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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AEBD0 it is the complementary color #A5142F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AEBD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AEBD0 shade: #5FEBCB, #70FDDE, #81FFF1, #92FFFF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AEBD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AEBD0 shade: #5AEBD0, #49D9BD, #38C7AA, #27B597 and #16A384

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AEBD0 shade: #5BEAD0, #5BEAA9, #5BEA82, #5BEA5C and #81EA5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AEBD0 shade: #5BEAD0, #5BDEEA, #5BB8EA, #5B91EA and #5B6AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AEBD0 shade matches the following richer shades: #5BEAD0 and #4CF9D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AEBD0 shade: #5BEAD0, #6ADBC6, #79CDBD, #88BEB4 and #97AFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AEBD0 shade: #5BEA81, #5BEAA7, #5BEACE, #5BE1EA and #5BBBEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AEBD0 shade: #1AD9B5, #36E6C5, #5BEAD0, #80EFDA and #A5F3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AEBD0 shade: #5AEBD0, #5B5BEA and #EA945B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AEBD0 shade: #5AEBD0, #CE5BEA and #EACE5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AEBD0 shade: #5AEBD0, #5B5BEA, #EA5B78 and #EAEA5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AEBD0 shade: #5AEBD0, #865BEA, #EA5B78 and #BFEA5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 11 / 8

HEX #5AEBD0

RGB 90 235 208

HSL 168.83, 0.78%, 0.64%

LAB 85.07, -45.06, 1.6

 

Complementary color

CMYK 0 / 88 / 72 / 35

HEX #A5142F

RGB 165 20 47

HSL 348.83, 0.78%, 0.36%

LAB 35.41, 56.09, 24.98

 

CMYK 60 / 0 / 14 / 8

HEX #5FEBCB

RGB 95 235 203

HSL 166.29, 0.78%, 0.65%

LAB 85.08, -45.39, 4.26

 

CMYK 56 / 0 / 12 / 1

HEX #70FDDE

RGB 112 253 222

HSL 166.81, 0.97%, 0.72%

LAB 91.22, -45.52, 3.31

 

CMYK 49 / 0 / 5 / 0

HEX #81FFF1

RGB 129 255 241

HSL 173.33, 1%, 0.75%

LAB 92.81, -38.46, -4.14

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 62 / 0 / 11 / 8

HEX #5AEBD0

RGB 90 235 208

HSL 168.83, 0.78%, 0.64%

LAB 85.07, -45.06, 1.6

 

CMYK 66 / 0 / 13 / 15

HEX #49D9BD

RGB 73 217 189

HSL 168.33, 0.65%, 0.57%

LAB 78.88, -44.71, 2.61

 

CMYK 72 / 0 / 15 / 22

HEX #38C7AA

RGB 56 199 170

HSL 167.83, 0.56%, 0.5%

LAB 72.62, -44.18, 3.72

 

CMYK 78 / 0 / 17 / 29

HEX #27B597

RGB 39 181 151

HSL 167.32, 0.65%, 0.43%

LAB 66.3, -43.41, 4.94

 

CMYK 87 / 0 / 19 / 36

HEX #16A384

RGB 22 163 132

HSL 166.81, 0.76%, 0.36%

LAB 59.92, -42.28, 6.31

 

CMYK 61 / 0 / 11 / 8

HEX #5BEAD0

RGB 91 234 208

HSL 169.09, 0.77%, 0.64%

LAB 84.8, -44.45, 1.22

 

CMYK 61 / 0 / 28 / 8

HEX #5BEAA9

RGB 91 234 169

HSL 152.73, 0.77%, 0.64%

LAB 83.93, -53.26, 20.38

 

CMYK 61 / 0 / 44 / 8

HEX #5BEA82

RGB 91 234 130

HSL 136.36, 0.77%, 0.64%

LAB 83.27, -60.32, 39.27

 

CMYK 61 / 0 / 61 / 8

HEX #5BEA5C

RGB 91 234 92

HSL 120.42, 0.77%, 0.64%

LAB 82.83, -65.34, 56.36

 

CMYK 45 / 0 / 61 / 8

HEX #81EA5B

RGB 129 234 91

HSL 104.06, 0.77%, 0.64%

LAB 84.11, -55.66, 58.57

 

CMYK 61 / 0 / 11 / 8

HEX #5BEAD0

RGB 91 234 208

HSL 169.09, 0.77%, 0.64%

LAB 84.8, -44.45, 1.22

 

CMYK 61 / 5 / 0 / 8

HEX #5BDEEA

RGB 91 222 234

HSL 185.03, 0.77%, 0.64%

LAB 82.06, -32.14, -16.6

 

CMYK 61 / 21 / 0 / 8

HEX #5BB8EA

RGB 91 184 234

HSL 200.98, 0.77%, 0.64%

LAB 71.18, -12.98, -33.21

 

CMYK 61 / 38 / 0 / 8

HEX #5B91EA

RGB 91 145 234

HSL 217.34, 0.77%, 0.64%

LAB 60.26, 9.01, -50.31

 

CMYK 61 / 55 / 0 / 8

HEX #5B6AEA

RGB 91 106 234

HSL 233.71, 0.77%, 0.64%

LAB 50.06, 32.67, -66.66

 

CMYK 61 / 0 / 11 / 8

HEX #5BEAD0

RGB 91 234 208

HSL 169.09, 0.77%, 0.64%

LAB 84.8, -44.45, 1.22

 

CMYK 69 / 0 / 13 / 2

HEX #4CF9D9

RGB 76 249 217

HSL 168.9, 0.94%, 0.64%

LAB 89.06, -50.9, 2.66

 

CMYK 61 / 0 / 11 / 8

HEX #5BEAD0

RGB 91 234 208

HSL 169.09, 0.77%, 0.64%

LAB 84.8, -44.45, 1.22

 

CMYK 52 / 0 / 10 / 14

HEX #6ADBC6

RGB 106 219 198

HSL 168.85, 0.61%, 0.64%

LAB 80.63, -37.28, 0.48

 

CMYK 41 / 0 / 8 / 20

HEX #79CDBD

RGB 121 205 189

HSL 168.57, 0.46%, 0.64%

LAB 76.92, -29.29, -0.05

 

CMYK 28 / 0 / 5 / 25

HEX #88BEB4

RGB 136 190 180

HSL 168.89, 0.29%, 0.64%

LAB 73.13, -19.72, -0.63

 

CMYK 14 / 0 / 3 / 31

HEX #97AFAA

RGB 151 175 170

HSL 167.5, 0.13%, 0.64%

LAB 69.57, -9.27, -0.23

 

CMYK 61 / 0 / 45 / 8

HEX #5BEA81

RGB 91 234 129

HSL 135.94, 0.77%, 0.64%

LAB 83.26, -60.48, 39.74

 

CMYK 61 / 0 / 29 / 8

HEX #5BEAA7

RGB 91 234 167

HSL 151.89, 0.77%, 0.64%

LAB 83.89, -53.67, 21.36

 

CMYK 61 / 0 / 12 / 8

HEX #5BEACE

RGB 91 234 206

HSL 168.25, 0.77%, 0.64%

LAB 84.75, -44.94, 2.2

 

CMYK 61 / 4 / 0 / 8

HEX #5BE1EA

RGB 91 225 234

HSL 183.78, 0.77%, 0.64%

LAB 82.92, -33.56, -15.31

 

CMYK 61 / 20 / 0 / 8

HEX #5BBBEA

RGB 91 187 234

HSL 199.72, 0.77%, 0.64%

LAB 72.03, -14.57, -31.89

 

CMYK 88 / 0 / 17 / 15

HEX #1AD9B5

RGB 26 217 181

HSL 168.69, 0.79%, 0.48%

LAB 77.98, -51.63, 5.5

 

CMYK 77 / 0 / 14 / 10

HEX #36E6C5

RGB 54 230 197

HSL 168.75, 0.78%, 0.56%

LAB 82.6, -50.62, 3.72

 

CMYK 61 / 0 / 11 / 8

HEX #5BEAD0

RGB 91 234 208

HSL 169.09, 0.77%, 0.64%

LAB 84.8, -44.45, 1.22

 

CMYK 46 / 0 / 9 / 6

HEX #80EFDA

RGB 128 239 218

HSL 168.65, 0.78%, 0.72%

LAB 87.67, -36.81, 0.29

 

CMYK 32 / 0 / 6 / 5

HEX #A5F3E5

RGB 165 243 229

HSL 169.23, 0.76%, 0.8%

LAB 90.67, -26.83, -0.88

 

CMYK 62 / 0 / 11 / 8

HEX #5AEBD0

RGB 90 235 208

HSL 168.83, 0.78%, 0.64%

LAB 85.07, -45.06, 1.6

 

CMYK 61 / 61 / 0 / 8

HEX #5B5BEA

RGB 91 91 234

HSL 240, 0.77%, 0.64%

LAB 46.51, 41.73, -72.44

 

CMYK 0 / 37 / 61 / 8

HEX #EA945B

RGB 234 148 91

HSL 23.92, 0.77%, 0.64%

LAB 69.06, 27.09, 43.22

 

CMYK 62 / 0 / 11 / 8

HEX #5AEBD0

RGB 90 235 208

HSL 168.83, 0.78%, 0.64%

LAB 85.07, -45.06, 1.6

 

CMYK 12 / 61 / 0 / 8

HEX #CE5BEA

RGB 206 91 234

HSL 288.25, 0.77%, 0.64%

LAB 58.55, 65.59, -52.42

 

CMYK 0 / 12 / 61 / 8

HEX #EACE5B

RGB 234 206 91

HSL 48.25, 0.77%, 0.64%

LAB 83.12, -3.41, 59.35

 

CMYK 62 / 0 / 11 / 8

HEX #5AEBD0

RGB 90 235 208

HSL 168.83, 0.78%, 0.64%

LAB 85.07, -45.06, 1.6

 

CMYK 61 / 61 / 0 / 8

HEX #5B5BEA

RGB 91 91 234

HSL 240, 0.77%, 0.64%

LAB 46.51, 41.73, -72.44

 

CMYK 0 / 61 / 49 / 8

HEX #EA5B78

RGB 234 91 120

HSL 347.83, 0.77%, 0.64%

LAB 58.35, 57.51, 13.21

 

CMYK 0 / 0 / 61 / 8

HEX #EAEA5B

RGB 234 234 91

HSL 60, 0.77%, 0.64%

LAB 90.36, -17.4, 67.21

 

CMYK 62 / 0 / 11 / 8

HEX #5AEBD0

RGB 90 235 208

HSL 168.83, 0.78%, 0.64%

LAB 85.07, -45.06, 1.6

 

CMYK 43 / 61 / 0 / 8

HEX #865BEA

RGB 134 91 234

HSL 258.04, 0.77%, 0.64%

LAB 50.09, 49.51, -66.46

 

CMYK 0 / 61 / 49 / 8

HEX #EA5B78

RGB 234 91 120

HSL 347.83, 0.77%, 0.64%

LAB 58.35, 57.51, 13.21

 

CMYK 18 / 0 / 61 / 8

HEX #BFEA5B

RGB 191 234 91

HSL 78.04, 0.77%, 0.64%

LAB 87.33, -34.36, 63.05

 

Description

Color code: HEX #5AEBD0 | qconv.com Color code: HEX #5AEBD0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 235 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 235 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 11 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 11% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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