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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AA9E9 it is the complementary color #A55616. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AA9E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AA9E9 shade: #5FA9E4, #70BBF7, #81CDFF, #92DFFF and #A3F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AA9E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AA9E9 shade: #5AA9E9, #4997D6, #3885C3, #2773B0 and #16619D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AA9E9 shade: #58A8E8, #5881E8, #585AE8, #7D58E8 and #A458E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AA9E9 shade: #58A8E8, #5881E8, #585AE8 and #5858E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AA9E9 shade matches the following richer shades: #58A8E8 and #49A9F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AA9E9 shade: #58A8E8, #68A6D9, #77A4C9, #86A3BA and #96A1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AA9E9 shade: #58E8DA, #58D0E8, #58AAE8, #5883E8 and #585DE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AA9E9 shade: #1C80D2, #3495E3, #58A8E8, #7DBBED and #A1CEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AA9E9 shade: #5AA9E9, #B358E8 and #E3E858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AA9E9 shade: #5AA9E9, #E858AA and #AAE858

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AA9E9 shade: #5AA9E9, #B358E8, #E89758 and #8DE858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AA9E9 shade: #5AA9E9, #DE58E8, #E89758 and #62E858

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 27 / 0 / 9

HEX #5AA9E9

RGB 90 169 233

HSL 206.85, 0.76%, 0.63%

LAB 66.85, -5.29, -39.4

 

Complementary color

CMYK 0 / 48 / 87 / 35

HEX #A55616

RGB 165 86 22

HSL 26.85, 0.76%, 0.37%

LAB 45.24, 28.34, 48

 

CMYK 58 / 26 / 0 / 11

HEX #5FA9E4

RGB 95 169 228

HSL 206.62, 0.71%, 0.63%

LAB 66.83, -5.93, -36.67

 

CMYK 55 / 24 / 0 / 3

HEX #70BBF7

RGB 112 187 247

HSL 206.67, 0.89%, 0.7%

LAB 73.35, -6.6, -36.82

 

CMYK 49 / 20 / 0 / 0

HEX #81CDFF

RGB 129 205 255

HSL 203.81, 1%, 0.75%

LAB 79.36, -10.28, -31.76

 

CMYK 43 / 13 / 0 / 0

HEX #92DFFF

RGB 146 223 255

HSL 197.61, 1%, 0.79%

LAB 85.05, -15.67, -22.99

 

CMYK 36 / 5 / 0 / 0

HEX #A3F1FF

RGB 163 241 255

HSL 189.13, 1%, 0.82%

LAB 90.74, -20.46, -14.33

 

CMYK 61 / 27 / 0 / 9

HEX #5AA9E9

RGB 90 169 233

HSL 206.85, 0.76%, 0.63%

LAB 66.85, -5.29, -39.4

 

CMYK 66 / 29 / 0 / 16

HEX #4997D6

RGB 73 151 214

HSL 206.81, 0.63%, 0.56%

LAB 60.25, -4.3, -39.26

 

CMYK 71 / 32 / 0 / 24

HEX #3885C3

RGB 56 133 195

HSL 206.76, 0.55%, 0.49%

LAB 53.55, -3.05, -39.11

 

CMYK 78 / 35 / 0 / 31

HEX #2773B0

RGB 39 115 176

HSL 206.72, 0.64%, 0.42%

LAB 46.75, -1.44, -38.95

 

CMYK 86 / 38 / 0 / 38

HEX #16619D

RGB 22 97 157

HSL 206.67, 0.75%, 0.35%

LAB 39.84, 0.68, -38.73

 

CMYK 62 / 28 / 0 / 9

HEX #58A8E8

RGB 88 168 232

HSL 206.67, 0.76%, 0.63%

LAB 66.45, -5.41, -39.48

 

CMYK 62 / 44 / 0 / 9

HEX #5881E8

RGB 88 129 232

HSL 222.92, 0.76%, 0.63%

LAB 55.69, 17.4, -56.5

 

CMYK 62 / 61 / 0 / 9

HEX #585AE8

RGB 88 90 232

HSL 239.17, 0.76%, 0.63%

LAB 45.92, 41.22, -72.27

 

CMYK 46 / 62 / 0 / 9

HEX #7D58E8

RGB 125 88 232

HSL 255.42, 0.76%, 0.63%

LAB 48.47, 48.81, -68

 

CMYK 29 / 62 / 0 / 9

HEX #A458E8

RGB 164 88 232

HSL 271.67, 0.76%, 0.63%

LAB 52.62, 56.95, -61.09

 

CMYK 62 / 28 / 0 / 9

HEX #58A8E8

RGB 88 168 232

HSL 206.67, 0.76%, 0.63%

LAB 66.45, -5.41, -39.48

 

CMYK 62 / 44 / 0 / 9

HEX #5881E8

RGB 88 129 232

HSL 222.92, 0.76%, 0.63%

LAB 55.69, 17.4, -56.5

 

CMYK 62 / 61 / 0 / 9

HEX #585AE8

RGB 88 90 232

HSL 239.17, 0.76%, 0.63%

LAB 45.92, 41.22, -72.27

 

CMYK 62 / 62 / 0 / 9

HEX #5858E8

RGB 88 88 232

HSL 240, 0.76%, 0.63%

LAB 45.47, 42.41, -73.01

 

CMYK 62 / 28 / 0 / 9

HEX #58A8E8

RGB 88 168 232

HSL 206.67, 0.76%, 0.63%

LAB 66.45, -5.41, -39.48

 

CMYK 70 / 32 / 0 / 3

HEX #49A9F7

RGB 73 169 247

HSL 206.9, 0.92%, 0.63%

LAB 66.91, -3.38, -47

 

CMYK 62 / 28 / 0 / 9

HEX #58A8E8

RGB 88 168 232

HSL 206.67, 0.76%, 0.63%

LAB 66.45, -5.41, -39.48

 

CMYK 52 / 24 / 0 / 15

HEX #68A6D9

RGB 104 166 217

HSL 207.08, 0.6%, 0.63%

LAB 65.92, -5.76, -31.99

 

CMYK 41 / 18 / 0 / 21

HEX #77A4C9

RGB 119 164 201

HSL 207.07, 0.43%, 0.63%

LAB 65.51, -5.58, -23.71

 

CMYK 28 / 12 / 0 / 27

HEX #86A3BA

RGB 134 163 186

HSL 206.54, 0.27%, 0.63%

LAB 65.6, -4.64, -15.14

 

CMYK 12 / 6 / 0 / 33

HEX #96A1AB

RGB 150 161 171

HSL 208.57, 0.11%, 0.63%

LAB 65.68, -1.82, -6.52

 

CMYK 62 / 0 / 6 / 9

HEX #58E8DA

RGB 88 232 218

HSL 174.17, 0.76%, 0.63%

LAB 84.41, -41.55, -4.64

 

CMYK 62 / 10 / 0 / 9

HEX #58D0E8

RGB 88 208 232

HSL 190, 0.76%, 0.63%

LAB 77.88, -26.43, -21.86

 

CMYK 62 / 27 / 0 / 9

HEX #58AAE8

RGB 88 170 232

HSL 205.83, 0.76%, 0.63%

LAB 67.01, -6.52, -38.6

 

CMYK 62 / 44 / 0 / 9

HEX #5883E8

RGB 88 131 232

HSL 222.08, 0.76%, 0.63%

LAB 56.22, 16.19, -55.65

 

CMYK 62 / 60 / 0 / 9

HEX #585DE8

RGB 88 93 232

HSL 237.92, 0.76%, 0.63%

LAB 46.62, 39.42, -71.14

 

CMYK 87 / 39 / 0 / 18

HEX #1C80D2

RGB 28 128 210

HSL 207.03, 0.76%, 0.47%

LAB 52.22, 2.51, -49.79

 

CMYK 77 / 34 / 0 / 11

HEX #3495E3

RGB 52 149 227

HSL 206.74, 0.76%, 0.55%

LAB 59.68, -1.52, -47.44

 

CMYK 62 / 28 / 0 / 9

HEX #58A8E8

RGB 88 168 232

HSL 206.67, 0.76%, 0.63%

LAB 66.45, -5.41, -39.48

 

CMYK 47 / 21 / 0 / 7

HEX #7DBBED

RGB 125 187 237

HSL 206.79, 0.76%, 0.71%

LAB 73.56, -6.65, -31.05

 

CMYK 33 / 15 / 0 / 5

HEX #A1CEF2

RGB 161 206 242

HSL 206.67, 0.76%, 0.79%

LAB 80.81, -6.27, -22.46

 

CMYK 61 / 27 / 0 / 9

HEX #5AA9E9

RGB 90 169 233

HSL 206.85, 0.76%, 0.63%

LAB 66.85, -5.29, -39.4

 

CMYK 23 / 62 / 0 / 9

HEX #B358E8

RGB 179 88 232

HSL 277.92, 0.76%, 0.63%

LAB 54.44, 60.3, -58.07

 

CMYK 2 / 0 / 62 / 9

HEX #E3E858

RGB 227 232 88

HSL 62.08, 0.76%, 0.63%

LAB 89.28, -19.45, 67.11

 

CMYK 61 / 27 / 0 / 9

HEX #5AA9E9

RGB 90 169 233

HSL 206.85, 0.76%, 0.63%

LAB 66.85, -5.29, -39.4

 

CMYK 0 / 62 / 27 / 9

HEX #E858AA

RGB 232 88 170

HSL 325.83, 0.76%, 0.63%

LAB 59.01, 63.55, -15.01

 

CMYK 27 / 0 / 62 / 9

HEX #AAE858

RGB 170 232 88

HSL 85.83, 0.76%, 0.63%

LAB 85.49, -41.5, 61.91

 

CMYK 61 / 27 / 0 / 9

HEX #5AA9E9

RGB 90 169 233

HSL 206.85, 0.76%, 0.63%

LAB 66.85, -5.29, -39.4

 

CMYK 23 / 62 / 0 / 9

HEX #B358E8

RGB 179 88 232

HSL 277.92, 0.76%, 0.63%

LAB 54.44, 60.3, -58.07

 

CMYK 0 / 35 / 62 / 9

HEX #E89758

RGB 232 151 88

HSL 26.25, 0.76%, 0.63%

LAB 69.46, 24.48, 45.17

 

CMYK 39 / 0 / 62 / 9

HEX #8DE858

RGB 141 232 88

HSL 97.92, 0.76%, 0.63%

LAB 84.01, -51.43, 59.87

 

CMYK 61 / 27 / 0 / 9

HEX #5AA9E9

RGB 90 169 233

HSL 206.85, 0.76%, 0.63%

LAB 66.85, -5.29, -39.4

 

CMYK 4 / 62 / 0 / 9

HEX #DE58E8

RGB 222 88 232

HSL 295.83, 0.76%, 0.63%

LAB 60.19, 70.26, -48.56

 

CMYK 0 / 35 / 62 / 9

HEX #E89758

RGB 232 151 88

HSL 26.25, 0.76%, 0.63%

LAB 69.46, 24.48, 45.17

 

CMYK 58 / 0 / 62 / 9

HEX #62E858

RGB 98 232 88

HSL 115.83, 0.76%, 0.63%

LAB 82.39, -63.48, 57.61

 

Description

Color code: HEX #5AA9E9 | qconv.com Color code: HEX #5AA9E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 169 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 169 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 27 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 27% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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