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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AEEFA it is the complementary color #A51105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AEEFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AEEFA shade: #5FEEF5, #70FFFF, #81FFFF, #92FFFF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AEEFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AEEFA shade: #5AEEFA, #49DCE7, #38CAD4, #27B8C1 and #16A6AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AEEFA shade: #5BEEF9, #5BC3F9, #5B98F9, #5B6EF9 and #745BF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AEEFA shade: #5BEEF9, #5BC3F9, #5B98F9, #5B6EF9 and #5B5BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AEEFA shade matches the following richer shades: #5BEEF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AEEFA shade: #5BEEF9, #69E2EC, #76D6DE, #84CBD1 and #92BFC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AEEFA shade: #5BF9B0, #5BF9DA, #5BEFF9, #5BC5F9 and #5B9BF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AEEFA shade: #0BE5F7, #33E9F8, #5BEEF9, #83F2FB and #ABF6FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AEEFA shade: #5AEEFA, #855BF9 and #F9C55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AEEFA shade: #5AEEFA, #F95BEF and #EFF95B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AEEFA shade: #5AEEFA, #855BF9, #F9665B and #CFF95B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AEEFA shade: #5AEEFA, #B55BF9, #F9665B and #A0F95B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 5 / 0 / 2

HEX #5AEEFA

RGB 90 238 250

HSL 184.5, 0.94%, 0.67%

LAB 87.11, -35.37, -17.44

 

Complementary color

CMYK 0 / 90 / 97 / 35

HEX #A51105

RGB 165 17 5

HSL 4.5, 0.94%, 0.33%

LAB 34.82, 55.53, 46.64

 

CMYK 61 / 3 / 0 / 4

HEX #5FEEF5

RGB 95 238 245

HSL 182.8, 0.88%, 0.67%

LAB 87.08, -35.97, -14.85

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 64 / 5 / 0 / 2

HEX #5AEEFA

RGB 90 238 250

HSL 184.5, 0.94%, 0.67%

LAB 87.11, -35.37, -17.44

 

CMYK 68 / 5 / 0 / 9

HEX #49DCE7

RGB 73 220 231

HSL 184.18, 0.77%, 0.6%

LAB 80.95, -34.73, -16.73

 

CMYK 74 / 5 / 0 / 17

HEX #38CAD4

RGB 56 202 212

HSL 183.85, 0.64%, 0.53%

LAB 74.72, -33.91, -15.95

 

CMYK 80 / 5 / 0 / 24

HEX #27B8C1

RGB 39 184 193

HSL 183.51, 0.66%, 0.45%

LAB 68.43, -32.82, -15.09

 

CMYK 87 / 5 / 0 / 32

HEX #16A6AE

RGB 22 166 174

HSL 183.16, 0.78%, 0.38%

LAB 62.08, -31.41, -14.12

 

CMYK 63 / 4 / 0 / 2

HEX #5BEEF9

RGB 91 238 249

HSL 184.18, 0.93%, 0.67%

LAB 87.1, -35.49, -16.93

 

CMYK 63 / 22 / 0 / 2

HEX #5BC3F9

RGB 91 195 249

HSL 200.51, 0.93%, 0.67%

LAB 74.88, -14.17, -35.58

 

CMYK 63 / 39 / 0 / 2

HEX #5B98F9

RGB 91 152 249

HSL 216.84, 0.93%, 0.67%

LAB 62.94, 9.87, -54.32

 

CMYK 63 / 56 / 0 / 2

HEX #5B6EF9

RGB 91 110 249

HSL 232.78, 0.93%, 0.67%

LAB 52.08, 35.19, -71.77

 

CMYK 53 / 63 / 0 / 2

HEX #745BF9

RGB 116 91 249

HSL 249.49, 0.93%, 0.67%

LAB 49.54, 50.37, -75.82

 

CMYK 63 / 4 / 0 / 2

HEX #5BEEF9

RGB 91 238 249

HSL 184.18, 0.93%, 0.67%

LAB 87.1, -35.49, -16.93

 

CMYK 63 / 22 / 0 / 2

HEX #5BC3F9

RGB 91 195 249

HSL 200.51, 0.93%, 0.67%

LAB 74.88, -14.17, -35.58

 

CMYK 63 / 39 / 0 / 2

HEX #5B98F9

RGB 91 152 249

HSL 216.84, 0.93%, 0.67%

LAB 62.94, 9.87, -54.32

 

CMYK 63 / 56 / 0 / 2

HEX #5B6EF9

RGB 91 110 249

HSL 232.78, 0.93%, 0.67%

LAB 52.08, 35.19, -71.77

 

CMYK 63 / 63 / 0 / 2

HEX #5B5BF9

RGB 91 91 249

HSL 240, 0.93%, 0.67%

LAB 47.68, 46.52, -78.93

 

CMYK 63 / 4 / 0 / 2

HEX #5BEEF9

RGB 91 238 249

HSL 184.18, 0.93%, 0.67%

LAB 87.1, -35.49, -16.93

 

CMYK 63 / 4 / 0 / 2

HEX #5BEEF9

RGB 91 238 249

HSL 184.18, 0.93%, 0.67%

LAB 87.1, -35.49, -16.93

 

CMYK 56 / 4 / 0 / 7

HEX #69E2EC

RGB 105 226 236

HSL 184.58, 0.78%, 0.67%

LAB 83.68, -31.03, -15.18

 

CMYK 47 / 4 / 0 / 13

HEX #76D6DE

RGB 118 214 222

HSL 184.62, 0.61%, 0.67%

LAB 80.3, -26.26, -12.76

 

CMYK 37 / 3 / 0 / 18

HEX #84CBD1

RGB 132 203 209

HSL 184.68, 0.46%, 0.67%

LAB 77.41, -20.66, -10.04

 

CMYK 25 / 2 / 0 / 24

HEX #92BFC3

RGB 146 191 195

HSL 184.9, 0.29%, 0.67%

LAB 74.39, -13.87, -6.87

 

CMYK 63 / 0 / 29 / 2

HEX #5BF9B0

RGB 91 249 176

HSL 152.28, 0.93%, 0.67%

LAB 88.5, -57.79, 23.08

 

CMYK 63 / 0 / 12 / 2

HEX #5BF9DA

RGB 91 249 218

HSL 168.23, 0.93%, 0.67%

LAB 89.41, -48.47, 2.69

 

CMYK 63 / 4 / 0 / 2

HEX #5BEFF9

RGB 91 239 249

HSL 183.8, 0.93%, 0.67%

LAB 87.39, -35.96, -16.5

 

CMYK 63 / 21 / 0 / 2

HEX #5BC5F9

RGB 91 197 249

HSL 199.75, 0.93%, 0.67%

LAB 75.45, -15.22, -34.7

 

CMYK 63 / 38 / 0 / 2

HEX #5B9BF9

RGB 91 155 249

HSL 215.7, 0.93%, 0.67%

LAB 63.76, 8.11, -53.02

 

CMYK 96 / 7 / 0 / 3

HEX #0BE5F7

RGB 11 229 247

HSL 184.58, 0.94%, 0.51%

LAB 83.35, -38.69, -21.65

 

CMYK 79 / 6 / 0 / 3

HEX #33E9F8

RGB 51 233 248

HSL 184.57, 0.93%, 0.59%

LAB 84.87, -38.16, -19.84

 

CMYK 63 / 4 / 0 / 2

HEX #5BEEF9

RGB 91 238 249

HSL 184.18, 0.93%, 0.67%

LAB 87.1, -35.49, -16.93

 

CMYK 48 / 4 / 0 / 2

HEX #83F2FB

RGB 131 242 251

HSL 184.5, 0.94%, 0.75%

LAB 89.53, -29.5, -14.2

 

CMYK 32 / 2 / 0 / 1

HEX #ABF6FC

RGB 171 246 252

HSL 184.44, 0.93%, 0.83%

LAB 92.4, -21.53, -10.26

 

CMYK 64 / 5 / 0 / 2

HEX #5AEEFA

RGB 90 238 250

HSL 184.5, 0.94%, 0.67%

LAB 87.11, -35.37, -17.44

 

CMYK 47 / 63 / 0 / 2

HEX #855BF9

RGB 133 91 249

HSL 255.95, 0.93%, 0.67%

LAB 51.05, 53.37, -73.3

 

CMYK 0 / 21 / 63 / 2

HEX #F9C55B

RGB 249 197 91

HSL 40.25, 0.93%, 0.67%

LAB 82.29, 7.46, 58.83

 

CMYK 64 / 5 / 0 / 2

HEX #5AEEFA

RGB 90 238 250

HSL 184.5, 0.94%, 0.67%

LAB 87.11, -35.37, -17.44

 

CMYK 0 / 63 / 4 / 2

HEX #F95BEF

RGB 249 91 239

HSL 303.8, 0.93%, 0.67%

LAB 64.85, 76.57, -44.85

 

CMYK 4 / 0 / 63 / 2

HEX #EFF95B

RGB 239 249 91

HSL 63.8, 0.93%, 0.67%

LAB 94.68, -22.62, 71.88

 

CMYK 64 / 5 / 0 / 2

HEX #5AEEFA

RGB 90 238 250

HSL 184.5, 0.94%, 0.67%

LAB 87.11, -35.37, -17.44

 

CMYK 47 / 63 / 0 / 2

HEX #855BF9

RGB 133 91 249

HSL 255.95, 0.93%, 0.67%

LAB 51.05, 53.37, -73.3

 

CMYK 0 / 59 / 63 / 2

HEX #F9665B

RGB 249 102 91

HSL 4.18, 0.93%, 0.67%

LAB 62, 55.54, 35.1

 

CMYK 17 / 0 / 63 / 2

HEX #CFF95B

RGB 207 249 91

HSL 75.95, 0.93%, 0.67%

LAB 92.47, -35.11, 68.89

 

CMYK 64 / 5 / 0 / 2

HEX #5AEEFA

RGB 90 238 250

HSL 184.5, 0.94%, 0.67%

LAB 87.11, -35.37, -17.44

 

CMYK 27 / 63 / 0 / 2

HEX #B55BF9

RGB 181 91 249

HSL 274.18, 0.93%, 0.67%

LAB 56.23, 63.02, -64.66

 

CMYK 0 / 59 / 63 / 2

HEX #F9665B

RGB 249 102 91

HSL 4.18, 0.93%, 0.67%

LAB 62, 55.54, 35.1

 

CMYK 36 / 0 / 63 / 2

HEX #A0F95B

RGB 160 249 91

HSL 93.8, 0.93%, 0.67%

LAB 89.85, -51.92, 65.29

 

Description

Color code: HEX #5AEEFA | qconv.com Color code: HEX #5AEEFA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 238 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 238 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 5 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 5% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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