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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A546F it is the complementary color #A5AB90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A546F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A546F shade: #5F546A, #70667D, #817890, #928AA3 and #A39CB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A546F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A546F shade: #5A546F, #49425C, #383049, #271E36 and #160C23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A546F shade: #59536E, #60536E, #67536E, #6E536D and #6E5366

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A546F shade: #59536E and #53536E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A546F shade matches the following richer shades: #59536E, #50437E, #47338D, #3F249D and #3614AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A546F shade: #59536E, #62635E, #6A724F, #73823F and #7C922F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A546F shade: #535B6E, #53546E, #59536E, #60536E and #67536E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A546F shade: #332F3F, #464156, #59536E, #6C6585 and #81799A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A546F shade: #5A546F, #6E5363 and #586E53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A546F shade: #5A546F, #6E5953 and #536E59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A546F shade: #5A546F, #6E5363, #686E53 and #536E5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A546F shade: #5A546F, #6E535B, #686E53 and #536E66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 24 / 0 / 56

HEX #5A546F

RGB 90 84 111

HSL 253.33, 0.14%, 0.38%

LAB 37.23, 8.61, -14.56

 

Complementary color

CMYK 4 / 0 / 16 / 33

HEX #A5AB90

RGB 165 171 144

HSL 73.33, 0.14%, 0.62%

LAB 68.85, -6.97, 13.2

 

CMYK 10 / 21 / 0 / 58

HEX #5F546A

RGB 95 84 106

HSL 270, 0.12%, 0.37%

LAB 37.51, 9.21, -10.99

 

CMYK 10 / 18 / 0 / 51

HEX #70667D

RGB 112 102 125

HSL 266.09, 0.1%, 0.45%

LAB 44.84, 8.77, -11.37

 

CMYK 10 / 17 / 0 / 44

HEX #817890

RGB 129 120 144

HSL 262.5, 0.1%, 0.52%

LAB 51.97, 8.37, -11.75

 

CMYK 10 / 15 / 0 / 36

HEX #928AA3

RGB 146 138 163

HSL 259.2, 0.12%, 0.59%

LAB 58.91, 8.02, -12.14

 

CMYK 10 / 14 / 0 / 29

HEX #A39CB6

RGB 163 156 182

HSL 256.15, 0.15%, 0.66%

LAB 65.7, 7.7, -12.54

 

CMYK 19 / 24 / 0 / 56

HEX #5A546F

RGB 90 84 111

HSL 253.33, 0.14%, 0.38%

LAB 37.23, 8.61, -14.56

 

CMYK 21 / 28 / 0 / 64

HEX #49425C

RGB 73 66 92

HSL 256.15, 0.16%, 0.31%

LAB 29.63, 9.13, -14.34

 

CMYK 23 / 34 / 0 / 71

HEX #383049

RGB 56 48 73

HSL 259.2, 0.21%, 0.24%

LAB 21.71, 9.77, -14.18

 

CMYK 28 / 44 / 0 / 79

HEX #271E36

RGB 39 30 54

HSL 262.5, 0.29%, 0.16%

LAB 13.39, 10.59, -14.11

 

CMYK 37 / 66 / 0 / 86

HEX #160C23

RGB 22 12 35

HSL 266.09, 0.49%, 0.09%

LAB 5.01, 9.76, -13.33

 

CMYK 19 / 25 / 0 / 57

HEX #59536E

RGB 89 83 110

HSL 253.33, 0.14%, 0.38%

LAB 36.81, 8.63, -14.58

 

CMYK 13 / 25 / 0 / 57

HEX #60536E

RGB 96 83 110

HSL 268.89, 0.14%, 0.38%

LAB 37.48, 11.15, -13.5

 

CMYK 6 / 25 / 0 / 57

HEX #67536E

RGB 103 83 110

HSL 284.44, 0.14%, 0.38%

LAB 38.19, 13.72, -12.36

 

CMYK 0 / 25 / 1 / 57

HEX #6E536D

RGB 110 83 109

HSL 302.22, 0.14%, 0.38%

LAB 38.91, 16.12, -10.58

 

CMYK 0 / 25 / 7 / 57

HEX #6E5366

RGB 110 83 102

HSL 317.78, 0.14%, 0.38%

LAB 38.66, 14.7, -6.62

 

CMYK 19 / 25 / 0 / 57

HEX #59536E

RGB 89 83 110

HSL 253.33, 0.14%, 0.38%

LAB 36.81, 8.63, -14.58

 

CMYK 25 / 25 / 0 / 57

HEX #53536E

RGB 83 83 110

HSL 240, 0.14%, 0.38%

LAB 36.27, 6.52, -15.45

 

CMYK 19 / 25 / 0 / 57

HEX #59536E

RGB 89 83 110

HSL 253.33, 0.14%, 0.38%

LAB 36.81, 8.63, -14.58

 

CMYK 37 / 47 / 0 / 51

HEX #50437E

RGB 80 67 126

HSL 253.22, 0.31%, 0.38%

LAB 32.32, 20.32, -31.61

 

CMYK 50 / 64 / 0 / 45

HEX #47338D

RGB 71 51 141

HSL 253.33, 0.47%, 0.38%

LAB 28.46, 32.74, -47.16

 

CMYK 60 / 77 / 0 / 38

HEX #3F249D

RGB 63 36 157

HSL 253.39, 0.63%, 0.38%

LAB 26.02, 44.79, -61.01

 

CMYK 69 / 88 / 0 / 32

HEX #3614AD

RGB 54 20 173

HSL 253.33, 0.79%, 0.38%

LAB 24.64, 55.33, -73.01

 

CMYK 19 / 25 / 0 / 57

HEX #59536E

RGB 89 83 110

HSL 253.33, 0.14%, 0.38%

LAB 36.81, 8.63, -14.58

 

CMYK 1 / 0 / 5 / 61

HEX #62635E

RGB 98 99 94

HSL 72, 0.03%, 0.38%

LAB 41.73, -1.41, 2.7

 

CMYK 7 / 0 / 31 / 55

HEX #6A724F

RGB 106 114 79

HSL 73.71, 0.18%, 0.38%

LAB 46.53, -9.47, 18.44

 

CMYK 12 / 0 / 52 / 49

HEX #73823F

RGB 115 130 63

HSL 73.43, 0.35%, 0.38%

LAB 51.8, -16.46, 34.14

 

CMYK 15 / 0 / 68 / 43

HEX #7C922F

RGB 124 146 47

HSL 73.33, 0.51%, 0.38%

LAB 57.12, -22.3, 47.84

 

CMYK 25 / 17 / 0 / 57

HEX #535B6E

RGB 83 91 110

HSL 222.22, 0.14%, 0.38%

LAB 38.63, 1.52, -11.86

 

CMYK 25 / 24 / 0 / 57

HEX #53546E

RGB 83 84 110

HSL 237.78, 0.14%, 0.38%

LAB 36.57, 5.89, -15.01

 

CMYK 19 / 25 / 0 / 57

HEX #59536E

RGB 89 83 110

HSL 253.33, 0.14%, 0.38%

LAB 36.81, 8.63, -14.58

 

CMYK 13 / 25 / 0 / 57

HEX #60536E

RGB 96 83 110

HSL 268.89, 0.14%, 0.38%

LAB 37.48, 11.15, -13.5

 

CMYK 6 / 25 / 0 / 57

HEX #67536E

RGB 103 83 110

HSL 284.44, 0.14%, 0.38%

LAB 38.19, 13.72, -12.36

 

CMYK 19 / 25 / 0 / 75

HEX #332F3F

RGB 51 47 63

HSL 255, 0.15%, 0.22%

LAB 20.42, 5.77, -9.42

 

CMYK 19 / 24 / 0 / 66

HEX #464156

RGB 70 65 86

HSL 254.29, 0.14%, 0.3%

LAB 28.78, 7.1, -11.78

 

CMYK 19 / 25 / 0 / 57

HEX #59536E

RGB 89 83 110

HSL 253.33, 0.14%, 0.38%

LAB 36.81, 8.63, -14.58

 

CMYK 19 / 24 / 0 / 48

HEX #6C6585

RGB 108 101 133

HSL 253.13, 0.14%, 0.46%

LAB 44.5, 9.84, -16.72

 

CMYK 16 / 21 / 0 / 40

HEX #81799A

RGB 129 121 154

HSL 254.55, 0.14%, 0.54%

LAB 52.59, 10.05, -16.65

 

CMYK 19 / 24 / 0 / 56

HEX #5A546F

RGB 90 84 111

HSL 253.33, 0.14%, 0.38%

LAB 37.23, 8.61, -14.56

 

CMYK 0 / 25 / 10 / 57

HEX #6E5363

RGB 110 83 99

HSL 324.44, 0.14%, 0.38%

LAB 38.56, 14.11, -4.9

 

CMYK 20 / 0 / 25 / 57

HEX #586E53

RGB 88 110 83

HSL 108.89, 0.14%, 0.38%

LAB 44.02, -13.85, 12.44

 

CMYK 19 / 24 / 0 / 56

HEX #5A546F

RGB 90 84 111

HSL 253.33, 0.14%, 0.38%

LAB 37.23, 8.61, -14.56

 

CMYK 0 / 19 / 25 / 57

HEX #6E5953

RGB 110 89 83

HSL 13.33, 0.14%, 0.38%

LAB 39.72, 7.58, 6.71

 

CMYK 25 / 0 / 19 / 57

HEX #536E59

RGB 83 110 89

HSL 133.33, 0.14%, 0.38%

LAB 43.82, -14.57, 8.54

 

CMYK 19 / 24 / 0 / 56

HEX #5A546F

RGB 90 84 111

HSL 253.33, 0.14%, 0.38%

LAB 37.23, 8.61, -14.56

 

CMYK 0 / 25 / 10 / 57

HEX #6E5363

RGB 110 83 99

HSL 324.44, 0.14%, 0.38%

LAB 38.56, 14.11, -4.9

 

CMYK 5 / 0 / 25 / 57

HEX #686E53

RGB 104 110 83

HSL 73.33, 0.14%, 0.38%

LAB 45.25, -7.4, 14.33

 

CMYK 25 / 0 / 15 / 57

HEX #536E5E

RGB 83 110 94

HSL 144.44, 0.14%, 0.38%

LAB 43.94, -13.51, 5.72

 

CMYK 19 / 24 / 0 / 56

HEX #5A546F

RGB 90 84 111

HSL 253.33, 0.14%, 0.38%

LAB 37.23, 8.61, -14.56

 

CMYK 0 / 25 / 17 / 57

HEX #6E535B

RGB 110 83 91

HSL 342.22, 0.14%, 0.38%

LAB 38.3, 12.62, -0.3

 

CMYK 5 / 0 / 25 / 57

HEX #686E53

RGB 104 110 83

HSL 73.33, 0.14%, 0.38%

LAB 45.25, -7.4, 14.33

 

CMYK 25 / 0 / 7 / 57

HEX #536E66

RGB 83 110 102

HSL 162.22, 0.14%, 0.38%

LAB 44.16, -11.72, 1.23

 

Description

Color code: HEX #5A546F | qconv.com Color code: HEX #5A546F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 84 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 84 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 24 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 24% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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