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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A7EE8 it is the complementary color #A58117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A7EE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A7EE8 shade: #5F7EE3, #7090F6, #81A2FF, #92B4FF and #A3C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A7EE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A7EE8 shade: #5A7EE8, #496CD5, #385AC2, #2748AF and #16369C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A7EE8 shade: #587DE8, #5B58E8, #8158E8, #A858E8 and #CF58E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A7EE8 shade: #587DE8 and #5858E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A7EE8 shade matches the following richer shades: #587DE8 and #4975F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A7EE8 shade: #587DE8, #6884D9, #778CC9, #8693BA and #969BAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A7EE8 shade: #58CBE8, #58A5E8, #587FE8, #5858E8 and #7F58E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A7EE8 shade: #1C4AD2, #3460E3, #587DE8, #7D99ED and #A1B6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A7EE8 shade: #5A7EE8, #DE58E8 and #B8E858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A7EE8 shade: #5A7EE8, #E8587F and #7FE858

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A7EE8 shade: #5A7EE8, #DE58E8, #E8C258 and #62E858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A7EE8 shade: #5A7EE8, #E858C6, #E8C258 and #58E87A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 46 / 0 / 9

HEX #5A7EE8

RGB 90 126 232

HSL 224.79, 0.76%, 0.63%

LAB 54.99, 19.58, -57.61

 

Complementary color

CMYK 0 / 22 / 86 / 35

HEX #A58117

RGB 165 129 23

HSL 44.79, 0.76%, 0.37%

LAB 55.85, 4.23, 56.53

 

CMYK 58 / 44 / 0 / 11

HEX #5F7EE3

RGB 95 126 227

HSL 225.91, 0.7%, 0.63%

LAB 54.97, 18.86, -54.83

 

CMYK 54 / 41 / 0 / 4

HEX #7090F6

RGB 112 144 246

HSL 225.67, 0.88%, 0.7%

LAB 61.69, 17.56, -54.6

 

CMYK 49 / 36 / 0 / 0

HEX #81A2FF

RGB 129 162 255

HSL 224.29, 1%, 0.75%

LAB 67.82, 13.48, -49.75

 

CMYK 43 / 29 / 0 / 0

HEX #92B4FF

RGB 146 180 255

HSL 221.28, 1%, 0.79%

LAB 73.53, 7.31, -40.72

 

CMYK 36 / 22 / 0 / 0

HEX #A3C6FF

RGB 163 198 255

HSL 217.17, 1%, 0.82%

LAB 79.27, 1.8, -31.75

 

CMYK 61 / 46 / 0 / 9

HEX #5A7EE8

RGB 90 126 232

HSL 224.79, 0.76%, 0.63%

LAB 54.99, 19.58, -57.61

 

CMYK 66 / 49 / 0 / 16

HEX #496CD5

RGB 73 108 213

HSL 225, 0.63%, 0.56%

LAB 48.19, 21.3, -57.87

 

CMYK 71 / 54 / 0 / 24

HEX #385AC2

RGB 56 90 194

HSL 225.22, 0.55%, 0.49%

LAB 41.29, 23.4, -58.12

 

CMYK 78 / 59 / 0 / 31

HEX #2748AF

RGB 39 72 175

HSL 225.44, 0.64%, 0.42%

LAB 34.32, 25.98, -58.32

 

CMYK 86 / 65 / 0 / 39

HEX #16369C

RGB 22 54 156

HSL 225.67, 0.75%, 0.35%

LAB 27.32, 29.15, -58.35

 

CMYK 62 / 46 / 0 / 9

HEX #587DE8

RGB 88 125 232

HSL 224.58, 0.76%, 0.63%

LAB 54.62, 19.84, -58.2

 

CMYK 61 / 62 / 0 / 9

HEX #5B58E8

RGB 91 88 232

HSL 241.25, 0.76%, 0.63%

LAB 45.67, 42.86, -72.67

 

CMYK 44 / 62 / 0 / 9

HEX #8158E8

RGB 129 88 232

HSL 257.08, 0.76%, 0.63%

LAB 48.85, 49.6, -67.36

 

CMYK 28 / 62 / 0 / 9

HEX #A858E8

RGB 168 88 232

HSL 273.33, 0.76%, 0.63%

LAB 53.09, 57.83, -60.3

 

CMYK 11 / 62 / 0 / 9

HEX #CF58E8

RGB 207 88 232

HSL 289.58, 0.76%, 0.63%

LAB 58.1, 66.75, -52

 

CMYK 62 / 46 / 0 / 9

HEX #587DE8

RGB 88 125 232

HSL 224.58, 0.76%, 0.63%

LAB 54.62, 19.84, -58.2

 

CMYK 62 / 62 / 0 / 9

HEX #5858E8

RGB 88 88 232

HSL 240, 0.76%, 0.63%

LAB 45.47, 42.41, -73.01

 

CMYK 62 / 46 / 0 / 9

HEX #587DE8

RGB 88 125 232

HSL 224.58, 0.76%, 0.63%

LAB 54.62, 19.84, -58.2

 

CMYK 70 / 53 / 0 / 3

HEX #4975F7

RGB 73 117 247

HSL 224.83, 0.92%, 0.63%

LAB 52.79, 27.64, -69.55

 

CMYK 62 / 46 / 0 / 9

HEX #587DE8

RGB 88 125 232

HSL 224.58, 0.76%, 0.63%

LAB 54.62, 19.84, -58.2

 

CMYK 52 / 39 / 0 / 15

HEX #6884D9

RGB 104 132 217

HSL 225.13, 0.6%, 0.63%

LAB 56.54, 13.9, -46.69

 

CMYK 41 / 30 / 0 / 21

HEX #778CC9

RGB 119 140 201

HSL 224.63, 0.43%, 0.63%

LAB 58.88, 8.07, -33.95

 

CMYK 28 / 21 / 0 / 27

HEX #8693BA

RGB 134 147 186

HSL 225, 0.27%, 0.63%

LAB 61.2, 4.33, -21.81

 

CMYK 12 / 9 / 0 / 33

HEX #969BAB

RGB 150 155 171

HSL 225.71, 0.11%, 0.63%

LAB 64.05, 1.51, -8.94

 

CMYK 62 / 13 / 0 / 9

HEX #58CBE8

RGB 88 203 232

HSL 192.08, 0.76%, 0.63%

LAB 76.44, -23.94, -24.05

 

CMYK 62 / 29 / 0 / 9

HEX #58A5E8

RGB 88 165 232

HSL 207.92, 0.76%, 0.63%

LAB 65.6, -3.73, -40.81

 

CMYK 62 / 45 / 0 / 9

HEX #587FE8

RGB 88 127 232

HSL 223.75, 0.76%, 0.63%

LAB 55.15, 18.62, -57.35

 

CMYK 62 / 62 / 0 / 9

HEX #5858E8

RGB 88 88 232

HSL 240, 0.76%, 0.63%

LAB 45.47, 42.41, -73.01

 

CMYK 45 / 62 / 0 / 9

HEX #7F58E8

RGB 127 88 232

HSL 256.25, 0.76%, 0.63%

LAB 48.66, 49.2, -67.68

 

CMYK 87 / 65 / 0 / 18

HEX #1C4AD2

RGB 28 74 210

HSL 224.84, 0.76%, 0.47%

LAB 37.48, 37.03, -73.66

 

CMYK 77 / 58 / 0 / 11

HEX #3460E3

RGB 52 96 227

HSL 224.91, 0.76%, 0.55%

LAB 45.14, 31.18, -70.8

 

CMYK 62 / 46 / 0 / 9

HEX #587DE8

RGB 88 125 232

HSL 224.58, 0.76%, 0.63%

LAB 54.62, 19.84, -58.2

 

CMYK 47 / 35 / 0 / 7

HEX #7D99ED

RGB 125 153 237

HSL 225, 0.76%, 0.71%

LAB 64.37, 12.43, -45.36

 

CMYK 33 / 25 / 0 / 5

HEX #A1B6F2

RGB 161 182 242

HSL 224.44, 0.76%, 0.79%

LAB 74.47, 6.68, -32.17

 

CMYK 61 / 46 / 0 / 9

HEX #5A7EE8

RGB 90 126 232

HSL 224.79, 0.76%, 0.63%

LAB 54.99, 19.58, -57.61

 

CMYK 4 / 62 / 0 / 9

HEX #DE58E8

RGB 222 88 232

HSL 295.83, 0.76%, 0.63%

LAB 60.19, 70.26, -48.56

 

CMYK 21 / 0 / 62 / 9

HEX #B8E858

RGB 184 232 88

HSL 80, 0.76%, 0.63%

LAB 86.31, -36.33, 63.05

 

CMYK 61 / 46 / 0 / 9

HEX #5A7EE8

RGB 90 126 232

HSL 224.79, 0.76%, 0.63%

LAB 54.99, 19.58, -57.61

 

CMYK 0 / 62 / 45 / 9

HEX #E8587F

RGB 232 88 127

HSL 343.75, 0.76%, 0.63%

LAB 57.72, 58.8, 8.18

 

CMYK 45 / 0 / 62 / 9

HEX #7FE858

RGB 127 232 88

HSL 103.75, 0.76%, 0.63%

LAB 83.41, -55.75, 59.03

 

CMYK 61 / 46 / 0 / 9

HEX #5A7EE8

RGB 90 126 232

HSL 224.79, 0.76%, 0.63%

LAB 54.99, 19.58, -57.61

 

CMYK 4 / 62 / 0 / 9

HEX #DE58E8

RGB 222 88 232

HSL 295.83, 0.76%, 0.63%

LAB 60.19, 70.26, -48.56

 

CMYK 0 / 16 / 62 / 9

HEX #E8C258

RGB 232 194 88

HSL 44.17, 0.76%, 0.63%

LAB 79.87, 1.75, 57.04

 

CMYK 58 / 0 / 62 / 9

HEX #62E858

RGB 98 232 88

HSL 115.83, 0.76%, 0.63%

LAB 82.39, -63.48, 57.61

 

CMYK 61 / 46 / 0 / 9

HEX #5A7EE8

RGB 90 126 232

HSL 224.79, 0.76%, 0.63%

LAB 54.99, 19.58, -57.61

 

CMYK 0 / 62 / 15 / 9

HEX #E858C6

RGB 232 88 198

HSL 314.17, 0.76%, 0.63%

LAB 60.08, 67.35, -29.45

 

CMYK 0 / 16 / 62 / 9

HEX #E8C258

RGB 232 194 88

HSL 44.17, 0.76%, 0.63%

LAB 79.87, 1.75, 57.04

 

CMYK 62 / 0 / 47 / 9

HEX #58E87A

RGB 88 232 122

HSL 134.17, 0.76%, 0.63%

LAB 82.48, -61.41, 42.15

 

Description

Color code: HEX #5A7EE8 | qconv.com Color code: HEX #5A7EE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 126 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 126 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 46 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 46% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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