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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A6FCD it is the complementary color #A59032. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A6FCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A6FCD shade: #5F6FC8, #7081DB, #8193EE, #92A5FF and #A3B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A6FCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A6FCD shade: #5A6FCD, #495DBA, #384BA7, #273994 and #162781

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A6FCD shade: #5B6FCC, #655BCC, #835BCC, #A25BCC and #C05BCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A6FCD shade: #5B6FCC and #5B5BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A6FCD shade matches the following richer shades: #5B6FCC, #4964DD and #3859EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A6FCD shade: #5B6FCC, #6C7ABB, #7D85AA, #8F9098 and #A09B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A6FCD shade: #5BACCC, #5B8ECC, #5B6FCC, #645BCC and #825BCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A6FCD shade: #3246A3, #3B54C2, #5B6FCC, #7A8BD6 and #9AA7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A6FCD shade: #5A6FCD, #CC5BCA and #9DCC5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A6FCD shade: #5A6FCD, #CC5B6F and #6FCC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A6FCD shade: #5A6FCD, #CC5BCA, #CCB75B and #5BCC5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A6FCD shade: #5A6FCD, #CC5BA8, #CCB75B and #5BCC7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 46 / 0 / 20

HEX #5A6FCD

RGB 90 111 205

HSL 229.04, 0.53%, 0.58%

LAB 49.44, 19.84, -51.26

 

Complementary color

CMYK 0 / 13 / 70 / 35

HEX #A59032

RGB 165 144 50

HSL 49.04, 0.53%, 0.42%

LAB 60.05, -2.94, 50.68

 

CMYK 53 / 45 / 0 / 22

HEX #5F6FC8

RGB 95 111 200

HSL 230.86, 0.49%, 0.58%

LAB 49.46, 19.29, -48.34

 

CMYK 49 / 41 / 0 / 14

HEX #7081DB

RGB 112 129 219

HSL 230.47, 0.6%, 0.65%

LAB 56.35, 18.13, -48.09

 

CMYK 46 / 38 / 0 / 7

HEX #8193EE

RGB 129 147 238

HSL 230.09, 0.76%, 0.72%

LAB 63.1, 17.16, -47.9

 

CMYK 43 / 35 / 0 / 0

HEX #92A5FF

RGB 146 165 255

HSL 229.54, 1%, 0.79%

LAB 69.64, 15.76, -46.81

 

CMYK 36 / 28 / 0 / 0

HEX #A3B7FF

RGB 163 183 255

HSL 226.96, 1%, 0.82%

LAB 75.37, 10.02, -37.77

 

CMYK 56 / 46 / 0 / 20

HEX #5A6FCD

RGB 90 111 205

HSL 229.04, 0.53%, 0.58%

LAB 49.44, 19.84, -51.26

 

CMYK 61 / 50 / 0 / 27

HEX #495DBA

RGB 73 93 186

HSL 229.38, 0.45%, 0.51%

LAB 42.45, 21.4, -51.56

 

CMYK 66 / 55 / 0 / 35

HEX #384BA7

RGB 56 75 167

HSL 229.73, 0.5%, 0.44%

LAB 35.33, 23.32, -51.88

 

CMYK 74 / 61 / 0 / 42

HEX #273994

RGB 39 57 148

HSL 230.09, 0.58%, 0.37%

LAB 28.1, 25.74, -52.16

 

CMYK 83 / 70 / 0 / 49

HEX #162781

RGB 22 39 129

HSL 230.47, 0.71%, 0.3%

LAB 20.85, 28.73, -52.24

 

CMYK 55 / 46 / 0 / 20

HEX #5B6FCC

RGB 91 111 204

HSL 229.38, 0.53%, 0.58%

LAB 49.44, 19.72, -50.68

 

CMYK 50 / 55 / 0 / 20

HEX #655BCC

RGB 101 91 204

HSL 245.31, 0.53%, 0.58%

LAB 45.09, 34.1, -57.62

 

CMYK 36 / 55 / 0 / 20

HEX #835BCC

RGB 131 91 204

HSL 261.24, 0.53%, 0.58%

LAB 47.84, 40.87, -53.06

 

CMYK 21 / 55 / 0 / 20

HEX #A25BCC

RGB 162 91 204

HSL 277.7, 0.53%, 0.58%

LAB 51.29, 48.63, -47.34

 

CMYK 6 / 55 / 0 / 20

HEX #C05BCC

RGB 192 91 204

HSL 293.63, 0.53%, 0.58%

LAB 55.12, 56.47, -41.03

 

CMYK 55 / 46 / 0 / 20

HEX #5B6FCC

RGB 91 111 204

HSL 229.38, 0.53%, 0.58%

LAB 49.44, 19.72, -50.68

 

CMYK 55 / 55 / 0 / 20

HEX #5B5BCC

RGB 91 91 204

HSL 240, 0.53%, 0.58%

LAB 44.33, 32.09, -58.89

 

CMYK 55 / 46 / 0 / 20

HEX #5B6FCC

RGB 91 111 204

HSL 229.38, 0.53%, 0.58%

LAB 49.44, 19.72, -50.68

 

CMYK 67 / 55 / 0 / 13

HEX #4964DD

RGB 73 100 221

HSL 229.05, 0.69%, 0.58%

LAB 46.65, 29.12, -64.91

 

CMYK 77 / 63 / 0 / 6

HEX #3859EF

RGB 56 89 239

HSL 229.18, 0.85%, 0.58%

LAB 44.54, 40.27, -78.54

 

CMYK 55 / 46 / 0 / 20

HEX #5B6FCC

RGB 91 111 204

HSL 229.38, 0.53%, 0.58%

LAB 49.44, 19.72, -50.68

 

CMYK 42 / 35 / 0 / 27

HEX #6C7ABB

RGB 108 122 187

HSL 229.37, 0.37%, 0.58%

LAB 52.61, 11.77, -35.84

 

CMYK 26 / 22 / 0 / 33

HEX #7D85AA

RGB 125 133 170

HSL 229.33, 0.21%, 0.58%

LAB 56.13, 5.59, -20.54

 

CMYK 6 / 5 / 0 / 40

HEX #8F9098

RGB 143 144 152

HSL 233.33, 0.04%, 0.58%

LAB 59.94, 1.24, -4.36

 

CMYK 0 / 3 / 16 / 37

HEX #A09B87

RGB 160 155 135

HSL 48, 0.12%, 0.58%

LAB 63.89, -1.69, 11.14

 

CMYK 55 / 16 / 0 / 20

HEX #5BACCC

RGB 91 172 204

HSL 196.99, 0.53%, 0.58%

LAB 66.59, -15.68, -23.83

 

CMYK 55 / 30 / 0 / 20

HEX #5B8ECC

RGB 91 142 204

HSL 212.92, 0.53%, 0.58%

LAB 57.97, 1.04, -37.18

 

CMYK 55 / 46 / 0 / 20

HEX #5B6FCC

RGB 91 111 204

HSL 229.38, 0.53%, 0.58%

LAB 49.44, 19.72, -50.68

 

CMYK 51 / 55 / 0 / 20

HEX #645BCC

RGB 100 91 204

HSL 244.78, 0.53%, 0.58%

LAB 45.01, 33.89, -57.75

 

CMYK 36 / 55 / 0 / 20

HEX #825BCC

RGB 130 91 204

HSL 260.71, 0.53%, 0.58%

LAB 47.74, 40.63, -53.23

 

CMYK 69 / 57 / 0 / 36

HEX #3246A3

RGB 50 70 163

HSL 229.38, 0.53%, 0.42%

LAB 33.36, 24.21, -52.69

 

CMYK 70 / 57 / 0 / 24

HEX #3B54C2

RGB 59 84 194

HSL 228.89, 0.53%, 0.5%

LAB 39.86, 27.69, -60.44

 

CMYK 55 / 46 / 0 / 20

HEX #5B6FCC

RGB 91 111 204

HSL 229.38, 0.53%, 0.58%

LAB 49.44, 19.72, -50.68

 

CMYK 43 / 35 / 0 / 16

HEX #7A8BD6

RGB 122 139 214

HSL 228.91, 0.53%, 0.66%

LAB 59.4, 13.15, -40.43

 

CMYK 31 / 25 / 0 / 12

HEX #9AA7E0

RGB 154 167 224

HSL 228.86, 0.53%, 0.74%

LAB 69.39, 8.49, -30.25

 

CMYK 56 / 46 / 0 / 20

HEX #5A6FCD

RGB 90 111 205

HSL 229.04, 0.53%, 0.58%

LAB 49.44, 19.84, -51.26

 

CMYK 0 / 55 / 1 / 20

HEX #CC5BCA

RGB 204 91 202

HSL 301.06, 0.53%, 0.58%

LAB 56.67, 59.28, -37.35

 

CMYK 23 / 0 / 55 / 20

HEX #9DCC5B

RGB 157 204 91

HSL 84.96, 0.53%, 0.58%

LAB 76.75, -33.42, 50.56

 

CMYK 56 / 46 / 0 / 20

HEX #5A6FCD

RGB 90 111 205

HSL 229.04, 0.53%, 0.58%

LAB 49.44, 19.84, -51.26

 

CMYK 0 / 55 / 46 / 20

HEX #CC5B6F

RGB 204 91 111

HSL 349.38, 0.53%, 0.58%

LAB 53.46, 46.67, 10.97

 

CMYK 46 / 0 / 55 / 20

HEX #6FCC5B

RGB 111 204 91

HSL 109.38, 0.53%, 0.58%

LAB 74.39, -49.06, 47.22

 

CMYK 56 / 46 / 0 / 20

HEX #5A6FCD

RGB 90 111 205

HSL 229.04, 0.53%, 0.58%

LAB 49.44, 19.84, -51.26

 

CMYK 0 / 55 / 1 / 20

HEX #CC5BCA

RGB 204 91 202

HSL 301.06, 0.53%, 0.58%

LAB 56.67, 59.28, -37.35

 

CMYK 0 / 10 / 55 / 20

HEX #CCB75B

RGB 204 183 91

HSL 48.85, 0.53%, 0.58%

LAB 74.48, -4.03, 48.83

 

CMYK 55 / 0 / 54 / 20

HEX #5BCC5D

RGB 91 204 93

HSL 121.06, 0.53%, 0.58%

LAB 73.68, -54.3, 45.25

 

CMYK 56 / 46 / 0 / 20

HEX #5A6FCD

RGB 90 111 205

HSL 229.04, 0.53%, 0.58%

LAB 49.44, 19.84, -51.26

 

CMYK 0 / 55 / 18 / 20

HEX #CC5BA8

RGB 204 91 168

HSL 319.12, 0.53%, 0.58%

LAB 55.22, 53.8, -20

 

CMYK 0 / 10 / 55 / 20

HEX #CCB75B

RGB 204 183 91

HSL 48.85, 0.53%, 0.58%

LAB 74.48, -4.03, 48.83

 

CMYK 55 / 0 / 38 / 20

HEX #5BCC7F

RGB 91 204 127

HSL 139.12, 0.53%, 0.58%

LAB 74.15, -49.15, 28.9

 

Description

Color code: HEX #5A6FCD | qconv.com Color code: HEX #5A6FCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 111 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 111 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 46 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 46% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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