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Color name
HEX #5AC02A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AC02A it is the complementary color #A53FD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AC02A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AC02A shade: #5FC025, #70D238, #81E44B, #92F65E and #A3FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AC02A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AC02A shade: #5AC02A, #49AE17, #389C04, #278A00 and #167800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AC02A shade: #5AC02A, #82C02A, #ABC02A, #C0AD2A and #C0842A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AC02A shade: #5AC02A, #31C02A, #2AC04B, #2AC073 and #2AC09C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AC02A shade matches the following richer shades: #5AC02A, #53D317 and #4CE604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AC02A shade: #5AC02A, #61AD3D, #679A50, #6E8763 and #757476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AC02A shade: #ACC02A, #84C02A, #5CC02A, #34C02A and #2AC048

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AC02A shade: #3A7C1B, #4A9E22, #5AC02A, #6ED43F and #88DC60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AC02A shade: #5AC02A, #2AC0AC and #C02A98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AC02A shade: #5AC02A, #2A5CC0 and #C02A5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AC02A shade: #5AC02A, #2AC0AC, #8E2AC0 and #C02A3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AC02A shade: #5AC02A, #2AA7C0, #8E2AC0 and #C0432A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

Complementary color

CMYK 23 / 70 / 0 / 16

HEX #A53FD5

RGB 165 63 213

HSL 280.8, 0.64%, 0.54%

LAB 47.44, 64.33, -58.64

 

CMYK 51 / 0 / 81 / 25

HEX #5FC025

RGB 95 192 37

HSL 97.55, 0.68%, 0.45%

LAB 69.66, -53.61, 63.01

 

CMYK 47 / 0 / 73 / 18

HEX #70D238

RGB 112 210 56

HSL 98.18, 0.63%, 0.52%

LAB 75.96, -54.28, 63.32

 

CMYK 43 / 0 / 67 / 11

HEX #81E44B

RGB 129 228 75

HSL 98.82, 0.74%, 0.59%

LAB 82.2, -54.7, 62.98

 

CMYK 41 / 0 / 62 / 4

HEX #92F65E

RGB 146 246 94

HSL 99.47, 0.89%, 0.67%

LAB 88.37, -54.95, 62.27

 

CMYK 36 / 0 / 56 / 0

HEX #A3FF71

RGB 163 255 113

HSL 98.87, 1%, 0.72%

LAB 91.91, -51.4, 58.38

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 58 / 0 / 87 / 32

HEX #49AE17

RGB 73 174 23

HSL 100.13, 0.77%, 0.39%

LAB 63.14, -53.77, 60.38

 

CMYK 64 / 0 / 97 / 39

HEX #389C04

RGB 56 156 4

HSL 99.47, 0.95%, 0.31%

LAB 56.71, -52.26, 58.03

 

CMYK 72 / 0 / 100 / 46

HEX #278A00

RGB 39 138 0

HSL 103.04, 1%, 0.27%

LAB 50.23, -50, 53.32

 

CMYK 82 / 0 / 100 / 53

HEX #167800

RGB 22 120 0

HSL 109, 1%, 0.24%

LAB 43.66, -47.1, 47.94

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 32 / 0 / 78 / 25

HEX #82C02A

RGB 130 192 42

HSL 84.8, 0.64%, 0.46%

LAB 71.29, -41.7, 63.66

 

CMYK 11 / 0 / 78 / 25

HEX #ABC02A

RGB 171 192 42

HSL 68.4, 0.64%, 0.46%

LAB 73.88, -25.46, 66.99

 

CMYK 0 / 10 / 78 / 25

HEX #C0AD2A

RGB 192 173 42

HSL 52.4, 0.64%, 0.46%

LAB 70.36, -6.82, 64.44

 

CMYK 0 / 31 / 78 / 25

HEX #C0842A

RGB 192 132 42

HSL 36, 0.64%, 0.46%

LAB 59.78, 15.34, 54.68

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 74 / 0 / 78 / 25

HEX #31C02A

RGB 49 192 42

HSL 117.2, 0.64%, 0.46%

LAB 68.4, -63.78, 59.9

 

CMYK 78 / 0 / 61 / 25

HEX #2AC04B

RGB 42 192 75

HSL 133.2, 0.64%, 0.46%

LAB 68.53, -61.74, 47.22

 

CMYK 78 / 0 / 40 / 25

HEX #2AC073

RGB 42 192 115

HSL 149.2, 0.64%, 0.46%

LAB 69.06, -55.52, 28.2

 

CMYK 78 / 0 / 19 / 25

HEX #2AC09C

RGB 42 192 156

HSL 165.6, 0.64%, 0.46%

LAB 69.89, -46.45, 7.36

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 61 / 0 / 89 / 17

HEX #53D317

RGB 83 211 23

HSL 100.85, 0.8%, 0.46%

LAB 75.13, -64.06, 70.83

 

CMYK 67 / 0 / 98 / 10

HEX #4CE604

RGB 76 230 4

HSL 100.88, 0.97%, 0.46%

LAB 80.82, -72.03, 77.64

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 44 / 0 / 65 / 32

HEX #61AD3D

RGB 97 173 61

HSL 100.71, 0.48%, 0.46%

LAB 63.97, -43.8, 48.72

 

CMYK 33 / 0 / 48 / 40

HEX #679A50

RGB 103 154 80

HSL 101.35, 0.32%, 0.46%

LAB 58.58, -31.18, 33.39

 

CMYK 19 / 0 / 27 / 47

HEX #6E8763

RGB 110 135 99

HSL 101.67, 0.15%, 0.46%

LAB 53.54, -16.13, 16.49

 

CMYK 1 / 2 / 0 / 54

HEX #757476

RGB 117 116 118

HSL 270, 0.01%, 0.46%

LAB 48.98, 0.79, -0.97

 

CMYK 10 / 0 / 78 / 25

HEX #ACC02A

RGB 172 192 42

HSL 68, 0.64%, 0.46%

LAB 73.96, -25.04, 67.08

 

CMYK 31 / 0 / 78 / 25

HEX #84C02A

RGB 132 192 42

HSL 84, 0.64%, 0.46%

LAB 71.4, -40.96, 63.8

 

CMYK 52 / 0 / 78 / 25

HEX #5CC02A

RGB 92 192 42

HSL 100, 0.64%, 0.46%

LAB 69.57, -54.21, 61.42

 

CMYK 73 / 0 / 78 / 25

HEX #34C02A

RGB 52 192 42

HSL 116, 0.64%, 0.46%

LAB 68.46, -63.3, 59.97

 

CMYK 78 / 0 / 63 / 25

HEX #2AC048

RGB 42 192 72

HSL 132, 0.64%, 0.46%

LAB 68.5, -62.09, 48.53

 

CMYK 53 / 0 / 78 / 51

HEX #3A7C1B

RGB 58 124 27

HSL 100.82, 0.64%, 0.3%

LAB 46.17, -38.81, 43.44

 

CMYK 53 / 0 / 78 / 38

HEX #4A9E22

RGB 74 158 34

HSL 100.65, 0.65%, 0.38%

LAB 58.06, -47, 52.75

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 48 / 0 / 70 / 17

HEX #6ED43F

RGB 110 212 63

HSL 101.07, 0.63%, 0.54%

LAB 76.53, -55.16, 61.38

 

CMYK 38 / 0 / 56 / 14

HEX #88DC60

RGB 136 220 96

HSL 100.65, 0.64%, 0.62%

LAB 80.33, -47.33, 52.16

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 78 / 0 / 10 / 25

HEX #2AC0AC

RGB 42 192 172

HSL 172, 0.64%, 0.46%

LAB 70.29, -42.26, -0.78

 

CMYK 0 / 78 / 21 / 25

HEX #C02A98

RGB 192 42 152

HSL 316, 0.64%, 0.46%

LAB 45.81, 67.19, -25.2

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 78 / 52 / 0 / 25

HEX #2A5CC0

RGB 42 92 192

HSL 220, 0.64%, 0.46%

LAB 41.14, 19.61, -57.23

 

CMYK 0 / 78 / 52 / 25

HEX #C02A5C

RGB 192 42 92

HSL 340, 0.64%, 0.46%

LAB 43.71, 60.85, 8.49

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 78 / 0 / 10 / 25

HEX #2AC0AC

RGB 42 192 172

HSL 172, 0.64%, 0.46%

LAB 70.29, -42.26, -0.78

 

CMYK 26 / 78 / 0 / 25

HEX #8E2AC0

RGB 142 42 192

HSL 280, 0.64%, 0.46%

LAB 39.94, 63.54, -58.78

 

CMYK 0 / 78 / 68 / 25

HEX #C02A3E

RGB 192 42 62

HSL 352, 0.64%, 0.46%

LAB 43.08, 58.89, 26.3

 

CMYK 53 / 0 / 78 / 25

HEX #5AC02A

RGB 90 192 42

HSL 100.8, 0.64%, 0.46%

LAB 69.5, -54.78, 61.33

 

CMYK 78 / 13 / 0 / 25

HEX #2AA7C0

RGB 42 167 192

HSL 190, 0.64%, 0.46%

LAB 63.29, -24.48, -22.34

 

CMYK 26 / 78 / 0 / 25

HEX #8E2AC0

RGB 142 42 192

HSL 280, 0.64%, 0.46%

LAB 39.94, 63.54, -58.78

 

CMYK 0 / 65 / 78 / 25

HEX #C0432A

RGB 192 67 42

HSL 10, 0.64%, 0.46%

LAB 46.16, 48.81, 41.32

 

Description

Color code: HEX #5AC02A | qconv.com Color code: HEX #5AC02A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 192 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 192 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 78 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 78% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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