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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A3299 it is the complementary color #A5CD66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A3299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A3299 shade: #5F3294, #7044A7, #8156BA, #9268CD and #A37AE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A3299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A3299 shade: #5A3299, #492086, #380E73, #270060 and #16004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A3299 shade: #5A319A, #76319A, #92319A, #9A3185 and #9A3169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A3299 shade: #5A319A, #3E319A and #31319A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A3299 shade matches the following richer shades: #5A319A, #5621AA, #5310BB and #4F00CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A3299 shade: #5A319A, #5E4289, #615279, #656368 and #697358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A3299 shade: #31419A, #3E319A, #59319A, #75319A and #91319A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A3299 shade: #351D5B, #48277A, #5A319A, #6C3CB9 and #8256C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A3299 shade: #5A3299, #9A315D and #339A31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A3299 shade: #5A3299, #9A5931 and #319A59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A3299 shade: #5A3299, #9A315D, #729A31 and #319A6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A3299 shade: #5A3299, #9A313E, #729A31 and #319A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 67 / 0 / 40

HEX #5A3299

RGB 90 50 153

HSL 263.3, 0.51%, 0.4%

LAB 31.24, 40.82, -49.92

 

Complementary color

CMYK 20 / 0 / 50 / 20

HEX #A5CD66

RGB 165 205 102

HSL 83.3, 0.51%, 0.6%

LAB 77.65, -29.77, 46.59

 

CMYK 36 / 66 / 0 / 42

HEX #5F3294

RGB 95 50 148

HSL 267.55, 0.49%, 0.39%

LAB 31.47, 40.56, -46.47

 

CMYK 33 / 59 / 0 / 35

HEX #7044A7

RGB 112 68 167

HSL 266.67, 0.42%, 0.46%

LAB 38.5, 39.58, -46.52

 

CMYK 31 / 54 / 0 / 27

HEX #8156BA

RGB 129 86 186

HSL 265.8, 0.42%, 0.53%

LAB 45.45, 38.56, -46.48

 

CMYK 29 / 49 / 0 / 20

HEX #9268CD

RGB 146 104 205

HSL 264.95, 0.5%, 0.61%

LAB 52.31, 37.56, -46.41

 

CMYK 27 / 46 / 0 / 12

HEX #A37AE0

RGB 163 122 224

HSL 264.12, 0.62%, 0.68%

LAB 59.06, 36.63, -46.34

 

CMYK 41 / 67 / 0 / 40

HEX #5A3299

RGB 90 50 153

HSL 263.3, 0.51%, 0.4%

LAB 31.24, 40.82, -49.92

 

CMYK 46 / 76 / 0 / 47

HEX #492086

RGB 73 32 134

HSL 264.12, 0.61%, 0.33%

LAB 24.23, 41.7, -49.68

 

CMYK 51 / 88 / 0 / 55

HEX #380E73

RGB 56 14 115

HSL 264.95, 0.78%, 0.25%

LAB 17.43, 41.79, -48.83

 

CMYK 59 / 100 / 0 / 62

HEX #270060

RGB 39 0 96

HSL 264.38, 1%, 0.19%

LAB 11.11, 40.26, -46.86

 

CMYK 71 / 100 / 0 / 70

HEX #16004D

RGB 22 0 77

HSL 257.14, 1%, 0.15%

LAB 6.38, 33.53, -41.8

 

CMYK 42 / 68 / 0 / 40

HEX #5A319A

RGB 90 49 154

HSL 263.43, 0.52%, 0.4%

LAB 31.12, 41.63, -50.72

 

CMYK 23 / 68 / 0 / 40

HEX #76319A

RGB 118 49 154

HSL 279.43, 0.52%, 0.4%

LAB 34.76, 47.75, -44.65

 

CMYK 5 / 68 / 0 / 40

HEX #92319A

RGB 146 49 154

HSL 295.43, 0.52%, 0.4%

LAB 38.97, 54.31, -37.69

 

CMYK 0 / 68 / 14 / 40

HEX #9A3185

RGB 154 49 133

HSL 312, 0.52%, 0.4%

LAB 39.17, 52.77, -24.47

 

CMYK 0 / 68 / 32 / 40

HEX #9A3169

RGB 154 49 105

HSL 328, 0.52%, 0.4%

LAB 38, 48.83, -8.84

 

CMYK 42 / 68 / 0 / 40

HEX #5A319A

RGB 90 49 154

HSL 263.43, 0.52%, 0.4%

LAB 31.12, 41.63, -50.72

 

CMYK 60 / 68 / 0 / 40

HEX #3E319A

RGB 62 49 154

HSL 247.43, 0.52%, 0.4%

LAB 28.26, 36.43, -55.51

 

CMYK 68 / 68 / 0 / 40

HEX #31319A

RGB 49 49 154

HSL 240, 0.52%, 0.4%

LAB 27.25, 34.49, -57.2

 

CMYK 42 / 68 / 0 / 40

HEX #5A319A

RGB 90 49 154

HSL 263.43, 0.52%, 0.4%

LAB 31.12, 41.63, -50.72

 

CMYK 49 / 81 / 0 / 33

HEX #5621AA

RGB 86 33 170

HSL 263.21, 0.67%, 0.4%

LAB 29.33, 52.88, -63.35

 

CMYK 56 / 91 / 0 / 27

HEX #5310BB

RGB 83 16 187

HSL 263.51, 0.84%, 0.4%

LAB 28.9, 62.25, -74.24

 

CMYK 61 / 100 / 0 / 20

HEX #4F00CB

RGB 79 0 203

HSL 263.35, 1%, 0.4%

LAB 29.35, 68.62, -82.92

 

CMYK 42 / 68 / 0 / 40

HEX #5A319A

RGB 90 49 154

HSL 263.43, 0.52%, 0.4%

LAB 31.12, 41.63, -50.72

 

CMYK 31 / 52 / 0 / 46

HEX #5E4289

RGB 94 66 137

HSL 263.66, 0.35%, 0.4%

LAB 34.15, 28.07, -35.41

 

CMYK 20 / 32 / 0 / 53

HEX #615279

RGB 97 82 121

HSL 263.08, 0.19%, 0.4%

LAB 37.76, 14.83, -19.86

 

CMYK 3 / 5 / 0 / 59

HEX #656368

RGB 101 99 104

HSL 264, 0.02%, 0.4%

LAB 42.29, 1.83, -2.55

 

CMYK 9 / 0 / 23 / 55

HEX #697358

RGB 105 115 88

HSL 82.22, 0.13%, 0.4%

LAB 46.93, -9, 13.72

 

CMYK 68 / 58 / 0 / 40

HEX #31419A

RGB 49 65 154

HSL 230.86, 0.52%, 0.4%

LAB 31.27, 24.06, -50.64

 

CMYK 60 / 68 / 0 / 40

HEX #3E319A

RGB 62 49 154

HSL 247.43, 0.52%, 0.4%

LAB 28.26, 36.43, -55.51

 

CMYK 42 / 68 / 0 / 40

HEX #59319A

RGB 89 49 154

HSL 262.86, 0.52%, 0.4%

LAB 31, 41.43, -50.92

 

CMYK 24 / 68 / 0 / 40

HEX #75319A

RGB 117 49 154

HSL 278.86, 0.52%, 0.4%

LAB 34.62, 47.52, -44.89

 

CMYK 6 / 68 / 0 / 40

HEX #91319A

RGB 145 49 154

HSL 294.86, 0.52%, 0.4%

LAB 38.81, 54.08, -37.95

 

CMYK 42 / 68 / 0 / 64

HEX #351D5B

RGB 53 29 91

HSL 263.23, 0.52%, 0.24%

LAB 17.42, 26.86, -33.09

 

CMYK 41 / 68 / 0 / 52

HEX #48277A

RGB 72 39 122

HSL 263.86, 0.52%, 0.32%

LAB 24.43, 34.42, -41.79

 

CMYK 42 / 68 / 0 / 40

HEX #5A319A

RGB 90 49 154

HSL 263.43, 0.52%, 0.4%

LAB 31.12, 41.63, -50.72

 

CMYK 42 / 68 / 0 / 27

HEX #6C3CB9

RGB 108 60 185

HSL 263.04, 0.51%, 0.48%

LAB 37.7, 47.77, -58.5

 

CMYK 35 / 57 / 0 / 22

HEX #8256C8

RGB 130 86 200

HSL 263.16, 0.51%, 0.56%

LAB 46.41, 42.4, -53.06

 

CMYK 41 / 67 / 0 / 40

HEX #5A3299

RGB 90 50 153

HSL 263.3, 0.51%, 0.4%

LAB 31.24, 40.82, -49.92

 

CMYK 0 / 68 / 40 / 40

HEX #9A315D

RGB 154 49 93

HSL 334.86, 0.52%, 0.4%

LAB 37.58, 47.39, -1.86

 

CMYK 67 / 0 / 68 / 40

HEX #339A31

RGB 51 154 49

HSL 118.86, 0.52%, 0.4%

LAB 56.12, -50.16, 44.87

 

CMYK 41 / 67 / 0 / 40

HEX #5A3299

RGB 90 50 153

HSL 263.3, 0.51%, 0.4%

LAB 31.24, 40.82, -49.92

 

CMYK 0 / 42 / 68 / 40

HEX #9A5931

RGB 154 89 49

HSL 22.86, 0.52%, 0.4%

LAB 44.57, 23.12, 34.11

 

CMYK 68 / 0 / 42 / 40

HEX #319A59

RGB 49 154 89

HSL 142.86, 0.52%, 0.4%

LAB 56.57, -44.87, 25.62

 

CMYK 41 / 67 / 0 / 40

HEX #5A3299

RGB 90 50 153

HSL 263.3, 0.51%, 0.4%

LAB 31.24, 40.82, -49.92

 

CMYK 0 / 68 / 40 / 40

HEX #9A315D

RGB 154 49 93

HSL 334.86, 0.52%, 0.4%

LAB 37.58, 47.39, -1.86

 

CMYK 26 / 0 / 68 / 40

HEX #729A31

RGB 114 154 49

HSL 82.86, 0.52%, 0.4%

LAB 58.89, -30.2, 48.64

 

CMYK 68 / 0 / 29 / 40

HEX #319A6E

RGB 49 154 110

HSL 154.86, 0.52%, 0.4%

LAB 56.97, -40.55, 14.57

 

CMYK 41 / 67 / 0 / 40

HEX #5A3299

RGB 90 50 153

HSL 263.3, 0.51%, 0.4%

LAB 31.24, 40.82, -49.92

 

CMYK 0 / 68 / 60 / 40

HEX #9A313E

RGB 154 49 62

HSL 352.57, 0.52%, 0.4%

LAB 36.77, 44.5, 16.75

 

CMYK 26 / 0 / 68 / 40

HEX #729A31

RGB 114 154 49

HSL 82.86, 0.52%, 0.4%

LAB 58.89, -30.2, 48.64

 

CMYK 68 / 0 / 8 / 40

HEX #319A8D

RGB 49 154 141

HSL 172.57, 0.52%, 0.4%

LAB 57.74, -32.69, -1.88

 

Description

Color code: HEX #5A3299 | qconv.com Color code: HEX #5A3299 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 50 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 50 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 67 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 67% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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