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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AFF5B it is the complementary color #A500A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AFF5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AFF5B shade: #5FFF56, #70FF69, #81FF7C, #92FF8F and #A3FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AFF5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AFF5B shade: #5AFF5B, #49ED48, #38DB35, #27C922 and #16B70F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AFF5B shade: #5BFF5C, #86FF5B, #B2FF5B, #DEFF5B and #FFF35B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AFF5B shade: #5BFF5C, #5BFF88, #5BFFB4, #5BFFE0 and #5BF1FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AFF5B shade matches the following richer shades: #5BFF5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AFF5B shade: #5BFF5C, #69F169, #76E476, #83D783 and #90CA90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AFF5B shade: #B2FF5B, #87FF5B, #5BFF5B, #5BFF87 and #5BFFB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AFF5B shade: #09FF0A, #32FF33, #5BFF5C, #85FF85 and #AEFFAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AFF5B shade: #5AFF5B, #5BDEFF and #FF5B9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AFF5B shade: #5AFF5B, #5B5BFF and #FF5B5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AFF5B shade: #5AFF5B, #5BDEFF, #FF5BFF and #FF7C5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AFF5B shade: #5AFF5B, #5BADFF, #FF5BFF and #FFAD5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 64 / 0

HEX #5AFF5B

RGB 90 255 91

HSL 120.36, 1%, 0.68%

LAB 89.13, -72.74, 63.8

 

Complementary color

CMYK 0 / 100 / 1 / 35

HEX #A500A4

RGB 165 0 164

HSL 300.36, 1%, 0.32%

LAB 39.04, 70.78, -43.42

 

CMYK 63 / 0 / 66 / 0

HEX #5FFF56

RGB 95 255 86

HSL 116.8, 1%, 0.67%

LAB 89.22, -72.2, 65.88

 

CMYK 56 / 0 / 59 / 0

HEX #70FF69

RGB 112 255 105

HSL 117.2, 1%, 0.71%

LAB 89.85, -66.59, 58.97

 

CMYK 49 / 0 / 51 / 0

HEX #81FF7C

RGB 129 255 124

HSL 117.71, 1%, 0.74%

LAB 90.62, -60.14, 51.54

 

CMYK 43 / 0 / 44 / 0

HEX #92FF8F

RGB 146 255 143

HSL 118.39, 1%, 0.78%

LAB 91.51, -52.98, 43.84

 

CMYK 36 / 0 / 36 / 0

HEX #A3FFA2

RGB 163 255 162

HSL 119.35, 1%, 0.82%

LAB 92.54, -45.24, 36.02

 

CMYK 65 / 0 / 64 / 0

HEX #5AFF5B

RGB 90 255 91

HSL 120.36, 1%, 0.68%

LAB 89.13, -72.74, 63.8

 

CMYK 69 / 0 / 70 / 7

HEX #49ED48

RGB 73 237 72

HSL 119.64, 0.82%, 0.61%

LAB 83.15, -71.75, 64.58

 

CMYK 74 / 0 / 76 / 14

HEX #38DB35

RGB 56 219 53

HSL 118.92, 0.7%, 0.53%

LAB 77.14, -70.33, 64.95

 

CMYK 81 / 0 / 83 / 21

HEX #27C922

RGB 39 201 34

HSL 118.2, 0.71%, 0.46%

LAB 71.09, -68.34, 64.61

 

CMYK 88 / 0 / 92 / 28

HEX #16B70F

RGB 22 183 15

HSL 117.5, 0.85%, 0.39%

LAB 65.02, -65.59, 63.1

 

CMYK 64 / 0 / 64 / 0

HEX #5BFF5C

RGB 91 255 92

HSL 120.37, 1%, 0.68%

LAB 89.17, -72.45, 63.44

 

CMYK 47 / 0 / 64 / 0

HEX #86FF5B

RGB 134 255 91

HSL 104.27, 1%, 0.68%

LAB 90.48, -62.23, 65.65

 

CMYK 30 / 0 / 64 / 0

HEX #B2FF5B

RGB 178 255 91

HSL 88.17, 1%, 0.68%

LAB 92.46, -48.31, 68.37

 

CMYK 13 / 0 / 64 / 0

HEX #DEFF5B

RGB 222 255 91

HSL 72.07, 1%, 0.68%

LAB 95.08, -32.1, 71.93

 

CMYK 0 / 5 / 64 / 0

HEX #FFF35B

RGB 255 243 91

HSL 55.61, 1%, 0.68%

LAB 94.36, -13.29, 71.94

 

CMYK 64 / 0 / 64 / 0

HEX #5BFF5C

RGB 91 255 92

HSL 120.37, 1%, 0.68%

LAB 89.17, -72.45, 63.44

 

CMYK 64 / 0 / 47 / 0

HEX #5BFF88

RGB 91 255 136

HSL 136.46, 1%, 0.68%

LAB 89.64, -67.03, 44.45

 

CMYK 64 / 0 / 29 / 0

HEX #5BFFB4

RGB 91 255 180

HSL 152.56, 1%, 0.68%

LAB 90.34, -59.33, 23.58

 

CMYK 64 / 0 / 12 / 0

HEX #5BFFE0

RGB 91 255 224

HSL 168.66, 1%, 0.68%

LAB 91.29, -49.55, 2.31

 

CMYK 64 / 5 / 0 / 0

HEX #5BF1FF

RGB 91 241 255

HSL 185.12, 1%, 0.68%

LAB 88.14, -35.22, -18.5

 

CMYK 64 / 0 / 64 / 0

HEX #5BFF5C

RGB 91 255 92

HSL 120.37, 1%, 0.68%

LAB 89.17, -72.45, 63.44

 

CMYK 64 / 0 / 64 / 0

HEX #5BFF5C

RGB 91 255 92

HSL 120.37, 1%, 0.68%

LAB 89.17, -72.45, 63.44

 

CMYK 56 / 0 / 56 / 5

HEX #69F169

RGB 105 241 105

HSL 120, 0.83%, 0.68%

LAB 85.47, -63.21, 53.83

 

CMYK 48 / 0 / 48 / 11

HEX #76E476

RGB 118 228 118

HSL 120, 0.67%, 0.68%

LAB 82.19, -53.32, 43.92

 

CMYK 39 / 0 / 39 / 16

HEX #83D783

RGB 131 215 131

HSL 120, 0.51%, 0.68%

LAB 79.08, -42.27, 33.63

 

CMYK 29 / 0 / 29 / 21

HEX #90CA90

RGB 144 202 144

HSL 120, 0.35%, 0.68%

LAB 76.18, -30.11, 23.13

 

CMYK 30 / 0 / 64 / 0

HEX #B2FF5B

RGB 178 255 91

HSL 88.17, 1%, 0.68%

LAB 92.46, -48.31, 68.37

 

CMYK 47 / 0 / 64 / 0

HEX #87FF5B

RGB 135 255 91

HSL 103.9, 1%, 0.68%

LAB 90.52, -61.95, 65.71

 

CMYK 64 / 0 / 64 / 0

HEX #5BFF5B

RGB 91 255 91

HSL 120, 1%, 0.68%

LAB 89.16, -72.54, 63.83

 

CMYK 64 / 0 / 47 / 0

HEX #5BFF87

RGB 91 255 135

HSL 136.1, 1%, 0.68%

LAB 89.62, -67.18, 44.91

 

CMYK 64 / 0 / 30 / 0

HEX #5BFFB2

RGB 91 255 178

HSL 151.83, 1%, 0.68%

LAB 90.3, -59.72, 24.54

 

CMYK 96 / 0 / 96 / 0

HEX #09FF0A

RGB 9 255 10

HSL 120.24, 1%, 0.52%

LAB 87.78, -85.79, 82.47

 

CMYK 80 / 0 / 80 / 0

HEX #32FF33

RGB 50 255 51

HSL 120.29, 1%, 0.6%

LAB 88.18, -81.76, 76.03

 

CMYK 64 / 0 / 64 / 0

HEX #5BFF5C

RGB 91 255 92

HSL 120.37, 1%, 0.68%

LAB 89.17, -72.45, 63.44

 

CMYK 48 / 0 / 48 / 0

HEX #85FF85

RGB 133 255 133

HSL 120, 1%, 0.76%

LAB 90.87, -57.92, 47.69

 

CMYK 32 / 0 / 32 / 0

HEX #AEFFAE

RGB 174 255 174

HSL 120, 1%, 0.84%

LAB 93.27, -40.02, 31.09

 

CMYK 65 / 0 / 64 / 0

HEX #5AFF5B

RGB 90 255 91

HSL 120.36, 1%, 0.68%

LAB 89.13, -72.74, 63.8

 

CMYK 64 / 13 / 0 / 0

HEX #5BDEFF

RGB 91 222 255

HSL 192.07, 1%, 0.68%

LAB 82.75, -26.12, -26.69

 

CMYK 0 / 64 / 38 / 0

HEX #FF5B9D

RGB 255 91 157

HSL 335.85, 1%, 0.68%

LAB 62.66, 67.44, -1.68

 

CMYK 65 / 0 / 64 / 0

HEX #5AFF5B

RGB 90 255 91

HSL 120.36, 1%, 0.68%

LAB 89.13, -72.74, 63.8

 

CMYK 64 / 64 / 0 / 0

HEX #5B5BFF

RGB 91 91 255

HSL 240, 1%, 0.68%

LAB 48.17, 48.43, -81.48

 

CMYK 0 / 64 / 64 / 0

HEX #FF5B5B

RGB 255 91 91

HSL 0, 1%, 0.68%

LAB 61.22, 62.18, 34.35

 

CMYK 65 / 0 / 64 / 0

HEX #5AFF5B

RGB 90 255 91

HSL 120.36, 1%, 0.68%

LAB 89.13, -72.74, 63.8

 

CMYK 64 / 13 / 0 / 0

HEX #5BDEFF

RGB 91 222 255

HSL 192.07, 1%, 0.68%

LAB 82.75, -26.12, -26.69

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 51 / 64 / 0

HEX #FF7C5B

RGB 255 124 91

HSL 12.07, 1%, 0.68%

LAB 66.85, 47.43, 41.24

 

CMYK 65 / 0 / 64 / 0

HEX #5AFF5B

RGB 90 255 91

HSL 120.36, 1%, 0.68%

LAB 89.13, -72.74, 63.8

 

CMYK 64 / 32 / 0 / 0

HEX #5BADFF

RGB 91 173 255

HSL 210, 1%, 0.68%

LAB 68.99, -0.25, -48.02

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 32 / 64 / 0

HEX #FFAD5B

RGB 255 173 91

HSL 30, 1%, 0.68%

LAB 77.22, 22.45, 53.34

 

Description

Color code: HEX #5AFF5B | qconv.com Color code: HEX #5AFF5B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 255 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 255 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 64 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 64% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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