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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AA2C3 it is the complementary color #A55D3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AA2C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AA2C3 shade: #5FA2BE, #70B4D1, #81C6E4, #92D8F7 and #A3EAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AA2C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AA2C3 shade: #5AA2C3, #4990B0, #387E9D, #276C8A and #165A77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AA2C3 shade: #5AA2C3, #5A85C3, #5A69C3, #675AC3 and #835AC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AA2C3 shade: #5AA2C3, #5A85C3, #5A69C3 and #5A5AC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AA2C3 shade matches the following richer shades: #5AA2C3, #47A9D5, #35AFE7 and #23B6F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AA2C3 shade: #5AA2C3, #6C9BB1, #7E949F, #908E8D and #A2877A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AA2C3 shade: #5AC3AA, #5AC0C3, #5AA3C3, #5A87C3 and #5A6BC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AA2C3 shade: #357795, #408FB3, #5AA2C3, #78B3CE and #96C4D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AA2C3 shade: #5AA2C3, #8E5AC3 and #C3B85A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AA2C3 shade: #5AA2C3, #C35AA3 and #A3C35A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AA2C3 shade: #5AA2C3, #8E5AC3, #C3795A and #8EC35A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AA2C3 shade: #5AA2C3, #AE5AC3, #C3795A and #6FC35A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

Complementary color

CMYK 0 / 44 / 64 / 35

HEX #A55D3C

RGB 165 93 60

HSL 18.86, 0.47%, 0.44%

LAB 47.18, 26.3, 31.46

 

CMYK 50 / 15 / 0 / 25

HEX #5FA2BE

RGB 95 162 190

HSL 197.68, 0.42%, 0.56%

LAB 63.34, -13.55, -21.01

 

CMYK 46 / 14 / 0 / 18

HEX #70B4D1

RGB 112 180 209

HSL 197.94, 0.51%, 0.63%

LAB 69.96, -13.8, -21.36

 

CMYK 43 / 13 / 0 / 11

HEX #81C6E4

RGB 129 198 228

HSL 198.18, 0.65%, 0.7%

LAB 76.47, -14, -21.71

 

CMYK 41 / 13 / 0 / 3

HEX #92D8F7

RGB 146 216 247

HSL 198.42, 0.86%, 0.77%

LAB 82.88, -14.15, -22.06

 

CMYK 36 / 8 / 0 / 0

HEX #A3EAFF

RGB 163 234 255

HSL 193.7, 1%, 0.82%

LAB 88.85, -16.98, -17.17

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 59 / 18 / 0 / 31

HEX #4990B0

RGB 73 144 176

HSL 198.64, 0.41%, 0.49%

LAB 56.58, -12.72, -23.52

 

CMYK 64 / 20 / 0 / 38

HEX #387E9D

RGB 56 126 157

HSL 198.42, 0.47%, 0.42%

LAB 49.73, -12.07, -23.16

 

CMYK 72 / 22 / 0 / 46

HEX #276C8A

RGB 39 108 138

HSL 198.18, 0.56%, 0.35%

LAB 42.75, -11.16, -22.76

 

CMYK 82 / 24 / 0 / 53

HEX #165A77

RGB 22 90 119

HSL 197.94, 0.69%, 0.28%

LAB 35.63, -9.82, -22.3

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 54 / 32 / 0 / 24

HEX #5A85C3

RGB 90 133 195

HSL 215.43, 0.47%, 0.56%

LAB 54.96, 3.24, -36.81

 

CMYK 54 / 46 / 0 / 24

HEX #5A69C3

RGB 90 105 195

HSL 231.43, 0.47%, 0.56%

LAB 47.26, 20.3, -49

 

CMYK 47 / 54 / 0 / 24

HEX #675AC3

RGB 103 90 195

HSL 247.43, 0.47%, 0.56%

LAB 44.43, 32.4, -53.49

 

CMYK 33 / 54 / 0 / 24

HEX #835AC3

RGB 131 90 195

HSL 263.43, 0.47%, 0.56%

LAB 47.08, 39.09, -49.09

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 54 / 32 / 0 / 24

HEX #5A85C3

RGB 90 133 195

HSL 215.43, 0.47%, 0.56%

LAB 54.96, 3.24, -36.81

 

CMYK 54 / 46 / 0 / 24

HEX #5A69C3

RGB 90 105 195

HSL 231.43, 0.47%, 0.56%

LAB 47.26, 20.3, -49

 

CMYK 54 / 54 / 0 / 24

HEX #5A5AC3

RGB 90 90 195

HSL 240, 0.47%, 0.56%

LAB 43.4, 29.62, -55.2

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 67 / 21 / 0 / 16

HEX #47A9D5

RGB 71 169 213

HSL 198.59, 0.63%, 0.56%

LAB 65.37, -14.93, -30.74

 

CMYK 77 / 24 / 0 / 9

HEX #35AFE7

RGB 53 175 231

HSL 198.88, 0.79%, 0.56%

LAB 67.42, -14.56, -37.5

 

CMYK 86 / 27 / 0 / 2

HEX #23B6F9

RGB 35 182 249

HSL 198.79, 0.95%, 0.56%

LAB 69.93, -13.66, -43.39

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 39 / 12 / 0 / 31

HEX #6C9BB1

RGB 108 155 177

HSL 199.13, 0.31%, 0.56%

LAB 61.49, -10.08, -16.46

 

CMYK 21 / 7 / 0 / 38

HEX #7E949F

RGB 126 148 159

HSL 200, 0.15%, 0.56%

LAB 60, -5.29, -8.4

 

CMYK 0 / 1 / 2 / 44

HEX #908E8D

RGB 144 142 141

HSL 20, 0.01%, 0.56%

LAB 59.16, 0.55, 0.78

 

CMYK 0 / 17 / 25 / 36

HEX #A2877A

RGB 162 135 122

HSL 19.5, 0.18%, 0.56%

LAB 58.43, 8.18, 10.82

 

CMYK 54 / 0 / 13 / 24

HEX #5AC3AA

RGB 90 195 170

HSL 165.71, 0.47%, 0.56%

LAB 72.3, -36.47, 3.36

 

CMYK 54 / 2 / 0 / 24

HEX #5AC0C3

RGB 90 192 195

HSL 181.71, 0.47%, 0.56%

LAB 72.1, -28.63, -10.55

 

CMYK 54 / 16 / 0 / 24

HEX #5AA3C3

RGB 90 163 195

HSL 198.29, 0.47%, 0.56%

LAB 63.6, -13.74, -23.42

 

CMYK 54 / 31 / 0 / 24

HEX #5A87C3

RGB 90 135 195

HSL 214.29, 0.47%, 0.56%

LAB 55.52, 2.06, -35.92

 

CMYK 54 / 45 / 0 / 24

HEX #5A6BC3

RGB 90 107 195

HSL 230.29, 0.47%, 0.56%

LAB 47.79, 19.05, -48.15

 

CMYK 64 / 20 / 0 / 42

HEX #357795

RGB 53 119 149

HSL 198.75, 0.48%, 0.4%

LAB 47.13, -11.31, -22.49

 

CMYK 64 / 20 / 0 / 30

HEX #408FB3

RGB 64 143 179

HSL 198.78, 0.47%, 0.48%

LAB 56.08, -12.92, -26.04

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 42 / 13 / 0 / 19

HEX #78B3CE

RGB 120 179 206

HSL 198.84, 0.47%, 0.64%

LAB 69.96, -12.1, -19.68

 

CMYK 31 / 10 / 0 / 15

HEX #96C4D9

RGB 150 196 217

HSL 198.81, 0.47%, 0.72%

LAB 76.66, -10.17, -15.38

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 27 / 54 / 0 / 24

HEX #8E5AC3

RGB 142 90 195

HSL 269.71, 0.47%, 0.56%

LAB 48.26, 41.91, -47.13

 

CMYK 0 / 6 / 54 / 24

HEX #C3B85A

RGB 195 184 90

HSL 53.71, 0.47%, 0.56%

LAB 73.95, -8.41, 48.49

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 0 / 54 / 16 / 24

HEX #C35AA3

RGB 195 90 163

HSL 318.29, 0.47%, 0.56%

LAB 53.56, 50.8, -19.75

 

CMYK 16 / 0 / 54 / 24

HEX #A3C35A

RGB 163 195 90

HSL 78.29, 0.47%, 0.56%

LAB 74.54, -26.96, 48.56

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 27 / 54 / 0 / 24

HEX #8E5AC3

RGB 142 90 195

HSL 269.71, 0.47%, 0.56%

LAB 48.26, 41.91, -47.13

 

CMYK 0 / 38 / 54 / 24

HEX #C3795A

RGB 195 121 90

HSL 17.71, 0.47%, 0.56%

LAB 58.05, 25.68, 29.07

 

CMYK 27 / 0 / 54 / 24

HEX #8EC35A

RGB 142 195 90

HSL 90.29, 0.47%, 0.56%

LAB 73.23, -34.93, 46.7

 

CMYK 54 / 17 / 0 / 24

HEX #5AA2C3

RGB 90 162 195

HSL 198.86, 0.47%, 0.56%

LAB 63.31, -13.2, -23.86

 

CMYK 11 / 54 / 0 / 24

HEX #AE5AC3

RGB 174 90 195

HSL 288, 0.47%, 0.56%

LAB 52.12, 50.41, -40.77

 

CMYK 0 / 38 / 54 / 24

HEX #C3795A

RGB 195 121 90

HSL 17.71, 0.47%, 0.56%

LAB 58.05, 25.68, 29.07

 

CMYK 43 / 0 / 54 / 24

HEX #6FC35A

RGB 111 195 90

HSL 108, 0.47%, 0.56%

LAB 71.66, -45.46, 44.44

 

Description

Color code: HEX #5AA2C3 | qconv.com Color code: HEX #5AA2C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 162 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 162 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 17 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 17% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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