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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A6D47 it is the complementary color #A592B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A6D47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A6D47 shade: #5F6D42, #707F55, #819168, #92A37B and #A3B58E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A6D47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A6D47 shade: #5A6D47, #495B34, #384921, #27370E and #162500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A6D47 shade: #596B46, #636B46, #6B6A46, #6B6046 and #6B5646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A6D47 shade: #596B46, #4F6B46, #466B47, #466B52 and #466B5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A6D47 shade matches the following richer shades: #596B46, #597A38, #598829, #59971B and #59A50C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A6D47 shade: #596B46, #595D54, #594F63, #594071 and #593280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A6D47 shade: #6B6A46, #636B46, #596B46, #4F6B46 and #466B47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A6D47 shade: #2F3A25, #445336, #596B46, #6D8456 and #829C68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A6D47 shade: #5A6D47, #466B60 and #6B4668

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A6D47 shade: #5A6D47, #46596B and #6B4659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A6D47 shade: #5A6D47, #466B60, #59466B and #6B4651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A6D47 shade: #5A6D47, #466B6B, #59466B and #6B4646

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 35 / 57

HEX #5A6D47

RGB 90 109 71

HSL 90, 0.21%, 0.35%

LAB 43.6, -14.57, 18.97

 

Complementary color

CMYK 10 / 21 / 0 / 28

HEX #A592B8

RGB 165 146 184

HSL 270, 0.21%, 0.65%

LAB 63.36, 14.43, -17.18

 

CMYK 13 / 0 / 39 / 57

HEX #5F6D42

RGB 95 109 66

HSL 79.53, 0.25%, 0.34%

LAB 43.89, -13.23, 22.3

 

CMYK 12 / 0 / 33 / 50

HEX #707F55

RGB 112 127 85

HSL 81.43, 0.2%, 0.42%

LAB 51.01, -13.28, 21.06

 

CMYK 11 / 0 / 28 / 43

HEX #819168

RGB 129 145 104

HSL 83.41, 0.16%, 0.49%

LAB 57.96, -13.3, 19.91

 

CMYK 10 / 0 / 25 / 36

HEX #92A37B

RGB 146 163 123

HSL 85.5, 0.18%, 0.56%

LAB 64.75, -13.3, 18.84

 

CMYK 10 / 0 / 22 / 29

HEX #A3B58E

RGB 163 181 142

HSL 87.69, 0.21%, 0.63%

LAB 71.41, -13.3, 17.84

 

CMYK 17 / 0 / 35 / 57

HEX #5A6D47

RGB 90 109 71

HSL 90, 0.21%, 0.35%

LAB 43.6, -14.57, 18.97

 

CMYK 20 / 0 / 43 / 64

HEX #495B34

RGB 73 91 52

HSL 87.69, 0.27%, 0.28%

LAB 36.26, -14.62, 20.26

 

CMYK 23 / 0 / 55 / 71

HEX #384921

RGB 56 73 33

HSL 85.5, 0.38%, 0.21%

LAB 28.68, -14.61, 21.63

 

CMYK 29 / 0 / 75 / 78

HEX #27370E

RGB 39 55 14

HSL 83.41, 0.59%, 0.14%

LAB 20.81, -14.42, 22.84

 

CMYK 41 / 0 / 100 / 85

HEX #162500

RGB 22 37 0

HSL 84.32, 1%, 0.07%

LAB 12.57, -13.85, 18.29

 

CMYK 17 / 0 / 35 / 58

HEX #596B46

RGB 89 107 70

HSL 89.19, 0.21%, 0.35%

LAB 42.89, -14.03, 18.58

 

CMYK 7 / 0 / 35 / 58

HEX #636B46

RGB 99 107 70

HSL 72.97, 0.21%, 0.35%

LAB 43.67, -9.83, 19.76

 

CMYK 0 / 1 / 35 / 58

HEX #6B6A46

RGB 107 106 70

HSL 58.38, 0.21%, 0.35%

LAB 44.05, -5.79, 20.4

 

CMYK 0 / 10 / 35 / 58

HEX #6B6046

RGB 107 96 70

HSL 42.16, 0.21%, 0.35%

LAB 41.11, 0.07, 16.48

 

CMYK 0 / 20 / 35 / 58

HEX #6B5646

RGB 107 86 70

HSL 25.95, 0.21%, 0.35%

LAB 38.24, 6.09, 12.59

 

CMYK 17 / 0 / 35 / 58

HEX #596B46

RGB 89 107 70

HSL 89.19, 0.21%, 0.35%

LAB 42.89, -14.03, 18.58

 

CMYK 26 / 0 / 35 / 58

HEX #4F6B46

RGB 79 107 70

HSL 105.41, 0.21%, 0.35%

LAB 42.18, -18.04, 17.52

 

CMYK 35 / 0 / 34 / 58

HEX #466B47

RGB 70 107 71

HSL 121.62, 0.21%, 0.35%

LAB 41.65, -21.25, 16.11

 

CMYK 35 / 0 / 23 / 58

HEX #466B52

RGB 70 107 82

HSL 139.46, 0.21%, 0.35%

LAB 41.89, -19.06, 9.9

 

CMYK 35 / 0 / 14 / 58

HEX #466B5C

RGB 70 107 92

HSL 155.68, 0.21%, 0.35%

LAB 42.14, -16.82, 4.24

 

CMYK 17 / 0 / 35 / 58

HEX #596B46

RGB 89 107 70

HSL 89.19, 0.21%, 0.35%

LAB 42.89, -14.03, 18.58

 

CMYK 27 / 0 / 54 / 52

HEX #597A38

RGB 89 122 56

HSL 90, 0.37%, 0.35%

LAB 47.4, -23.9, 32.08

 

CMYK 35 / 0 / 70 / 47

HEX #598829

RGB 89 136 41

HSL 89.68, 0.54%, 0.35%

LAB 51.72, -32.14, 44.02

 

CMYK 41 / 0 / 82 / 41

HEX #59971B

RGB 89 151 27

HSL 90, 0.7%, 0.35%

LAB 56.42, -39.68, 53.61

 

CMYK 46 / 0 / 93 / 35

HEX #59A50C

RGB 89 165 12

HSL 89.8, 0.86%, 0.35%

LAB 60.84, -45.97, 60.72

 

CMYK 17 / 0 / 35 / 58

HEX #596B46

RGB 89 107 70

HSL 89.19, 0.21%, 0.35%

LAB 42.89, -14.03, 18.58

 

CMYK 4 / 0 / 10 / 64

HEX #595D54

RGB 89 93 84

HSL 86.67, 0.05%, 0.35%

LAB 38.89, -3.45, 4.62

 

CMYK 10 / 20 / 0 / 61

HEX #594F63

RGB 89 79 99

HSL 270, 0.11%, 0.35%

LAB 35.24, 8.46, -10.11

 

CMYK 21 / 43 / 0 / 56

HEX #594071

RGB 89 64 113

HSL 270.61, 0.28%, 0.35%

LAB 31.77, 21.44, -24.27

 

CMYK 30 / 61 / 0 / 50

HEX #593280

RGB 89 50 128

HSL 270, 0.44%, 0.35%

LAB 29.32, 33.87, -37.58

 

CMYK 0 / 1 / 35 / 58

HEX #6B6A46

RGB 107 106 70

HSL 58.38, 0.21%, 0.35%

LAB 44.05, -5.79, 20.4

 

CMYK 7 / 0 / 35 / 58

HEX #636B46

RGB 99 107 70

HSL 72.97, 0.21%, 0.35%

LAB 43.67, -9.83, 19.76

 

CMYK 17 / 0 / 35 / 58

HEX #596B46

RGB 89 107 70

HSL 89.19, 0.21%, 0.35%

LAB 42.89, -14.03, 18.58

 

CMYK 26 / 0 / 35 / 58

HEX #4F6B46

RGB 79 107 70

HSL 105.41, 0.21%, 0.35%

LAB 42.18, -18.04, 17.52

 

CMYK 35 / 0 / 34 / 58

HEX #466B47

RGB 70 107 71

HSL 121.62, 0.21%, 0.35%

LAB 41.65, -21.25, 16.11

 

CMYK 19 / 0 / 36 / 77

HEX #2F3A25

RGB 47 58 37

HSL 91.43, 0.22%, 0.19%

LAB 22.88, -9.21, 11.6

 

CMYK 18 / 0 / 35 / 67

HEX #445336

RGB 68 83 54

HSL 91.03, 0.21%, 0.27%

LAB 33.31, -11.89, 15.12

 

CMYK 17 / 0 / 35 / 58

HEX #596B46

RGB 89 107 70

HSL 89.19, 0.21%, 0.35%

LAB 42.89, -14.03, 18.58

 

CMYK 17 / 0 / 35 / 48

HEX #6D8456

RGB 109 132 86

HSL 90, 0.21%, 0.43%

LAB 52.32, -17.02, 22.19

 

CMYK 17 / 0 / 33 / 39

HEX #829C68

RGB 130 156 104

HSL 90, 0.21%, 0.51%

LAB 61.24, -18.7, 24.33

 

CMYK 17 / 0 / 35 / 57

HEX #5A6D47

RGB 90 109 71

HSL 90, 0.21%, 0.35%

LAB 43.6, -14.57, 18.97

 

CMYK 35 / 0 / 10 / 58

HEX #466B60

RGB 70 107 96

HSL 162.16, 0.21%, 0.35%

LAB 42.25, -15.86, 1.98

 

CMYK 0 / 35 / 3 / 58

HEX #6B4668

RGB 107 70 104

HSL 304.86, 0.21%, 0.35%

LAB 35.01, 21.93, -13.4

 

CMYK 17 / 0 / 35 / 57

HEX #5A6D47

RGB 90 109 71

HSL 90, 0.21%, 0.35%

LAB 43.6, -14.57, 18.97

 

CMYK 35 / 17 / 0 / 58

HEX #46596B

RGB 70 89 107

HSL 209.19, 0.21%, 0.35%

LAB 36.95, -2.43, -12.66

 

CMYK 0 / 35 / 17 / 58

HEX #6B4659

RGB 107 70 89

HSL 329.19, 0.21%, 0.35%

LAB 34.45, 19.02, -4.76

 

CMYK 17 / 0 / 35 / 57

HEX #5A6D47

RGB 90 109 71

HSL 90, 0.21%, 0.35%

LAB 43.6, -14.57, 18.97

 

CMYK 35 / 0 / 10 / 58

HEX #466B60

RGB 70 107 96

HSL 162.16, 0.21%, 0.35%

LAB 42.25, -15.86, 1.98

 

CMYK 17 / 35 / 0 / 58

HEX #59466B

RGB 89 70 107

HSL 270.81, 0.21%, 0.35%

LAB 33.06, 16.12, -18.47

 

CMYK 0 / 35 / 24 / 58

HEX #6B4651

RGB 107 70 81

HSL 342.16, 0.21%, 0.35%

LAB 34.19, 17.63, -0.05

 

CMYK 17 / 0 / 35 / 57

HEX #5A6D47

RGB 90 109 71

HSL 90, 0.21%, 0.35%

LAB 43.6, -14.57, 18.97

 

CMYK 35 / 0 / 0 / 58

HEX #466B6B

RGB 70 107 107

HSL 180, 0.21%, 0.35%

LAB 42.58, -13.07, -4.2

 

CMYK 17 / 35 / 0 / 58

HEX #59466B

RGB 89 70 107

HSL 270.81, 0.21%, 0.35%

LAB 33.06, 16.12, -18.47

 

CMYK 0 / 35 / 35 / 58

HEX #6B4646

RGB 107 70 70

HSL 0, 0.21%, 0.35%

LAB 33.88, 15.91, 6.5

 

Description

Color code: HEX #5A6D47 | qconv.com Color code: HEX #5A6D47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 109 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 109 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 35 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 35% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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