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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A5EBE it is the complementary color #A5A141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A5EBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A5EBE shade: #5F5EB9, #7070CC, #8182DF, #9294F2 and #A3A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A5EBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A5EBE shade: #5A5EBE, #494CAB, #383A98, #272885 and #161672

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A5EBE shade: #5A5EBD, #715ABD, #8C5ABD, #A65ABD and #BD5AB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A5EBE shade: #5A5EBD and #5A5ABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A5EBE shade matches the following richer shades: #5A5EBD, #484DD0, #353CE2 and #232BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A5EBE shade: #5A5EBD, #6D6FAB, #808198, #929285 and #A5A373

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A5EBE shade: #5A94BD, #5A7ABD, #5A5FBD, #705ABD and #8A5ABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A5EBE shade: #383B8D, #4448AB, #5A5EBD, #787BC9 and #9598D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A5EBE shade: #5A5EBE, #BD5AAE and #87BD5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A5EBE shade: #5A5EBE, #BD5A5F and #5FBD5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A5EBE shade: #5A5EBE, #BD5AAE, #BDB85A and #5ABD69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A5EBE shade: #5A5EBE, #BD5A91, #BDB85A and #5ABD87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 51 / 0 / 25

HEX #5A5EBE

RGB 90 94 190

HSL 237.6, 0.43%, 0.55%

LAB 44.08, 25.54, -51.19

 

Complementary color

CMYK 0 / 2 / 61 / 35

HEX #A5A141

RGB 165 161 65

HSL 57.6, 0.43%, 0.45%

LAB 64.86, -11.09, 49.18

 

CMYK 49 / 49 / 0 / 27

HEX #5F5EB9

RGB 95 94 185

HSL 240.66, 0.39%, 0.55%

LAB 44.15, 25.07, -48.16

 

CMYK 45 / 45 / 0 / 20

HEX #7070CC

RGB 112 112 204

HSL 240, 0.47%, 0.62%

LAB 51.14, 23.85, -47.87

 

CMYK 42 / 42 / 0 / 13

HEX #8182DF

RGB 129 130 223

HSL 239.36, 0.59%, 0.69%

LAB 58, 22.81, -47.64

 

CMYK 40 / 39 / 0 / 5

HEX #9294F2

RGB 146 148 242

HSL 238.75, 0.79%, 0.76%

LAB 64.73, 21.91, -47.45

 

CMYK 36 / 35 / 0 / 0

HEX #A3A6FF

RGB 163 166 255

HSL 238.04, 1%, 0.82%

LAB 71.06, 19.53, -44.49

 

CMYK 53 / 51 / 0 / 25

HEX #5A5EBE

RGB 90 94 190

HSL 237.6, 0.43%, 0.55%

LAB 44.08, 25.54, -51.19

 

CMYK 57 / 56 / 0 / 33

HEX #494CAB

RGB 73 76 171

HSL 238.16, 0.4%, 0.48%

LAB 36.98, 27.15, -51.54

 

CMYK 63 / 62 / 0 / 40

HEX #383A98

RGB 56 58 152

HSL 238.75, 0.46%, 0.41%

LAB 29.75, 29.11, -51.88

 

CMYK 71 / 70 / 0 / 48

HEX #272885

RGB 39 40 133

HSL 239.36, 0.55%, 0.34%

LAB 22.45, 31.44, -52.1

 

CMYK 81 / 81 / 0 / 55

HEX #161672

RGB 22 22 114

HSL 240, 0.68%, 0.27%

LAB 15.27, 33.97, -51.85

 

CMYK 52 / 50 / 0 / 26

HEX #5A5EBD

RGB 90 94 189

HSL 237.58, 0.43%, 0.55%

LAB 44.02, 25.22, -50.71

 

CMYK 40 / 52 / 0 / 26

HEX #715ABD

RGB 113 90 189

HSL 253.94, 0.43%, 0.55%

LAB 44.94, 33, -49.14

 

CMYK 26 / 52 / 0 / 26

HEX #8C5ABD

RGB 140 90 189

HSL 270.3, 0.43%, 0.55%

LAB 47.7, 39.93, -44.56

 

CMYK 12 / 52 / 0 / 26

HEX #A65ABD

RGB 166 90 189

HSL 286.06, 0.43%, 0.55%

LAB 50.8, 47.01, -39.47

 

CMYK 0 / 52 / 2 / 26

HEX #BD5AB9

RGB 189 90 185

HSL 302.42, 0.43%, 0.55%

LAB 53.64, 52.68, -32.48

 

CMYK 52 / 50 / 0 / 26

HEX #5A5EBD

RGB 90 94 189

HSL 237.58, 0.43%, 0.55%

LAB 44.02, 25.22, -50.71

 

CMYK 52 / 52 / 0 / 26

HEX #5A5ABD

RGB 90 90 189

HSL 240, 0.43%, 0.55%

LAB 43, 27.71, -52.35

 

CMYK 52 / 50 / 0 / 26

HEX #5A5EBD

RGB 90 94 189

HSL 237.58, 0.43%, 0.55%

LAB 44.02, 25.22, -50.71

 

CMYK 65 / 63 / 0 / 18

HEX #484DD0

RGB 72 77 208

HSL 237.79, 0.59%, 0.55%

LAB 39.98, 38.81, -68.32

 

CMYK 77 / 73 / 0 / 11

HEX #353CE2

RGB 53 60 226

HSL 237.57, 0.75%, 0.55%

LAB 36.89, 52.69, -83.77

 

CMYK 86 / 82 / 0 / 4

HEX #232BF5

RGB 35 43 245

HSL 237.71, 0.91%, 0.55%

LAB 35.36, 65.97, -97.12

 

CMYK 52 / 50 / 0 / 26

HEX #5A5EBD

RGB 90 94 189

HSL 237.58, 0.43%, 0.55%

LAB 44.02, 25.22, -50.71

 

CMYK 36 / 35 / 0 / 33

HEX #6D6FAB

RGB 109 111 171

HSL 238.06, 0.27%, 0.55%

LAB 48.96, 14.1, -32.31

 

CMYK 16 / 15 / 0 / 40

HEX #808198

RGB 128 129 152

HSL 237.5, 0.1%, 0.55%

LAB 54.61, 4.57, -12.43

 

CMYK 0 / 0 / 9 / 43

HEX #929285

RGB 146 146 133

HSL 60, 0.06%, 0.55%

LAB 60.21, -2.42, 6.89

 

CMYK 0 / 1 / 30 / 35

HEX #A5A373

RGB 165 163 115

HSL 57.6, 0.22%, 0.55%

LAB 66.08, -7.03, 25.26

 

CMYK 52 / 22 / 0 / 26

HEX #5A94BD

RGB 90 148 189

HSL 204.85, 0.43%, 0.55%

LAB 59, -7.28, -27.12

 

CMYK 52 / 35 / 0 / 26

HEX #5A7ABD

RGB 90 122 189

HSL 220.61, 0.43%, 0.55%

LAB 51.57, 7.91, -38.7

 

CMYK 52 / 50 / 0 / 26

HEX #5A5FBD

RGB 90 95 189

HSL 236.97, 0.43%, 0.55%

LAB 44.28, 24.59, -50.3

 

CMYK 41 / 52 / 0 / 26

HEX #705ABD

RGB 112 90 189

HSL 253.33, 0.43%, 0.55%

LAB 44.85, 32.75, -49.29

 

CMYK 27 / 52 / 0 / 26

HEX #8A5ABD

RGB 138 90 189

HSL 269.09, 0.43%, 0.55%

LAB 47.48, 39.4, -44.93

 

CMYK 60 / 58 / 0 / 45

HEX #383B8D

RGB 56 59 141

HSL 237.88, 0.43%, 0.39%

LAB 29.14, 24.59, -46.12

 

CMYK 60 / 58 / 0 / 33

HEX #4448AB

RGB 68 72 171

HSL 237.67, 0.43%, 0.47%

LAB 35.6, 28.76, -53.78

 

CMYK 52 / 50 / 0 / 26

HEX #5A5EBD

RGB 90 94 189

HSL 237.58, 0.43%, 0.55%

LAB 44.02, 25.22, -50.71

 

CMYK 40 / 39 / 0 / 21

HEX #787BC9

RGB 120 123 201

HSL 237.78, 0.43%, 0.63%

LAB 54.42, 18.39, -40.93

 

CMYK 30 / 29 / 0 / 16

HEX #9598D5

RGB 149 152 213

HSL 237.19, 0.43%, 0.71%

LAB 64.68, 12.75, -31.48

 

CMYK 53 / 51 / 0 / 25

HEX #5A5EBE

RGB 90 94 190

HSL 237.6, 0.43%, 0.55%

LAB 44.08, 25.54, -51.19

 

CMYK 0 / 52 / 8 / 26

HEX #BD5AAE

RGB 189 90 174

HSL 309.09, 0.43%, 0.55%

LAB 53.15, 50.78, -26.86

 

CMYK 29 / 0 / 52 / 26

HEX #87BD5A

RGB 135 189 90

HSL 92.73, 0.43%, 0.55%

LAB 71.07, -34.72, 44.02

 

CMYK 53 / 51 / 0 / 25

HEX #5A5EBE

RGB 90 94 190

HSL 237.6, 0.43%, 0.55%

LAB 44.08, 25.54, -51.19

 

CMYK 0 / 52 / 50 / 26

HEX #BD5A5F

RGB 189 90 95

HSL 356.97, 0.43%, 0.55%

LAB 50.64, 40.26, 16.21

 

CMYK 50 / 0 / 52 / 26

HEX #5FBD5A

RGB 95 189 90

HSL 116.97, 0.43%, 0.55%

LAB 69.16, -47.73, 41.28

 

CMYK 53 / 51 / 0 / 25

HEX #5A5EBE

RGB 90 94 190

HSL 237.6, 0.43%, 0.55%

LAB 44.08, 25.54, -51.19

 

CMYK 0 / 52 / 8 / 26

HEX #BD5AAE

RGB 189 90 174

HSL 309.09, 0.43%, 0.55%

LAB 53.15, 50.78, -26.86

 

CMYK 0 / 3 / 52 / 26

HEX #BDB85A

RGB 189 184 90

HSL 56.97, 0.43%, 0.55%

LAB 73.44, -10.91, 47.77

 

CMYK 52 / 0 / 44 / 26

HEX #5ABD69

RGB 90 189 105

HSL 129.09, 0.43%, 0.55%

LAB 69.18, -46.93, 33.76

 

CMYK 53 / 51 / 0 / 25

HEX #5A5EBE

RGB 90 94 190

HSL 237.6, 0.43%, 0.55%

LAB 44.08, 25.54, -51.19

 

CMYK 0 / 52 / 23 / 26

HEX #BD5A91

RGB 189 90 145

HSL 326.67, 0.43%, 0.55%

LAB 52.04, 46.24, -11.55

 

CMYK 0 / 3 / 52 / 26

HEX #BDB85A

RGB 189 184 90

HSL 56.97, 0.43%, 0.55%

LAB 73.44, -10.91, 47.77

 

CMYK 52 / 0 / 29 / 26

HEX #5ABD87

RGB 90 189 135

HSL 147.27, 0.43%, 0.55%

LAB 69.7, -41.56, 18.64

 

Description

Color code: HEX #5A5EBE | qconv.com Color code: HEX #5A5EBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 94 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 94 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 51 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 51% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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