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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AE54C it is the complementary color #A51AB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AE54C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AE54C shade: #5FE547, #70F75A, #81FF6D, #92FF80 and #A3FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AE54C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AE54C shade: #5AE54C, #49D339, #38C126, #27AF13 and #169D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AE54C shade: #5AE54C, #83E54C, #ADE54C, #D6E54C and #E5CB4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AE54C shade: #5AE54C, #4CE567, #4CE591, #4CE5BA and #4CE5E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AE54C shade matches the following richer shades: #5AE54C and #4DF63B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AE54C shade: #5AE54C, #67D45D, #75C46D, #82B37E and #90A38E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AE54C shade: #ADE54C, #84E54C, #5BE54C, #4CE565 and #4CE58E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AE54C shade: #2BC31B, #39E028, #5AE54C, #7BEA70 and #9DEF94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AE54C shade: #5AE54C, #4CD6E5 and #E54C99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AE54C shade: #5AE54C, #4C5BE5 and #E54C5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AE54C shade: #5AE54C, #4CD6E5, #D64CE5 and #E55B4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AE54C shade: #5AE54C, #4CA8E5, #D64CE5 and #E5894C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

Complementary color

CMYK 8 / 85 / 0 / 30

HEX #A51AB3

RGB 165 26 179

HSL 294.51, 0.75%, 0.4%

LAB 41.2, 69.56, -48.89

 

CMYK 59 / 0 / 69 / 10

HEX #5FE547

RGB 95 229 71

HSL 110.89, 0.75%, 0.59%

LAB 81.25, -64.68, 63.13

 

CMYK 55 / 0 / 64 / 3

HEX #70F75A

RGB 112 247 90

HSL 111.59, 0.91%, 0.66%

LAB 87.34, -65.24, 62.41

 

CMYK 49 / 0 / 57 / 0

HEX #81FF6D

RGB 129 255 109

HSL 111.78, 1%, 0.71%

LAB 90.46, -61.87, 58.08

 

CMYK 43 / 0 / 50 / 0

HEX #92FF80

RGB 146 255 128

HSL 111.5, 1%, 0.75%

LAB 91.32, -54.93, 50.7

 

CMYK 36 / 0 / 42 / 0

HEX #A3FF93

RGB 163 255 147

HSL 111.11, 1%, 0.79%

LAB 92.32, -47.38, 43.08

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 65 / 0 / 73 / 17

HEX #49D339

RGB 73 211 57

HSL 113.77, 0.64%, 0.53%

LAB 75.01, -64.51, 61.61

 

CMYK 71 / 0 / 80 / 24

HEX #38C126

RGB 56 193 38

HSL 113.03, 0.67%, 0.45%

LAB 68.84, -63.17, 61.56

 

CMYK 78 / 0 / 89 / 31

HEX #27AF13

RGB 39 175 19

HSL 112.31, 0.8%, 0.38%

LAB 62.62, -61.2, 60.44

 

CMYK 86 / 0 / 100 / 38

HEX #169D00

RGB 22 157 0

HSL 111.59, 1%, 0.31%

LAB 56.37, -58.44, 58.1

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 43 / 0 / 67 / 10

HEX #83E54C

RGB 131 229 76

HSL 98.43, 0.75%, 0.6%

LAB 82.59, -54.4, 63.03

 

CMYK 24 / 0 / 67 / 10

HEX #ADE54C

RGB 173 229 76

HSL 81.96, 0.75%, 0.6%

LAB 84.71, -39.96, 65.91

 

CMYK 7 / 0 / 67 / 10

HEX #D6E54C

RGB 214 229 76

HSL 65.88, 0.75%, 0.6%

LAB 87.42, -23.97, 69.55

 

CMYK 0 / 11 / 67 / 10

HEX #E5CB4C

RGB 229 203 76

HSL 49.8, 0.75%, 0.6%

LAB 81.78, -4.87, 64.16

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 67 / 0 / 55 / 10

HEX #4CE567

RGB 76 229 103

HSL 130.59, 0.75%, 0.6%

LAB 81.05, -65.3, 49.31

 

CMYK 67 / 0 / 37 / 10

HEX #4CE591

RGB 76 229 145

HSL 147.06, 0.75%, 0.6%

LAB 81.63, -58.69, 29.53

 

CMYK 67 / 0 / 19 / 10

HEX #4CE5BA

RGB 76 229 186

HSL 163.14, 0.75%, 0.6%

LAB 82.44, -50.06, 9.35

 

CMYK 67 / 0 / 1 / 10

HEX #4CE5E3

RGB 76 229 227

HSL 179.22, 0.75%, 0.6%

LAB 83.51, -39.6, -10.76

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 69 / 0 / 76 / 4

HEX #4DF63B

RGB 77 246 59

HSL 114.22, 0.91%, 0.6%

LAB 85.91, -74.82, 71.76

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 51 / 0 / 56 / 17

HEX #67D45D

RGB 103 212 93

HSL 114.96, 0.58%, 0.6%

LAB 76.53, -54.26, 48.74

 

CMYK 40 / 0 / 44 / 23

HEX #75C46D

RGB 117 196 109

HSL 114.48, 0.42%, 0.6%

LAB 72.47, -41.53, 36.15

 

CMYK 27 / 0 / 30 / 30

HEX #82B37E

RGB 130 179 126

HSL 115.47, 0.26%, 0.6%

LAB 68.38, -26.75, 21.99

 

CMYK 12 / 0 / 13 / 36

HEX #90A38E

RGB 144 163 142

HSL 114.29, 0.1%, 0.6%

LAB 65.02, -10.78, 8.67

 

CMYK 24 / 0 / 67 / 10

HEX #ADE54C

RGB 173 229 76

HSL 81.96, 0.75%, 0.6%

LAB 84.71, -39.96, 65.91

 

CMYK 42 / 0 / 67 / 10

HEX #84E54C

RGB 132 229 76

HSL 98.04, 0.75%, 0.6%

LAB 82.63, -54.09, 63.09

 

CMYK 60 / 0 / 67 / 10

HEX #5BE54C

RGB 91 229 76

HSL 114.12, 0.75%, 0.6%

LAB 81.17, -65.18, 61.1

 

CMYK 67 / 0 / 56 / 10

HEX #4CE565

RGB 76 229 101

HSL 129.8, 0.75%, 0.6%

LAB 81.02, -65.55, 50.19

 

CMYK 67 / 0 / 38 / 10

HEX #4CE58E

RGB 76 229 142

HSL 145.88, 0.75%, 0.6%

LAB 81.58, -59.24, 30.99

 

CMYK 78 / 0 / 86 / 24

HEX #2BC31B

RGB 43 195 27

HSL 114.29, 0.76%, 0.44%

LAB 69.2, -66.37, 64.57

 

CMYK 75 / 0 / 82 / 12

HEX #39E028

RGB 57 224 40

HSL 114.46, 0.75%, 0.52%

LAB 78.66, -72.46, 70.11

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 47 / 0 / 52 / 8

HEX #7BEA70

RGB 123 234 112

HSL 114.59, 0.74%, 0.68%

LAB 84.08, -55.1, 49.13

 

CMYK 34 / 0 / 38 / 6

HEX #9DEF94

RGB 157 239 148

HSL 114.07, 0.74%, 0.76%

LAB 87.5, -42.2, 36.31

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 67 / 7 / 0 / 10

HEX #4CD6E5

RGB 76 214 229

HSL 185.88, 0.75%, 0.6%

LAB 79.21, -32.06, -18.28

 

CMYK 0 / 67 / 33 / 10

HEX #E54C99

RGB 229 76 153

HSL 329.8, 0.75%, 0.6%

LAB 56.21, 65.44, -9.36

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 67 / 60 / 0 / 10

HEX #4C5BE5

RGB 76 91 229

HSL 234.12, 0.75%, 0.6%

LAB 45.19, 37.88, -71.81

 

CMYK 0 / 67 / 60 / 10

HEX #E54C5B

RGB 229 76 91

HSL 354.12, 0.75%, 0.6%

LAB 54.64, 59.9, 25.06

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 67 / 7 / 0 / 10

HEX #4CD6E5

RGB 76 214 229

HSL 185.88, 0.75%, 0.6%

LAB 79.21, -32.06, -18.28

 

CMYK 7 / 67 / 0 / 10

HEX #D64CE5

RGB 214 76 229

HSL 294.12, 0.75%, 0.6%

LAB 57.19, 72.64, -51.71

 

CMYK 0 / 60 / 67 / 10

HEX #E55B4C

RGB 229 91 76

HSL 5.88, 0.75%, 0.6%

LAB 56.74, 52.7, 36.32

 

CMYK 61 / 0 / 67 / 10

HEX #5AE54C

RGB 90 229 76

HSL 114.51, 0.75%, 0.6%

LAB 81.15, -65.4, 61.07

 

CMYK 67 / 27 / 0 / 10

HEX #4CA8E5

RGB 76 168 229

HSL 203.92, 0.75%, 0.6%

LAB 65.9, -8.39, -38.72

 

CMYK 7 / 67 / 0 / 10

HEX #D64CE5

RGB 214 76 229

HSL 294.12, 0.75%, 0.6%

LAB 57.19, 72.64, -51.71

 

CMYK 0 / 40 / 67 / 10

HEX #E5894C

RGB 229 137 76

HSL 23.92, 0.75%, 0.6%

LAB 65.8, 29.93, 46.88

 

Description

Color code: HEX #5AE54C | qconv.com Color code: HEX #5AE54C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 229 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 229 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 67 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 67% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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