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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A00D0 it is the complementary color #A5FF2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A00D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A00D0 shade: #5F00CB, #7012DE, #8124F1, #9236FF and #A348FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A00D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A00D0 shade: #5A00D0, #4900BD, #3800AA, #270097 and #160084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A00D0 shade: #5A00D1, #9200D1, #CB00D1, #D1009E and #D10066

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A00D0 shade: #5A00D1, #2200D1 and #0000D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A00D0 shade matches the following richer shades: #5A00D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A00D0 shade: #5A00D1, #5C10C0, #5F21AF, #61329E and #63438D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A00D0 shade: #0018D1, #1F00D1, #5700D1, #8E00D1 and #C600D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A00D0 shade: #36007E, #4800A7, #5A00D1, #6C00FA and #8324FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A00D0 shade: #5A00D0, #D10050 and #00D103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A00D0 shade: #5A00D0, #D15700 and #00D157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A00D0 shade: #5A00D0, #D10050, #79D100 and #00D180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A00D0 shade: #5A00D0, #D10011, #79D100 and #00D1BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 100 / 0 / 18

HEX #5A00D0

RGB 90 0 208

HSL 265.96, 1%, 0.41%

LAB 31.18, 70.41, -82.76

 

Complementary color

CMYK 35 / 0 / 82 / 0

HEX #A5FF2F

RGB 165 255 47

HSL 85.96, 1%, 0.59%

LAB 91.56, -55.24, 81.36

 

CMYK 53 / 100 / 0 / 20

HEX #5F00CB

RGB 95 0 203

HSL 268.08, 1%, 0.4%

LAB 31.22, 69.64, -79.76

 

CMYK 50 / 92 / 0 / 13

HEX #7012DE

RGB 112 18 222

HSL 267.65, 0.85%, 0.47%

LAB 36.27, 72.49, -82.33

 

CMYK 46 / 85 / 0 / 5

HEX #8124F1

RGB 129 36 241

HSL 267.22, 0.88%, 0.54%

LAB 41.66, 74.22, -84.2

 

CMYK 43 / 79 / 0 / 0

HEX #9236FF

RGB 146 54 255

HSL 267.46, 1%, 0.61%

LAB 46.93, 73.73, -83.3

 

CMYK 36 / 72 / 0 / 0

HEX #A348FF

RGB 163 72 255

HSL 269.84, 1%, 0.64%

LAB 51.43, 69.34, -75.87

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D0

RGB 90 0 208

HSL 265.96, 1%, 0.41%

LAB 31.18, 70.41, -82.76

 

CMYK 61 / 100 / 0 / 26

HEX #4900BD

RGB 73 0 189

HSL 263.17, 1%, 0.37%

LAB 26.99, 65.06, -78.62

 

CMYK 67 / 100 / 0 / 33

HEX #3800AA

RGB 56 0 170

HSL 259.76, 1%, 0.33%

LAB 22.8, 59.68, -74.26

 

CMYK 74 / 100 / 0 / 41

HEX #270097

RGB 39 0 151

HSL 255.5, 1%, 0.3%

LAB 18.65, 54.29, -69.6

 

CMYK 83 / 100 / 0 / 48

HEX #160084

RGB 22 0 132

HSL 250, 1%, 0.26%

LAB 14.6, 48.91, -64.5

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D1

RGB 90 0 209

HSL 265.84, 1%, 0.41%

LAB 31.29, 70.63, -83.15

 

CMYK 30 / 100 / 0 / 18

HEX #9200D1

RGB 146 0 209

HSL 281.91, 1%, 0.41%

LAB 39.1, 75.73, -70.03

 

CMYK 3 / 100 / 0 / 18

HEX #CB00D1

RGB 203 0 209

HSL 298.28, 1%, 0.41%

LAB 48.64, 83.62, -54.11

 

CMYK 0 / 100 / 24 / 18

HEX #D1009E

RGB 209 0 158

HSL 314.64, 1%, 0.41%

LAB 47.01, 77.94, -26.69

 

CMYK 0 / 100 / 51 / 18

HEX #D10066

RGB 209 0 102

HSL 330.72, 1%, 0.41%

LAB 44.96, 72.65, 4.5

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D1

RGB 90 0 209

HSL 265.84, 1%, 0.41%

LAB 31.29, 70.63, -83.15

 

CMYK 84 / 100 / 0 / 18

HEX #2200D1

RGB 34 0 209

HSL 249.76, 1%, 0.41%

LAB 26.57, 68.49, -91.14

 

CMYK 100 / 100 / 0 / 18

HEX #0000D1

RGB 0 0 209

HSL 240, 1%, 0.41%

LAB 25.57, 68.16, -92.84

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D1

RGB 90 0 209

HSL 265.84, 1%, 0.41%

LAB 31.29, 70.63, -83.15

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D1

RGB 90 0 209

HSL 265.84, 1%, 0.41%

LAB 31.29, 70.63, -83.15

 

CMYK 52 / 92 / 0 / 25

HEX #5C10C0

RGB 92 16 192

HSL 265.91, 0.85%, 0.41%

LAB 30.52, 64.23, -74.47

 

CMYK 46 / 81 / 0 / 31

HEX #5F21AF

RGB 95 33 175

HSL 266.2, 0.68%, 0.41%

LAB 30.92, 55.4, -63.71

 

CMYK 39 / 68 / 0 / 38

HEX #61329E

RGB 97 50 158

HSL 266.11, 0.52%, 0.41%

LAB 32.46, 43.62, -50.94

 

CMYK 30 / 52 / 0 / 45

HEX #63438D

RGB 99 67 141

HSL 265.95, 0.36%, 0.41%

LAB 35.18, 29.94, -36.19

 

CMYK 100 / 89 / 0 / 18

HEX #0018D1

RGB 0 24 209

HSL 233.11, 1%, 0.41%

LAB 27.45, 62.38, -89.69

 

CMYK 85 / 100 / 0 / 18

HEX #1F00D1

RGB 31 0 209

HSL 248.9, 1%, 0.41%

LAB 26.43, 68.45, -91.38

 

CMYK 58 / 100 / 0 / 18

HEX #5700D1

RGB 87 0 209

HSL 264.98, 1%, 0.41%

LAB 30.95, 70.45, -83.74

 

CMYK 32 / 100 / 0 / 18

HEX #8E00D1

RGB 142 0 209

HSL 280.77, 1%, 0.41%

LAB 38.47, 75.26, -71.07

 

CMYK 5 / 100 / 0 / 18

HEX #C600D1

RGB 198 0 209

HSL 296.84, 1%, 0.41%

LAB 47.76, 82.85, -55.56

 

CMYK 57 / 100 / 0 / 51

HEX #36007E

RGB 54 0 126

HSL 265.71, 1%, 0.25%

LAB 16.94, 48.87, -56.7

 

CMYK 57 / 100 / 0 / 35

HEX #4800A7

RGB 72 0 167

HSL 265.87, 1%, 0.33%

LAB 24.22, 59.88, -70.04

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D1

RGB 90 0 209

HSL 265.84, 1%, 0.41%

LAB 31.29, 70.63, -83.15

 

CMYK 57 / 100 / 0 / 2

HEX #6C00FA

RGB 108 0 250

HSL 265.92, 1%, 0.49%

LAB 38, 80.77, -95.39

 

CMYK 49 / 86 / 0 / 0

HEX #8324FF

RGB 131 36 255

HSL 266.03, 1%, 0.57%

LAB 43.22, 77.59, -89.47

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D0

RGB 90 0 208

HSL 265.96, 1%, 0.41%

LAB 31.18, 70.41, -82.76

 

CMYK 0 / 100 / 62 / 18

HEX #D10050

RGB 209 0 80

HSL 337.03, 1%, 0.41%

LAB 44.43, 71.22, 17.53

 

CMYK 100 / 0 / 99 / 18

HEX #00D103

RGB 0 209 3

HSL 120.86, 1%, 0.41%

LAB 73.29, -74.12, 71.29

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D0

RGB 90 0 208

HSL 265.96, 1%, 0.41%

LAB 31.18, 70.41, -82.76

 

CMYK 0 / 58 / 100 / 18

HEX #D15700

RGB 209 87 0

HSL 24.98, 1%, 0.41%

LAB 52.25, 45.1, 61.87

 

CMYK 100 / 0 / 58 / 18

HEX #00D157

RGB 0 209 87

HSL 144.98, 1%, 0.41%

LAB 73.73, -68.48, 47.74

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D0

RGB 90 0 208

HSL 265.96, 1%, 0.41%

LAB 31.18, 70.41, -82.76

 

CMYK 0 / 100 / 62 / 18

HEX #D10050

RGB 209 0 80

HSL 337.03, 1%, 0.41%

LAB 44.43, 71.22, 17.53

 

CMYK 42 / 0 / 100 / 18

HEX #79D100

RGB 121 209 0

HSL 85.26, 1%, 0.41%

LAB 75.86, -52.96, 74.73

 

CMYK 100 / 0 / 39 / 18

HEX #00D180

RGB 0 209 128

HSL 156.75, 1%, 0.41%

LAB 74.29, -61.74, 28.31

 

CMYK 57 / 100 / 0 / 18

HEX #5A00D0

RGB 90 0 208

HSL 265.96, 1%, 0.41%

LAB 31.18, 70.41, -82.76

 

CMYK 0 / 100 / 92 / 18

HEX #D10011

RGB 209 0 17

HSL 355.12, 1%, 0.41%

LAB 43.65, 69.11, 52.24

 

CMYK 42 / 0 / 100 / 18

HEX #79D100

RGB 121 209 0

HSL 85.26, 1%, 0.41%

LAB 75.86, -52.96, 74.73

 

CMYK 100 / 0 / 9 / 18

HEX #00D1BF

RGB 0 209 191

HSL 174.83, 1%, 0.41%

LAB 75.68, -46.58, -3.24

 

Description

Color code: HEX #5A00D0 | qconv.com Color code: HEX #5A00D0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, none green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 0 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 100 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 100% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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