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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A6976 it is the complementary color #A59689. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A6976. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A6976 shade: #5F6971, #707B84, #818D97, #929FAA and #A3B1BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A6976. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A6976 shade: #5A6976, #495763, #384550, #27333D and #16212A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A6976 shade: #5A6976, #5A6276, #5B5A76, #625A76 and #695A76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A6976 shade: #5A6976, #5A6276 and #5A5A76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A6976 shade matches the following richer shades: #5A6976, #4A6A87, #396B97, #286DA8 and #176EB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A6976 shade: #5A6976, #6B6865, #7C6754, #8D6543 and #9E6432

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A6976 shade: #5A7673, #5A7176, #5A6976, #5A6276 and #5A5B76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A6976 shade: #373F47, #49545E, #5A6976, #6C7E8D and #8392A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A6976 shade: #5A6976, #6C5A76 and #74765A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A6976 shade: #5A6976, #765A69 and #69765A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A6976 shade: #5A6976, #6C5A76, #76675A and #64765A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A6976 shade: #5A6976, #745A76, #76675A and #5C765A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

Complementary color

CMYK 0 / 9 / 17 / 35

HEX #A59689

RGB 165 150 137

HSL 27.86, 0.13%, 0.59%

LAB 63.03, 3.32, 8.86

 

CMYK 16 / 7 / 0 / 56

HEX #5F6971

RGB 95 105 113

HSL 206.67, 0.09%, 0.41%

LAB 43.84, -1.97, -5.77

 

CMYK 15 / 7 / 0 / 48

HEX #707B84

RGB 112 123 132

HSL 207, 0.08%, 0.48%

LAB 51.01, -2.07, -6.29

 

CMYK 15 / 7 / 0 / 41

HEX #818D97

RGB 129 141 151

HSL 207.27, 0.1%, 0.55%

LAB 57.99, -2.18, -6.79

 

CMYK 14 / 6 / 0 / 33

HEX #929FAA

RGB 146 159 170

HSL 207.5, 0.12%, 0.62%

LAB 64.81, -2.28, -7.29

 

CMYK 14 / 6 / 0 / 26

HEX #A3B1BD

RGB 163 177 189

HSL 207.69, 0.16%, 0.69%

LAB 71.49, -2.38, -7.77

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 26 / 12 / 0 / 61

HEX #495763

RGB 73 87 99

HSL 207.69, 0.15%, 0.34%

LAB 36.24, -2.39, -8.73

 

CMYK 30 / 14 / 0 / 69

HEX #384550

RGB 56 69 80

HSL 207.5, 0.18%, 0.27%

LAB 28.58, -2.26, -8.31

 

CMYK 36 / 16 / 0 / 76

HEX #27333D

RGB 39 51 61

HSL 207.27, 0.22%, 0.2%

LAB 20.58, -2.1, -7.92

 

CMYK 48 / 21 / 0 / 84

HEX #16212A

RGB 22 33 42

HSL 207, 0.31%, 0.13%

LAB 12.13, -1.88, -7.56

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 24 / 17 / 0 / 54

HEX #5A6276

RGB 90 98 118

HSL 222.86, 0.13%, 0.41%

LAB 41.56, 1.71, -12.27

 

CMYK 23 / 24 / 0 / 54

HEX #5B5A76

RGB 91 90 118

HSL 242.14, 0.13%, 0.41%

LAB 39.32, 6.99, -15.68

 

CMYK 17 / 24 / 0 / 54

HEX #625A76

RGB 98 90 118

HSL 257.14, 0.13%, 0.41%

LAB 39.94, 9.44, -14.66

 

CMYK 11 / 24 / 0 / 54

HEX #695A76

RGB 105 90 118

HSL 272.14, 0.13%, 0.41%

LAB 40.61, 11.95, -13.59

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 24 / 17 / 0 / 54

HEX #5A6276

RGB 90 98 118

HSL 222.86, 0.13%, 0.41%

LAB 41.56, 1.71, -12.27

 

CMYK 24 / 24 / 0 / 54

HEX #5A5A76

RGB 90 90 118

HSL 240, 0.13%, 0.41%

LAB 39.23, 6.64, -15.82

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 45 / 21 / 0 / 47

HEX #4A6A87

RGB 74 106 135

HSL 208.52, 0.29%, 0.41%

LAB 43.53, -3.32, -19.64

 

CMYK 62 / 29 / 0 / 41

HEX #396B97

RGB 57 107 151

HSL 208.09, 0.45%, 0.41%

LAB 43.68, -2.77, -29.02

 

CMYK 76 / 35 / 0 / 34

HEX #286DA8

RGB 40 109 168

HSL 207.66, 0.62%, 0.41%

LAB 44.54, -0.64, -37.76

 

CMYK 88 / 41 / 0 / 27

HEX #176EB9

RGB 23 110 185

HSL 207.78, 0.78%, 0.41%

LAB 45.41, 3.61, -46.32

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 0 / 3 / 6 / 58

HEX #6B6865

RGB 107 104 101

HSL 30, 0.03%, 0.41%

LAB 44.18, 0.57, 2.1

 

CMYK 0 / 17 / 32 / 51

HEX #7C6754

RGB 124 103 84

HSL 28.5, 0.19%, 0.41%

LAB 45.12, 5.33, 13.86

 

CMYK 0 / 28 / 52 / 45

HEX #8D6543

RGB 141 101 67

HSL 27.57, 0.36%, 0.41%

LAB 46.14, 11.91, 25.53

 

CMYK 0 / 37 / 68 / 38

HEX #9E6432

RGB 158 100 50

HSL 27.78, 0.52%, 0.41%

LAB 47.77, 18.68, 37.34

 

CMYK 24 / 0 / 3 / 54

HEX #5A7673

RGB 90 118 115

HSL 173.57, 0.13%, 0.41%

LAB 47.45, -10.78, -1.67

 

CMYK 24 / 4 / 0 / 54

HEX #5A7176

RGB 90 113 118

HSL 190.71, 0.13%, 0.41%

LAB 46.03, -7.2, -5.56

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 24 / 17 / 0 / 54

HEX #5A6276

RGB 90 98 118

HSL 222.86, 0.13%, 0.41%

LAB 41.56, 1.71, -12.27

 

CMYK 24 / 23 / 0 / 54

HEX #5A5B76

RGB 90 91 118

HSL 237.86, 0.13%, 0.41%

LAB 39.52, 6.02, -15.38

 

CMYK 23 / 11 / 0 / 72

HEX #373F47

RGB 55 63 71

HSL 210, 0.13%, 0.25%

LAB 26.22, -1.24, -5.99

 

CMYK 22 / 11 / 0 / 63

HEX #49545E

RGB 73 84 94

HSL 208.57, 0.13%, 0.33%

LAB 35.13, -1.84, -7.26

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 23 / 11 / 0 / 45

HEX #6C7E8D

RGB 108 126 141

HSL 207.27, 0.13%, 0.49%

LAB 51.87, -3.04, -10.3

 

CMYK 18 / 9 / 0 / 37

HEX #8392A0

RGB 131 146 160

HSL 208.97, 0.13%, 0.57%

LAB 59.82, -2.29, -9.19

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 8 / 24 / 0 / 54

HEX #6C5A76

RGB 108 90 118

HSL 278.57, 0.13%, 0.41%

LAB 40.91, 13.04, -13.1

 

CMYK 2 / 0 / 24 / 54

HEX #74765A

RGB 116 118 90

HSL 64.29, 0.13%, 0.41%

LAB 48.77, -5.86, 15.21

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 0 / 24 / 11 / 54

HEX #765A69

RGB 118 90 105

HSL 327.86, 0.13%, 0.41%

LAB 41.51, 14.14, -4.13

 

CMYK 11 / 0 / 24 / 54

HEX #69765A

RGB 105 118 90

HSL 87.86, 0.13%, 0.41%

LAB 47.88, -10.34, 13.85

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 8 / 24 / 0 / 54

HEX #6C5A76

RGB 108 90 118

HSL 278.57, 0.13%, 0.41%

LAB 40.91, 13.04, -13.1

 

CMYK 0 / 13 / 24 / 54

HEX #76675A

RGB 118 103 90

HSL 27.86, 0.13%, 0.41%

LAB 44.65, 3.7, 9.52

 

CMYK 15 / 0 / 24 / 54

HEX #64765A

RGB 100 118 90

HSL 98.57, 0.13%, 0.41%

LAB 47.5, -12.32, 13.27

 

CMYK 24 / 11 / 0 / 54

HEX #5A6976

RGB 90 105 118

HSL 207.86, 0.13%, 0.41%

LAB 43.63, -2.51, -9.15

 

CMYK 2 / 24 / 0 / 54

HEX #745A76

RGB 116 90 118

HSL 295.71, 0.13%, 0.41%

LAB 41.74, 15.98, -11.77

 

CMYK 0 / 13 / 24 / 54

HEX #76675A

RGB 118 103 90

HSL 27.86, 0.13%, 0.41%

LAB 44.65, 3.7, 9.52

 

CMYK 22 / 0 / 24 / 54

HEX #5C765A

RGB 92 118 90

HSL 115.71, 0.13%, 0.41%

LAB 46.94, -15.4, 12.4

 

Description

Color code: HEX #5A6976 | qconv.com Color code: HEX #5A6976 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 105 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 105 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 11 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 11% 0% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - ようこそ東本願寺へ | 東本願寺
Link: http://www.higashihonganji.or.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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