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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A8AC9 it is the complementary color #A57536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A8AC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A8AC9 shade: #5F8AC4, #709CD7, #81AEEA, #92C0FD and #A3D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A8AC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A8AC9 shade: #5A8AC9, #4978B6, #3866A3, #275490 and #16427D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A8AC9 shade: #5989C9, #596BC9, #6559C9, #8359C9 and #A159C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A8AC9 shade: #5989C9, #596BC9 and #5959C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A8AC9 shade matches the following richer shades: #5989C9, #4787DB, #3585EC and #2482FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A8AC9 shade: #5989C9, #6B8CB7, #7C8EA5, #8E9094 and #A09382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A8AC9 shade: #59C5C9, #59A7C9, #5989C9, #596CC9 and #6459C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A8AC9 shade: #33609D, #3D74BC, #5989C9, #789FD3 and #97B5DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A8AC9 shade: #5A8AC9, #AF59C9 and #B6C959

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A8AC9 shade: #5A8AC9, #C95989 and #89C959

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A8AC9 shade: #5A8AC9, #AF59C9, #C99859 and #73C959

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A8AC9 shade: #5A8AC9, #C959C1, #C99859 and #59C960

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 31 / 0 / 21

HEX #5A8AC9

RGB 90 138 201

HSL 214.05, 0.51%, 0.57%

LAB 56.65, 2.2, -37.55

 

Complementary color

CMYK 0 / 29 / 67 / 35

HEX #A57536

RGB 165 117 54

HSL 34.05, 0.51%, 0.43%

LAB 52.94, 12.37, 41.28

 

CMYK 52 / 30 / 0 / 23

HEX #5F8AC4

RGB 95 138 196

HSL 214.46, 0.46%, 0.57%

LAB 56.68, 1.75, -34.66

 

CMYK 48 / 27 / 0 / 16

HEX #709CD7

RGB 112 156 215

HSL 214.37, 0.56%, 0.64%

LAB 63.45, 1.12, -34.7

 

CMYK 45 / 26 / 0 / 8

HEX #81AEEA

RGB 129 174 234

HSL 214.29, 0.71%, 0.71%

LAB 70.09, 0.59, -34.76

 

CMYK 42 / 24 / 0 / 1

HEX #92C0FD

RGB 146 192 253

HSL 214.21, 0.96%, 0.78%

LAB 76.62, 0.14, -34.85

 

CMYK 36 / 18 / 0 / 0

HEX #A3D2FF

RGB 163 210 255

HSL 209.35, 1%, 0.82%

LAB 82.43, -4.61, -26.9

 

CMYK 55 / 31 / 0 / 21

HEX #5A8AC9

RGB 90 138 201

HSL 214.05, 0.51%, 0.57%

LAB 56.65, 2.2, -37.55

 

CMYK 60 / 34 / 0 / 29

HEX #4978B6

RGB 73 120 182

HSL 214.13, 0.43%, 0.5%

LAB 49.77, 3.15, -37.57

 

CMYK 66 / 37 / 0 / 36

HEX #3866A3

RGB 56 102 163

HSL 214.21, 0.49%, 0.43%

LAB 42.74, 4.36, -37.61

 

CMYK 73 / 42 / 0 / 44

HEX #275490

RGB 39 84 144

HSL 214.29, 0.57%, 0.36%

LAB 35.57, 5.97, -37.67

 

CMYK 82 / 47 / 0 / 51

HEX #16427D

RGB 22 66 125

HSL 214.37, 0.7%, 0.29%

LAB 28.24, 8.18, -37.71

 

CMYK 56 / 32 / 0 / 21

HEX #5989C9

RGB 89 137 201

HSL 214.29, 0.51%, 0.57%

LAB 56.32, 2.58, -38.08

 

CMYK 56 / 47 / 0 / 21

HEX #596BC9

RGB 89 107 201

HSL 230.36, 0.51%, 0.57%

LAB 48.08, 20.8, -51.14

 

CMYK 50 / 56 / 0 / 21

HEX #6559C9

RGB 101 89 201

HSL 246.43, 0.51%, 0.57%

LAB 44.42, 34.39, -56.98

 

CMYK 35 / 56 / 0 / 21

HEX #8359C9

RGB 131 89 201

HSL 262.5, 0.51%, 0.57%

LAB 47.22, 41.21, -52.33

 

CMYK 20 / 56 / 0 / 21

HEX #A159C9

RGB 161 89 201

HSL 278.57, 0.51%, 0.57%

LAB 50.62, 48.75, -46.71

 

CMYK 56 / 32 / 0 / 21

HEX #5989C9

RGB 89 137 201

HSL 214.29, 0.51%, 0.57%

LAB 56.32, 2.58, -38.08

 

CMYK 56 / 47 / 0 / 21

HEX #596BC9

RGB 89 107 201

HSL 230.36, 0.51%, 0.57%

LAB 48.08, 20.8, -51.14

 

CMYK 56 / 56 / 0 / 21

HEX #5959C9

RGB 89 89 201

HSL 240, 0.51%, 0.57%

LAB 43.49, 31.97, -58.53

 

CMYK 56 / 32 / 0 / 21

HEX #5989C9

RGB 89 137 201

HSL 214.29, 0.51%, 0.57%

LAB 56.32, 2.58, -38.08

 

CMYK 68 / 38 / 0 / 14

HEX #4787DB

RGB 71 135 219

HSL 214.05, 0.67%, 0.57%

LAB 55.87, 6.46, -48.98

 

CMYK 78 / 44 / 0 / 7

HEX #3585EC

RGB 53 133 236

HSL 213.77, 0.83%, 0.57%

LAB 55.67, 11.41, -58.83

 

CMYK 86 / 49 / 0 / 0

HEX #2482FE

RGB 36 130 254

HSL 214.13, 0.99%, 0.57%

LAB 55.58, 18.52, -68.96

 

CMYK 56 / 32 / 0 / 21

HEX #5989C9

RGB 89 137 201

HSL 214.29, 0.51%, 0.57%

LAB 56.32, 2.58, -38.08

 

CMYK 42 / 23 / 0 / 28

HEX #6B8CB7

RGB 107 140 183

HSL 213.95, 0.35%, 0.57%

LAB 57.37, -0.26, -26.16

 

CMYK 25 / 14 / 0 / 35

HEX #7C8EA5

RGB 124 142 165

HSL 213.66, 0.19%, 0.57%

LAB 58.37, -1.14, -14.28

 

CMYK 4 / 3 / 0 / 42

HEX #8E9094

RGB 142 144 148

HSL 220, 0.03%, 0.57%

LAB 59.74, 0.07, -2.38

 

CMYK 0 / 8 / 19 / 37

HEX #A09382

RGB 160 147 130

HSL 34, 0.14%, 0.57%

LAB 61.61, 1.91, 10.74

 

CMYK 56 / 2 / 0 / 21

HEX #59C5C9

RGB 89 197 201

HSL 182.14, 0.51%, 0.57%

LAB 73.72, -29.62, -11.4

 

CMYK 56 / 17 / 0 / 21

HEX #59A7C9

RGB 89 167 201

HSL 198.21, 0.51%, 0.57%

LAB 64.95, -14.31, -24.69

 

CMYK 56 / 32 / 0 / 21

HEX #5989C9

RGB 89 137 201

HSL 214.29, 0.51%, 0.57%

LAB 56.32, 2.58, -38.08

 

CMYK 56 / 46 / 0 / 21

HEX #596CC9

RGB 89 108 201

HSL 229.82, 0.51%, 0.57%

LAB 48.34, 20.18, -50.72

 

CMYK 50 / 56 / 0 / 21

HEX #6459C9

RGB 100 89 201

HSL 245.89, 0.51%, 0.57%

LAB 44.33, 34.18, -57.12

 

CMYK 68 / 39 / 0 / 38

HEX #33609D

RGB 51 96 157

HSL 214.53, 0.51%, 0.41%

LAB 40.42, 5.08, -37.76

 

CMYK 68 / 38 / 0 / 26

HEX #3D74BC

RGB 61 116 188

HSL 214.02, 0.51%, 0.49%

LAB 48.4, 5.47, -43.23

 

CMYK 56 / 32 / 0 / 21

HEX #5989C9

RGB 89 137 201

HSL 214.29, 0.51%, 0.57%

LAB 56.32, 2.58, -38.08

 

CMYK 43 / 25 / 0 / 17

HEX #789FD3

RGB 120 159 211

HSL 214.29, 0.51%, 0.65%

LAB 64.56, 0.25, -30.72

 

CMYK 32 / 18 / 0 / 13

HEX #97B5DD

RGB 151 181 221

HSL 214.29, 0.51%, 0.73%

LAB 72.79, -0.87, -23.41

 

CMYK 55 / 31 / 0 / 21

HEX #5A8AC9

RGB 90 138 201

HSL 214.05, 0.51%, 0.57%

LAB 56.65, 2.2, -37.55

 

CMYK 13 / 56 / 0 / 21

HEX #AF59C9

RGB 175 89 201

HSL 286.07, 0.51%, 0.57%

LAB 52.37, 52.39, -43.81

 

CMYK 9 / 0 / 56 / 21

HEX #B6C959

RGB 182 201 89

HSL 70.18, 0.51%, 0.57%

LAB 77.54, -22.42, 52.83

 

CMYK 55 / 31 / 0 / 21

HEX #5A8AC9

RGB 90 138 201

HSL 214.05, 0.51%, 0.57%

LAB 56.65, 2.2, -37.55

 

CMYK 0 / 56 / 32 / 21

HEX #C95989

RGB 201 89 137

HSL 334.29, 0.51%, 0.57%

LAB 53.35, 49.54, -4.66

 

CMYK 32 / 0 / 56 / 21

HEX #89C959

RGB 137 201 89

HSL 94.29, 0.51%, 0.57%

LAB 74.71, -39.53, 48.82

 

CMYK 55 / 31 / 0 / 21

HEX #5A8AC9

RGB 90 138 201

HSL 214.05, 0.51%, 0.57%

LAB 56.65, 2.2, -37.55

 

CMYK 13 / 56 / 0 / 21

HEX #AF59C9

RGB 175 89 201

HSL 286.07, 0.51%, 0.57%

LAB 52.37, 52.39, -43.81

 

CMYK 0 / 24 / 56 / 21

HEX #C99859

RGB 201 152 89

HSL 33.75, 0.51%, 0.57%

LAB 66.21, 11.12, 39.92

 

CMYK 43 / 0 / 56 / 21

HEX #73C959

RGB 115 201 89

HSL 106.07, 0.51%, 0.57%

LAB 73.64, -46.84, 47.3

 

CMYK 55 / 31 / 0 / 21

HEX #5A8AC9

RGB 90 138 201

HSL 214.05, 0.51%, 0.57%

LAB 56.65, 2.2, -37.55

 

CMYK 0 / 56 / 4 / 21

HEX #C959C1

RGB 201 89 193

HSL 304.29, 0.51%, 0.57%

LAB 55.49, 57.85, -34.07

 

CMYK 0 / 24 / 56 / 21

HEX #C99859

RGB 201 152 89

HSL 33.75, 0.51%, 0.57%

LAB 66.21, 11.12, 39.92

 

CMYK 56 / 0 / 52 / 21

HEX #59C960

RGB 89 201 96

HSL 123.75, 0.51%, 0.57%

LAB 72.72, -53.26, 42.65

 

Description

Color code: HEX #5A8AC9 | qconv.com Color code: HEX #5A8AC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 138 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 138 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 31 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 31% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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