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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AD63A it is the complementary color #A529C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AD63A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AD63A shade: #5FD635, #70E848, #81FA5B, #92FF6E and #A3FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AD63A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AD63A shade: #5AD63A, #49C427, #38B214, #27A001 and #168E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AD63A shade: #58D638, #83D638, #ADD638, #D6D438 and #D6A938

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AD63A shade: #58D638, #38D642, #38D66C, #38D697 and #38D6C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AD63A shade matches the following richer shades: #58D638, #4DE924 and #41FD11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AD63A shade: #58D638, #63C24B, #6FAF5E, #7A9C72 and #868885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AD63A shade: #AED638, #84D638, #5AD638, #38D63F and #38D66A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AD63A shade: #399B1F, #45BE26, #58D638, #75DD5A and #91E47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AD63A shade: #5AD63A, #38D6D3 and #D63899

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AD63A shade: #5AD63A, #385AD6 and #D6385A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AD63A shade: #5AD63A, #38D6D3, #B338D6 and #D6383A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AD63A shade: #5AD63A, #38A9D6, #B338D6 and #D66438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 73 / 16

HEX #5AD63A

RGB 90 214 58

HSL 107.69, 0.66%, 0.53%

LAB 76.42, -61.65, 62.83

 

Complementary color

CMYK 16 / 79 / 0 / 23

HEX #A529C5

RGB 165 41 197

HSL 287.69, 0.66%, 0.47%

LAB 43.68, 68.95, -55.48

 

CMYK 56 / 0 / 75 / 16

HEX #5FD635

RGB 95 214 53

HSL 104.35, 0.66%, 0.52%

LAB 76.55, -60.73, 64.7

 

CMYK 52 / 0 / 69 / 9

HEX #70E848

RGB 112 232 72

HSL 105, 0.78%, 0.6%

LAB 82.71, -61.37, 64.46

 

CMYK 48 / 0 / 64 / 2

HEX #81FA5B

RGB 129 250 91

HSL 105.66, 0.94%, 0.67%

LAB 88.82, -61.77, 63.8

 

CMYK 43 / 0 / 57 / 0

HEX #92FF6E

RGB 146 255 110

HSL 105.1, 1%, 0.72%

LAB 91.12, -56.96, 58.59

 

CMYK 36 / 0 / 49 / 0

HEX #A3FF81

RGB 163 255 129

HSL 103.81, 1%, 0.75%

LAB 92.08, -49.66, 51.34

 

CMYK 58 / 0 / 73 / 16

HEX #5AD63A

RGB 90 214 58

HSL 107.69, 0.66%, 0.53%

LAB 76.42, -61.65, 62.83

 

CMYK 63 / 0 / 80 / 23

HEX #49C427

RGB 73 196 39

HSL 107.01, 0.67%, 0.46%

LAB 70.21, -60.66, 62.7

 

CMYK 69 / 0 / 89 / 30

HEX #38B214

RGB 56 178 20

HSL 106.33, 0.8%, 0.39%

LAB 63.94, -59.18, 61.52

 

CMYK 76 / 0 / 99 / 37

HEX #27A001

RGB 39 160 1

HSL 105.66, 0.99%, 0.32%

LAB 57.63, -57.06, 59.06

 

CMYK 85 / 0 / 100 / 44

HEX #168E00

RGB 22 142 0

HSL 110.7, 1%, 0.28%

LAB 51.29, -53.95, 54.04

 

CMYK 59 / 0 / 74 / 16

HEX #58D638

RGB 88 214 56

HSL 107.85, 0.66%, 0.53%

LAB 76.35, -62.27, 63.43

 

CMYK 39 / 0 / 74 / 16

HEX #83D638

RGB 131 214 56

HSL 91.52, 0.66%, 0.53%

LAB 78, -49.8, 65.61

 

CMYK 19 / 0 / 74 / 16

HEX #ADD638

RGB 173 214 56

HSL 75.57, 0.66%, 0.53%

LAB 80.33, -34.38, 68.67

 

CMYK 0 / 1 / 74 / 16

HEX #D6D438

RGB 214 212 56

HSL 59.24, 0.66%, 0.53%

LAB 82.74, -16.68, 72

 

CMYK 0 / 21 / 74 / 16

HEX #D6A938

RGB 214 169 56

HSL 42.91, 0.66%, 0.53%

LAB 71.53, 5.47, 61.32

 

CMYK 59 / 0 / 74 / 16

HEX #58D638

RGB 88 214 56

HSL 107.85, 0.66%, 0.53%

LAB 76.35, -62.27, 63.43

 

CMYK 74 / 0 / 69 / 16

HEX #38D642

RGB 56 214 66

HSL 123.8, 0.66%, 0.53%

LAB 75.65, -67.76, 58.87

 

CMYK 74 / 0 / 50 / 16

HEX #38D66C

RGB 56 214 108

HSL 139.75, 0.66%, 0.53%

LAB 76.08, -62.69, 40.79

 

CMYK 74 / 0 / 29 / 16

HEX #38D697

RGB 56 214 151

HSL 156.08, 0.66%, 0.53%

LAB 76.78, -54.77, 19.77

 

CMYK 74 / 0 / 9 / 16

HEX #38D6C2

RGB 56 214 194

HSL 172.41, 0.66%, 0.53%

LAB 77.77, -44.4, -1.71

 

CMYK 59 / 0 / 74 / 16

HEX #58D638

RGB 88 214 56

HSL 107.85, 0.66%, 0.53%

LAB 76.35, -62.27, 63.43

 

CMYK 67 / 0 / 85 / 9

HEX #4DE924

RGB 77 233 36

HSL 107.51, 0.82%, 0.53%

LAB 81.83, -71.97, 74.04

 

CMYK 74 / 0 / 93 / 1

HEX #41FD11

RGB 65 253 17

HSL 107.8, 0.98%, 0.53%

LAB 87.69, -80.51, 81.97

 

CMYK 59 / 0 / 74 / 16

HEX #58D638

RGB 88 214 56

HSL 107.85, 0.66%, 0.53%

LAB 76.35, -62.27, 63.43

 

CMYK 49 / 0 / 61 / 24

HEX #63C24B

RGB 99 194 75

HSL 107.9, 0.49%, 0.53%

LAB 70.69, -50.33, 50.09

 

CMYK 37 / 0 / 46 / 31

HEX #6FAF5E

RGB 111 175 94

HSL 107.41, 0.34%, 0.53%

LAB 65.63, -36.24, 35.08

 

CMYK 22 / 0 / 27 / 39

HEX #7A9C72

RGB 122 156 114

HSL 108.57, 0.18%, 0.53%

LAB 60.9, -20.09, 18.26

 

CMYK 1 / 0 / 2 / 47

HEX #868885

RGB 134 136 133

HSL 100, 0.01%, 0.53%

LAB 56.46, -1.33, 1.34

 

CMYK 19 / 0 / 74 / 16

HEX #AED638

RGB 174 214 56

HSL 75.19, 0.66%, 0.53%

LAB 80.39, -33.99, 68.75

 

CMYK 38 / 0 / 74 / 16

HEX #84D638

RGB 132 214 56

HSL 91.14, 0.66%, 0.53%

LAB 78.04, -49.46, 65.67

 

CMYK 58 / 0 / 74 / 16

HEX #5AD638

RGB 90 214 56

HSL 107.09, 0.66%, 0.53%

LAB 76.41, -61.79, 63.51

 

CMYK 74 / 0 / 71 / 16

HEX #38D63F

RGB 56 214 63

HSL 122.66, 0.66%, 0.53%

LAB 75.63, -68.02, 59.97

 

CMYK 74 / 0 / 50 / 16

HEX #38D66A

RGB 56 214 106

HSL 138.99, 0.66%, 0.53%

LAB 76.05, -62.99, 41.73

 

CMYK 63 / 0 / 80 / 39

HEX #399B1F

RGB 57 155 31

HSL 107.42, 0.67%, 0.36%

LAB 56.5, -50.61, 52.02

 

CMYK 64 / 0 / 80 / 25

HEX #45BE26

RGB 69 190 38

HSL 107.76, 0.67%, 0.45%

LAB 68.19, -59.58, 61.06

 

CMYK 59 / 0 / 74 / 16

HEX #58D638

RGB 88 214 56

HSL 107.85, 0.66%, 0.53%

LAB 76.35, -62.27, 63.43

 

CMYK 47 / 0 / 59 / 13

HEX #75DD5A

RGB 117 221 90

HSL 107.63, 0.66%, 0.61%

LAB 79.75, -54.19, 53.95

 

CMYK 36 / 0 / 46 / 11

HEX #91E47C

RGB 145 228 124

HSL 107.88, 0.66%, 0.69%

LAB 83.42, -44.53, 42.81

 

CMYK 58 / 0 / 73 / 16

HEX #5AD63A

RGB 90 214 58

HSL 107.69, 0.66%, 0.53%

LAB 76.42, -61.65, 62.83

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D3

RGB 56 214 211

HSL 178.86, 0.66%, 0.53%

LAB 78.25, -39.74, -10.12

 

CMYK 0 / 74 / 29 / 16

HEX #D63899

RGB 214 56 153

HSL 323.16, 0.66%, 0.53%

LAB 51.18, 68.46, -17.21

 

CMYK 58 / 0 / 73 / 16

HEX #5AD63A

RGB 90 214 58

HSL 107.69, 0.66%, 0.53%

LAB 76.42, -61.65, 62.83

 

CMYK 74 / 58 / 0 / 16

HEX #385AD6

RGB 56 90 214

HSL 227.09, 0.66%, 0.53%

LAB 42.78, 30.7, -67.25

 

CMYK 0 / 74 / 58 / 16

HEX #D6385A

RGB 214 56 90

HSL 347.09, 0.66%, 0.53%

LAB 49.33, 62.55, 18.13

 

CMYK 58 / 0 / 73 / 16

HEX #5AD63A

RGB 90 214 58

HSL 107.69, 0.66%, 0.53%

LAB 76.42, -61.65, 62.83

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D3

RGB 56 214 211

HSL 178.86, 0.66%, 0.53%

LAB 78.25, -39.74, -10.12

 

CMYK 16 / 74 / 0 / 16

HEX #B338D6

RGB 179 56 214

HSL 286.71, 0.66%, 0.53%

LAB 48.59, 69.92, -57.25

 

CMYK 0 / 74 / 73 / 16

HEX #D6383A

RGB 214 56 58

HSL 359.24, 0.66%, 0.53%

LAB 48.8, 60.79, 36.51

 

CMYK 58 / 0 / 73 / 16

HEX #5AD63A

RGB 90 214 58

HSL 107.69, 0.66%, 0.53%

LAB 76.42, -61.65, 62.83

 

CMYK 74 / 21 / 0 / 16

HEX #38A9D6

RGB 56 169 214

HSL 197.09, 0.66%, 0.53%

LAB 65.02, -16.7, -31.87

 

CMYK 16 / 74 / 0 / 16

HEX #B338D6

RGB 179 56 214

HSL 286.71, 0.66%, 0.53%

LAB 48.59, 69.92, -57.25

 

CMYK 0 / 53 / 74 / 16

HEX #D66438

RGB 214 100 56

HSL 16.71, 0.66%, 0.53%

LAB 55.78, 42.02, 45.29

 

Description

Color code: HEX #5AD63A | qconv.com Color code: HEX #5AD63A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 214 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 214 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 73 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 73% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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