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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CE9C5 it is the complementary color #A3163A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CE9C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CE9C5 shade: #61E9C0, #72FBD3, #83FFE6, #94FFF9 and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CE9C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CE9C5 shade: #5CE9C5, #4BD7B2, #3AC59F, #29B38C and #18A179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CE9C5 shade: #5DE8C5, #5DE89F, #5DE87A, #66E85D and #8CE85D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CE9C5 shade: #5DE8C5, #5DE6E8, #5DC1E8, #5D9BE8 and #5D76E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CE9C5 shade matches the following richer shades: #5DE8C5 and #4EF7CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CE9C5 shade: #5DE8C5, #6CDABE, #7BCBB6, #89BCAF and #98ADA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CE9C5 shade: #5DE879, #5DE89E, #5DE8C3, #5DE8E8 and #5DC3E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CE9C5 shade: #1DD6A7, #39E4B8, #5DE8C5, #81EDD2 and #A6F2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CE9C5 shade: #5CE9C5, #5D66E8 and #E88B5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CE9C5 shade: #5CE9C5, #C35DE8 and #E8C35D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CE9C5 shade: #5CE9C5, #5D66E8, #E85D82 and #E8DF5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CE9C5 shade: #5CE9C5, #7D5DE8, #E85D82 and #C8E85D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 15 / 9

HEX #5CE9C5

RGB 92 233 197

HSL 164.68, 0.76%, 0.64%

LAB 84.27, -46.49, 6.23

 

Complementary color

CMYK 0 / 87 / 64 / 36

HEX #A3163A

RGB 163 22 58

HSL 344.68, 0.76%, 0.36%

LAB 35.33, 55.7, 17.73

 

CMYK 58 / 0 / 18 / 9

HEX #61E9C0

RGB 97 233 192

HSL 161.91, 0.76%, 0.65%

LAB 84.29, -46.72, 8.9

 

CMYK 55 / 0 / 16 / 2

HEX #72FBD3

RGB 114 251 211

HSL 162.48, 0.94%, 0.72%

LAB 90.45, -46.78, 7.9

 

CMYK 49 / 0 / 10 / 0

HEX #83FFE6

RGB 131 255 230

HSL 167.9, 1%, 0.76%

LAB 92.6, -40.62, 1.25

 

CMYK 42 / 0 / 2 / 0

HEX #94FFF9

RGB 148 255 249

HSL 176.64, 1%, 0.79%

LAB 93.73, -32.32, -6.84

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 61 / 0 / 15 / 9

HEX #5CE9C5

RGB 92 233 197

HSL 164.68, 0.76%, 0.64%

LAB 84.27, -46.49, 6.23

 

CMYK 65 / 0 / 17 / 16

HEX #4BD7B2

RGB 75 215 178

HSL 164.14, 0.64%, 0.57%

LAB 78.06, -46.23, 7.3

 

CMYK 71 / 0 / 19 / 23

HEX #3AC59F

RGB 58 197 159

HSL 163.6, 0.55%, 0.5%

LAB 71.78, -45.8, 8.48

 

CMYK 77 / 0 / 22 / 30

HEX #29B38C

RGB 41 179 140

HSL 163.04, 0.63%, 0.43%

LAB 65.44, -45.12, 9.78

 

CMYK 85 / 0 / 25 / 37

HEX #18A179

RGB 24 161 121

HSL 162.48, 0.74%, 0.36%

LAB 59.03, -44.09, 11.23

 

CMYK 60 / 0 / 15 / 9

HEX #5DE8C5

RGB 93 232 197

HSL 164.89, 0.75%, 0.64%

LAB 84, -45.88, 5.85

 

CMYK 60 / 0 / 31 / 9

HEX #5DE89F

RGB 93 232 159

HSL 148.49, 0.75%, 0.64%

LAB 83.2, -54.06, 24.55

 

CMYK 60 / 0 / 47 / 9

HEX #5DE87A

RGB 93 232 122

HSL 132.52, 0.75%, 0.64%

LAB 82.62, -60.38, 42.35

 

CMYK 56 / 0 / 60 / 9

HEX #66E85D

RGB 102 232 93

HSL 116.12, 0.75%, 0.64%

LAB 82.55, -62, 55.71

 

CMYK 40 / 0 / 60 / 9

HEX #8CE85D

RGB 140 232 93

HSL 99.71, 0.75%, 0.64%

LAB 84.01, -51.29, 57.74

 

CMYK 60 / 0 / 15 / 9

HEX #5DE8C5

RGB 93 232 197

HSL 164.89, 0.75%, 0.64%

LAB 84, -45.88, 5.85

 

CMYK 60 / 1 / 0 / 9

HEX #5DE6E8

RGB 93 230 232

HSL 180.86, 0.75%, 0.64%

LAB 84.35, -36.12, -12.1

 

CMYK 60 / 17 / 0 / 9

HEX #5DC1E8

RGB 93 193 232

HSL 196.83, 0.75%, 0.64%

LAB 73.74, -17.97, -28.18

 

CMYK 60 / 33 / 0 / 9

HEX #5D9BE8

RGB 93 155 232

HSL 213.24, 0.75%, 0.64%

LAB 63.01, 2.89, -44.86

 

CMYK 60 / 49 / 0 / 9

HEX #5D76E8

RGB 93 118 232

HSL 229.21, 0.75%, 0.64%

LAB 53.07, 25.01, -60.68

 

CMYK 60 / 0 / 15 / 9

HEX #5DE8C5

RGB 93 232 197

HSL 164.89, 0.75%, 0.64%

LAB 84, -45.88, 5.85

 

CMYK 68 / 0 / 17 / 3

HEX #4EF7CC

RGB 78 247 204

HSL 164.73, 0.91%, 0.64%

LAB 88.21, -52.95, 8.19

 

CMYK 60 / 0 / 15 / 9

HEX #5DE8C5

RGB 93 232 197

HSL 164.89, 0.75%, 0.64%

LAB 84, -45.88, 5.85

 

CMYK 50 / 0 / 13 / 15

HEX #6CDABE

RGB 108 218 190

HSL 164.73, 0.6%, 0.64%

LAB 80.21, -38.28, 4.13

 

CMYK 39 / 0 / 10 / 20

HEX #7BCBB6

RGB 123 203 182

HSL 164.25, 0.43%, 0.64%

LAB 76.25, -29.4, 2.76

 

CMYK 27 / 0 / 7 / 26

HEX #89BCAF

RGB 137 188 175

HSL 164.71, 0.28%, 0.64%

LAB 72.48, -19.5, 1.16

 

CMYK 12 / 0 / 3 / 32

HEX #98ADA8

RGB 152 173 168

HSL 165.71, 0.11%, 0.64%

LAB 69.03, -8.27, 0.09

 

CMYK 60 / 0 / 48 / 9

HEX #5DE879

RGB 93 232 121

HSL 132.09, 0.75%, 0.64%

LAB 82.6, -60.52, 42.82

 

CMYK 60 / 0 / 32 / 9

HEX #5DE89E

RGB 93 232 158

HSL 148.06, 0.75%, 0.64%

LAB 83.18, -54.25, 25.04

 

CMYK 60 / 0 / 16 / 9

HEX #5DE8C3

RGB 93 232 195

HSL 164.03, 0.75%, 0.64%

LAB 83.96, -46.35, 6.83

 

CMYK 60 / 0 / 0 / 9

HEX #5DE8E8

RGB 93 232 232

HSL 180, 0.75%, 0.64%

LAB 84.93, -37.04, -11.24

 

CMYK 60 / 16 / 0 / 9

HEX #5DC3E8

RGB 93 195 232

HSL 195.97, 0.75%, 0.64%

LAB 74.31, -19, -27.3

 

CMYK 86 / 0 / 22 / 16

HEX #1DD6A7

RGB 29 214 167

HSL 164.76, 0.76%, 0.48%

LAB 76.77, -53.74, 11.22

 

CMYK 75 / 0 / 19 / 11

HEX #39E4B8

RGB 57 228 184

HSL 164.56, 0.76%, 0.56%

LAB 81.74, -52.68, 9.34

 

CMYK 60 / 0 / 15 / 9

HEX #5DE8C5

RGB 93 232 197

HSL 164.89, 0.75%, 0.64%

LAB 84, -45.88, 5.85

 

CMYK 46 / 0 / 11 / 7

HEX #81EDD2

RGB 129 237 210

HSL 165, 0.75%, 0.72%

LAB 86.94, -37.49, 3.42

 

CMYK 31 / 0 / 8 / 5

HEX #A6F2DF

RGB 166 242 223

HSL 165, 0.75%, 0.8%

LAB 90.29, -27.35, 1.7

 

CMYK 61 / 0 / 15 / 9

HEX #5CE9C5

RGB 92 233 197

HSL 164.68, 0.76%, 0.64%

LAB 84.27, -46.49, 6.23

 

CMYK 60 / 56 / 0 / 9

HEX #5D66E8

RGB 93 102 232

HSL 236.12, 0.75%, 0.64%

LAB 49.08, 34.78, -67.13

 

CMYK 0 / 40 / 60 / 9

HEX #E88B5D

RGB 232 139 93

HSL 19.86, 0.75%, 0.64%

LAB 66.83, 31.17, 39.43

 

CMYK 61 / 0 / 15 / 9

HEX #5CE9C5

RGB 92 233 197

HSL 164.68, 0.76%, 0.64%

LAB 84.27, -46.49, 6.23

 

CMYK 16 / 60 / 0 / 9

HEX #C35DE8

RGB 195 93 232

HSL 284.03, 0.75%, 0.64%

LAB 57.32, 61.69, -53.34

 

CMYK 0 / 16 / 60 / 9

HEX #E8C35D

RGB 232 195 93

HSL 44.03, 0.75%, 0.64%

LAB 80.17, 1.56, 55.1

 

CMYK 61 / 0 / 15 / 9

HEX #5CE9C5

RGB 92 233 197

HSL 164.68, 0.76%, 0.64%

LAB 84.27, -46.49, 6.23

 

CMYK 60 / 56 / 0 / 9

HEX #5D66E8

RGB 93 102 232

HSL 236.12, 0.75%, 0.64%

LAB 49.08, 34.78, -67.13

 

CMYK 0 / 60 / 44 / 9

HEX #E85D82

RGB 232 93 130

HSL 344.03, 0.75%, 0.64%

LAB 58.6, 56.93, 7.67

 

CMYK 0 / 4 / 60 / 9

HEX #E8DF5D

RGB 232 223 93

HSL 56.12, 0.75%, 0.64%

LAB 87.35, -12.68, 63.08

 

CMYK 61 / 0 / 15 / 9

HEX #5CE9C5

RGB 92 233 197

HSL 164.68, 0.76%, 0.64%

LAB 84.27, -46.49, 6.23

 

CMYK 46 / 60 / 0 / 9

HEX #7D5DE8

RGB 125 93 232

HSL 253.81, 0.75%, 0.64%

LAB 49.51, 46.04, -66.31

 

CMYK 0 / 60 / 44 / 9

HEX #E85D82

RGB 232 93 130

HSL 344.03, 0.75%, 0.64%

LAB 58.6, 56.93, 7.67

 

CMYK 14 / 0 / 60 / 9

HEX #C8E85D

RGB 200 232 93

HSL 73.81, 0.75%, 0.64%

LAB 87.38, -29.83, 62.43

 

Description

Color code: HEX #5CE9C5 | qconv.com Color code: HEX #5CE9C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 233 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 233 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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