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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CDA3D it is the complementary color #A325C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CDA3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CDA3D shade: #61DA38, #72EC4B, #83FE5E, #94FF71 and #A5FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CDA3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CDA3D shade: #5CDA3D, #4BC82A, #3AB617, #29A404 and #189200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CDA3D shade: #5DDA3E, #87DA3E, #B1DA3E, #DAD93E and #DAAF3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CDA3D shade: #5DDA3E, #3EDA49, #3EDA73, #3EDA9D and #3EDAC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CDA3D shade matches the following richer shades: #5DDA3E and #51EC2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CDA3D shade: #5DDA3E, #68C750, #73B563, #7EA275 and #899088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CDA3D shade: #B0DA3E, #87DA3E, #5DDA3E, #3EDA48 and #3EDA72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CDA3D shade: #3AA61F, #46C826, #5DDA3E, #7AE060 and #97E783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CDA3D shade: #5CDA3D, #3EDADA and #DA3E9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CDA3D shade: #5CDA3D, #3E5DDA and #DA3E5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CDA3D shade: #5CDA3D, #3EDADA, #BB3EDA and #DA3E3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CDA3D shade: #5CDA3D, #3EABDA, #BB3EDA and #DA6D3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 72 / 15

HEX #5CDA3D

RGB 92 218 61

HSL 108.15, 0.68%, 0.55%

LAB 77.73, -62.34, 63.12

 

Complementary color

CMYK 16 / 81 / 0 / 24

HEX #A325C2

RGB 163 37 194

HSL 288.15, 0.68%, 0.45%

LAB 42.77, 69.17, -55.21

 

CMYK 56 / 0 / 74 / 15

HEX #61DA38

RGB 97 218 56

HSL 104.81, 0.69%, 0.54%

LAB 77.86, -61.44, 65.02

 

CMYK 52 / 0 / 68 / 7

HEX #72EC4B

RGB 114 236 75

HSL 105.47, 0.81%, 0.61%

LAB 84.01, -62.05, 64.71

 

CMYK 48 / 0 / 63 / 0

HEX #83FE5E

RGB 131 254 94

HSL 106.13, 0.99%, 0.68%

LAB 90.1, -62.43, 64.01

 

CMYK 42 / 0 / 56 / 0

HEX #94FF71

RGB 148 255 113

HSL 105.21, 1%, 0.72%

LAB 91.24, -56.06, 57.43

 

CMYK 35 / 0 / 48 / 0

HEX #A5FF84

RGB 165 255 132

HSL 103.9, 1%, 0.76%

LAB 92.21, -48.67, 50.12

 

CMYK 58 / 0 / 72 / 15

HEX #5CDA3D

RGB 92 218 61

HSL 108.15, 0.68%, 0.55%

LAB 77.73, -62.34, 63.12

 

CMYK 63 / 0 / 79 / 22

HEX #4BC82A

RGB 75 200 42

HSL 107.47, 0.65%, 0.47%

LAB 71.54, -61.39, 63.09

 

CMYK 68 / 0 / 87 / 29

HEX #3AB617

RGB 58 182 23

HSL 106.79, 0.78%, 0.4%

LAB 65.29, -59.97, 62.11

 

CMYK 75 / 0 / 98 / 36

HEX #29A404

RGB 41 164 4

HSL 106.13, 0.95%, 0.33%

LAB 59, -57.91, 59.74

 

CMYK 84 / 0 / 100 / 43

HEX #189200

RGB 24 146 0

HSL 110.14, 1%, 0.29%

LAB 52.68, -54.93, 55.16

 

CMYK 57 / 0 / 72 / 15

HEX #5DDA3E

RGB 93 218 62

HSL 108.08, 0.68%, 0.55%

LAB 77.77, -62.02, 62.82

 

CMYK 38 / 0 / 72 / 15

HEX #87DA3E

RGB 135 218 62

HSL 91.92, 0.68%, 0.55%

LAB 79.41, -49.71, 65.01

 

CMYK 19 / 0 / 72 / 15

HEX #B1DA3E

RGB 177 218 62

HSL 75.77, 0.68%, 0.55%

LAB 81.75, -34.33, 68.11

 

CMYK 0 / 0 / 72 / 15

HEX #DAD93E

RGB 218 217 62

HSL 59.62, 0.68%, 0.55%

LAB 84.42, -17.22, 71.71

 

CMYK 0 / 20 / 72 / 15

HEX #DAAF3E

RGB 218 175 62

HSL 43.46, 0.68%, 0.55%

LAB 73.49, 4.29, 61.03

 

CMYK 57 / 0 / 72 / 15

HEX #5DDA3E

RGB 93 218 62

HSL 108.08, 0.68%, 0.55%

LAB 77.77, -62.02, 62.82

 

CMYK 72 / 0 / 67 / 15

HEX #3EDA49

RGB 62 218 73

HSL 124.23, 0.68%, 0.55%

LAB 77.07, -67.44, 57.67

 

CMYK 72 / 0 / 47 / 15

HEX #3EDA73

RGB 62 218 115

HSL 140.38, 0.68%, 0.55%

LAB 77.52, -62.1, 39.19

 

CMYK 72 / 0 / 28 / 15

HEX #3EDA9D

RGB 62 218 157

HSL 156.54, 0.68%, 0.55%

LAB 78.23, -54.23, 18.63

 

CMYK 72 / 0 / 9 / 15

HEX #3EDAC7

RGB 62 218 199

HSL 172.69, 0.68%, 0.55%

LAB 79.21, -44.1, -2.27

 

CMYK 57 / 0 / 72 / 15

HEX #5DDA3E

RGB 93 218 62

HSL 108.08, 0.68%, 0.55%

LAB 77.77, -62.02, 62.82

 

CMYK 66 / 0 / 82 / 7

HEX #51EC2B

RGB 81 236 43

HSL 108.19, 0.84%, 0.55%

LAB 82.87, -71.83, 73.38

 

CMYK 57 / 0 / 72 / 15

HEX #5DDA3E

RGB 93 218 62

HSL 108.08, 0.68%, 0.55%

LAB 77.77, -62.02, 62.82

 

CMYK 48 / 0 / 60 / 22

HEX #68C750

RGB 104 199 80

HSL 107.9, 0.52%, 0.55%

LAB 72.47, -50.33, 49.94

 

CMYK 36 / 0 / 45 / 29

HEX #73B563

RGB 115 181 99

HSL 108.29, 0.36%, 0.55%

LAB 67.72, -36.93, 35.2

 

CMYK 22 / 0 / 28 / 36

HEX #7EA275

RGB 126 162 117

HSL 108, 0.19%, 0.55%

LAB 62.98, -21.2, 19.49

 

CMYK 5 / 0 / 6 / 44

HEX #899088

RGB 137 144 136

HSL 112.5, 0.03%, 0.55%

LAB 59.01, -4.12, 3.36

 

CMYK 19 / 0 / 72 / 15

HEX #B0DA3E

RGB 176 218 62

HSL 76.15, 0.68%, 0.55%

LAB 81.69, -34.72, 68.03

 

CMYK 38 / 0 / 72 / 15

HEX #87DA3E

RGB 135 218 62

HSL 91.92, 0.68%, 0.55%

LAB 79.41, -49.71, 65.01

 

CMYK 57 / 0 / 72 / 15

HEX #5DDA3E

RGB 93 218 62

HSL 108.08, 0.68%, 0.55%

LAB 77.77, -62.02, 62.82

 

CMYK 72 / 0 / 67 / 15

HEX #3EDA48

RGB 62 218 72

HSL 123.85, 0.68%, 0.55%

LAB 77.06, -67.54, 58.06

 

CMYK 72 / 0 / 48 / 15

HEX #3EDA72

RGB 62 218 114

HSL 140, 0.68%, 0.55%

LAB 77.51, -62.26, 39.67

 

CMYK 65 / 0 / 81 / 35

HEX #3AA61F

RGB 58 166 31

HSL 108, 0.69%, 0.39%

LAB 60.13, -54.23, 55.46

 

CMYK 65 / 0 / 81 / 22

HEX #46C826

RGB 70 200 38

HSL 108.15, 0.68%, 0.47%

LAB 71.39, -62.71, 64.05

 

CMYK 57 / 0 / 72 / 15

HEX #5DDA3E

RGB 93 218 62

HSL 108.08, 0.68%, 0.55%

LAB 77.77, -62.02, 62.82

 

CMYK 46 / 0 / 57 / 12

HEX #7AE060

RGB 122 224 96

HSL 107.81, 0.67%, 0.63%

LAB 80.9, -53.28, 52.67

 

CMYK 35 / 0 / 43 / 9

HEX #97E783

RGB 151 231 131

HSL 108, 0.68%, 0.71%

LAB 84.67, -42.99, 41.03

 

CMYK 58 / 0 / 72 / 15

HEX #5CDA3D

RGB 92 218 61

HSL 108.15, 0.68%, 0.55%

LAB 77.73, -62.34, 63.12

 

CMYK 72 / 0 / 0 / 15

HEX #3EDADA

RGB 62 218 218

HSL 180, 0.68%, 0.55%

LAB 79.74, -38.89, -11.62

 

CMYK 0 / 72 / 29 / 15

HEX #DA3E9B

RGB 218 62 155

HSL 324.23, 0.68%, 0.55%

LAB 52.64, 67.75, -16.11

 

CMYK 58 / 0 / 72 / 15

HEX #5CDA3D

RGB 92 218 61

HSL 108.15, 0.68%, 0.55%

LAB 77.73, -62.34, 63.12

 

CMYK 72 / 57 / 0 / 15

HEX #3E5DDA

RGB 62 93 218

HSL 228.08, 0.68%, 0.55%

LAB 44.11, 30.96, -67.35

 

CMYK 0 / 72 / 57 / 15

HEX #DA3E5D

RGB 218 62 93

HSL 348.08, 0.68%, 0.55%

LAB 50.85, 61.88, 18.5

 

CMYK 58 / 0 / 72 / 15

HEX #5CDA3D

RGB 92 218 61

HSL 108.15, 0.68%, 0.55%

LAB 77.73, -62.34, 63.12

 

CMYK 72 / 0 / 0 / 15

HEX #3EDADA

RGB 62 218 218

HSL 180, 0.68%, 0.55%

LAB 79.74, -38.89, -11.62

 

CMYK 14 / 72 / 0 / 15

HEX #BB3EDA

RGB 187 62 218

HSL 288.08, 0.68%, 0.55%

LAB 50.77, 70.13, -55.98

 

CMYK 0 / 72 / 72 / 15

HEX #DA3E3E

RGB 218 62 62

HSL 0, 0.68%, 0.55%

LAB 50.33, 60.12, 36.18

 

CMYK 58 / 0 / 72 / 15

HEX #5CDA3D

RGB 92 218 61

HSL 108.15, 0.68%, 0.55%

LAB 77.73, -62.34, 63.12

 

CMYK 72 / 22 / 0 / 15

HEX #3EABDA

RGB 62 171 218

HSL 198.08, 0.68%, 0.55%

LAB 65.91, -15.68, -32.68

 

CMYK 14 / 72 / 0 / 15

HEX #BB3EDA

RGB 187 62 218

HSL 288.08, 0.68%, 0.55%

LAB 50.77, 70.13, -55.98

 

CMYK 0 / 50 / 72 / 15

HEX #DA6D3E

RGB 218 109 62

HSL 18.08, 0.68%, 0.55%

LAB 58.22, 39.34, 45.06

 

Description

Color code: HEX #5CDA3D | qconv.com Color code: HEX #5CDA3D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 218 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 218 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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