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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AF6D9 it is the complementary color #A50926. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AF6D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AF6D9 shade: #5FF6D4, #70FFE7, #81FFFA, #92FFFF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AF6D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AF6D9 shade: #5AF6D9, #49E4C6, #38D2B3, #27C0A0 and #16AE8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AF6D9 shade: #5AF6D9, #5AF6AF, #5AF685, #5AF65B and #83F65A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AF6D9 shade: #5AF6D9, #5AE9F6, #5ABFF6, #5A95F6 and #5A6AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AF6D9 shade matches the following richer shades: #5AF6D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AF6D9 shade: #5AF6D9, #68E8D0, #76DAC7, #84CCBE and #92BEB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AF6D9 shade: #5AF683, #5AF6AD, #5AF6D7, #5AEBF6 and #5AC2F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AF6D9 shade: #0CF1C6, #33F4D0, #5AF6D9, #81F8E2 and #A8FAEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AF6D9 shade: #5AF6D9, #5A5AF6 and #F6985A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AF6D9 shade: #5AF6D9, #D75AF6 and #F6D75A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AF6D9 shade: #5AF6D9, #5A5AF6, #F65A79 and #F6F65A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AF6D9 shade: #5AF6D9, #895AF6, #F65A79 and #C7F65A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

Complementary color

CMYK 0 / 95 / 77 / 35

HEX #A50926

RGB 165 9 38

HSL 348.85, 0.9%, 0.34%

LAB 34.67, 57.47, 29.76

 

CMYK 61 / 0 / 14 / 4

HEX #5FF6D4

RGB 95 246 212

HSL 166.49, 0.89%, 0.67%

LAB 88.49, -47.97, 4.49

 

CMYK 56 / 0 / 9 / 0

HEX #70FFE7

RGB 112 255 231

HSL 169.93, 1%, 0.72%

LAB 92.01, -44.26, -0.2

 

CMYK 49 / 0 / 2 / 0

HEX #81FFFA

RGB 129 255 250

HSL 177.62, 1%, 0.75%

LAB 93.05, -36.27, -8.44

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 68 / 0 / 13 / 11

HEX #49E4C6

RGB 73 228 198

HSL 168.39, 0.74%, 0.59%

LAB 82.37, -47.18, 2.9

 

CMYK 73 / 0 / 15 / 18

HEX #38D2B3

RGB 56 210 179

HSL 167.92, 0.63%, 0.52%

LAB 76.18, -46.59, 4.02

 

CMYK 80 / 0 / 17 / 25

HEX #27C0A0

RGB 39 192 160

HSL 167.45, 0.66%, 0.45%

LAB 69.94, -45.74, 5.25

 

CMYK 87 / 0 / 19 / 32

HEX #16AE8D

RGB 22 174 141

HSL 166.97, 0.78%, 0.38%

LAB 63.64, -44.54, 6.63

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 63 / 0 / 29 / 4

HEX #5AF6AF

RGB 90 246 175

HSL 152.69, 0.9%, 0.66%

LAB 87.57, -57, 22.31

 

CMYK 63 / 0 / 46 / 4

HEX #5AF685

RGB 90 246 133

HSL 136.54, 0.9%, 0.66%

LAB 86.89, -64.45, 42.41

 

CMYK 63 / 0 / 63 / 4

HEX #5AF65B

RGB 90 246 91

HSL 120.38, 0.9%, 0.66%

LAB 86.43, -69.75, 60.81

 

CMYK 47 / 0 / 63 / 4

HEX #83F65A

RGB 131 246 90

HSL 104.23, 0.9%, 0.66%

LAB 87.72, -59.79, 63.01

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 63 / 5 / 0 / 4

HEX #5AE9F6

RGB 90 233 246

HSL 185, 0.9%, 0.66%

LAB 85.56, -34.15, -17.68

 

CMYK 63 / 22 / 0 / 4

HEX #5ABFF6

RGB 90 191 246

HSL 201.15, 0.9%, 0.66%

LAB 73.6, -13.15, -35.95

 

CMYK 63 / 39 / 0 / 4

HEX #5A95F6

RGB 90 149 246

HSL 217.31, 0.9%, 0.66%

LAB 61.93, 10.46, -54.28

 

CMYK 63 / 57 / 0 / 4

HEX #5A6AF6

RGB 90 106 246

HSL 233.85, 0.9%, 0.66%

LAB 50.85, 36.47, -72.11

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 55 / 0 / 10 / 9

HEX #68E8D0

RGB 104 232 208

HSL 168.75, 0.74%, 0.66%

LAB 84.59, -41.16, 0.95

 

CMYK 46 / 0 / 9 / 15

HEX #76DAC7

RGB 118 218 199

HSL 168.6, 0.57%, 0.66%

LAB 80.8, -33.87, 0.25

 

CMYK 35 / 0 / 7 / 20

HEX #84CCBE

RGB 132 204 190

HSL 168.33, 0.41%, 0.66%

LAB 77.17, -25.63, -0.17

 

CMYK 23 / 0 / 4 / 25

HEX #92BEB6

RGB 146 190 182

HSL 169.09, 0.25%, 0.66%

LAB 73.75, -16.23, -0.74

 

CMYK 63 / 0 / 47 / 4

HEX #5AF683

RGB 90 246 131

HSL 135.77, 0.9%, 0.66%

LAB 86.86, -64.75, 43.34

 

CMYK 63 / 0 / 30 / 4

HEX #5AF6AD

RGB 90 246 173

HSL 151.92, 0.9%, 0.66%

LAB 87.53, -57.4, 23.28

 

CMYK 63 / 0 / 13 / 4

HEX #5AF6D7

RGB 90 246 215

HSL 168.08, 0.9%, 0.66%

LAB 88.44, -48.08, 2.84

 

CMYK 63 / 4 / 0 / 4

HEX #5AEBF6

RGB 90 235 246

HSL 184.23, 0.9%, 0.66%

LAB 86.13, -35.08, -16.82

 

CMYK 63 / 21 / 0 / 4

HEX #5AC2F6

RGB 90 194 246

HSL 200, 0.9%, 0.66%

LAB 74.45, -14.74, -34.64

 

CMYK 95 / 0 / 18 / 5

HEX #0CF1C6

RGB 12 241 198

HSL 168.73, 0.91%, 0.5%

LAB 85.54, -57.43, 7.38

 

CMYK 79 / 0 / 15 / 4

HEX #33F4D0

RGB 51 244 208

HSL 168.81, 0.9%, 0.58%

LAB 86.98, -53.88, 4.28

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 48 / 0 / 9 / 3

HEX #81F8E2

RGB 129 248 226

HSL 168.91, 0.89%, 0.74%

LAB 90.46, -38.83, 0.19

 

CMYK 33 / 0 / 6 / 2

HEX #A8FAEB

RGB 168 250 235

HSL 169.02, 0.89%, 0.82%

LAB 92.88, -28.05, -0.74

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 63 / 63 / 0 / 4

HEX #5A5AF6

RGB 90 90 246

HSL 240, 0.9%, 0.66%

LAB 47.16, 46.01, -78.12

 

CMYK 0 / 38 / 63 / 4

HEX #F6985A

RGB 246 152 90

HSL 23.85, 0.9%, 0.66%

LAB 71.41, 29.74, 46.87

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 13 / 63 / 0 / 4

HEX #D75AF6

RGB 215 90 246

HSL 288.08, 0.9%, 0.66%

LAB 60.26, 70.33, -56.3

 

CMYK 0 / 13 / 63 / 4

HEX #F6D75A

RGB 246 215 90

HSL 48.08, 0.9%, 0.66%

LAB 86.47, -3.09, 63.75

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 63 / 63 / 0 / 4

HEX #5A5AF6

RGB 90 90 246

HSL 240, 0.9%, 0.66%

LAB 47.16, 46.01, -78.12

 

CMYK 0 / 63 / 51 / 4

HEX #F65A79

RGB 246 90 121

HSL 348.08, 0.9%, 0.66%

LAB 60.15, 61.81, 15.42

 

CMYK 0 / 0 / 63 / 4

HEX #F6F65A

RGB 246 246 90

HSL 60, 0.9%, 0.66%

LAB 94.42, -18.44, 72.16

 

CMYK 63 / 0 / 12 / 4

HEX #5AF6D9

RGB 90 246 217

HSL 168.85, 0.9%, 0.66%

LAB 88.49, -47.59, 1.87

 

CMYK 44 / 63 / 0 / 4

HEX #895AF6

RGB 137 90 246

HSL 258.08, 0.9%, 0.66%

LAB 51.02, 53.84, -71.66

 

CMYK 0 / 63 / 51 / 4

HEX #F65A79

RGB 246 90 121

HSL 348.08, 0.9%, 0.66%

LAB 60.15, 61.81, 15.42

 

CMYK 19 / 0 / 63 / 4

HEX #C7F65A

RGB 199 246 90

HSL 78.08, 0.9%, 0.66%

LAB 91.14, -36.85, 67.71

 

Description

Color code: HEX #5AF6D9 | qconv.com Color code: HEX #5AF6D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 246 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 246 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 12 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 12% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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