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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AF452 it is the complementary color #A50BAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AF452. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AF452 shade: #5FF44D, #70FF60, #81FF73, #92FF86 and #A3FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AF452. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AF452 shade: #5AF452, #49E23F, #38D02C, #27BE19 and #16AC06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AF452 shade: #5AF352, #85F352, #B1F352, #DDF352 and #F3DF52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AF452 shade: #5AF352, #52F376, #52F3A1, #52F3CD and #52EFF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AF452 shade matches the following richer shades: #5AF352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AF452 shade: #5AF352, #67E561, #75D670, #82C77E and #8FB88D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AF452 shade: #B0F352, #85F352, #5AF352, #52F375 and #52F3A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AF452 shade: #19E50E, #35F12B, #5AF352, #7FF679 and #A4F89F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AF452 shade: #5AF452, #52DBF3 and #F3529B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AF452 shade: #5AF452, #525AF3 and #F3525A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AF452 shade: #5AF452, #52DBF3, #EB52F3 and #F36A52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AF452 shade: #5AF452, #52ABF3, #EB52F3 and #F39B52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 66 / 4

HEX #5AF452

RGB 90 244 82

HSL 117.04, 0.88%, 0.64%

LAB 85.75, -69.94, 63.66

 

Complementary color

CMYK 5 / 94 / 0 / 32

HEX #A50BAD

RGB 165 11 173

HSL 297.04, 0.88%, 0.36%

LAB 40.01, 70.97, -47.25

 

CMYK 61 / 0 / 68 / 4

HEX #5FF44D

RGB 95 244 77

HSL 113.53, 0.88%, 0.63%

LAB 85.84, -69.31, 65.7

 

CMYK 56 / 0 / 62 / 0

HEX #70FF60

RGB 112 255 96

HSL 113.96, 1%, 0.69%

LAB 89.77, -67.5, 62.65

 

CMYK 49 / 0 / 55 / 0

HEX #81FF73

RGB 129 255 115

HSL 114, 1%, 0.73%

LAB 90.52, -61.21, 55.51

 

CMYK 43 / 0 / 47 / 0

HEX #92FF86

RGB 146 255 134

HSL 114.05, 1%, 0.76%

LAB 91.39, -54.18, 47.98

 

CMYK 36 / 0 / 40 / 0

HEX #A3FF99

RGB 163 255 153

HSL 114.12, 1%, 0.8%

LAB 92.4, -46.55, 40.27

 

CMYK 63 / 0 / 66 / 4

HEX #5AF452

RGB 90 244 82

HSL 117.04, 0.88%, 0.64%

LAB 85.75, -69.94, 63.66

 

CMYK 68 / 0 / 72 / 11

HEX #49E23F

RGB 73 226 63

HSL 116.32, 0.74%, 0.57%

LAB 79.71, -68.96, 64.27

 

CMYK 73 / 0 / 79 / 18

HEX #38D02C

RGB 56 208 44

HSL 115.61, 0.65%, 0.49%

LAB 73.63, -67.53, 64.34

 

CMYK 79 / 0 / 87 / 25

HEX #27BE19

RGB 39 190 25

HSL 114.91, 0.77%, 0.42%

LAB 67.52, -65.49, 63.5

 

CMYK 87 / 0 / 97 / 33

HEX #16AC06

RGB 22 172 6

HSL 114.22, 0.93%, 0.35%

LAB 61.38, -62.66, 61.3

 

CMYK 63 / 0 / 66 / 5

HEX #5AF352

RGB 90 243 82

HSL 117.02, 0.87%, 0.64%

LAB 85.45, -69.6, 63.34

 

CMYK 45 / 0 / 66 / 5

HEX #85F352

RGB 133 243 82

HSL 100.99, 0.87%, 0.64%

LAB 86.85, -58.74, 65.26

 

CMYK 27 / 0 / 66 / 5

HEX #B1F352

RGB 177 243 82

HSL 84.6, 0.87%, 0.64%

LAB 88.95, -44.21, 68.11

 

CMYK 9 / 0 / 66 / 5

HEX #DDF352

RGB 221 243 82

HSL 68.2, 0.87%, 0.64%

LAB 91.72, -27.46, 71.85

 

CMYK 0 / 8 / 66 / 5

HEX #F3DF52

RGB 243 223 82

HSL 52.55, 0.87%, 0.64%

LAB 88.18, -8.82, 68.76

 

CMYK 63 / 0 / 66 / 5

HEX #5AF352

RGB 90 243 82

HSL 117.02, 0.87%, 0.64%

LAB 85.45, -69.6, 63.34

 

CMYK 66 / 0 / 51 / 5

HEX #52F376

RGB 82 243 118

HSL 133.42, 0.87%, 0.64%

LAB 85.61, -67.05, 47.9

 

CMYK 66 / 0 / 34 / 5

HEX #52F3A1

RGB 82 243 161

HSL 149.44, 0.87%, 0.64%

LAB 86.24, -59.96, 27.61

 

CMYK 66 / 0 / 16 / 5

HEX #52F3CD

RGB 82 243 205

HSL 165.84, 0.87%, 0.64%

LAB 87.15, -50.47, 6.15

 

CMYK 66 / 2 / 0 / 5

HEX #52EFF3

RGB 82 239 243

HSL 181.49, 0.87%, 0.64%

LAB 87, -38.92, -13.96

 

CMYK 63 / 0 / 66 / 5

HEX #5AF352

RGB 90 243 82

HSL 117.02, 0.87%, 0.64%

LAB 85.45, -69.6, 63.34

 

CMYK 63 / 0 / 66 / 5

HEX #5AF352

RGB 90 243 82

HSL 117.02, 0.87%, 0.64%

LAB 85.45, -69.6, 63.34

 

CMYK 55 / 0 / 58 / 10

HEX #67E561

RGB 103 229 97

HSL 117.27, 0.72%, 0.64%

LAB 81.72, -60.22, 53

 

CMYK 45 / 0 / 48 / 16

HEX #75D670

RGB 117 214 112

HSL 117.06, 0.55%, 0.64%

LAB 77.9, -48.75, 41.49

 

CMYK 35 / 0 / 37 / 22

HEX #82C77E

RGB 130 199 126

HSL 116.71, 0.39%, 0.64%

LAB 74.25, -36.2, 29.85

 

CMYK 22 / 0 / 23 / 28

HEX #8FB88D

RGB 143 184 141

HSL 117.21, 0.23%, 0.64%

LAB 70.9, -22.18, 17.47

 

CMYK 28 / 0 / 66 / 5

HEX #B0F352

RGB 176 243 82

HSL 84.97, 0.87%, 0.64%

LAB 88.89, -44.56, 68.04

 

CMYK 45 / 0 / 66 / 5

HEX #85F352

RGB 133 243 82

HSL 100.99, 0.87%, 0.64%

LAB 86.85, -58.74, 65.26

 

CMYK 63 / 0 / 66 / 5

HEX #5AF352

RGB 90 243 82

HSL 117.02, 0.87%, 0.64%

LAB 85.45, -69.6, 63.34

 

CMYK 66 / 0 / 52 / 5

HEX #52F375

RGB 82 243 117

HSL 133.04, 0.87%, 0.64%

LAB 85.59, -67.19, 48.35

 

CMYK 66 / 0 / 34 / 5

HEX #52F3A0

RGB 82 243 160

HSL 149.07, 0.87%, 0.64%

LAB 86.22, -60.15, 28.09

 

CMYK 89 / 0 / 94 / 10

HEX #19E50E

RGB 25 229 14

HSL 116.93, 0.88%, 0.48%

LAB 79.77, -78.15, 75.57

 

CMYK 78 / 0 / 82 / 5

HEX #35F12B

RGB 53 241 43

HSL 116.97, 0.88%, 0.56%

LAB 83.88, -77.84, 74.11

 

CMYK 63 / 0 / 66 / 5

HEX #5AF352

RGB 90 243 82

HSL 117.02, 0.87%, 0.64%

LAB 85.45, -69.6, 63.34

 

CMYK 48 / 0 / 51 / 4

HEX #7FF679

RGB 127 246 121

HSL 117.12, 0.87%, 0.72%

LAB 87.87, -57.58, 49.58

 

CMYK 34 / 0 / 36 / 3

HEX #A4F89F

RGB 164 248 159

HSL 116.63, 0.86%, 0.8%

LAB 90.57, -42.34, 34.91

 

CMYK 63 / 0 / 66 / 4

HEX #5AF452

RGB 90 244 82

HSL 117.04, 0.88%, 0.64%

LAB 85.75, -69.94, 63.66

 

CMYK 66 / 10 / 0 / 5

HEX #52DBF3

RGB 82 219 243

HSL 188.94, 0.87%, 0.64%

LAB 81.25, -29.52, -22.62

 

CMYK 0 / 66 / 36 / 5

HEX #F3529B

RGB 243 82 155

HSL 332.8, 0.87%, 0.64%

LAB 59.39, 67.29, -5.55

 

CMYK 63 / 0 / 66 / 4

HEX #5AF452

RGB 90 244 82

HSL 117.04, 0.88%, 0.64%

LAB 85.75, -69.94, 63.66

 

CMYK 66 / 63 / 0 / 5

HEX #525AF3

RGB 82 90 243

HSL 237.02, 0.87%, 0.64%

LAB 46.41, 43.96, -77.67

 

CMYK 0 / 66 / 63 / 5

HEX #F3525A

RGB 243 82 90

HSL 357.02, 0.87%, 0.64%

LAB 57.87, 61.89, 30.28

 

CMYK 63 / 0 / 66 / 4

HEX #5AF452

RGB 90 244 82

HSL 117.04, 0.88%, 0.64%

LAB 85.75, -69.94, 63.66

 

CMYK 66 / 10 / 0 / 5

HEX #52DBF3

RGB 82 219 243

HSL 188.94, 0.87%, 0.64%

LAB 81.25, -29.52, -22.62

 

CMYK 3 / 66 / 0 / 5

HEX #EB52F3

RGB 235 82 243

HSL 297.02, 0.87%, 0.64%

LAB 61.8, 77.38, -52.02

 

CMYK 0 / 56 / 66 / 5

HEX #F36A52

RGB 243 106 82

HSL 8.94, 0.87%, 0.64%

LAB 61.63, 51.12, 39.39

 

CMYK 63 / 0 / 66 / 4

HEX #5AF452

RGB 90 244 82

HSL 117.04, 0.88%, 0.64%

LAB 85.75, -69.94, 63.66

 

CMYK 66 / 30 / 0 / 5

HEX #52ABF3

RGB 82 171 243

HSL 206.83, 0.87%, 0.64%

LAB 67.57, -4.51, -43.76

 

CMYK 3 / 66 / 0 / 5

HEX #EB52F3

RGB 235 82 243

HSL 297.02, 0.87%, 0.64%

LAB 61.8, 77.38, -52.02

 

CMYK 0 / 36 / 66 / 5

HEX #F39B52

RGB 243 155 82

HSL 27.2, 0.87%, 0.64%

LAB 71.63, 26.48, 50.97

 

Description

Color code: HEX #5AF452 | qconv.com Color code: HEX #5AF452 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 244 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 244 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 66% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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