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Color name
HEX #5B1BA7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B1BA7 it is the complementary color #A4E458. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B1BA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B1BA7 shade: #601BA2, #712DB5, #823FC8, #9351DB and #A463EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B1BA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B1BA7 shade: #5B1BA7, #4A0994, #390081, #28006E and #17005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B1BA7 shade: #5A1BA6, #801BA6, #A61BA6, #A61B81 and #A61B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B1BA7 shade: #5A1BA6, #351BA6 and #1B1BA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B1BA7 shade matches the following richer shades: #5A1BA6 and #590BB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B1BA7 shade: #5A1BA6, #5C2A96, #5D3A87, #5E4A77 and #605967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B1BA7 shade: #1B26A6, #341BA6, #591BA6, #7F1BA6 and #A41BA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B1BA7 shade: #340F5F, #471583, #5A1BA6, #6E20CA and #8236DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B1BA7 shade: #5B1BA7, #A61B4B and #1BA622

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B1BA7 shade: #5B1BA7, #A6591B and #1BA659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B1BA7 shade: #5B1BA7, #A61B4B, #67A61B and #1BA675

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B1BA7 shade: #5B1BA7, #A61B22, #67A61B and #1BA69F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 84 / 0 / 35

HEX #5B1BA7

RGB 91 27 167

HSL 267.43, 0.72%, 0.38%

LAB 28.9, 55.07, -62.24

 

Complementary color

CMYK 28 / 0 / 61 / 11

HEX #A4E458

RGB 164 228 88

HSL 87.43, 0.72%, 0.62%

LAB 84.01, -41.91, 60.2

 

CMYK 41 / 83 / 0 / 36

HEX #601BA2

RGB 96 27 162

HSL 270.67, 0.71%, 0.37%

LAB 29.11, 54.57, -58.84

 

CMYK 38 / 75 / 0 / 29

HEX #712DB5

RGB 113 45 181

HSL 270, 0.6%, 0.44%

LAB 35.45, 54.83, -59.78

 

CMYK 35 / 69 / 0 / 22

HEX #823FC8

RGB 130 63 200

HSL 269.34, 0.55%, 0.52%

LAB 41.96, 54.41, -60.24

 

CMYK 33 / 63 / 0 / 14

HEX #9351DB

RGB 147 81 219

HSL 268.7, 0.66%, 0.59%

LAB 48.51, 53.67, -60.45

 

CMYK 31 / 58 / 0 / 7

HEX #A463EE

RGB 164 99 238

HSL 268.06, 0.8%, 0.66%

LAB 55.06, 52.78, -60.52

 

CMYK 46 / 84 / 0 / 35

HEX #5B1BA7

RGB 91 27 167

HSL 267.43, 0.72%, 0.38%

LAB 28.9, 55.07, -62.24

 

CMYK 50 / 94 / 0 / 42

HEX #4A0994

RGB 74 9 148

HSL 268.06, 0.89%, 0.31%

LAB 22.96, 53.59, -60.48

 

CMYK 56 / 100 / 0 / 49

HEX #390081

RGB 57 0 129

HSL 266.51, 1%, 0.25%

LAB 17.71, 49.82, -57.33

 

CMYK 64 / 100 / 0 / 57

HEX #28006E

RGB 40 0 110

HSL 261.82, 1%, 0.22%

LAB 13.09, 43.91, -52.82

 

CMYK 75 / 100 / 0 / 64

HEX #17005B

RGB 23 0 91

HSL 255.16, 1%, 0.18%

LAB 8.46, 37.96, -47.94

 

CMYK 46 / 84 / 0 / 35

HEX #5A1BA6

RGB 90 27 166

HSL 267.19, 0.72%, 0.38%

LAB 28.67, 54.69, -62.01

 

CMYK 23 / 84 / 0 / 35

HEX #801BA6

RGB 128 27 166

HSL 283.6, 0.72%, 0.38%

LAB 34.24, 60.52, -52.68

 

CMYK 0 / 84 / 0 / 35

HEX #A61BA6

RGB 166 27 166

HSL 300, 0.72%, 0.38%

LAB 40.64, 67.42, -42.04

 

CMYK 0 / 84 / 22 / 35

HEX #A61B81

RGB 166 27 129

HSL 315.97, 0.72%, 0.38%

LAB 38.68, 62.09, -22.6

 

CMYK 0 / 84 / 45 / 35

HEX #A61B5B

RGB 166 27 91

HSL 332.37, 0.72%, 0.38%

LAB 37.2, 57.86, -0.89

 

CMYK 46 / 84 / 0 / 35

HEX #5A1BA6

RGB 90 27 166

HSL 267.19, 0.72%, 0.38%

LAB 28.67, 54.69, -62.01

 

CMYK 68 / 84 / 0 / 35

HEX #351BA6

RGB 53 27 166

HSL 251.22, 0.72%, 0.38%

LAB 24.62, 50.62, -68.83

 

CMYK 84 / 84 / 0 / 35

HEX #1B1BA6

RGB 27 27 166

HSL 240, 0.72%, 0.38%

LAB 22.9, 48.94, -71.74

 

CMYK 46 / 84 / 0 / 35

HEX #5A1BA6

RGB 90 27 166

HSL 267.19, 0.72%, 0.38%

LAB 28.67, 54.69, -62.01

 

CMYK 51 / 94 / 0 / 29

HEX #590BB6

RGB 89 11 182

HSL 267.37, 0.89%, 0.38%

LAB 28.75, 62.62, -71.49

 

CMYK 46 / 84 / 0 / 35

HEX #5A1BA6

RGB 90 27 166

HSL 267.19, 0.72%, 0.38%

LAB 28.67, 54.69, -62.01

 

CMYK 39 / 72 / 0 / 41

HEX #5C2A96

RGB 92 42 150

HSL 267.78, 0.56%, 0.38%

LAB 29.75, 44.59, -50.5

 

CMYK 31 / 57 / 0 / 47

HEX #5D3A87

RGB 93 58 135

HSL 267.27, 0.4%, 0.38%

LAB 32.04, 32.09, -37.56

 

CMYK 21 / 38 / 0 / 53

HEX #5E4A77

RGB 94 74 119

HSL 266.67, 0.23%, 0.38%

LAB 35.22, 18.33, -22.59

 

CMYK 7 / 14 / 0 / 60

HEX #605967

RGB 96 89 103

HSL 270, 0.07%, 0.38%

LAB 38.92, 5.8, -7

 

CMYK 84 / 77 / 0 / 35

HEX #1B26A6

RGB 27 38 166

HSL 235.25, 0.72%, 0.38%

LAB 24.87, 43.23, -68.47

 

CMYK 69 / 84 / 0 / 35

HEX #341BA6

RGB 52 27 166

HSL 250.79, 0.72%, 0.38%

LAB 24.54, 50.54, -68.97

 

CMYK 46 / 84 / 0 / 35

HEX #591BA6

RGB 89 27 166

HSL 266.76, 0.72%, 0.38%

LAB 28.54, 54.56, -62.23

 

CMYK 23 / 84 / 0 / 35

HEX #7F1BA6

RGB 127 27 166

HSL 283.17, 0.72%, 0.38%

LAB 34.08, 60.35, -52.94

 

CMYK 1 / 84 / 0 / 35

HEX #A41BA6

RGB 164 27 166

HSL 299.14, 0.72%, 0.38%

LAB 40.29, 67.04, -42.62

 

CMYK 45 / 84 / 0 / 63

HEX #340F5F

RGB 52 15 95

HSL 267.75, 0.73%, 0.22%

LAB 14.94, 35.36, -39.8

 

CMYK 46 / 84 / 0 / 49

HEX #471583

RGB 71 21 131

HSL 267.27, 0.72%, 0.3%

LAB 22, 45.44, -51.46

 

CMYK 46 / 84 / 0 / 35

HEX #5A1BA6

RGB 90 27 166

HSL 267.19, 0.72%, 0.38%

LAB 28.67, 54.69, -62.01

 

CMYK 46 / 84 / 0 / 21

HEX #6E20CA

RGB 110 32 202

HSL 267.53, 0.73%, 0.46%

LAB 35.23, 64.22, -72.5

 

CMYK 41 / 76 / 0 / 13

HEX #8236DE

RGB 130 54 222

HSL 267.14, 0.72%, 0.54%

LAB 42.24, 63.7, -72.44

 

CMYK 46 / 84 / 0 / 35

HEX #5B1BA7

RGB 91 27 167

HSL 267.43, 0.72%, 0.38%

LAB 28.9, 55.07, -62.24

 

CMYK 0 / 84 / 55 / 35

HEX #A61B4B

RGB 166 27 75

HSL 339.28, 0.72%, 0.38%

LAB 36.74, 56.51, 8.75

 

CMYK 84 / 0 / 80 / 35

HEX #1BA622

RGB 27 166 34

HSL 123.02, 0.72%, 0.38%

LAB 59.54, -59.22, 53.78

 

CMYK 46 / 84 / 0 / 35

HEX #5B1BA7

RGB 91 27 167

HSL 267.43, 0.72%, 0.38%

LAB 28.9, 55.07, -62.24

 

CMYK 0 / 46 / 84 / 35

HEX #A6591B

RGB 166 89 27

HSL 26.76, 0.72%, 0.38%

LAB 46.08, 27.27, 46.85

 

CMYK 84 / 0 / 46 / 35

HEX #1BA659

RGB 27 166 89

HSL 146.76, 0.72%, 0.38%

LAB 60.09, -52.54, 30.1

 

CMYK 46 / 84 / 0 / 35

HEX #5B1BA7

RGB 91 27 167

HSL 267.43, 0.72%, 0.38%

LAB 28.9, 55.07, -62.24

 

CMYK 0 / 84 / 55 / 35

HEX #A61B4B

RGB 166 27 75

HSL 339.28, 0.72%, 0.38%

LAB 36.74, 56.51, 8.75

 

CMYK 38 / 0 / 84 / 35

HEX #67A61B

RGB 103 166 27

HSL 87.19, 0.72%, 0.38%

LAB 61.86, -41.06, 58.77

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 46 / 84 / 0 / 35

HEX #5B1BA7

RGB 91 27 167

HSL 267.43, 0.72%, 0.38%

LAB 28.9, 55.07, -62.24

 

CMYK 0 / 84 / 80 / 35

HEX #A61B22

RGB 166 27 34

HSL 356.98, 0.72%, 0.38%

LAB 36, 54.27, 33.67

 

CMYK 38 / 0 / 84 / 35

HEX #67A61B

RGB 103 166 27

HSL 87.19, 0.72%, 0.38%

LAB 61.86, -41.06, 58.77

 

CMYK 84 / 0 / 4 / 35

HEX #1BA69F

RGB 27 166 159

HSL 176.98, 0.72%, 0.38%

LAB 61.66, -35.65, -6.32

 

Description

Color code: HEX #5B1BA7 | qconv.com Color code: HEX #5B1BA7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 27 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 27 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 84 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 84% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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