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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A5767 it is the complementary color #A5A898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A5767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A5767 shade: #5F5762, #706975, #817B88, #928D9B and #A39FAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A5767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A5767 shade: #5A5767, #494554, #383341, #27212E and #160F1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A5767 shade: #595665, #5D5665, #615665, #655665 and #655661

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A5767 shade: #595665 and #565665

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A5767 shade matches the following richer shades: #595665, #504775, #463884, #3D2993 and #3319A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A5767 shade: #595665, #636656, #6C7547, #768438 and #7F9328

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A5767 shade: #565C65, #565865, #595665, #5D5665 and #615665

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A5767 shade: #323039, #46434F, #595665, #6D697C and #817E91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A5767 shade: #5A5767, #655660 and #5A6556

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A5767 shade: #5A5767, #655956 and #566559

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A5767 shade: #5A5767, #655660, #636556 and #56655C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A5767 shade: #5A5767, #65565B, #636556 and #566561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 16 / 0 / 60

HEX #5A5767

RGB 90 87 103

HSL 251.25, 0.08%, 0.37%

LAB 37.79, 4.77, -8.75

 

Complementary color

CMYK 2 / 0 / 10 / 34

HEX #A5A898

RGB 165 168 152

HSL 71.25, 0.08%, 0.63%

LAB 68.22, -4, 7.89

 

CMYK 3 / 11 / 0 / 62

HEX #5F5762

RGB 95 87 98

HSL 283.64, 0.06%, 0.36%

LAB 38.08, 5.54, -5.16

 

CMYK 4 / 10 / 0 / 54

HEX #706975

RGB 112 105 117

HSL 275, 0.05%, 0.44%

LAB 45.4, 5.2, -5.71

 

CMYK 5 / 10 / 0 / 47

HEX #817B88

RGB 129 123 136

HSL 267.69, 0.05%, 0.51%

LAB 52.52, 4.9, -6.24

 

CMYK 6 / 9 / 0 / 39

HEX #928D9B

RGB 146 141 155

HSL 261.43, 0.07%, 0.58%

LAB 59.46, 4.62, -6.75

 

CMYK 6 / 9 / 0 / 32

HEX #A39FAE

RGB 163 159 174

HSL 256, 0.08%, 0.65%

LAB 66.24, 4.37, -7.26

 

CMYK 13 / 16 / 0 / 60

HEX #5A5767

RGB 90 87 103

HSL 251.25, 0.08%, 0.37%

LAB 37.79, 4.77, -8.75

 

CMYK 13 / 18 / 0 / 67

HEX #494554

RGB 73 69 84

HSL 256, 0.1%, 0.3%

LAB 30.19, 5.13, -8.33

 

CMYK 14 / 22 / 0 / 75

HEX #383341

RGB 56 51 65

HSL 261.43, 0.12%, 0.23%

LAB 22.27, 5.56, -7.93

 

CMYK 15 / 28 / 0 / 82

HEX #27212E

RGB 39 33 46

HSL 267.69, 0.16%, 0.15%

LAB 13.92, 6.1, -7.56

 

CMYK 19 / 44 / 0 / 89

HEX #160F1B

RGB 22 15 27

HSL 275, 0.29%, 0.08%

LAB 5.34, 5.63, -6.62

 

CMYK 12 / 15 / 0 / 60

HEX #595665

RGB 89 86 101

HSL 252, 0.08%, 0.37%

LAB 37.33, 4.55, -8.2

 

CMYK 8 / 15 / 0 / 60

HEX #5D5665

RGB 93 86 101

HSL 268, 0.08%, 0.37%

LAB 37.7, 6.06, -7.6

 

CMYK 4 / 15 / 0 / 60

HEX #615665

RGB 97 86 101

HSL 284, 0.08%, 0.37%

LAB 38.09, 7.59, -6.99

 

CMYK 0 / 15 / 0 / 60

HEX #655665

RGB 101 86 101

HSL 300, 0.08%, 0.37%

LAB 38.48, 9.14, -6.35

 

CMYK 0 / 15 / 4 / 60

HEX #655661

RGB 101 86 97

HSL 316, 0.08%, 0.37%

LAB 38.35, 8.3, -4.07

 

CMYK 12 / 15 / 0 / 60

HEX #595665

RGB 89 86 101

HSL 252, 0.08%, 0.37%

LAB 37.33, 4.55, -8.2

 

CMYK 15 / 15 / 0 / 60

HEX #565665

RGB 86 86 101

HSL 240, 0.08%, 0.37%

LAB 37.07, 3.43, -8.62

 

CMYK 12 / 15 / 0 / 60

HEX #595665

RGB 89 86 101

HSL 252, 0.08%, 0.37%

LAB 37.33, 4.55, -8.2

 

CMYK 32 / 39 / 0 / 54

HEX #504775

RGB 80 71 117

HSL 251.74, 0.24%, 0.37%

LAB 32.91, 15.14, -25.06

 

CMYK 47 / 58 / 0 / 48

HEX #463884

RGB 70 56 132

HSL 251.05, 0.4%, 0.37%

LAB 28.89, 26.57, -40.88

 

CMYK 59 / 72 / 0 / 42

HEX #3D2993

RGB 61 41 147

HSL 251.32, 0.56%, 0.37%

LAB 25.82, 38.73, -55.22

 

CMYK 69 / 85 / 0 / 36

HEX #3319A2

RGB 51 25 162

HSL 251.39, 0.73%, 0.37%

LAB 23.7, 50.14, -67.93

 

CMYK 12 / 15 / 0 / 60

HEX #595665

RGB 89 86 101

HSL 252, 0.08%, 0.37%

LAB 37.33, 4.55, -8.2

 

CMYK 3 / 0 / 16 / 60

HEX #636656

RGB 99 102 86

HSL 71.25, 0.09%, 0.37%

LAB 42.5, -4.32, 8.66

 

CMYK 8 / 0 / 39 / 54

HEX #6C7547

RGB 108 117 71

HSL 71.74, 0.24%, 0.37%

LAB 47.45, -11.44, 24.26

 

CMYK 11 / 0 / 58 / 48

HEX #768438

RGB 118 132 56

HSL 71.05, 0.4%, 0.37%

LAB 52.55, -16.92, 38.62

 

CMYK 14 / 0 / 73 / 42

HEX #7F9328

RGB 127 147 40

HSL 71.21, 0.57%, 0.37%

LAB 57.59, -21.96, 51.18

 

CMYK 15 / 9 / 0 / 60

HEX #565C65

RGB 86 92 101

HSL 216, 0.08%, 0.37%

LAB 38.85, -0.27, -5.95

 

CMYK 15 / 13 / 0 / 60

HEX #565865

RGB 86 88 101

HSL 232, 0.08%, 0.37%

LAB 37.66, 2.19, -7.74

 

CMYK 12 / 15 / 0 / 60

HEX #595665

RGB 89 86 101

HSL 252, 0.08%, 0.37%

LAB 37.33, 4.55, -8.2

 

CMYK 8 / 15 / 0 / 60

HEX #5D5665

RGB 93 86 101

HSL 268, 0.08%, 0.37%

LAB 37.7, 6.06, -7.6

 

CMYK 4 / 15 / 0 / 60

HEX #615665

RGB 97 86 101

HSL 284, 0.08%, 0.37%

LAB 38.09, 7.59, -6.99

 

CMYK 12 / 16 / 0 / 78

HEX #323039

RGB 50 48 57

HSL 253.33, 0.09%, 0.21%

LAB 20.39, 3.08, -5.38

 

CMYK 11 / 15 / 0 / 69

HEX #46434F

RGB 70 67 79

HSL 255, 0.08%, 0.29%

LAB 29.11, 4.03, -6.75

 

CMYK 12 / 15 / 0 / 60

HEX #595665

RGB 89 86 101

HSL 252, 0.08%, 0.37%

LAB 37.33, 4.55, -8.2

 

CMYK 12 / 15 / 0 / 51

HEX #6D697C

RGB 109 105 124

HSL 252.63, 0.08%, 0.45%

LAB 45.37, 5.64, -9.99

 

CMYK 11 / 13 / 0 / 43

HEX #817E91

RGB 129 126 145

HSL 249.47, 0.08%, 0.53%

LAB 53.64, 5.09, -9.83

 

CMYK 13 / 16 / 0 / 60

HEX #5A5767

RGB 90 87 103

HSL 251.25, 0.08%, 0.37%

LAB 37.79, 4.77, -8.75

 

CMYK 0 / 15 / 5 / 60

HEX #655660

RGB 101 86 96

HSL 320, 0.08%, 0.37%

LAB 38.32, 8.1, -3.5

 

CMYK 11 / 0 / 15 / 60

HEX #5A6556

RGB 90 101 86

HSL 104, 0.08%, 0.37%

LAB 41.46, -7.37, 7.08

 

CMYK 13 / 16 / 0 / 60

HEX #5A5767

RGB 90 87 103

HSL 251.25, 0.08%, 0.37%

LAB 37.79, 4.77, -8.75

 

CMYK 0 / 12 / 15 / 60

HEX #655956

RGB 101 89 86

HSL 12, 0.08%, 0.37%

LAB 38.87, 4.31, 3.51

 

CMYK 15 / 0 / 12 / 60

HEX #566559

RGB 86 101 89

HSL 132, 0.08%, 0.37%

LAB 41.23, -8.33, 4.89

 

CMYK 13 / 16 / 0 / 60

HEX #5A5767

RGB 90 87 103

HSL 251.25, 0.08%, 0.37%

LAB 37.79, 4.77, -8.75

 

CMYK 0 / 15 / 5 / 60

HEX #655660

RGB 101 86 96

HSL 320, 0.08%, 0.37%

LAB 38.32, 8.1, -3.5

 

CMYK 2 / 0 / 15 / 60

HEX #636556

RGB 99 101 86

HSL 68, 0.08%, 0.37%

LAB 42.2, -3.73, 8.24

 

CMYK 15 / 0 / 9 / 60

HEX #56655C

RGB 86 101 92

HSL 144, 0.08%, 0.37%

LAB 41.31, -7.69, 3.18

 

CMYK 13 / 16 / 0 / 60

HEX #5A5767

RGB 90 87 103

HSL 251.25, 0.08%, 0.37%

LAB 37.79, 4.77, -8.75

 

CMYK 0 / 15 / 10 / 60

HEX #65565B

RGB 101 86 91

HSL 340, 0.08%, 0.37%

LAB 38.16, 7.1, -0.62

 

CMYK 2 / 0 / 15 / 60

HEX #636556

RGB 99 101 86

HSL 68, 0.08%, 0.37%

LAB 42.2, -3.73, 8.24

 

CMYK 15 / 0 / 4 / 60

HEX #566561

RGB 86 101 97

HSL 164, 0.08%, 0.37%

LAB 41.45, -6.59, 0.34

 

Description

Color code: HEX #5A5767 | qconv.com Color code: HEX #5A5767 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 87 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 87 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 16 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 16% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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