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Color name
HEX #5A2F36

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A2F36 it is the complementary color #A5D0C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A2F36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A2F36 shade: #5F2F31, #704144, #815357, #92656A and #A3777D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A2F36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A2F36 shade: #5A2F36, #491D23, #380B10, #270000 and #160000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A2F36 shade: #5A2F36 and #5A2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A2F36 shade: #5A2F36, #5A2F41, #5A2F4D, #5A2F58 and #4F2F5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A2F36 shade matches the following richer shades: #5A2F36, #65242E, #701927, #7B0E1F and #860218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A2F36 shade: #5A2F36, #4F3A3D, #434545, #38504C and #2D5C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A2F36 shade: #5A2F4D, #5A2F42, #5A2F36, #5A332F and #5A3F2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A2F36 shade: #241315, #3F2126, #5A2F36, #753D46 and #904B57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A2F36 shade: #5A2F36, #585A2F and #2F475A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A2F36 shade: #5A2F36, #365A2F and #2F365A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A2F36 shade: #5A2F36, #585A2F, #2F5A53 and #302F5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A2F36 shade: #5A2F36, #4B5A2F, #2F5A53 and #3D2F5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

Complementary color

CMYK 21 / 0 / 3 / 18

HEX #A5D0C9

RGB 165 208 201

HSL 170.23, 0.31%, 0.73%

LAB 80.36, -15.49, -1.18

 

CMYK 0 / 51 / 48 / 63

HEX #5F2F31

RGB 95 47 49

HSL 357.5, 0.34%, 0.28%

LAB 25.83, 21.96, 8.65

 

CMYK 0 / 42 / 39 / 56

HEX #704144

RGB 112 65 68

HSL 356.17, 0.27%, 0.35%

LAB 33.23, 20.79, 6.96

 

CMYK 0 / 36 / 33 / 49

HEX #815357

RGB 129 83 87

HSL 354.78, 0.22%, 0.42%

LAB 40.48, 19.78, 5.62

 

CMYK 0 / 31 / 27 / 43

HEX #92656A

RGB 146 101 106

HSL 353.33, 0.18%, 0.48%

LAB 47.57, 18.9, 4.49

 

CMYK 0 / 27 / 23 / 36

HEX #A3777D

RGB 163 119 125

HSL 351.82, 0.19%, 0.55%

LAB 54.51, 18.14, 3.51

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 0 / 60 / 52 / 71

HEX #491D23

RGB 73 29 35

HSL 351.82, 0.43%, 0.2%

LAB 17.54, 21.64, 6.2

 

CMYK 0 / 80 / 71 / 78

HEX #380B10

RGB 56 11 16

HSL 353.33, 0.67%, 0.13%

LAB 9.93, 22.57, 8.42

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 0 / 48 / 48 / 65

HEX #5A2F2F

RGB 90 47 47

HSL 0, 0.31%, 0.27%

LAB 24.99, 19.56, 8.71

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 0 / 48 / 28 / 65

HEX #5A2F41

RGB 90 47 65

HSL 334.88, 0.31%, 0.27%

LAB 25.53, 22.13, -2.6

 

CMYK 0 / 48 / 14 / 65

HEX #5A2F4D

RGB 90 47 77

HSL 318.14, 0.31%, 0.27%

LAB 25.99, 24.24, -9.92

 

CMYK 0 / 48 / 2 / 65

HEX #5A2F58

RGB 90 47 88

HSL 302.79, 0.31%, 0.27%

LAB 26.48, 26.42, -16.42

 

CMYK 12 / 48 / 0 / 65

HEX #4F2F5A

RGB 79 47 90

HSL 284.65, 0.31%, 0.27%

LAB 25.06, 23.07, -20.07

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 0 / 64 / 54 / 60

HEX #65242E

RGB 101 36 46

HSL 350.77, 0.47%, 0.27%

LAB 24.4, 30.22, 8.87

 

CMYK 0 / 78 / 65 / 56

HEX #701927

RGB 112 25 39

HSL 350.34, 0.64%, 0.27%

LAB 24.6, 38.48, 14.25

 

CMYK 0 / 89 / 75 / 52

HEX #7B0E1F

RGB 123 14 31

HSL 350.64, 0.8%, 0.27%

LAB 25.64, 44.77, 21.44

 

CMYK 0 / 99 / 82 / 47

HEX #860218

RGB 134 2 24

HSL 350, 0.97%, 0.27%

LAB 27.24, 49.83, 28.42

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 0 / 27 / 23 / 69

HEX #4F3A3D

RGB 79 58 61

HSL 351.43, 0.15%, 0.27%

LAB 26.81, 9.81, 1.75

 

CMYK 3 / 0 / 0 / 73

HEX #434545

RGB 67 69 69

HSL 180, 0.01%, 0.27%

LAB 29.11, -0.83, -0.29

 

CMYK 30 / 0 / 5 / 69

HEX #38504C

RGB 56 80 76

HSL 170, 0.18%, 0.27%

LAB 32.03, -10.14, -0.61

 

CMYK 51 / 0 / 9 / 64

HEX #2D5C54

RGB 45 92 84

HSL 169.79, 0.34%, 0.27%

LAB 35.7, -18.27, -0.35

 

CMYK 0 / 48 / 14 / 65

HEX #5A2F4D

RGB 90 47 77

HSL 318.14, 0.31%, 0.27%

LAB 25.99, 24.24, -9.92

 

CMYK 0 / 48 / 27 / 65

HEX #5A2F42

RGB 90 47 66

HSL 333.49, 0.31%, 0.27%

LAB 25.56, 22.3, -3.22

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 0 / 43 / 48 / 65

HEX #5A332F

RGB 90 51 47

HSL 5.58, 0.31%, 0.27%

LAB 26, 17.09, 10.1

 

CMYK 0 / 30 / 48 / 65

HEX #5A3F2F

RGB 90 63 47

HSL 22.33, 0.31%, 0.27%

LAB 29.25, 9.52, 14.47

 

CMYK 0 / 47 / 42 / 86

HEX #241315

RGB 36 19 21

HSL 352.94, 0.31%, 0.11%

LAB 8.08, 9.14, 2.15

 

CMYK 0 / 48 / 40 / 75

HEX #3F2126

RGB 63 33 38

HSL 350, 0.31%, 0.19%

LAB 16.91, 15.15, 2.95

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 0 / 48 / 40 / 54

HEX #753D46

RGB 117 61 70

HSL 350.36, 0.31%, 0.35%

LAB 33.05, 25.47, 5.53

 

CMYK 0 / 48 / 40 / 44

HEX #904B57

RGB 144 75 87

HSL 349.57, 0.32%, 0.43%

LAB 40.65, 30.37, 6.15

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 2 / 0 / 48 / 65

HEX #585A2F

RGB 88 90 47

HSL 62.79, 0.31%, 0.27%

LAB 37.1, -8, 24.47

 

CMYK 48 / 21 / 0 / 65

HEX #2F475A

RGB 47 71 90

HSL 206.51, 0.31%, 0.27%

LAB 29.03, -3.41, -14.15

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 40 / 0 / 48 / 65

HEX #365A2F

RGB 54 90 47

HSL 110.23, 0.31%, 0.27%

LAB 34.6, -22.52, 20.81

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 2 / 0 / 48 / 65

HEX #585A2F

RGB 88 90 47

HSL 62.79, 0.31%, 0.27%

LAB 37.1, -8, 24.47

 

CMYK 48 / 0 / 8 / 65

HEX #2F5A53

RGB 47 90 83

HSL 170.23, 0.31%, 0.27%

LAB 35.09, -16.89, -0.61

 

CMYK 47 / 48 / 0 / 65

HEX #302F5A

RGB 48 47 90

HSL 241.4, 0.31%, 0.27%

LAB 21.58, 13.11, -25.79

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 17 / 0 / 48 / 65

HEX #4B5A2F

RGB 75 90 47

HSL 80.93, 0.31%, 0.27%

LAB 36.01, -13.89, 22.88

 

CMYK 48 / 0 / 8 / 65

HEX #2F5A53

RGB 47 90 83

HSL 170.23, 0.31%, 0.27%

LAB 35.09, -16.89, -0.61

 

CMYK 32 / 48 / 0 / 65

HEX #3D2F5A

RGB 61 47 90

HSL 259.53, 0.31%, 0.27%

LAB 22.87, 17.08, -23.65

 

Description

Color code: HEX #5A2F36 | qconv.com Color code: HEX #5A2F36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 47 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 47 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 40 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 40% 65% C M Y K

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Provide designers and agencies with accurate color values.

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