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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A343D it is the complementary color #A5CBC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A343D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A343D shade: #5F3438, #70464B, #81585E, #926A71 and #A37C84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A343D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A343D shade: #5A343D, #49222A, #381017, #270004 and #160000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A343D shade: #5A343D and #5A3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A343D shade: #5A343D, #5A3447, #5A3452, #58345A and #4E345A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A343D shade matches the following richer shades: #5A343D, #662837, #711D31, #7D112B and #880524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A343D shade: #5A343D, #4F3F43, #434B49, #38564F and #2C6255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A343D shade: #5A3452, #5A3448, #5A343D, #5A3434 and #5A3F34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A343D shade: #261619, #40252B, #5A343D, #74434E and #8F5260

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A343D shade: #5A343D, #5A5834 and #344D5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A343D shade: #5A343D, #3D5A34 and #343D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A343D shade: #5A343D, #5A5834, #345A51 and #34365A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A343D shade: #5A343D, #515A34, #345A51 and #3D345A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

Complementary color

CMYK 19 / 0 / 4 / 20

HEX #A5CBC2

RGB 165 203 194

HSL 165.79, 0.27%, 0.72%

LAB 78.81, -14.39, 0.31

 

CMYK 0 / 45 / 41 / 63

HEX #5F3438

RGB 95 52 56

HSL 354.42, 0.29%, 0.29%

LAB 27.23, 19.83, 5.95

 

CMYK 0 / 38 / 33 / 56

HEX #70464B

RGB 112 70 75

HSL 352.86, 0.23%, 0.36%

LAB 34.67, 18.76, 4.54

 

CMYK 0 / 32 / 27 / 49

HEX #81585E

RGB 129 88 94

HSL 351.22, 0.19%, 0.43%

LAB 41.93, 17.86, 3.39

 

CMYK 0 / 27 / 23 / 43

HEX #926A71

RGB 146 106 113

HSL 349.5, 0.16%, 0.49%

LAB 49.02, 17.08, 2.4

 

CMYK 0 / 24 / 19 / 36

HEX #A37C84

RGB 163 124 132

HSL 347.69, 0.17%, 0.56%

LAB 55.96, 16.4, 1.53

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 0 / 53 / 42 / 71

HEX #49222A

RGB 73 34 42

HSL 347.69, 0.36%, 0.21%

LAB 18.92, 19.52, 3.21

 

CMYK 0 / 71 / 59 / 78

HEX #381017

RGB 56 16 23

HSL 349.5, 0.56%, 0.14%

LAB 11.09, 20.61, 5.49

 

CMYK 0 / 100 / 90 / 85

HEX #270004

RGB 39 0 4

HSL 353.85, 1%, 0.08%

LAB 3.98, 18.03, 4.64

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 0 / 42 / 42 / 65

HEX #5A3434

RGB 90 52 52

HSL 0, 0.27%, 0.28%

LAB 26.38, 17.11, 7.31

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 0 / 42 / 21 / 65

HEX #5A3447

RGB 90 52 71

HSL 330, 0.27%, 0.28%

LAB 26.97, 20.09, -4.45

 

CMYK 0 / 42 / 9 / 65

HEX #5A3452

RGB 90 52 82

HSL 312.63, 0.27%, 0.28%

LAB 27.4, 22.17, -11.06

 

CMYK 2 / 42 / 0 / 65

HEX #58345A

RGB 88 52 90

HSL 296.84, 0.27%, 0.28%

LAB 27.49, 23.11, -16.2

 

CMYK 13 / 42 / 0 / 65

HEX #4E345A

RGB 78 52 90

HSL 281.05, 0.27%, 0.28%

LAB 26.2, 19.55, -18.3

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 0 / 61 / 46 / 60

HEX #662837

RGB 102 40 55

HSL 345.48, 0.44%, 0.28%

LAB 25.62, 29.47, 4.5

 

CMYK 0 / 74 / 57 / 56

HEX #711D31

RGB 113 29 49

HSL 345.71, 0.59%, 0.28%

LAB 25.6, 38.02, 8.84

 

CMYK 0 / 86 / 66 / 51

HEX #7D112B

RGB 125 17 43

HSL 345.56, 0.76%, 0.28%

LAB 26.55, 45.28, 14.62

 

CMYK 0 / 96 / 74 / 47

HEX #880524

RGB 136 5 36

HSL 345.8, 0.93%, 0.28%

LAB 28.03, 50.31, 21.7

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 0 / 20 / 15 / 69

HEX #4F3F43

RGB 79 63 67

HSL 345, 0.11%, 0.28%

LAB 28.44, 7.7, 0.18

 

CMYK 11 / 0 / 3 / 71

HEX #434B49

RGB 67 75 73

HSL 165, 0.06%, 0.28%

LAB 31.13, -3.69, 0.08

 

CMYK 35 / 0 / 8 / 66

HEX #38564F

RGB 56 86 79

HSL 166, 0.21%, 0.28%

LAB 34.11, -12.89, 0.53

 

CMYK 55 / 0 / 13 / 62

HEX #2C6255

RGB 44 98 85

HSL 165.56, 0.38%, 0.28%

LAB 37.71, -21.47, 1.95

 

CMYK 0 / 42 / 9 / 65

HEX #5A3452

RGB 90 52 82

HSL 312.63, 0.27%, 0.28%

LAB 27.4, 22.17, -11.06

 

CMYK 0 / 42 / 20 / 65

HEX #5A3448

RGB 90 52 72

HSL 328.42, 0.27%, 0.28%

LAB 27.01, 20.27, -5.06

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 0 / 42 / 42 / 65

HEX #5A3434

RGB 90 52 52

HSL 0, 0.27%, 0.28%

LAB 26.38, 17.11, 7.31

 

CMYK 0 / 30 / 42 / 65

HEX #5A3F34

RGB 90 63 52

HSL 17.37, 0.27%, 0.28%

LAB 29.35, 10.17, 11.41

 

CMYK 0 / 42 / 34 / 85

HEX #261619

RGB 38 22 25

HSL 348.75, 0.27%, 0.12%

LAB 9.45, 8.69, 1.21

 

CMYK 0 / 42 / 33 / 75

HEX #40252B

RGB 64 37 43

HSL 346.67, 0.27%, 0.2%

LAB 18.31, 13.76, 1.45

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 0 / 42 / 33 / 55

HEX #74434E

RGB 116 67 78

HSL 346.53, 0.27%, 0.36%

LAB 34.55, 22.65, 2.54

 

CMYK 0 / 43 / 33 / 44

HEX #8F5260

RGB 143 82 96

HSL 346.23, 0.27%, 0.44%

LAB 42.34, 27.23, 2.98

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 0 / 2 / 42 / 65

HEX #5A5834

RGB 90 88 52

HSL 56.84, 0.27%, 0.28%

LAB 36.75, -5.29, 21.16

 

CMYK 42 / 14 / 0 / 65

HEX #344D5A

RGB 52 77 90

HSL 200.53, 0.27%, 0.28%

LAB 31.29, -5.7, -10.67

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 32 / 0 / 42 / 65

HEX #3D5A34

RGB 61 90 52

HSL 105.79, 0.27%, 0.28%

LAB 35.11, -19.01, 18.6

 

CMYK 42 / 32 / 0 / 65

HEX #343D5A

RGB 52 61 90

HSL 225.79, 0.27%, 0.28%

LAB 26.17, 4.69, -18.53

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 0 / 2 / 42 / 65

HEX #5A5834

RGB 90 88 52

HSL 56.84, 0.27%, 0.28%

LAB 36.75, -5.29, 21.16

 

CMYK 42 / 0 / 10 / 65

HEX #345A51

RGB 52 90 81

HSL 165.79, 0.27%, 0.28%

LAB 35.27, -15.94, 0.94

 

CMYK 42 / 40 / 0 / 65

HEX #34365A

RGB 52 54 90

HSL 236.84, 0.27%, 0.28%

LAB 24.02, 9.45, -21.9

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 10 / 0 / 42 / 65

HEX #515A34

RGB 81 90 52

HSL 74.21, 0.27%, 0.28%

LAB 36.57, -10.55, 20.78

 

CMYK 42 / 0 / 10 / 65

HEX #345A51

RGB 52 90 81

HSL 165.79, 0.27%, 0.28%

LAB 35.27, -15.94, 0.94

 

CMYK 32 / 42 / 0 / 65

HEX #3D345A

RGB 61 52 90

HSL 254.21, 0.27%, 0.28%

LAB 24.28, 13.71, -21.44

 

Description

Color code: HEX #5A343D | qconv.com Color code: HEX #5A343D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 52 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 52 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 32 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 32% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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