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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A3E68 it is the complementary color #A5C197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A3E68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A3E68 shade: #5F3E63, #705076, #816289, #92749C and #A386AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A3E68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A3E68 shade: #5A3E68, #492C55, #381A42, #27082F and #16001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A3E68 shade: #5B3F69, #663F69, #693F60, #693F55 and #693F49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A3E68 shade: #5B3F69, #4F3F69, #443F69 and #3F3F69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A3E68 shade matches the following richer shades: #5B3F69, #5F3176, #642384, #681692 and #6D089F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A3E68 shade: #5B3F69, #564C5B, #525A4D, #4D6740 and #497532

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A3E68 shade: #443F69, #4F3F69, #5B3F69, #663F69 and #693F60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A3E68 shade: #2E2035, #442F4F, #5B3F69, #714E82 and #875E9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A3E68 shade: #5A3E68, #693F44 and #3F694A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A3E68 shade: #5A3E68, #695B3F and #3F695B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A3E68 shade: #5A3E68, #693F44, #4D693F and #3F6963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A3E68 shade: #5A3E68, #69463F, #4D693F and #3F6269

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 40 / 0 / 59

HEX #5A3E68

RGB 90 62 104

HSL 280, 0.25%, 0.33%

LAB 30.92, 20.8, -19.88

 

Complementary color

CMYK 15 / 0 / 22 / 24

HEX #A5C197

RGB 165 193 151

HSL 100, 0.25%, 0.67%

LAB 75.06, -17.27, 18.07

 

CMYK 4 / 37 / 0 / 61

HEX #5F3E63

RGB 95 62 99

HSL 293.51, 0.23%, 0.32%

LAB 31.3, 21.41, -16.05

 

CMYK 5 / 32 / 0 / 54

HEX #705076

RGB 112 80 118

HSL 290.53, 0.19%, 0.39%

LAB 38.71, 20.62, -16.43

 

CMYK 6 / 28 / 0 / 46

HEX #816289

RGB 129 98 137

HSL 287.69, 0.17%, 0.46%

LAB 45.92, 19.9, -16.78

 

CMYK 6 / 26 / 0 / 39

HEX #92749C

RGB 146 116 156

HSL 285, 0.17%, 0.53%

LAB 52.95, 19.26, -17.12

 

CMYK 7 / 23 / 0 / 31

HEX #A386AF

RGB 163 134 175

HSL 282.44, 0.2%, 0.61%

LAB 59.83, 18.69, -17.46

 

CMYK 13 / 40 / 0 / 59

HEX #5A3E68

RGB 90 62 104

HSL 280, 0.25%, 0.33%

LAB 30.92, 20.8, -19.88

 

CMYK 14 / 48 / 0 / 67

HEX #492C55

RGB 73 44 85

HSL 282.44, 0.32%, 0.25%

LAB 23.25, 21.7, -19.65

 

CMYK 15 / 61 / 0 / 74

HEX #381A42

RGB 56 26 66

HSL 285, 0.43%, 0.18%

LAB 15.34, 22.62, -19.34

 

CMYK 17 / 83 / 0 / 82

HEX #27082F

RGB 39 8 47

HSL 287.69, 0.71%, 0.11%

LAB 7.32, 23.11, -18.62

 

CMYK 21 / 100 / 0 / 89

HEX #16001C

RGB 22 0 28

HSL 287.14, 1%, 0.05%

LAB 2.3, 12.23, -11.94

 

CMYK 13 / 40 / 0 / 59

HEX #5B3F69

RGB 91 63 105

HSL 280, 0.25%, 0.33%

LAB 31.35, 20.76, -19.85

 

CMYK 3 / 40 / 0 / 59

HEX #663F69

RGB 102 63 105

HSL 295.71, 0.25%, 0.33%

LAB 32.7, 24.6, -17.64

 

CMYK 0 / 40 / 9 / 59

HEX #693F60

RGB 105 63 96

HSL 312.86, 0.25%, 0.33%

LAB 32.71, 23.83, -11.87

 

CMYK 0 / 40 / 19 / 59

HEX #693F55

RGB 105 63 85

HSL 328.57, 0.25%, 0.33%

LAB 32.29, 21.78, -5.45

HEX #693F55

CMYK 0 / 40 / 30 / 59

HEX #693F49

RGB 105 63 73

HSL 345.71, 0.25%, 0.33%

LAB 31.9, 19.8, 1.71

HEX #693F49

CMYK 13 / 40 / 0 / 59

HEX #5B3F69

RGB 91 63 105

HSL 280, 0.25%, 0.33%

LAB 31.35, 20.76, -19.85

 

CMYK 25 / 40 / 0 / 59

HEX #4F3F69

RGB 79 63 105

HSL 262.86, 0.25%, 0.33%

LAB 30, 16.66, -22.04

 

CMYK 35 / 40 / 0 / 59

HEX #443F69

RGB 68 63 105

HSL 247.14, 0.25%, 0.33%

LAB 28.91, 13.07, -23.82

 

CMYK 40 / 40 / 0 / 59

HEX #3F3F69

RGB 63 63 105

HSL 240, 0.25%, 0.33%

LAB 28.46, 11.52, -24.56

 

CMYK 13 / 40 / 0 / 59

HEX #5B3F69

RGB 91 63 105

HSL 280, 0.25%, 0.33%

LAB 31.35, 20.76, -19.85

 

CMYK 19 / 58 / 0 / 54

HEX #5F3176

RGB 95 49 118

HSL 280, 0.41%, 0.33%

LAB 29.25, 33.57, -31.35

 

CMYK 24 / 73 / 0 / 48

HEX #642384

RGB 100 35 132

HSL 280.21, 0.58%, 0.33%

LAB 28.32, 45.18, -41.61

 

CMYK 29 / 85 / 0 / 43

HEX #681692

RGB 104 22 146

HSL 279.68, 0.74%, 0.33%

LAB 28.36, 53.81, -50.22

 

CMYK 31 / 95 / 0 / 38

HEX #6D089F

RGB 109 8 159

HSL 280.13, 0.9%, 0.33%

LAB 29.23, 60.33, -56.74

 

CMYK 13 / 40 / 0 / 59

HEX #5B3F69

RGB 91 63 105

HSL 280, 0.25%, 0.33%

LAB 31.35, 20.76, -19.85

 

CMYK 5 / 16 / 0 / 64

HEX #564C5B

RGB 86 76 91

HSL 280, 0.09%, 0.33%

LAB 33.78, 7.36, -7.28

 

CMYK 9 / 0 / 14 / 65

HEX #525A4D

RGB 82 90 77

HSL 96.92, 0.08%, 0.33%

LAB 37.19, -5.9, 6.45

 

CMYK 25 / 0 / 38 / 60

HEX #4D6740

RGB 77 103 64

HSL 100, 0.23%, 0.33%

LAB 40.65, -17.68, 18.98

 

CMYK 38 / 0 / 57 / 54

HEX #497532

RGB 73 117 50

HSL 99.4, 0.4%, 0.33%

LAB 44.76, -28.35, 31.82

 

CMYK 35 / 40 / 0 / 59

HEX #443F69

RGB 68 63 105

HSL 247.14, 0.25%, 0.33%

LAB 28.91, 13.07, -23.82

 

CMYK 25 / 40 / 0 / 59

HEX #4F3F69

RGB 79 63 105

HSL 262.86, 0.25%, 0.33%

LAB 30, 16.66, -22.04

 

CMYK 13 / 40 / 0 / 59

HEX #5B3F69

RGB 91 63 105

HSL 280, 0.25%, 0.33%

LAB 31.35, 20.76, -19.85

 

CMYK 3 / 40 / 0 / 59

HEX #663F69

RGB 102 63 105

HSL 295.71, 0.25%, 0.33%

LAB 32.7, 24.6, -17.64

 

CMYK 0 / 40 / 9 / 59

HEX #693F60

RGB 105 63 96

HSL 312.86, 0.25%, 0.33%

LAB 32.71, 23.83, -11.87

 

CMYK 13 / 40 / 0 / 79

HEX #2E2035

RGB 46 32 53

HSL 280, 0.25%, 0.17%

LAB 14.79, 11.59, -11.15

 

CMYK 14 / 41 / 0 / 69

HEX #442F4F

RGB 68 47 79

HSL 279.38, 0.25%, 0.25%

LAB 23.09, 16.48, -15.96

 

CMYK 13 / 40 / 0 / 59

HEX #5B3F69

RGB 91 63 105

HSL 280, 0.25%, 0.33%

LAB 31.35, 20.76, -19.85

 

CMYK 13 / 40 / 0 / 49

HEX #714E82

RGB 113 78 130

HSL 280.38, 0.25%, 0.41%

LAB 38.85, 24.87, -23.58

 

CMYK 13 / 40 / 0 / 39

HEX #875E9C

RGB 135 94 156

HSL 279.68, 0.25%, 0.49%

LAB 46.39, 28.46, -27.32

 

CMYK 13 / 40 / 0 / 59

HEX #5A3E68

RGB 90 62 104

HSL 280, 0.25%, 0.33%

LAB 30.92, 20.8, -19.88

 

CMYK 0 / 40 / 35 / 59

HEX #693F44

RGB 105 63 68

HSL 352.86, 0.25%, 0.33%

LAB 31.75, 19.05, 4.73

 

CMYK 40 / 0 / 30 / 59

HEX #3F694A

RGB 63 105 74

HSL 135.71, 0.25%, 0.33%

LAB 40.66, -22.07, 12.93

 

CMYK 13 / 40 / 0 / 59

HEX #5A3E68

RGB 90 62 104

HSL 280, 0.25%, 0.33%

LAB 30.92, 20.8, -19.88

 

CMYK 0 / 13 / 40 / 59

HEX #695B3F

RGB 105 91 63

HSL 40, 0.25%, 0.33%

LAB 39.32, 1.2, 18.25

 

CMYK 40 / 0 / 13 / 59

HEX #3F695B

RGB 63 105 91

HSL 160, 0.25%, 0.33%

LAB 41.08, -18.23, 3.27

 

CMYK 13 / 40 / 0 / 59

HEX #5A3E68

RGB 90 62 104

HSL 280, 0.25%, 0.33%

LAB 30.92, 20.8, -19.88

 

CMYK 0 / 40 / 35 / 59

HEX #693F44

RGB 105 63 68

HSL 352.86, 0.25%, 0.33%

LAB 31.75, 19.05, 4.73

 

CMYK 27 / 0 / 40 / 59

HEX #4D693F

RGB 77 105 63

HSL 100, 0.25%, 0.33%

LAB 41.28, -18.92, 20.39

 

CMYK 40 / 0 / 6 / 59

HEX #3F6963

RGB 63 105 99

HSL 171.43, 0.25%, 0.33%

LAB 41.31, -16.19, -1.26

 

CMYK 13 / 40 / 0 / 59

HEX #5A3E68

RGB 90 62 104

HSL 280, 0.25%, 0.33%

LAB 30.92, 20.8, -19.88

 

CMYK 0 / 33 / 40 / 59

HEX #69463F

RGB 105 70 63

HSL 10, 0.25%, 0.33%

LAB 33.44, 14.05, 10.31

 

CMYK 27 / 0 / 40 / 59

HEX #4D693F

RGB 77 105 63

HSL 100, 0.25%, 0.33%

LAB 41.28, -18.92, 20.39

 

CMYK 40 / 7 / 0 / 59

HEX #3F6269

RGB 63 98 105

HSL 190, 0.25%, 0.33%

LAB 39.26, -10.58, -7.97

 

Description

Color code: HEX #5A3E68 | qconv.com Color code: HEX #5A3E68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 62 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 62 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 40 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 40% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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