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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A165D it is the complementary color #A5E9A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A165D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A165D shade: #5F1658, #70286B, #813A7E, #924C91 and #A35EA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A165D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A165D shade: #5A165D, #49044A, #380037, #270024 and #160011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A165D shade: #5B165F, #5F164E, #5F163A, #5F1627 and #5F1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A165D shade: #5B165F, #48165F, #34165F, #21165F and #16165F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A165D shade matches the following richer shades: #5B165F, #640C68 and #6D0371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A165D shade: #5B165F, #531F55, #4A294C, #413242 and #393C39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A165D shade: #34165F, #47165F, #5B165F, #5F164F and #5F163B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A165D shade: #1B061C, #3B0E3D, #5B165F, #7C1E80 and #9C25A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A165D shade: #5A165D, #5F2116 and #165F3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A165D shade: #5A165D, #5F5B16 and #165F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A165D shade: #5A165D, #5F2116, #195F16 and #16545F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A165D shade: #5A165D, #5F3716, #195F16 and #163E5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 76 / 0 / 64

HEX #5A165D

RGB 90 22 93

HSL 297.46, 0.62%, 0.23%

LAB 22.08, 40.11, -26.63

 

Complementary color

CMYK 29 / 0 / 30 / 9

HEX #A5E9A2

RGB 165 233 162

HSL 117.46, 0.62%, 0.77%

LAB 86.45, -34.81, 27.9

 

CMYK 0 / 77 / 7 / 63

HEX #5F1658

RGB 95 22 88

HSL 305.75, 0.62%, 0.23%

LAB 22.69, 40.46, -22.28

 

CMYK 0 / 64 / 4 / 56

HEX #70286B

RGB 112 40 107

HSL 304.17, 0.47%, 0.3%

LAB 29.47, 40.78, -23.83

 

CMYK 0 / 55 / 2 / 49

HEX #813A7E

RGB 129 58 126

HSL 302.54, 0.38%, 0.37%

LAB 36.37, 40.42, -24.82

 

CMYK 0 / 48 / 1 / 43

HEX #924C91

RGB 146 76 145

HSL 300.86, 0.32%, 0.44%

LAB 43.25, 39.77, -25.53

 

CMYK 1 / 43 / 0 / 36

HEX #A35EA4

RGB 163 94 164

HSL 299.14, 0.28%, 0.51%

LAB 50.06, 39.01, -26.07

 

CMYK 3 / 76 / 0 / 64

HEX #5A165D

RGB 90 22 93

HSL 297.46, 0.62%, 0.23%

LAB 22.08, 40.11, -26.63

 

CMYK 1 / 95 / 0 / 71

HEX #49044A

RGB 73 4 74

HSL 299.14, 0.9%, 0.15%

LAB 15.48, 38.64, -24.5

 

CMYK 0 / 100 / 2 / 78

HEX #380037

RGB 56 0 55

HSL 301.07, 1%, 0.11%

LAB 9.93, 33.29, -20.12

 

CMYK 0 / 100 / 8 / 85

HEX #270024

RGB 39 0 36

HSL 304.62, 1%, 0.08%

LAB 5.05, 24.24, -13.86

 

CMYK 0 / 100 / 23 / 91

HEX #160011

RGB 22 0 17

HSL 313.64, 1%, 0.04%

LAB 1.91, 9.48, -4.56

 

CMYK 4 / 77 / 0 / 63

HEX #5B165F

RGB 91 22 95

HSL 296.71, 0.62%, 0.23%

LAB 22.39, 40.74, -27.45

 

CMYK 0 / 77 / 18 / 63

HEX #5F164E

RGB 95 22 78

HSL 313.97, 0.62%, 0.23%

LAB 22.15, 38.78, -16.42

 

CMYK 0 / 77 / 39 / 63

HEX #5F163A

RGB 95 22 58

HSL 330.41, 0.62%, 0.23%

LAB 21.25, 35.93, -4.08

 

CMYK 0 / 77 / 59 / 63

HEX #5F1627

RGB 95 22 39

HSL 346.03, 0.62%, 0.23%

LAB 20.65, 33.93, 8.34

 

CMYK 0 / 77 / 77 / 63

HEX #5F1616

RGB 95 22 22

HSL 0, 0.62%, 0.23%

LAB 20.3, 32.75, 19.63

 

CMYK 4 / 77 / 0 / 63

HEX #5B165F

RGB 91 22 95

HSL 296.71, 0.62%, 0.23%

LAB 22.39, 40.74, -27.45

 

CMYK 24 / 77 / 0 / 63

HEX #48165F

RGB 72 22 95

HSL 281.1, 0.62%, 0.23%

LAB 19.13, 36.23, -32.85

 

CMYK 45 / 77 / 0 / 63

HEX #34165F

RGB 52 22 95

HSL 264.66, 0.62%, 0.23%

LAB 16.16, 31.9, -37.82

 

CMYK 65 / 77 / 0 / 63

HEX #21165F

RGB 33 22 95

HSL 249.04, 0.62%, 0.23%

LAB 13.96, 28.51, -41.49

 

CMYK 77 / 77 / 0 / 63

HEX #16165F

RGB 22 22 95

HSL 240, 0.62%, 0.23%

LAB 13.05, 27.03, -43.03

 

CMYK 4 / 77 / 0 / 63

HEX #5B165F

RGB 91 22 95

HSL 296.71, 0.62%, 0.23%

LAB 22.39, 40.74, -27.45

 

CMYK 4 / 88 / 0 / 59

HEX #640C68

RGB 100 12 104

HSL 297.39, 0.79%, 0.23%

LAB 23.58, 47.48, -31.36

 

CMYK 4 / 97 / 0 / 56

HEX #6D0371

RGB 109 3 113

HSL 297.82, 0.95%, 0.23%

LAB 25.29, 52.61, -34.36

 

CMYK 4 / 77 / 0 / 63

HEX #5B165F

RGB 91 22 95

HSL 296.71, 0.62%, 0.23%

LAB 22.39, 40.74, -27.45

 

CMYK 2 / 64 / 0 / 67

HEX #531F55

RGB 83 31 85

HSL 297.78, 0.47%, 0.23%

LAB 21.85, 32.52, -21.74

 

CMYK 3 / 46 / 0 / 70

HEX #4A294C

RGB 74 41 76

HSL 296.57, 0.3%, 0.23%

LAB 22.17, 21.82, -15.31

 

CMYK 2 / 24 / 0 / 74

HEX #413242

RGB 65 50 66

HSL 296.25, 0.14%, 0.23%

LAB 22.99, 10.14, -7.41

 

CMYK 5 / 0 / 5 / 76

HEX #393C39

RGB 57 60 57

HSL 120, 0.03%, 0.23%

LAB 24.94, -1.96, 1.41

 

CMYK 45 / 77 / 0 / 63

HEX #34165F

RGB 52 22 95

HSL 264.66, 0.62%, 0.23%

LAB 16.16, 31.9, -37.82

 

CMYK 25 / 77 / 0 / 63

HEX #47165F

RGB 71 22 95

HSL 280.27, 0.62%, 0.23%

LAB 18.97, 36, -33.12

 

CMYK 4 / 77 / 0 / 63

HEX #5B165F

RGB 91 22 95

HSL 296.71, 0.62%, 0.23%

LAB 22.39, 40.74, -27.45

 

CMYK 0 / 77 / 17 / 63

HEX #5F164F

RGB 95 22 79

HSL 313.15, 0.62%, 0.23%

LAB 22.2, 38.95, -17.02

 

CMYK 0 / 77 / 38 / 63

HEX #5F163B

RGB 95 22 59

HSL 329.59, 0.62%, 0.23%

LAB 21.29, 36.06, -4.72

 

CMYK 4 / 79 / 0 / 89

HEX #1B061C

RGB 27 6 28

HSL 297.27, 0.65%, 0.07%

LAB 4.04, 12.36, -9.29

 

CMYK 3 / 77 / 0 / 76

HEX #3B0E3D

RGB 59 14 61

HSL 297.45, 0.63%, 0.15%

LAB 13.11, 28.99, -19.32

 

CMYK 4 / 77 / 0 / 63

HEX #5B165F

RGB 91 22 95

HSL 296.71, 0.62%, 0.23%

LAB 22.39, 40.74, -27.45

 

CMYK 3 / 77 / 0 / 50

HEX #7C1E80

RGB 124 30 128

HSL 297.55, 0.62%, 0.31%

LAB 31.28, 51.63, -34.14

 

CMYK 3 / 77 / 0 / 37

HEX #9C25A1

RGB 156 37 161

HSL 297.58, 0.63%, 0.39%

LAB 39.52, 62.02, -40.94

 

CMYK 3 / 76 / 0 / 64

HEX #5A165D

RGB 90 22 93

HSL 297.46, 0.62%, 0.23%

LAB 22.08, 40.11, -26.63

 

CMYK 0 / 65 / 77 / 63

HEX #5F2116

RGB 95 33 22

HSL 9.04, 0.62%, 0.23%

LAB 22.23, 27.54, 21.84

 

CMYK 77 / 0 / 35 / 63

HEX #165F3E

RGB 22 95 62

HSL 152.88, 0.62%, 0.23%

LAB 35.41, -30.64, 12.7

 

CMYK 3 / 76 / 0 / 64

HEX #5A165D

RGB 90 22 93

HSL 297.46, 0.62%, 0.23%

LAB 22.08, 40.11, -26.63

 

CMYK 0 / 4 / 77 / 63

HEX #5F5B16

RGB 95 91 22

HSL 56.71, 0.62%, 0.23%

LAB 37.79, -7.36, 38.02

 

CMYK 77 / 0 / 4 / 63

HEX #165F5B

RGB 22 95 91

HSL 176.71, 0.62%, 0.23%

LAB 36.2, -22.51, -4.06

 

CMYK 3 / 76 / 0 / 64

HEX #5A165D

RGB 90 22 93

HSL 297.46, 0.62%, 0.23%

LAB 22.08, 40.11, -26.63

 

CMYK 0 / 65 / 77 / 63

HEX #5F2116

RGB 95 33 22

HSL 9.04, 0.62%, 0.23%

LAB 22.23, 27.54, 21.84

 

CMYK 74 / 0 / 77 / 63

HEX #195F16

RGB 25 95 22

HSL 117.53, 0.62%, 0.23%

LAB 34.9, -36.69, 33.74

 

CMYK 77 / 12 / 0 / 63

HEX #16545F

RGB 22 84 95

HSL 189.04, 0.62%, 0.23%

LAB 32.56, -15.15, -12.02

 

CMYK 3 / 76 / 0 / 64

HEX #5A165D

RGB 90 22 93

HSL 297.46, 0.62%, 0.23%

LAB 22.08, 40.11, -26.63

 

CMYK 0 / 42 / 77 / 63

HEX #5F3716

RGB 95 55 22

HSL 27.12, 0.62%, 0.23%

LAB 27.36, 14.7, 27.48

 

CMYK 74 / 0 / 77 / 63

HEX #195F16

RGB 25 95 22

HSL 117.53, 0.62%, 0.23%

LAB 34.9, -36.69, 33.74

 

CMYK 77 / 35 / 0 / 63

HEX #163E5F

RGB 22 62 95

HSL 207.12, 0.62%, 0.23%

LAB 25.08, -1.45, -23.62

 

Description

Color code: HEX #5A165D | qconv.com Color code: HEX #5A165D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 22 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 22 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 76 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 76% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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