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Color name
HEX #5CD818

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CD818 it is the complementary color #A327E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CD818. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CD818 shade: #61D813, #72EA26, #83FC39, #94FF4C and #A5FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CD818. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CD818 shade: #5CD818, #4BC605, #3AB400, #29A200 and #189000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CD818 shade: #5BD717, #8FD717, #C3D717, #D7B817 and #D78417

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CD818 shade: #5BD717, #28D717, #17D73B, #17D76F and #17D7A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CD818 shade matches the following richer shades: #5BD717 and #56EB04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CD818 shade: #5BD717, #61C42B, #67B03E, #6C9D52 and #728A65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CD818 shade: #C4D717, #91D717, #5ED717, #2BD717 and #17D737

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CD818 shade: #3C8D0F, #4CB213, #5BD717, #71E830 and #8BEC55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CD818 shade: #5CD818, #17D7B7 and #D717AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CD818 shade: #5CD818, #175ED7 and #D7175E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CD818 shade: #5CD818, #17D7B7, #9117D7 and #D71737

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CD818 shade: #5CD818, #17BED7, #9117D7 and #D73117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 89 / 15

HEX #5CD818

RGB 92 216 24

HSL 98.75, 0.8%, 0.47%

LAB 76.95, -63.53, 72.31

 

Complementary color

CMYK 29 / 83 / 0 / 9

HEX #A327E7

RGB 163 39 231

HSL 278.75, 0.8%, 0.53%

LAB 45.64, 75.68, -71.83

 

CMYK 55 / 0 / 91 / 15

HEX #61D813

RGB 97 216 19

HSL 96.24, 0.84%, 0.46%

LAB 77.1, -62.37, 73.29

 

CMYK 51 / 0 / 84 / 8

HEX #72EA26

RGB 114 234 38

HSL 96.73, 0.82%, 0.53%

LAB 83.21, -63.5, 75.23

 

CMYK 48 / 0 / 77 / 1

HEX #83FC39

RGB 131 252 57

HSL 97.23, 0.97%, 0.61%

LAB 89.27, -64.32, 76.12

 

CMYK 42 / 0 / 70 / 0

HEX #94FF4C

RGB 148 255 76

HSL 95.87, 1%, 0.65%

LAB 90.93, -59.25, 71.9

 

CMYK 35 / 0 / 63 / 0

HEX #A5FF5F

RGB 165 255 95

HSL 93.75, 1%, 0.69%

LAB 91.84, -52.4, 65.92

 

CMYK 57 / 0 / 89 / 15

HEX #5CD818

RGB 92 216 24

HSL 98.75, 0.8%, 0.47%

LAB 76.95, -63.53, 72.31

 

CMYK 62 / 0 / 97 / 22

HEX #4BC605

RGB 75 198 5

HSL 98.24, 0.95%, 0.4%

LAB 70.8, -62, 69.49

 

CMYK 68 / 0 / 100 / 29

HEX #3AB400

RGB 58 180 0

HSL 100.67, 1%, 0.35%

LAB 64.6, -59.92, 64.93

 

CMYK 75 / 0 / 100 / 36

HEX #29A200

RGB 41 162 0

HSL 104.81, 1%, 0.32%

LAB 58.33, -57.38, 59.79

 

CMYK 83 / 0 / 100 / 44

HEX #189000

RGB 24 144 0

HSL 110, 1%, 0.28%

LAB 52, -54.32, 54.61

 

CMYK 58 / 0 / 89 / 16

HEX #5BD717

RGB 91 215 23

HSL 98.75, 0.81%, 0.47%

LAB 76.61, -63.47, 72.18

 

CMYK 33 / 0 / 89 / 16

HEX #8FD717

RGB 143 215 23

HSL 82.5, 0.81%, 0.47%

LAB 78.75, -47.39, 74.84

 

CMYK 9 / 0 / 89 / 16

HEX #C3D717

RGB 195 215 23

HSL 66.25, 0.81%, 0.47%

LAB 81.98, -27.06, 78.8

 

CMYK 0 / 14 / 89 / 16

HEX #D7B817

RGB 215 184 23

HSL 50.31, 0.81%, 0.47%

LAB 75.32, -3, 74.25

 

CMYK 0 / 39 / 89 / 16

HEX #D78417

RGB 215 132 23

HSL 34.06, 0.81%, 0.47%

LAB 62.52, 24.76, 64.35

 

CMYK 58 / 0 / 89 / 16

HEX #5BD717

RGB 91 215 23

HSL 98.75, 0.81%, 0.47%

LAB 76.61, -63.47, 72.18

 

CMYK 81 / 0 / 89 / 16

HEX #28D717

RGB 40 215 23

HSL 114.69, 0.81%, 0.47%

LAB 75.52, -72.73, 70.82

 

CMYK 89 / 0 / 73 / 16

HEX #17D73B

RGB 23 215 59

HSL 131.25, 0.81%, 0.47%

LAB 75.51, -72.21, 61.17

 

CMYK 89 / 0 / 48 / 16

HEX #17D76F

RGB 23 215 111

HSL 147.5, 0.81%, 0.47%

LAB 76.03, -65.87, 39.17

 

CMYK 89 / 0 / 25 / 16

HEX #17D7A2

RGB 23 215 162

HSL 163.44, 0.81%, 0.47%

LAB 76.92, -55.68, 14.08

 

CMYK 58 / 0 / 89 / 16

HEX #5BD717

RGB 91 215 23

HSL 98.75, 0.81%, 0.47%

LAB 76.61, -63.47, 72.18

 

CMYK 63 / 0 / 98 / 8

HEX #56EB04

RGB 86 235 4

HSL 98.7, 0.97%, 0.47%

LAB 82.6, -71.55, 79.17

 

CMYK 58 / 0 / 89 / 16

HEX #5BD717

RGB 91 215 23

HSL 98.75, 0.81%, 0.47%

LAB 76.61, -63.47, 72.18

 

CMYK 51 / 0 / 78 / 23

HEX #61C42B

RGB 97 196 43

HSL 98.82, 0.64%, 0.47%

LAB 71.01, -54.21, 62.54

 

CMYK 41 / 0 / 65 / 31

HEX #67B03E

RGB 103 176 62

HSL 98.42, 0.48%, 0.47%

LAB 65.19, -43, 49.69

 

CMYK 31 / 0 / 48 / 38

HEX #6C9D52

RGB 108 157 82

HSL 99.2, 0.31%, 0.47%

LAB 59.81, -30.54, 33.95

 

CMYK 17 / 0 / 27 / 46

HEX #728A65

RGB 114 138 101

HSL 98.92, 0.15%, 0.47%

LAB 54.76, -15.86, 17.06

 

CMYK 9 / 0 / 89 / 16

HEX #C4D717

RGB 196 215 23

HSL 65.94, 0.81%, 0.47%

LAB 82.05, -26.64, 78.88

 

CMYK 33 / 0 / 89 / 16

HEX #91D717

RGB 145 215 23

HSL 81.88, 0.81%, 0.47%

LAB 78.86, -46.67, 74.96

 

CMYK 56 / 0 / 89 / 16

HEX #5ED717

RGB 94 215 23

HSL 97.81, 0.81%, 0.47%

LAB 76.7, -62.71, 72.3

 

CMYK 80 / 0 / 89 / 16

HEX #2BD717

RGB 43 215 23

HSL 113.75, 0.81%, 0.47%

LAB 75.56, -72.38, 70.87

 

CMYK 89 / 0 / 74 / 16

HEX #17D737

RGB 23 215 55

HSL 130, 0.81%, 0.47%

LAB 75.49, -72.53, 62.52

 

CMYK 57 / 0 / 89 / 45

HEX #3C8D0F

RGB 60 141 15

HSL 98.57, 0.81%, 0.31%

LAB 51.89, -45.5, 52.17

 

CMYK 57 / 0 / 89 / 30

HEX #4CB213

RGB 76 178 19

HSL 98.49, 0.81%, 0.39%

LAB 64.5, -54.55, 62.42

 

CMYK 58 / 0 / 89 / 16

HEX #5BD717

RGB 91 215 23

HSL 98.75, 0.81%, 0.47%

LAB 76.61, -63.47, 72.18

 

CMYK 51 / 0 / 79 / 9

HEX #71E830

RGB 113 232 48

HSL 98.8, 0.8%, 0.55%

LAB 82.61, -62.62, 72.18

 

CMYK 41 / 0 / 64 / 7

HEX #8BEC55

RGB 139 236 85

HSL 98.54, 0.8%, 0.63%

LAB 85.07, -53.94, 62.23

 

CMYK 57 / 0 / 89 / 15

HEX #5CD818

RGB 92 216 24

HSL 98.75, 0.8%, 0.47%

LAB 76.95, -63.53, 72.31

 

CMYK 89 / 0 / 15 / 16

HEX #17D7B7

RGB 23 215 183

HSL 170, 0.81%, 0.47%

LAB 77.4, -50.46, 3.59

 

CMYK 0 / 89 / 21 / 16

HEX #D717AA

RGB 215 23 170

HSL 314.06, 0.81%, 0.47%

LAB 49.45, 78.26, -29.94

 

CMYK 57 / 0 / 89 / 15

HEX #5CD818

RGB 92 216 24

HSL 98.75, 0.8%, 0.47%

LAB 76.95, -63.53, 72.31

 

CMYK 89 / 56 / 0 / 16

HEX #175ED7

RGB 23 94 215

HSL 217.81, 0.81%, 0.47%

LAB 42.9, 25.71, -67.65

 

CMYK 0 / 89 / 56 / 16

HEX #D7175E

RGB 215 23 94

HSL 337.81, 0.81%, 0.47%

LAB 46.8, 71.06, 12.25

 

CMYK 57 / 0 / 89 / 15

HEX #5CD818

RGB 92 216 24

HSL 98.75, 0.8%, 0.47%

LAB 76.95, -63.53, 72.31

 

CMYK 89 / 0 / 15 / 16

HEX #17D7B7

RGB 23 215 183

HSL 170, 0.81%, 0.47%

LAB 77.4, -50.46, 3.59

 

CMYK 33 / 89 / 0 / 16

HEX #9117D7

RGB 145 23 215

HSL 278.13, 0.81%, 0.47%

LAB 40.47, 73.7, -71.24

 

CMYK 0 / 89 / 74 / 16

HEX #D71737

RGB 215 23 55

HSL 350, 0.81%, 0.47%

LAB 46.09, 69.05, 35.22

 

CMYK 57 / 0 / 89 / 15

HEX #5CD818

RGB 92 216 24

HSL 98.75, 0.8%, 0.47%

LAB 76.95, -63.53, 72.31

 

CMYK 89 / 12 / 0 / 16

HEX #17BED7

RGB 23 190 215

HSL 187.81, 0.81%, 0.47%

LAB 70.81, -29.9, -23.55

 

CMYK 33 / 89 / 0 / 16

HEX #9117D7

RGB 145 23 215

HSL 278.13, 0.81%, 0.47%

LAB 40.47, 73.7, -71.24

 

CMYK 0 / 77 / 89 / 16

HEX #D73117

RGB 215 49 23

HSL 8.13, 0.81%, 0.47%

LAB 47.89, 62.3, 53.37

 

Description

Color code: HEX #5CD818 | qconv.com Color code: HEX #5CD818 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 216 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 216 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 89 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 89% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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