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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B2290 it is the complementary color #A4DD6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B2290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B2290 shade: #60228B, #71349E, #8246B1, #9358C4 and #A46AD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B2290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B2290 shade: #5B2290, #4A107D, #39006A, #280057 and #170044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B2290 shade: #5B2190, #792190, #90218A, #90216C and #90214E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B2290 shade: #5B2190, #3D2190 and #212190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B2290 shade matches the following richer shades: #5B2190, #5B139F and #5C05AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B2290 shade: #5B2190, #5A3082, #5A3E73, #594D65 and #595B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B2290 shade: #212390, #3D2190, #5B2190, #782190 and #90218B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B2290 shade: #31124D, #461A6F, #5B2190, #7029B2 and #8535CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B2290 shade: #5B2290, #902141 and #21902E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B2290 shade: #5B2290, #905B21 and #21905B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B2290 shade: #5B2290, #902141, #579021 and #219071

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B2290 shade: #5B2290, #902321, #579021 and #218E90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 76 / 0 / 44

HEX #5B2290

RGB 91 34 144

HSL 271.09, 0.62%, 0.35%

LAB 27.8, 46.64, -49.99

 

Complementary color

CMYK 26 / 0 / 50 / 13

HEX #A4DD6F

RGB 164 221 111

HSL 91.09, 0.62%, 0.65%

LAB 82.25, -36.58, 47.84

 

CMYK 31 / 76 / 0 / 45

HEX #60228B

RGB 96 34 139

HSL 275.43, 0.61%, 0.34%

LAB 28.1, 46.39, -46.36

 

CMYK 28 / 67 / 0 / 38

HEX #71349E

RGB 113 52 158

HSL 274.53, 0.5%, 0.41%

LAB 34.87, 46.09, -46.94

 

CMYK 27 / 60 / 0 / 31

HEX #8246B1

RGB 130 70 177

HSL 273.64, 0.43%, 0.48%

LAB 41.69, 45.38, -47.21

 

CMYK 25 / 55 / 0 / 23

HEX #9358C4

RGB 147 88 196

HSL 272.78, 0.48%, 0.56%

LAB 48.47, 44.53, -47.34

 

CMYK 24 / 51 / 0 / 16

HEX #A46AD7

RGB 164 106 215

HSL 271.93, 0.58%, 0.63%

LAB 55.18, 43.64, -47.41

 

CMYK 37 / 76 / 0 / 44

HEX #5B2290

RGB 91 34 144

HSL 271.09, 0.62%, 0.35%

LAB 27.8, 46.64, -49.99

 

CMYK 41 / 87 / 0 / 51

HEX #4A107D

RGB 74 16 125

HSL 271.93, 0.77%, 0.28%

LAB 21.23, 46.17, -48.9

 

CMYK 46 / 100 / 0 / 58

HEX #39006A

RGB 57 0 106

HSL 272.26, 1%, 0.21%

LAB 15.01, 44.34, -46.94

 

CMYK 54 / 100 / 0 / 66

HEX #280057

RGB 40 0 87

HSL 267.59, 1%, 0.17%

LAB 10.1, 38.06, -42.44

 

CMYK 66 / 100 / 0 / 73

HEX #170044

RGB 23 0 68

HSL 260.29, 1%, 0.13%

LAB 5.42, 30.16, -37.06

 

CMYK 37 / 77 / 0 / 44

HEX #5B2190

RGB 91 33 144

HSL 271.35, 0.63%, 0.35%

LAB 27.64, 47.08, -50.24

 

CMYK 16 / 77 / 0 / 44

HEX #792190

RGB 121 33 144

HSL 287.57, 0.63%, 0.35%

LAB 32.18, 52.96, -42.67

 

CMYK 0 / 77 / 4 / 44

HEX #90218A

RGB 144 33 138

HSL 303.24, 0.63%, 0.35%

LAB 35.7, 56.84, -33.13

 

CMYK 0 / 77 / 25 / 44

HEX #90216C

RGB 144 33 108

HSL 319.46, 0.63%, 0.35%

LAB 34.19, 52.37, -16.7

 

CMYK 0 / 77 / 46 / 44

HEX #90214E

RGB 144 33 78

HSL 335.68, 0.63%, 0.35%

LAB 33.06, 48.88, 0.96

 

CMYK 37 / 77 / 0 / 44

HEX #5B2190

RGB 91 33 144

HSL 271.35, 0.63%, 0.35%

LAB 27.64, 47.08, -50.24

 

CMYK 58 / 77 / 0 / 44

HEX #3D2190

RGB 61 33 144

HSL 255.14, 0.63%, 0.35%

LAB 23.98, 42.16, -56.38

 

CMYK 77 / 77 / 0 / 44

HEX #212190

RGB 33 33 144

HSL 240, 0.63%, 0.35%

LAB 21.67, 38.96, -60.27

 

CMYK 37 / 77 / 0 / 44

HEX #5B2190

RGB 91 33 144

HSL 271.35, 0.63%, 0.35%

LAB 27.64, 47.08, -50.24

 

CMYK 43 / 88 / 0 / 38

HEX #5B139F

RGB 91 19 159

HSL 270.86, 0.79%, 0.35%

LAB 27.28, 55.67, -60.04

 

CMYK 47 / 97 / 0 / 32

HEX #5C05AD

RGB 92 5 173

HSL 271.07, 0.94%, 0.35%

LAB 27.85, 61.91, -67.57

 

CMYK 37 / 77 / 0 / 44

HEX #5B2190

RGB 91 33 144

HSL 271.35, 0.63%, 0.35%

LAB 27.64, 47.08, -50.24

 

CMYK 31 / 63 / 0 / 49

HEX #5A3082

RGB 90 48 130

HSL 270.73, 0.46%, 0.35%

LAB 29.16, 35.78, -39.09

 

CMYK 22 / 46 / 0 / 55

HEX #5A3E73

RGB 90 62 115

HSL 271.7, 0.3%, 0.35%

LAB 31.48, 23.53, -25.98

 

CMYK 12 / 24 / 0 / 60

HEX #594D65

RGB 89 77 101

HSL 270, 0.13%, 0.35%

LAB 34.74, 10.2, -12.11

 

CMYK 2 / 0 / 5 / 64

HEX #595B56

RGB 89 91 86

HSL 84, 0.03%, 0.35%

LAB 38.34, -1.84, 2.6

 

CMYK 77 / 76 / 0 / 44

HEX #212390

RGB 33 35 144

HSL 238.92, 0.63%, 0.35%

LAB 22.08, 37.79, -59.58

 

CMYK 58 / 77 / 0 / 44

HEX #3D2190

RGB 61 33 144

HSL 255.14, 0.63%, 0.35%

LAB 23.98, 42.16, -56.38

 

CMYK 37 / 77 / 0 / 44

HEX #5B2190

RGB 91 33 144

HSL 271.35, 0.63%, 0.35%

LAB 27.64, 47.08, -50.24

 

CMYK 17 / 77 / 0 / 44

HEX #782190

RGB 120 33 144

HSL 287.03, 0.63%, 0.35%

LAB 32.02, 52.75, -42.94

 

CMYK 0 / 77 / 3 / 44

HEX #90218B

RGB 144 33 139

HSL 302.7, 0.63%, 0.35%

LAB 35.75, 57, -33.66

 

CMYK 36 / 77 / 0 / 70

HEX #31124D

RGB 49 18 77

HSL 271.53, 0.62%, 0.19%

LAB 13.36, 28.28, -30.2

 

CMYK 37 / 77 / 0 / 56

HEX #461A6F

RGB 70 26 111

HSL 271.06, 0.62%, 0.27%

LAB 20.78, 37.89, -40.67

 

CMYK 37 / 77 / 0 / 44

HEX #5B2190

RGB 91 33 144

HSL 271.35, 0.63%, 0.35%

LAB 27.64, 47.08, -50.24

 

CMYK 37 / 77 / 0 / 30

HEX #7029B2

RGB 112 41 178

HSL 271.09, 0.63%, 0.43%

LAB 34.49, 55.61, -59.57

 

CMYK 36 / 74 / 0 / 19

HEX #8535CF

RGB 133 53 207

HSL 271.17, 0.62%, 0.51%

LAB 41.28, 61.08, -65.38

 

CMYK 37 / 76 / 0 / 44

HEX #5B2290

RGB 91 34 144

HSL 271.09, 0.62%, 0.35%

LAB 27.8, 46.64, -49.99

 

CMYK 0 / 77 / 55 / 44

HEX #902141

RGB 144 33 65

HSL 342.7, 0.63%, 0.35%

LAB 32.7, 47.71, 8.95

 

CMYK 77 / 0 / 68 / 44

HEX #21902E

RGB 33 144 46

HSL 127.03, 0.63%, 0.35%

LAB 52.36, -50.31, 41.97

 

CMYK 37 / 76 / 0 / 44

HEX #5B2290

RGB 91 34 144

HSL 271.09, 0.62%, 0.35%

LAB 27.8, 46.64, -49.99

 

CMYK 0 / 37 / 77 / 44

HEX #905B21

RGB 144 91 33

HSL 31.35, 0.63%, 0.35%

LAB 43.54, 16.64, 40.73

 

CMYK 77 / 0 / 37 / 44

HEX #21905B

RGB 33 144 91

HSL 151.35, 0.63%, 0.35%

LAB 52.98, -43.12, 19.7

 

CMYK 37 / 76 / 0 / 44

HEX #5B2290

RGB 91 34 144

HSL 271.09, 0.62%, 0.35%

LAB 27.8, 46.64, -49.99

 

CMYK 0 / 77 / 55 / 44

HEX #902141

RGB 144 33 65

HSL 342.7, 0.63%, 0.35%

LAB 32.7, 47.71, 8.95

 

CMYK 40 / 0 / 77 / 44

HEX #579021

RGB 87 144 33

HSL 90.81, 0.63%, 0.35%

LAB 54.11, -37.04, 49.49

 

CMYK 77 / 0 / 22 / 44

HEX #219071

RGB 33 144 113

HSL 163.24, 0.63%, 0.35%

LAB 53.45, -37.96, 7.88

 

CMYK 37 / 76 / 0 / 44

HEX #5B2290

RGB 91 34 144

HSL 271.09, 0.62%, 0.35%

LAB 27.8, 46.64, -49.99

 

CMYK 0 / 76 / 77 / 44

HEX #902321

RGB 144 35 33

HSL 1.08, 0.63%, 0.35%

LAB 32.35, 45.03, 29.02

 

CMYK 40 / 0 / 77 / 44

HEX #579021

RGB 87 144 33

HSL 90.81, 0.63%, 0.35%

LAB 54.11, -37.04, 49.49

 

CMYK 77 / 1 / 0 / 44

HEX #218E90

RGB 33 142 144

HSL 181.08, 0.63%, 0.35%

LAB 53.69, -28.19, -9.64

 

Description

Color code: HEX #5B2290 | qconv.com Color code: HEX #5B2290 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 34 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 34 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 76 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 76% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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