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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A71D7 it is the complementary color #A58E28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A71D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A71D7 shade: #5F71D2, #7083E5, #8195F8, #92A7FF and #A3B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A71D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A71D7 shade: #5A71D7, #495FC4, #384DB1, #273B9E and #16298B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A71D7 shade: #5A71D7, #655AD7, #865AD7, #A85AD7 and #CA5AD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A71D7 shade: #5A71D7 and #5A5AD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A71D7 shade matches the following richer shades: #5A71D7, #4A67E7 and #395CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A71D7 shade: #5A71D7, #6B7CC6, #7B86B6, #8C90A5 and #9C9B95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A71D7 shade: #5AB6D7, #5A94D7, #5A73D7, #635AD7 and #845AD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A71D7 shade: #2B44B3, #3955CF, #5A71D7, #7B8EDF and #9DAAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A71D7 shade: #5A71D7, #D75AD7 and #A5D75A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A71D7 shade: #5A71D7, #D75A73 and #73D75A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A71D7 shade: #5A71D7, #D75AD7, #D7BE5A and #5AD75A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A71D7 shade: #5A71D7, #D75AB1, #D7BE5A and #5AD780

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

Complementary color

CMYK 0 / 14 / 76 / 35

HEX #A58E28

RGB 165 142 40

HSL 48.96, 0.61%, 0.4%

LAB 59.43, -2.35, 54.09

 

CMYK 55 / 46 / 0 / 18

HEX #5F71D2

RGB 95 113 210

HSL 230.61, 0.56%, 0.6%

LAB 50.57, 21.27, -52.28

 

CMYK 51 / 43 / 0 / 10

HEX #7083E5

RGB 112 131 229

HSL 230.26, 0.69%, 0.67%

LAB 57.4, 20, -52.01

 

CMYK 48 / 40 / 0 / 3

HEX #8195F8

RGB 129 149 248

HSL 229.92, 0.89%, 0.74%

LAB 64.11, 18.93, -51.79

 

CMYK 43 / 35 / 0 / 0

HEX #92A7FF

RGB 146 167 255

HSL 228.44, 1%, 0.79%

LAB 70.15, 14.62, -46

 

CMYK 36 / 27 / 0 / 0

HEX #A3B9FF

RGB 163 185 255

HSL 225.65, 1%, 0.82%

LAB 75.89, 8.91, -36.97

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 63 / 52 / 0 / 23

HEX #495FC4

RGB 73 95 196

HSL 229.27, 0.51%, 0.53%

LAB 43.63, 23.58, -55.46

 

CMYK 68 / 56 / 0 / 31

HEX #384DB1

RGB 56 77 177

HSL 229.59, 0.52%, 0.46%

LAB 36.6, 25.64, -55.76

 

CMYK 75 / 63 / 0 / 38

HEX #273B9E

RGB 39 59 158

HSL 229.92, 0.6%, 0.39%

LAB 29.48, 28.18, -56.01

 

CMYK 84 / 71 / 0 / 45

HEX #16298B

RGB 22 41 139

HSL 230.26, 0.73%, 0.32%

LAB 22.38, 31.26, -56.01

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 53 / 58 / 0 / 16

HEX #655AD7

RGB 101 90 215

HSL 245.28, 0.61%, 0.6%

LAB 45.61, 38.07, -63.08

 

CMYK 38 / 58 / 0 / 16

HEX #865AD7

RGB 134 90 215

HSL 261.12, 0.61%, 0.6%

LAB 48.62, 45.01, -58.08

 

CMYK 22 / 58 / 0 / 16

HEX #A85AD7

RGB 168 90 215

HSL 277.44, 0.61%, 0.6%

LAB 52.45, 53.06, -51.73

 

CMYK 6 / 58 / 0 / 16

HEX #CA5AD7

RGB 202 90 215

HSL 293.76, 0.61%, 0.6%

LAB 56.86, 61.53, -44.46

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 58 / 58 / 0 / 16

HEX #5A5AD7

RGB 90 90 215

HSL 240, 0.61%, 0.6%

LAB 44.79, 36.05, -64.46

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 68 / 55 / 0 / 9

HEX #4A67E7

RGB 74 103 231

HSL 228.92, 0.77%, 0.6%

LAB 48.17, 30.87, -68.1

 

CMYK 77 / 63 / 0 / 3

HEX #395CF8

RGB 57 92 248

HSL 229.01, 0.93%, 0.6%

LAB 46.04, 41.68, -81.12

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 46 / 37 / 0 / 22

HEX #6B7CC6

RGB 107 124 198

HSL 228.79, 0.44%, 0.6%

LAB 53.62, 13.57, -40.55

 

CMYK 32 / 26 / 0 / 29

HEX #7B86B6

RGB 123 134 182

HSL 228.81, 0.29%, 0.6%

LAB 56.72, 7.49, -26.5

 

CMYK 15 / 13 / 0 / 35

HEX #8C90A5

RGB 140 144 165

HSL 230.4, 0.12%, 0.6%

LAB 60.1, 2.99, -11.54

 

CMYK 0 / 1 / 4 / 39

HEX #9C9B95

RGB 156 155 149

HSL 51.43, 0.03%, 0.6%

LAB 63.9, -0.76, 3.26

 

CMYK 58 / 15 / 0 / 16

HEX #5AB6D7

RGB 90 182 215

HSL 195.84, 0.61%, 0.6%

LAB 69.85, -17.87, -24.9

 

CMYK 58 / 31 / 0 / 16

HEX #5A94D7

RGB 90 148 215

HSL 212.16, 0.61%, 0.6%

LAB 60.12, 0.86, -39.97

 

CMYK 58 / 47 / 0 / 16

HEX #5A73D7

RGB 90 115 215

HSL 228, 0.61%, 0.6%

LAB 51.08, 20.66, -54.31

 

CMYK 54 / 58 / 0 / 16

HEX #635AD7

RGB 99 90 215

HSL 244.32, 0.61%, 0.6%

LAB 45.46, 37.69, -63.34

 

CMYK 39 / 58 / 0 / 16

HEX #845AD7

RGB 132 90 215

HSL 260.16, 0.61%, 0.6%

LAB 48.42, 44.56, -58.42

 

CMYK 76 / 62 / 0 / 30

HEX #2B44B3

RGB 43 68 179

HSL 228.97, 0.61%, 0.44%

LAB 33.78, 30.57, -61.57

 

CMYK 72 / 59 / 0 / 19

HEX #3955CF

RGB 57 85 207

HSL 228.8, 0.61%, 0.52%

LAB 41.01, 31.47, -66.1

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 45 / 36 / 0 / 13

HEX #7B8EDF

RGB 123 142 223

HSL 228.6, 0.61%, 0.68%

LAB 60.68, 14.25, -43.43

 

CMYK 32 / 26 / 0 / 9

HEX #9DAAE7

RGB 157 170 231

HSL 229.46, 0.61%, 0.76%

LAB 70.65, 9.44, -32.11

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 0 / 58 / 0 / 16

HEX #D75AD7

RGB 215 90 215

HSL 300, 0.61%, 0.6%

LAB 58.66, 64.81, -41.48

 

CMYK 23 / 0 / 58 / 16

HEX #A5D75A

RGB 165 215 90

HSL 84, 0.61%, 0.6%

LAB 80.37, -35.57, 55.29

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 0 / 58 / 47 / 16

HEX #D75A73

RGB 215 90 115

HSL 348, 0.61%, 0.6%

LAB 55.07, 51.28, 11.11

 

CMYK 47 / 0 / 58 / 16

HEX #73D75A

RGB 115 215 90

HSL 108, 0.61%, 0.6%

LAB 77.87, -52.41, 51.77

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 0 / 58 / 0 / 16

HEX #D75AD7

RGB 215 90 215

HSL 300, 0.61%, 0.6%

LAB 58.66, 64.81, -41.48

 

CMYK 0 / 12 / 58 / 16

HEX #D7BE5A

RGB 215 190 90

HSL 48, 0.61%, 0.6%

LAB 77.29, -3.15, 52.79

 

CMYK 58 / 0 / 58 / 16

HEX #5AD75A

RGB 90 215 90

HSL 120, 0.61%, 0.6%

LAB 76.99, -59.02, 50.53

 

CMYK 58 / 47 / 0 / 16

HEX #5A71D7

RGB 90 113 215

HSL 228.96, 0.61%, 0.6%

LAB 50.56, 21.9, -55.15

 

CMYK 0 / 58 / 18 / 16

HEX #D75AB1

RGB 215 90 177

HSL 318.24, 0.61%, 0.6%

LAB 57.01, 58.79, -22.34

 

CMYK 0 / 12 / 58 / 16

HEX #D7BE5A

RGB 215 190 90

HSL 48, 0.61%, 0.6%

LAB 77.29, -3.15, 52.79

 

CMYK 58 / 0 / 40 / 16

HEX #5AD780

RGB 90 215 128

HSL 138.24, 0.61%, 0.6%

LAB 77.48, -53.6, 32.77

 

Description

Color code: HEX #5A71D7 | qconv.com Color code: HEX #5A71D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 113 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 113 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 47 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 47% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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