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Color name
HEX #5A46C2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A46C2 it is the complementary color #A5B93D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A46C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A46C2 shade: #5F46BD, #7058D0, #816AE3, #927CF6 and #A38EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A46C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A46C2 shade: #5A46C2, #4934AF, #38229C, #271089 and #160076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A46C2 shade: #5B47C1, #7C47C1, #9D47C1, #BE47C1 and #C147A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A46C2 shade: #5B47C1 and #4747C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A46C2 shade matches the following richer shades: #5B47C1, #4D33D5, #401FE9 and #320BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A46C2 shade: #5B47C1, #685BAD, #756F9A, #838286 and #909672

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A46C2 shade: #4776C1, #4755C1, #5947C1, #7A47C1 and #9B47C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A46C2 shade: #3C2D89, #4A37A7, #5B47C1, #7666CC and #9285D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A46C2 shade: #5A46C2, #C14796 and #66C147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A46C2 shade: #5A46C2, #C15947 and #47C159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A46C2 shade: #5A46C2, #C14796, #AFC147 and #47C172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A46C2 shade: #5A46C2, #C14772, #AFC147 and #47C196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 64 / 0 / 24

HEX #5A46C2

RGB 90 70 194

HSL 249.68, 0.5%, 0.52%

LAB 38.64, 41.4, -62.33

 

Complementary color

CMYK 11 / 0 / 67 / 27

HEX #A5B93D

RGB 165 185 61

HSL 69.68, 0.5%, 0.48%

LAB 71.58, -23.57, 58.01

 

CMYK 50 / 63 / 0 / 26

HEX #5F46BD

RGB 95 70 189

HSL 252.61, 0.47%, 0.51%

LAB 38.7, 40.83, -59.28

 

CMYK 46 / 58 / 0 / 18

HEX #7058D0

RGB 112 88 208

HSL 252, 0.56%, 0.58%

LAB 45.6, 39.38, -59.05

 

CMYK 43 / 53 / 0 / 11

HEX #816AE3

RGB 129 106 227

HSL 251.4, 0.68%, 0.65%

LAB 52.42, 38.06, -58.78

 

CMYK 41 / 50 / 0 / 4

HEX #927CF6

RGB 146 124 246

HSL 250.82, 0.87%, 0.73%

LAB 59.14, 36.86, -58.53

 

CMYK 36 / 44 / 0 / 0

HEX #A38EFF

RGB 163 142 255

HSL 251.15, 1%, 0.78%

LAB 65.24, 33.14, -53.67

 

CMYK 54 / 64 / 0 / 24

HEX #5A46C2

RGB 90 70 194

HSL 249.68, 0.5%, 0.52%

LAB 38.64, 41.4, -62.33

 

CMYK 58 / 70 / 0 / 31

HEX #4934AF

RGB 73 52 175

HSL 250.24, 0.54%, 0.45%

LAB 31.73, 43.07, -62.46

 

CMYK 64 / 78 / 0 / 39

HEX #38229C

RGB 56 34 156

HSL 250.82, 0.64%, 0.37%

LAB 24.91, 44.65, -62.26

 

CMYK 72 / 88 / 0 / 46

HEX #271089

RGB 39 16 137

HSL 251.4, 0.79%, 0.3%

LAB 18.4, 45.55, -61.3

 

CMYK 81 / 100 / 0 / 54

HEX #160076

RGB 22 0 118

HSL 251.19, 1%, 0.23%

LAB 12.47, 45.21, -59.1

 

CMYK 53 / 63 / 0 / 24

HEX #5B47C1

RGB 91 71 193

HSL 249.84, 0.5%, 0.52%

LAB 38.87, 40.7, -61.37

 

CMYK 36 / 63 / 0 / 24

HEX #7C47C1

RGB 124 71 193

HSL 266.07, 0.5%, 0.52%

LAB 42.22, 47.4, -55.78

 

CMYK 19 / 63 / 0 / 24

HEX #9D47C1

RGB 157 71 193

HSL 282.3, 0.5%, 0.52%

LAB 46.34, 54.94, -48.93

 

CMYK 2 / 63 / 0 / 24

HEX #BE47C1

RGB 190 71 193

HSL 298.52, 0.5%, 0.52%

LAB 51.04, 62.86, -41.18

 

CMYK 0 / 63 / 15 / 24

HEX #C147A4

RGB 193 71 164

HSL 314.26, 0.5%, 0.52%

LAB 50.13, 58.95, -25.64

 

CMYK 53 / 63 / 0 / 24

HEX #5B47C1

RGB 91 71 193

HSL 249.84, 0.5%, 0.52%

LAB 38.87, 40.7, -61.37

 

CMYK 63 / 63 / 0 / 24

HEX #4747C1

RGB 71 71 193

HSL 240, 0.5%, 0.52%

LAB 37.29, 37.32, -64.01

 

CMYK 53 / 63 / 0 / 24

HEX #5B47C1

RGB 91 71 193

HSL 249.84, 0.5%, 0.52%

LAB 38.87, 40.7, -61.37

 

CMYK 64 / 76 / 0 / 16

HEX #4D33D5

RGB 77 51 213

HSL 249.63, 0.66%, 0.52%

LAB 35.5, 55.56, -78.56

 

CMYK 73 / 87 / 0 / 9

HEX #401FE9

RGB 64 31 233

HSL 249.8, 0.82%, 0.52%

LAB 33.89, 68.41, -92.73

 

CMYK 80 / 96 / 0 / 1

HEX #320BFD

RGB 50 11 253

HSL 249.67, 0.98%, 0.52%

LAB 34, 77.67, -103.86

 

CMYK 53 / 63 / 0 / 24

HEX #5B47C1

RGB 91 71 193

HSL 249.84, 0.5%, 0.52%

LAB 38.87, 40.7, -61.37

 

CMYK 40 / 47 / 0 / 32

HEX #685BAD

RGB 104 91 173

HSL 249.51, 0.33%, 0.52%

LAB 43.42, 25.54, -42.25

 

CMYK 24 / 28 / 0 / 40

HEX #756F9A

RGB 117 111 154

HSL 248.37, 0.18%, 0.52%

LAB 48.86, 12.01, -22.44

 

CMYK 2 / 3 / 0 / 47

HEX #838286

RGB 131 130 134

HSL 255, 0.02%, 0.52%

LAB 54.57, 1.18, -2.03

 

CMYK 4 / 0 / 24 / 41

HEX #909672

RGB 144 150 114

HSL 70, 0.15%, 0.52%

LAB 60.74, -8.54, 18.31

 

CMYK 63 / 39 / 0 / 24

HEX #4776C1

RGB 71 118 193

HSL 216.89, 0.5%, 0.52%

LAB 49.67, 7.74, -44.07

 

CMYK 63 / 56 / 0 / 24

HEX #4755C1

RGB 71 85 193

HSL 233.11, 0.5%, 0.52%

LAB 40.71, 28.55, -58.44

 

CMYK 54 / 63 / 0 / 24

HEX #5947C1

RGB 89 71 193

HSL 248.85, 0.5%, 0.52%

LAB 38.69, 40.33, -61.67

 

CMYK 37 / 63 / 0 / 24

HEX #7A47C1

RGB 122 71 193

HSL 265.08, 0.5%, 0.52%

LAB 41.99, 46.96, -56.16

 

CMYK 20 / 63 / 0 / 24

HEX #9B47C1

RGB 155 71 193

HSL 281.31, 0.5%, 0.52%

LAB 46.08, 54.47, -49.37

 

CMYK 56 / 67 / 0 / 46

HEX #3C2D89

RGB 60 45 137

HSL 249.78, 0.51%, 0.36%

LAB 25.69, 32.99, -49.22

 

CMYK 56 / 67 / 0 / 35

HEX #4A37A7

RGB 74 55 167

HSL 250.18, 0.5%, 0.44%

LAB 31.76, 39.03, -57.62

 

CMYK 53 / 63 / 0 / 24

HEX #5B47C1

RGB 91 71 193

HSL 249.84, 0.5%, 0.52%

LAB 38.87, 40.7, -61.37

 

CMYK 42 / 50 / 0 / 20

HEX #7666CC

RGB 118 102 204

HSL 249.41, 0.5%, 0.6%

LAB 49.15, 31.32, -51.03

 

CMYK 32 / 38 / 0 / 16

HEX #9285D6

RGB 146 133 214

HSL 249.63, 0.5%, 0.68%

LAB 59.65, 23.11, -39.9

 

CMYK 54 / 64 / 0 / 24

HEX #5A46C2

RGB 90 70 194

HSL 249.68, 0.5%, 0.52%

LAB 38.64, 41.4, -62.33

 

CMYK 0 / 63 / 22 / 24

HEX #C14796

RGB 193 71 150

HSL 321.15, 0.5%, 0.52%

LAB 49.55, 56.94, -18.22

 

CMYK 47 / 0 / 63 / 24

HEX #66C147

RGB 102 193 71

HSL 104.75, 0.5%, 0.52%

LAB 70.47, -49.44, 51.62

 

CMYK 54 / 64 / 0 / 24

HEX #5A46C2

RGB 90 70 194

HSL 249.68, 0.5%, 0.52%

LAB 38.64, 41.4, -62.33

 

CMYK 0 / 54 / 63 / 24

HEX #C15947

RGB 193 89 71

HSL 8.85, 0.5%, 0.52%

LAB 50.61, 40.34, 30.36

 

CMYK 63 / 0 / 54 / 24

HEX #47C159

RGB 71 193 89

HSL 128.85, 0.5%, 0.52%

LAB 69.61, -55.33, 42.13

 

CMYK 54 / 64 / 0 / 24

HEX #5A46C2

RGB 90 70 194

HSL 249.68, 0.5%, 0.52%

LAB 38.64, 41.4, -62.33

 

CMYK 0 / 63 / 22 / 24

HEX #C14796

RGB 193 71 150

HSL 321.15, 0.5%, 0.52%

LAB 49.55, 56.94, -18.22

 

CMYK 9 / 0 / 63 / 24

HEX #AFC147

RGB 175 193 71

HSL 68.85, 0.5%, 0.52%

LAB 74.64, -22.72, 57.36

 

CMYK 63 / 0 / 41 / 24

HEX #47C172

RGB 71 193 114

HSL 141.15, 0.5%, 0.52%

LAB 69.96, -51.43, 30.02

 

CMYK 54 / 64 / 0 / 24

HEX #5A46C2

RGB 90 70 194

HSL 249.68, 0.5%, 0.52%

LAB 38.64, 41.4, -62.33

 

CMYK 0 / 63 / 41 / 24

HEX #C14772

RGB 193 71 114

HSL 338.85, 0.5%, 0.52%

LAB 48.33, 52.53, 1.62

 

CMYK 9 / 0 / 63 / 24

HEX #AFC147

RGB 175 193 71

HSL 68.85, 0.5%, 0.52%

LAB 74.64, -22.72, 57.36

 

CMYK 63 / 0 / 22 / 24

HEX #47C196

RGB 71 193 150

HSL 158.85, 0.5%, 0.52%

LAB 70.65, -44.11, 11.79

 

Description

Color code: HEX #5A46C2 | qconv.com Color code: HEX #5A46C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 70 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 70 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 64 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 64% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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