BD, #4A10AA, #390097, #280084 and #170071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B22BD shade: #5B21BE, #8521BE, #B021BE, #BE21A2 and #BE2178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B22BD shade: #5B21BE, #3121BE and #2121BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B22BD shade matches the following richer shades: #5B21BE and #560FD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B22BD shade: #5B21BE, #6033AC, #65459A, #695888 and #6E6A76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B22BD shade: #213BBE, #3121BE, #5B21BE, #8521BE and #AF21BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B22BD shade: #391578, #4A1B9B, #5B21BE, #6E2FDA and #8652E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B22BD shade: #5B22BD, #BE2165 and #26BE21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B22BD shade: #5B22BD, #BE5B21 and #21BE5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B22BD shade: #5B22BD, #BE2165, #85BE21 and #21BE7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B22BD shade: #5B22BD, #BE2136, #85BE21 and #21BEA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 82 / 0 / 26

HEX #5B22BD

RGB 91 34 189

HSL 262.06, 0.7%, 0.44%

LAB 31.9, 58.03, -70.42

 

Complementary color

CMYK 26 / 0 / 70 / 13

HEX #A4DD42

RGB 164 221 66

HSL 82.06, 0.7%, 0.56%

LAB 81.84, -40.42, 66.52

 

CMYK 48 / 82 / 0 / 28

HEX #6022B8

RGB 96 34 184

HSL 264.8, 0.69%, 0.43%

LAB 32.01, 57.4, -67.26

 

CMYK 44 / 74 / 0 / 20

HEX #7134CB

RGB 113 52 203

HSL 264.24, 0.59%, 0.5%

LAB 38.34, 57.2, -67.97

 

CMYK 41 / 68 / 0 / 13

HEX #8246DE

RGB 130 70 222

HSL 263.68, 0.7%, 0.57%

LAB 44.8, 56.48, -68.27

 

CMYK 39 / 63 / 0 / 5

HEX #9358F1

RGB 147 88 241

HSL 263.14, 0.85%, 0.65%

LAB 51.31, 55.54, -68.35

 

CMYK 36 / 58 / 0 / 0

HEX #A46AFF

RGB 164 106 255

HSL 263.36, 1%, 0.71%

LAB 57.48, 53.26, -66.07

 

CMYK 52 / 82 / 0 / 26

HEX #5B22BD

RGB 91 34 189

HSL 262.06, 0.7%, 0.44%

LAB 31.9, 58.03, -70.42

 

CMYK 56 / 91 / 0 / 33

HEX #4A10AA

RGB 74 16 170

HSL 262.6, 0.83%, 0.36%

LAB 25.95, 57.3, -68.98

 

CMYK 62 / 100 / 0 / 41

HEX #390097

RGB 57 0 151

HSL 262.65, 1%, 0.3%

LAB 20.46, 55.14, -66.55

 

CMYK 70 / 100 / 0 / 48

HEX #280084

RGB 40 0 132

HSL 258.18, 1%, 0.26%

LAB 16.09, 49.53, -61.98

 

CMYK 80 / 100 / 0 / 56

HEX #170071

RGB 23 0 113

HSL 252.21, 1%, 0.22%

LAB 11.79, 43.91, -57

 

CMYK 52 / 83 / 0 / 25

HEX #5B21BE

RGB 91 33 190

HSL 262.17, 0.7%, 0.44%

LAB 31.87, 58.66, -71.06

 

CMYK 30 / 83 / 0 / 25

HEX #8521BE

RGB 133 33 190

HSL 278.22, 0.7%, 0.44%

LAB 37.47, 64.49, -61.68

 

CMYK 7 / 83 / 0 / 25

HEX #B021BE

RGB 176 33 190

HSL 294.65, 0.7%, 0.44%

LAB 44.28, 71.83, -50.32

 

CMYK 0 / 83 / 15 / 25

HEX #BE21A2

RGB 190 33 162

HSL 310.7, 0.7%, 0.44%

LAB 45.14, 70.34, -32.26

 

CMYK 0 / 83 / 37 / 25

HEX #BE2178

RGB 190 33 120

HSL 326.75, 0.7%, 0.44%

LAB 43.35, 65.28, -9.49

 

CMYK 52 / 83 / 0 / 25

HEX #5B21BE

RGB 91 33 190

HSL 262.17, 0.7%, 0.44%

LAB 31.87, 58.66, -71.06

 

CMYK 74 / 83 / 0 / 25

HEX #3121BE

RGB 49 33 190

HSL 246.11, 0.7%, 0.44%

LAB 28, 54.77, -77.59

 

CMYK 83 / 83 / 0 / 25

HEX #2121BE

RGB 33 33 190

HSL 240, 0.7%, 0.44%

LAB 27.1, 53.88, -79.12

 

CMYK 52 / 83 / 0 / 25

HEX #5B21BE

RGB 91 33 190

HSL 262.17, 0.7%, 0.44%

LAB 31.87, 58.66, -71.06

 

CMYK 59 / 93 / 0 / 18

HEX #560FD0

RGB 86 15 208

HSL 262.07, 0.87%, 0.44%

LAB 31.52, 67.72, -82.21

 

CMYK 52 / 83 / 0 / 25

HEX #5B21BE

RGB 91 33 190

HSL 262.17, 0.7%, 0.44%

LAB 31.87, 58.66, -71.06

 

CMYK 44 / 70 / 0 / 33

HEX #6033AC

RGB 96 51 172

HSL 262.31, 0.54%, 0.44%

LAB 33.63, 46.65, -57.47

 

CMYK 34 / 55 / 0 / 40

HEX #65459A

RGB 101 69 154

HSL 262.59, 0.38%, 0.44%

LAB 36.66, 32.78, -41.73

 

CMYK 23 / 35 / 0 / 47

HEX #695888

RGB 105 88 136

HSL 261.25, 0.21%, 0.44%

LAB 40.83, 17.57, -24.21

 

CMYK 7 / 10 / 0 / 54

HEX #6E6A76

RGB 110 106 118

HSL 260, 0.05%, 0.44%

LAB 45.54, 4.07, -6.13

 

CMYK 83 / 69 / 0 / 25

HEX #213BBE

RGB 33 59 190

HSL 230.06, 0.7%, 0.44%

LAB 32.19, 39.49, -70.69

 

CMYK 74 / 83 / 0 / 25

HEX #3121BE

RGB 49 33 190

HSL 246.11, 0.7%, 0.44%

LAB 28, 54.77, -77.59

 

CMYK 52 / 83 / 0 / 25

HEX #5B21BE

RGB 91 33 190

HSL 262.17, 0.7%, 0.44%

LAB 31.87, 58.66, -71.06

 

CMYK 30 / 83 / 0 / 25

HEX #8521BE

RGB 133 33 190

HSL 278.22, 0.7%, 0.44%

LAB 37.47, 64.49, -61.68

 

CMYK 8 / 83 / 0 / 25

HEX #AF21BE

RGB 175 33 190

HSL 294.27, 0.7%, 0.44%

LAB 44.12, 71.64, -50.6

 

CMYK 53 / 83 / 0 / 53

HEX #391578

RGB 57 21 120

HSL 261.82, 0.7%, 0.28%

LAB 19.07, 40.42, -49.35

 

CMYK 52 / 83 / 0 / 39

HEX #4A1B9B

RGB 74 27 155

HSL 262.03, 0.7%, 0.36%

LAB 25.58, 49.77, -60.47

 

CMYK 52 / 83 / 0 / 25

HEX #5B21BE

RGB 91 33 190

HSL 262.17, 0.7%, 0.44%

LAB 31.87, 58.66, -71.06

 

CMYK 50 / 78 / 0 / 15

HEX #6E2FDA

RGB 110 47 218

HSL 262.11, 0.7%, 0.52%

LAB 38.57, 62.69, -76.26

 

CMYK 40 / 63 / 0 / 12

HEX #8652E0

RGB 134 82 224

HSL 261.97, 0.7%, 0.6%

LAB 47.6, 51.68, -64.84

 

CMYK 52 / 82 / 0 / 26

HEX #5B22BD

RGB 91 34 189

HSL 262.06, 0.7%, 0.44%

LAB 31.9, 58.03, -70.42

 

CMYK 0 / 83 / 47 / 25

HEX #BE2165

RGB 190 33 101

HSL 334.01, 0.7%, 0.44%

LAB 42.72, 63.47, 1.41

 

CMYK 80 / 0 / 83 / 25

HEX #26BE21

RGB 38 190 33

HSL 118.09, 0.7%, 0.44%

LAB 67.54, -65.25, 61.61

 

CMYK 52 / 82 / 0 / 26

HEX #5B22BD

RGB 91 34 189

HSL 262.06, 0.7%, 0.44%

LAB 31.9, 58.03, -70.42

 

CMYK 0 / 52 / 83 / 25

HEX #BE5B21

RGB 190 91 33

HSL 22.17, 0.7%, 0.44%

LAB 50.14, 36.33, 49.34

 

CMYK 83 / 0 / 52 / 25

HEX #21BE5B

RGB 33 190 91

HSL 142.17, 0.7%, 0.44%

LAB 67.95, -59.93, 38.96

 

CMYK 52 / 82 / 0 / 26

HEX #5B22BD

RGB 91 34 189

HSL 262.06, 0.7%, 0.44%

LAB 31.9, 58.03, -70.42

 

CMYK 0 / 83 / 47 / 25

HEX #BE2165

RGB 190 33 101

HSL 334.01, 0.7%, 0.44%

LAB 42.72, 63.47, 1.41

 

CMYK 30 / 0 / 83 / 25

HEX #85BE21

RGB 133 190 33

HSL 81.78, 0.7%, 0.44%

LAB 70.82, -40.1, 65.79

 

CMYK 83 / 0 / 36 / 25

HEX #21BE7A

RGB 33 190 122

HSL 154.01, 0.7%, 0.44%

LAB 68.43, -54.37, 23.65

 

CMYK 52 / 82 / 0 / 26

HEX #5B22BD

RGB 91 34 189

HSL 262.06, 0.7%, 0.44%

LAB 31.9, 58.03, -70.42

 

CMYK 0 / 83 / 72 / 25

HEX #BE2136

RGB 190 33 54

HSL 351.97, 0.7%, 0.44%

LAB 41.69, 60.38, 29.4

 

CMYK 30 / 0 / 83 / 25

HEX #85BE21

RGB 133 190 33

HSL 81.78, 0.7%, 0.44%

LAB 70.82, -40.1, 65.79

 

CMYK 83 / 0 / 11 / 25

HEX #21BEA9

RGB 33 190 169

HSL 171.97, 0.7%, 0.44%

LAB 69.48, -43.03, -0.35

 

Description

Color code: HEX #5B22BD | qconv.com Color code: HEX #5B22BD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 34 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 34 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 82 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 82% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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